With New York Film Academy (NYFA) beginning to expand its offerings and conducting specialized workshops online, actors like Online Acting for Film alum, Elnaaz Norouzi, can take classes to polish their craft from renowned industry professionals anywhere in the world. Elnaaz Norouzi, who recently studied in a 4-Week Acting for Film Workshop, also stars in the Netflix original series Sacred Games.
Norouzi was born in Tehran, Iran, and later moved to Germany, where she also learned English, German, and French in addition to her native language of Farsi. When she moved to India years later, Norouzi also learned Hindi, Urdu, and Punjabi, allowing her to speak a grand total of seven languages.
NYFA alum Elnaaz Norouzi as Zoya in ‘Sacred
Just like learning languages opens the doors to understanding different cultures and behaviors, so does becoming an actor. “I always found it super fascinating to learn and to know what other people feel or what makes them do things the way they do them,” says Norouzi. “I feel it takes a lot for an actor to be able to put themselves in the shoes of another.”
In addition to acting, Norouzi has also been working as an international model for over ten years with brands like Dior, Lacoste, and Le Coq Sportif, to name a few, but it is acting that Norouzi is most passionate about.
When she began her acting career in India, Norouzi remembers taking a lot of classes in Mumbai, but it was always her dream to go to New York Film Academy. With Norouzi’s normally packed schedule winding down due to the global pandemic, she realized it was time to make that dream a reality and enrolled in NYFA’s Online Acting for Film Workshop. “I learned so much about what I’ve never done before with my scripts. My next script will be full of left-hand side notes.”
Photo Courtesy of Elnaaz Norouzi
While many remember their first experience in the film industry, Norouzi remembers several. Her first acting roles for films, Maan Jao Naa and Khido Khundi, were part of two separate film industries, the Pakistani (“Lollywood”) and Punjabi (“Pollywood) industries, respectively. “It’s amazing to be able to explore different film industries. Each of them work so differently,” she says. “Both of those films were only my first two films and I got to learn so much while doing them.”
After her film acting debut, Norouzi quickly found herself involved in Netflix’s first original series in India called Sacred Games, based on Vikram Chandra’s 2006 novel of the same name. “I remember being one of the last girls to audition for Zoya and Jameela’s role. After I got the role, I discovered they were auditioning girls for over three months for my part and weren’t able to find anyone suitable. By the time I was cast, the shooting for the first season had already started.”
NYFA alum Elnaaz Norouzi in Netflix poster for ‘Sacred Games’
“I felt very proud bagging the role, but back then I didn’t expect much because I didn’t know much about Netflix, and no one in India had Netflix yet.” After the series was released, the show became such a success that people began subscribing to Netflix just to watch Sacred Games. “People started recognizing me and calling me Zoya [Norouzi’s character] and I realized how big the show had actually become.”
The show currently has two seasons available on Netflix and it is likely it will be renewed for a third season. “It may take some time since the original book covered only the first two seasons, so our fabulous writers must write something new for us now.
Aside from another season of Sacred Games, Norouzi shares she has two films coming up, including a Bollywood film that was delayed in its release due to COVID-19 and a South Indian action film in Tamil. “Lots of people have asked me if Tamil is going to be my eighth language, but that will surely not happen. It was hard enough to learn it for the film, I don’t think I can learn the entire language,” she jokes.
New York Film Academy would like to thank actress and NYFA alum Elnaaz Norouzi for taking the time to share her experience in the global film industry and looks forward to seeing Elnaaz in her upcoming projects. Sacred Games (Seasons 1 & 2) are currently streaming now on Netflix.
When Angolan filmmakers Fradique (a.k.a. Mario Bastos) and Hugo Salvaterra, a NYFA Fulbright student, met in high school, little did they know it would be the beginning of a friendship and collaboration that would continue into adulthood, where they would both be studying at the New York Film Academy, and take them to the prestigiousWe Are One: A Global Film Festival. Created by the Tribeca Film Festival as a fundraiser for organizations addressing the world’s COVID-19 crisis, We Are One includes selections from top festivals such as Cannes, Berlin, Venice, and Rotterdam.
Air Conditioner, Fradique’s first fictional feature as writer and director,will premiere on YouTube on Saturday, June 6, 2020, at 11:45 am Eastern. It will then become available on demand for seven days afterwards. Attending the premiere is free, but donations are welcome.
Crickett Rumley, NYFA’s Director of Film Festivals, caught up with Fradique and Hugo right before the festival and asked them about their experiences.
Fradique on set of ‘Air Conditioner’ (Photo Credit: Cafuxi)
Rumley:Congratulations on this amazing success. Fradique, could you tell us more about Air Conditioner and how it came to be?
Fradique: This is actually a project that I had started writing a couple of years ago while I was developing what was supposed to be my first fiction film, The Kingdom of Casuarinas. Air Conditioner was kind of a side project that eventually ended up becoming my first fiction film, which for me was a big lesson on how in our line of work these things take many years. Sometimes the next one is not the one you thought it would be. The film was written by me and the director of photography, Ery Claver, who is a very talented filmmaker and someone that sees cinema as I do.
Air Conditioner is a magic neo-realistic journey through downtown Luanda, Angola, where we follow Matacedo, a security guard of an old building, while he tries to retrieve his boss’s AC in a city where all the AC’s are falling. This is a film about loss, how we live together as society, and a critique of social classes in a city that is past-present-future. My biggest inspiration for this film was my own life experience growing up and living in many different buildings in downtown Luanda and also the idea that these invisible workers that are the heart and soul of our city should be main characters on the stories we watch on the big screen.
Rumley: What was the most challenging thing about making the film? What did you learn in the process?
Fradique: The film was produced and shot with a very small crew, almost guerrilla-style, so letting go and accepting what surroundings are offering you was my biggest challenge and lesson. Usually in all my projects, I try to be as meticulous as I can regarding the script, storyboard, and shooting plan, but with this film we wanted to work not only with non-actors, but also with the real location where the story takes place, the building. In the end, the film resulted from creative acts derived from a deep structure. It privileges character and location over traditional narrative. The improvisation in this project was not simply a free flow of expression, but a rigorous and disciplined act of playing from a given structure at its core. I believe that this mixture was essential to bring some raw and poetic experiences to the screen while pushing at the same time stronger performances from the cast.
Film poster for ‘Air Conditioner’
Rumley:The film premiered at Rotterdam, which is an amazing place to launch. What was that experience like?
Fradique: Yes, the film had its World Premiere at the Rotterdam International Film Festival in the section of ‘Bright Future Main Program’ in 2020. For me, it was an honor to have the first festival screening at IFFR. It was my second time over there and I love and stand for everything that the festival believes. A lot of filmmakers that inspire me have been at IFFR; it’s a great home for the global south cinema. The feedback after the screenings exceeded my expectations, which were very low because I was very tired after a year of working on the film. We had five screenings and they were all sold out before the festival even started. The audience in Rotterdam are very generous and authentic cinephiles. We had great reviews at The Hollywood Reporter, The Guardian, and other local newspapers. The original soundtrack, which was composed by Aline Frazão for the film, was one of the elements that reviewers and the audiences mention a lot. She did an incredible job, and I believe the music in the film brought to the surface the soul of the main character, Matacedo, as well the city of Luanda.
Rumley:Fradique and Hugo, what are you each looking forward to with the film’s screening at We Are One?
Fradique:How this festival was put together still amazes me. We Are One offers a global audience easy access to great films and conversations about filmmaking. It’s free, yet it’s also open to donations to fight against Covid-19. For me as a filmmaker in the current crisis that was an important criterion to join this initiative because it has bigger concerns than defending a particular festival or film. It shows how important it is to work and act collectively. We are all still learning and trying to figure out what the future of independent cinema and festivals will be, but it’s important to try new formats and be open. I hope at the festival Air Conditioner reaches audiences that probably were not going to watch this film or simply give someone who is at home a small pleasant journey to Luanda, Angola.
Hugo:Personally, I’m mostly proud of the company’s achievement, amazed at the scale and sheer diversity of the festival. After attending many festivals like Tribeca, LA and NY film festivals or even the Venice Biennale, this feels like the most diverse and representative curatorship I’ve seen thus far. It truly represents cinema and independent cinema as a planetary global experience. It also gives me added hope that the usually non-English, non-western filmmaking voices can also be heard on a global scale for a more democratic and inclusive future for all independent filmmakers.
Filming ‘Air Conditioner’ (Photo Credit: Cafuxi)
Rumley:Let’s backtrack for a minute to the beginnings of your collaboration. How did you meet and start working together? Was it attending NYFA, or back at home?
Fradique: I met Hugo while I was still in high school here in Angola. Afterwards we went to study abroad. He went to Europe, and I went to the US in 2004 where I did NYFA’s 1-Year Filmmaking program and also a BFA at the Academy of Art in San Francisco. Once I got back to Angola in 2010, I started a production company called Geração 80, with Jorge Cohen and Tchiloia Lara. Hugo was one of the first artists to come on board at Geração 80. Our production company will celebrate 10 years this year.
Hugo:I met Fradique in the cocoon of our high school here in Luanda, Angola, in our youth. If my memory doesn’t fail me, I think I formed a kinship with him when I was still in university in Lisbon making music on the side. He showed some interest in shooting a video for a small EP I had made in my bedroom, something I never expected, and it meant a lot at the time. Our connection really took off when I joined Geração 80. I did my first job for the company while I was living in London in the end of 2011 then joined in early 2012, way before NYFA. I was still an aspiring filmmaker, writing film reviews and working mostly with photography. A memorable day is when I first made it into his bedroom, shortly after arriving from London. Large sections of his DVD film collection mirrored mine. That’s when I realized that more than a friend, I had found a brother through our shared passion for film.
Rumley:Hugo, what was your position on ‘Air Conditioner?’
Hugo: I was fresh from returning to Angola post-NYFA and figuring out how to promote my film “1999” here in Luanda. In an independent production company, a lot of sacrifices have to be made in order to make things happen. So I was focused on the commercial end of the company making sure that my colleagues could enjoy the freedom and necessary focus to produce and shoot the film.
On set of ‘Air Conditioner’ (Photo Credit: Cafuxi)
Rumley:Your production company sounds really interesting. Can you describe it, how you work, what you do, how you started it?
Fradique:We will celebrate a decade next month. We started only with three people, and today we are a group of eighteen professionals working in the audiovisual industry in Angola. At the beginning the goal was to just make cinema, but soon we realized that we had to do other work to survive. In Angola there’s no film funds or initiatives, so being able to put together a production company that does not only cinema, but commercial and corporate work gave us the resources to be able to build a great team and acquire top equipment to make us more independent. Over the last ten years, we produced one feature fiction film, four feature-length documentaries, six short films and worked on a couple of international co-productions. When it comes to producing our films, we work very much like a collective. Everyone works on each other’s projects, and we only finish a film when it reaches an audience. We don’t make films to be put into drawers, we believe independent/author cinema should meet bigger audiences as well. We are tired of seeing our film theaters only with Hollywood films. We want not only more Angolan cinema in our theaters, but also African cinema.
Hugo:For me the real beauty of being part of this collective is also that, all of us, despite our differences, are committed to the power of movies, storytelling and all its magical elements. Our aim is to make movies, not products, which is increasingly more difficult in a time where everything is commodified either through likes or commerce. Making movies for us is not a job, it’s a way of living. We are in essence not in the movie business, but in the business of making movies. It’s our passion and desire to make films that informs the process and the how and that to me is special.
Rumley:How do you think your education at NYFA and the work you did here prepared you for a career in filmmaking?
Fradique:NYFA gave me the foundation of what it means to be an independent filmmaker. Learning how to work collectively on other classmates’ projects and at the same time experience different positions on the set was fundamental for me to be able not only to fully understand the craft and the importance of every person on set, but also l to later on have the resources to open up a production company in my home country. On top of all that, I did my one year program almost entirely on film. We only did one main digital project with a MINI DV, no REDs at the time. Everything else was in 16mm, and each gave me more confidence as a director in the beginning of my career.
Hugo:I was already in my early 30s when I made it into NYFA, so I almost missed the window to becoming a filmmaker. I’m very grateful for the two years spent there, particularly in New York, where I was able to find the confidence and tools not only to learn what filmmaking is, but also find my artistic voice. Los Angeles was different but essential in learning a more formal, business-oriented way of producing films. There, I focused more on how to write a feature within a more conventional three-act structure and developed technically on set, playing with the vocabulary of film in a way that made me a much stronger filmmaker.
Filming ‘Air Conditioner’ (Photo Credit: Cafuxi)
Rumley:Do you have any special shout-outs to faculty or staff who really helped or inspired you?
Fradique:I have great memories of teachers like Tassos Rigopoulos and Claude Kerven. Together with my fellow classmates, they represent the best first lessons I had about filmmaking.
Hugo:Brad Sample’s capacity to analyze, deconstruct and mentor, Ben Cohen’s humor, intellect and love of film history, Rae Shaw’s production acumen stand out. Sanora Bartels, Greg Marcks, and Robert Taylor for teaching me the science of script writing. There are others I’m sure, but those stand out.
Rumley: What advice do you have for recent graduates making their way in to the professional world?
Fradique: As it became easier to have the resources to make films, also it seems more difficult with so many options to follow or trying to keep up with all the trends and gadgets. My advice would be don’t get stuck on the gear, to spend more time and make meaningful connections and partnerships with the people you work with. Watch a lot of films and think collectively, that’s the root of filmmaking. Surround yourself with people that are different from you but have the same passions, values towards art and don’t forget the best stories are found at home, wherever that might be.
Hugo:Filmmaking is a mansion with many rooms and it’s very easy to get lost wandering in it, figure out what your strengths are and sink into what and who you are. By that I mean, what do you bring to a story, a set, a crew, a production company? What are you making films for? If you’re able to answer that, regardless of success or failure, you will find the nourishment you need to carry on.
Cast and Crew of ‘Air Conditioner’ including NYFA Alumni Fradique and Hugo Salvaterra (Photo Credit: Cafuxi)
Rumley:These are trying times in the world today, and art matters more than ever. Do you want to share any words about the importance of film in the lives of humans living right now? The role of Angolan film in world cinema?
Fradique:The world we have today is the result of the same and single story being told for centuries. We need more diversity behind the cameras and in what see on the screen. We need to remember that culture, art, is not mere entertainment or something to disconnect us from our daily life online. Be aware not only of your country’s borders, but your social and society borders as well. Cinema is more than a mirror; it is art and memory with all the senses, feelings and its lapses. Let’s take care of our memories.
Hugo: At its core, film is still the only art form that explores what it means to be human. It’s not the imitation of life, it is the imagination of everything life could be. In a time when the very existence of organized human life is at stake, we have to make sure, now more than ever, that the films we’re making get to the core of that exploration. There is a war raging that isn’t new, one that is fought between commerce and the full potential of film as an art form. It’s an age-old battle, where there will always be those who will try to define films as a monolith, by creating markets and monopolies where the overarching definition and structure of a film is the same and where its success is only measured by if it won anything in a festival or how much money it made vs. the whole history of the art form, where the writers, directors and producers made a film because they wanted to birth something that was urgent, as a way of life, as means of catharsis, beyond conventions of class or structure. Filmmakers have made the history, inside big studios or the smallest of spaces, with the biggest crews and the most skeletal ones, by understanding and studying film history and the art form. Angola is a young country and is showing potential to create both types of films, both profit-driven ones and ones that channel and respect the history of film as an art form. We champion the latter.
Rumley:Anything else that you would like to say to the NYFA community?
Fradique: Be safe and be informed. If you have the chance, watch Air Conditioner at We Are One: A Global Film Festival starting June 6th.
Rumley: Congratulations! We wish you the best with your We Are One screening and in all your endeavors. Keep making art; keep telling your stories. They matter.
New York Film Academy would like to thank Fradique and Hugo Salvaterra for taking the time to speak about their new film, Air Conditioner, and congratulates them on the premiere of their film at the We Are One Film Festival.
UPDATE June 19, 2020: Fresh off their screening with the We Are One Global Film Festival, Fradique and members of his crew and production company, Geração 80, will join Crickett Rumley, NYFA’s Director of Film Festivals, for a discussion of their film Air Conditioner on June 25, 2020. To register, click here.
From K-Beauty to K-Pop, South Korean’s pop culture is taking the world by storm, flooding the internet with the latest YouTube influencers or musical supergroups and artists. New York Film Academy (NYFA) student, Seoyeon Chloe Shin, decided that now more than ever it was time to create a new kind of reality show, one centered around a pop up salon in Vietnam, affording customers the opportunity to transform themselves using K-Beauty techniques.
Seoyeon Chloe Shin is an award-winning director and producer, who has produced and directed more than ten documentaries and 100 TV shows that have been broadcasted nationwide and internationally. For the last 16 years, Shin has worked at Taegu Broadcasting Corporation (TBC), a major local broadcasting corporation located in Daegu, South Korea.
Her show, K-Beauty Salon, was in collaboration with TBC and a local Vietnam TV station. The show went on to win a Bronze Remi Award at Worldfest-Houston International Film Festival in April 2020. Shin has also previously been awarded ‘Best Picture in Local TV Show’ at the Korean Producer Awards (2018) and a ‘Best Picture for Children’ award at the Korean Producer Awards (2017).
Choi Soo Kyung, Ashley – Ladies’ Code, Park Si-hwan, and Cheon Min-kyu
“These days, K-Pop culture is so popular worldwide, including the styles of many K-Pop stars,” says Shin. “I wanted to make a cross-cultural entertainment program in Vietnam about K-Beauty.” The show, K-Beauty Salon, follows top Korean stylists as they spread K-Beauty in Da Nang, Vietnam by setting up a pop-up shop to showcase their outstanding beautician skills and have discussions with local customers who come into the shop along the way.
The cast of characters includes real-life professional stylists and personalities known throughout Korea and internationally including Cheon Min-kyu, a hair designer for various K-Pop stars and Superstar K5 winner and K-Pop singer Park Si-hwan, among others. “These days, entertainment shows should be more internationally focused,” says Shin. “So we planned to use K-Beauty to transform others to look like K-Pop stars.”
Seoyeon Chloe Shin being interviewed for ‘K-Beauty Salon’
Shin, who currently studies in NYFA’s 1-Year Filmmaking Conservatory program, decided to study at NYFA to gain an international perspective and learn the visual aspect of filmmaking in order to hone her craft for future shows and films. According to Shin, being at NYFA is a “good opportunity for me to go back to the basics and enhance my skill to make the show [and all projects] more precise.” She also notes that getting a taste of the other disciplines like acting has been “helpful for me to understand the actors.”
New York Film Academy congratulates Seoyeon Chloe Shin on her Bronze Remi Award and looks forward to seeing her continue to make her own path in international filmmaking for television.
To watch a full episode of K-Beauty Salon, watch the full video below or click here.
New York Film Academy (NYFA) Acting for Film alum Ronen Rubinstein stars in Fox’s procedural drama 9-1-1: Lone Star, created by American Horror Story creators Ryan Murphy and Brad Falchuk.
Rubinstein, who graduated from NYFA in 2013 from a 1-Year Conservatory program for Acting for Film, has also starred in Eliza Hittman’s It Felt Like Love, horror film Some Kind of Hate, and Dude starring opposite Awkwafina and Lucy Hale. Rubinstein also landed a guest star role on an episode of season three for Netflix’s Orange is the New Black.
Rubinstein along with the cast of ‘9-1-1: Lone Star’
9-1-1: Lone Star premiered on January 19, 2020 and was recently renewed for a second season after being declared a hit on the network and receiving a positive response from viewers. The series is a spinoff of 9-1-1, which takes focuses on Los Angeles first responders. In 9-1-1: Lone Star, Rubinstein stars opposite Rob Lowe and Liv Tyler, as Tyler Kennedy “TK” Strand, an openly gay firefighter/paramedic and recovering opioid addict.
The show mainly focuses on Owen, played by Lowe, who is the lone survivor of a Manhattan firehouse following the events of 9/11 and seeks to rebuild his station. After this occurs, he moves to Austin with his troubled firefighter son, played by Rubinstein to help out a new firehouse rebuilding from tragedy. Much like its predecessor 9-1-1, each episode focuses on a different local tragedy or crises revolving around characters in the community.
Rubinstein on set of ‘9-1-1: Lone Star’
When asked about what it has been like working with celebrities like Rob Lowe and Liv Tyler, in an interview, Rubinstein responded, “this whole thing is a dream come true. Getting to work with legends like Rob Lowe and Liv Tyler, every time you show up on set you get to learn from [people] who’ve been doing this [acting] for years.“
New York Film Academy would like to congratulate Ronen Rubinstein on the renewal of his show 9-1-1: Lone Star and looks forward to seeing what is next from the NYFA alum.
New York Film Academy (NYFA) Acting for Film alum, Natasha Thahane, stars in her biggest role to date as Wendy Dlamini, an opinionated, “woke” high school student, in the Netflix teen drama Blood and Water. The South African drama series was released on May 20, 2020 and is available to stream as part of Netflix’s “Originals” lineup.
Netflix poster for ‘Blood and Water’
Thahane was born and raised in South Africa and graduated in 2018 from NYFA’s New York City campus after completing her 1-Year Conservatory program in Acting for Film. She has appeared in television series such as Skeem Saam, The Queen, and Lockdown, and serves as a brand ambassador for Garnier Fructis.
NYFA alum Natasha Thahane as Wendy Dlamini in Netflix’s ‘Blood and Water’
The Netflix series takes place in South Africa and centers around teenager Puleng Khumalo, who transfers to the prestigious Parkhurst College after suspecting that one of the students there is actually her long lost sister, who was abducted at birth. In addition to Thahane, the series boasts a leading female cast including fresh faces Ama Qamata, Khosi Ngema, Cingy Mahlangu, and Gail Mabalane. The series is also directed by South African female director Nosipho Dumisa, who previously directed the critically acclaimed film Number 37.
Natasha Thahane while doing promotion for ‘Blood and Water’
Blood and Water is six episodes long and is being hailed as “the next Gossip Girl” by Glamour Magazine, so there is already hope for a season two.
New York Film Academy would like to congratulate Natasha Thahane on her new starring role and encourages everyone to check out Blood and War, now available to stream on Netflix.
Due to the COVID-19 pandemic, TV news programs around the world have changed the way they operate. Our own NYFA News is no exception. All NYFA classes have moved online. Plus, our student producers/reporters face the challenge of creating a news program while everyone in New York is encouraged to stay at home, and all of us are expected to maintain “social distancing.”
This makes their accomplishments especially impressive, as they have found innovative ways to produce solid, information-based stories. They are also shooting entirely on-location, transforming NYFA News into a reporter-driven program.
The skills NYFA students learn can take them in a number of different directions. For Grace Shao, that includes time spent reporting for China Global Television Network (CGTN). She then joined CNBC, based in their Singapore bureau. She is now a media consultant and creative director for PayPal’s podcast series focusing on business innovation in the Asia Pacific region. She is also the Hong Kong Chapter Lead for SoGal, the largest global platform for the education and empowerment of diverse entrepreneurs and investors. (You can read more about SoGal’s mission in the New York Times.)
If you live in or visit Stockholm, you’ve probably heard the voice of NYFA grad Emilie Olsson, a radio news anchor for Bauer Media, so it’s probably not surprising that she explored the relatively new field of podcasting. She created Älskade Psykopat (Beloved Psychopath).
When asked about the podcast, Emilie says,”in the podcast we meet men and women who anonymously tell their story or experiences they’ve had with a psychopath or narcissist. It could be in a love relationship, family or at work. Here, real stories are highlighted that rarely can otherwise take place, and my hope is that the podcast will help, support and change!”
She was also recently featured on the TV4 morning show in Stockholm. Congratulations Emilie!
Imorse vad jag med i Nyhetsmorgon och berättade om min podd "Älskade Psykopat" som släpptes förra veckan! 🙂 I podden möter vi män och kvinnor som anonymt berättar sin historia eller erfarenheter de haft med en psykopat eller narcissist! Det kan vara inom en kärleksrelation, familjen och på jobbet. Här lyfts verkliga berättelser fram som sällan annars får ta plats och min förhoppning är att podden ska hjälpa, stötta och förändra! I veckans poddavsnitt möter vi Relationsexperten Michael Larsen som berättar mer om det här viktiga ämnet! Hela tv-inslaget finns att se här: https://www.tv4.se/nyhetsmorgon/klipp/att-dejta-en-psykopat-saknar-empati-12603932
It is always exciting when the paths of two NYFA grads cross. Bryanna (“Red Carpet”) Reynolds moved from Melbourne to Los Angeles last year. And while LA is a big place, she found herself interviewing fellow Broadcast Journalism alum Alisa Arvind. Alisa, now a published author, is using the communication skills she developed at NYFA as a life coach and motivational speaker.
This week we began offering a 4-Week Online Broadcast Journalism workshop. There are people around the world who want to study at NYFA. But for many, travel isn’t currently an option. Others need to stick close to home because of family commitments and work. Now there is a 4-Week Broadcast Journalism Workshop for them too.
New York Film Academy (NYFA) AFA Acting for Film alum Hayden Szeto recently appeared in a supporting role in the Netflix original film Tigertail. The NYFA alum, also known for his roles in coming of age drama The Edge of Seventeen, Blumhouse’s Truth or Dare, and NBC’s hit comedy television series The Good Place, plays the supporting role of Eric in the Netflix film.
Film poster for Netflix’s ‘Tigertail’
The film is an authentic drama loosely based on the experiences of director, writer, and producer of the film, Alan Yang. Yang, well known as a writer and director for hit shows like Parks and Recreation and Master of None, wrote Tigertail as a personal tribute to his upbringing by his immigrant parents.
The story follows the boyhood, young adult, and adult stages of Pin-Jui, who comes from a poor upbringing in Huwei (“tiger tail”), Taiwan. When Pin-Jui, who longs to go to America to provide a better life for his mother, is offered an opportunity to start a new life there, he takes it; even if it means marrying his boss’ daughter in a loveless marriage. The story then follows Pin-Jui and Zhenzhen’s [his now wife] in their new life in America. They raise their daughter Angela in their new home and, eventually, the film’s story flashes forward to Angela’s adulthood as she navigates her relationship with her estranged father and her boyfriend Eric, played by Szeto.
Szeto on set filming ‘Tigertail’ for Netflix
Tigertail loosely follows Yang’s own father’s life when he immigrated from Taiwan to New York in order to chase the “American Dream.” The film was released by Netflix on April 10, 2020, and has since received positive responses from many critics, who note the heartfelt and emotional subject matter of the film and its characters.
New York Film Academy congratulates Hayden Szeto on his role in the Netflix drama and encourages everyone to check out Tigertail, now streaming on Netflix!
New York Film Academy (NYFA) AFA Acting for FIlm alum Masali Baduza has landed one of the lead roles in BBC’s buzzworthy new adaptation of Noughts + Crosses.
NYFA AFA Acting for Film alum Masali Baduza
Baduza originally hails from South Africa and is bilingual in both English and Xhosa, and earned her Associate Degree of Fine Arts in Acting for FIlm after enrolling at NYFA’s Burbank-based campus in Los Angeles in 2015. Since earning her AFA in Acting for Film, Baduza has appeared in the productions Bhai’s Cafe, The Fighter, and Trackers, before landing her biggest role yet in BBC’s Noughts + Crosses.
The television show is adapted from a series of young adult stories that began with the novel Noughts & Crosses, first published in 2001. The speculative fiction saga, written by Malorie Blackman, takes place in an alternate history where black Africans colonized and enslaved white Europeans, rather than the other way around. The story is told from the perspectives of two lead characters–Callum and Sephy.
‘Noughts + Crosses Stars’ Jack Rowan and NYFA AFA Acting for Film alum Masali Baduza
Baduza stars as Sephy, opposite Jack Rowan (Peaky Blinders, Born to Kill), who plays Callum. The cast also includes Paterson Joseph (The Leftovers, Timeless), Josh Dylan (Mamma Mia 2, The End of the F***ing World), Kiké Brimah (Doctors), Luke Bailey (Ordinary Lies), Jonathan Ajayi (Wonder Woman 1984), Helen Baxendale (Dirk Gently), and British rapper Stormzy.
New York Film Academy congratulates AFA Acting for Film alum Masali Baduza on landing the lead role in BBC’s exciting new show and encourages everyone to check out her work on Noughts + Crosses!
Before he unexpectedly passed away last summer, New York Film Academy (NYFA) 1-Year Screenwriting conservatory and BFA Acting for Film alum Elan Vega lit up the lives of everyone around him, especially his NYFA classmates. His positivity, hard work, and commitment to the arts now lives on through NYFA’s Elan Vega Award, and it was no surprise that the award’s first recipient was NYFA 1-Year Filmmaking conservatory student and BFA Acting for Film grad Michael Johnson.
Both Johnson and Vega graduated from the BFA Acting for Film program at NYFA’s Los Angeles campus. Both alumni also sought to expand their artistic talents into other avenues; in Spring 2019, Johnson enrolled in NYFA-LA’s 1-Year Filmmaking conservatory while Vega began studying in the 1-Year Screenwriting conservatory. Vega was a veteran of the United States Marine Corps who had a huge heart and who personified service, perseverance, and passion. Johnson is also a military veteran, having served in the US Army, and shares these same virtues, making him the perfect choice to receive the inaugural Elan Vega Award.
NYFA alum and Elan Vega Award recipient Michael Johnson
The award will be distributed each semester by New York Film Academy in Vega’s honor to students that embody Vega’s kindness, selflessness, and thoughtfulness, students who have demonstrated the desire to help their fellow artists whenever and wherever needed, as Vega had done so many times. Vega loved the process of storytelling, our community, and the friends he made at NYFA, and elevated both his classmates and his program with his enduring attitude.
To that end, the Elan Vega Award includes both a beautifully-crafted plaque and a financial grant to help recipients further their studies and artistic pursuits. Johnson received the award in February in a ceremony attended by, among other NYFA senior faculty, actor and NYFA Master Class instructor Matthew Modine.
Michael Johnson receiving the Elan Vega Award with senior NYFA faculty
Like Vega, Johnson is beloved by his peers in the NYFA community, as well as his instructors and other faculty and administration. While the tragic passing of Vega will never be forgotten, his spirit living on through his friends and through future graduates of NYFA who embody that spirit is something to celebrate. Friends and classmates of both Vega and Johnson were glad to see Vega’s memory honored by Johnson, who gave a heartfelt acceptance speech at the award ceremony.
New York Film Academy congratulates 1-Year Filmmaking conservatory and BFA Acting for Film grad Michael Johnson on receiving the inaugural Elan Vega Award and honoring the spirit of NYFA alum Elan Vega.
NYFA alum and Elan Vega Award recipient Michael Johnson
New York Film Academy (NYFA) AFA Acting for Film Alum Gonzalo Martin has been nominated for a BAFTA Game Award for his voiceover work in the critically-acclaimed video game Life is Strange 2. Martin will be competing in the Best Performer in a Leading Role category, along with notable actors Logan Marshall-Green (Spider-Man: Homecoming, Prometheus) and Norman Reedus (The Walking Dead, The Boondock Saints). The winners of the prestigious awards will be announced at the 2020 British Academy Games Awards ceremony on Thursday, April 2.
NYFA AFA Acting for Film Alum Gonzalo Martin
Gonzalo Martin stars as lead protagonist Sean Diaz, who the player controls throughout the game. Martin is an Acting for Film alum from New York Film Academy, having attended the AFA program in 2015, and has previously been a part of the Academy’s admissions team.
Life is Strange 2 is a graphic adventure video game, available on nearly all major platforms (including Xbox One, Playstation 4, PC and macOS), and is the sequel to the smash hit and critically-acclaimed Life is Strange, originally released in 2015. That title has sold over three million copies to date and comes from Square Enix, the Japanese developer and publisher of wildly popular games Final Fantasy, Kingdom Hearts, and Dragon Quest, among others.
The game was developed by Dontnod Entertainment (Vampyr, Twin Mirror) and has already been nominated for several gaming awards and won the Special Jury Prize at the 2018 Ping Awards. The game tells the story of young brothers Sean and Daniel Diaz, who are on the run from the police. The game is a third-person story adventure, with dialogue trees and gaming decisions affecting the story and future episodes.
“It’s an honor to be nominated for such a prestigious award in a field that I am just getting my feet in,” Martin tells NYFA. “I already feel like I have won, just because of being nominated side-to-side with all these other amazing actors, whose work I admire so much, such as Norman Reedus.”
Martin’s previous acting roles include BuzzFeed Murder Mystery Stories, and the films I’ll Be Next Door for Christmas and When It Rings. He is currently finishing with post-production of the first feature film he’s produced and starred in, titled Back to Lyla, which features more than five other NYFA alumni on the production.
“I am a very, very proud NYFA alum,” adds Martin. “And the most fulfilling thing about this nomination was the ability to go back to school and share this amazing news with all my teachers and mentors. They are a big part of the reason why I have made it this far.”
UPDATE (4.3.20): Gonzalo Martin was awarded the BAFTA Game Award for Best Performer in a Leading Role for Life is Strange 2. The winners of the BAFTA Game Awards were announced at the 2020 British Academy Games Awards ceremony via livestream on Thursday, April 2.
New York Film Academy congratulates Gonzalo Martin on his exciting BAFTA Game Awardwin for Best Performer in a Leading Role for Square Enix’s Life is Strange 2!