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  • New York Film Academy Looks Back at the 2020 Highlights

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    As we look back through a challenging year that was 2020, we wanted to take the opportunity to highlight the accomplishments the New York Film Academy (NYFA) community was able to achieve. In the below infographic, we have selected a handful of the many successes our alumni, students, faculty and staff were a part of.

    For more NYFA community stories, you can read more on our blog and headline articles.

    Student Map


    Alumni Successes
    Faculty success stories

    2020 Gif Infographic

     

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  • NYFA Documentary Filmmaking Alum Eleonora Privitera Wins Silver Award at San Diego Italian Film Festival

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    Documentary Filmmaking alum Eleonora Privitera graduated from her 1-Year program in 2019 and has been continuing to prove she is a filmmaker that seeks to make the unknown stories of real people heard.

    Before attending NYFA, the Italian native had an extensive background in social anthropology and was involved in ethnographic research fieldwork focused on urban violence and humanitarian projects in South America and East Africa. In 2019, she released a subversive short about an LGBTQIA+ movement using art and political performances to fight homophobia in Queenz of The Night. Now the alum is back with her new documentary short, Rebirth, and this time it’s closer to home.

    Still from “Rebirth,” directed by Eleonora Privitera

    The emotionally-driven film, which follows Privitera’s own parent’s as her mother (Grazia) and father (Vincenzo) grapple with Vincenzo’s cancer. On one hand, the film portrays Vincenzo grappling with mortality, while Grazia strives to cope with the burden of caring for her husband while accepting the reality of the disease that is taking over someone she has loved for over 40 years. 

    “My response was to start to intimately film how his and my mother’s lives have changed while dealing with the disease,” shared Privitera. “Being far away from home, I knew that he and my mother didn’t really want me to know the burden that was currently happening in their lives, but I wanted to be part of the struggle and I couldn’t pretend there wasn’t one.”

    “Therefore, in this difficult time, on the hard road they were both on, all I could do was film them with empathy and love in order to artistically explore their interior worlds, fears, and hopes.” 

    The film screened at the San Diego Italian Film Festival and was the recipient of the Silver Award, acknowledging Privitera’s breathtaking film, which captures the tough reality of two people very close to the filmmaker.

    New York Film Academy congratulates Documentary Filmmaking alum, Eleonora Privitera, on her well-deserved Silver Award win at the San Diego Italian Film Festival and looks forward to future documentary projects from the alum.

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    December 17, 2020 • Documentary Filmmaking, Film Festivals, Student & Alumni Spotlights • Views: 786

  • Summer 2020 Film Festivals Recap

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    New York Film Academy students & alumni had an extraordinary summer, full of online streaming premieres.

    Join us in celebrating some of them by watching our Summer 2020 Film Festival Recap below or read more about them by clicking here.

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  • Film “Make America Safe” by NYFA Acting Instructor Blanche Baker Enjoys Festival Run

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    Our NYFA Acting faculty aren’t only professionals in front of the camera but are working professionals in the industry constantly experimenting and making their own work while simultaneously teaching NYFA students the fundamentals of their craft.

    Blanche Baker teaches in both the Acting and Musical Theatre departments at NYFA’s New York campus. With an extensive background on the stage and on screen, Baker made her television debut in the miniseries Holocaust, for which she won an Emmy Award. Her feature films include Sixteen Candles, The Handmaid’s Tale with Robert Duvall, Raw Deal with Arnold Schwarzenegger, and the Kevin Bacon HBO film Taking Chance. She was part of the Yale Repertory Theatre and Anna Sokolow’s dance troupe and her theatre roles include Steel Magnolias and Edward Albee’s Lolita with Donald Sutherland. 

    Film poster for “Make America Safe”

    In addition to writing and directing the award-winning short film Streetwrite, Baker wrote and directed her latest film Make America Safe, with award-winning cinematography Piero Basso, serving as the director of photography. The film has been garnering accolades and making its rounds on the festival circuit, recently appearing in the Global Impact Festival in Washington, D.C.

    Make America Safe is a musical short film about the 2nd Amendment and asks the question, “what if in the next few years citizens were required to carry weapons in order to ensure the safety of the public?” Using the premise of a news commentary show, the film takes a sardonic look at this possible future and examines the kind of scenarios that could arise in this world. With music composed by Andy Peterson, it sheds light on the rationales that could lead to such a future. 

    The film features a talented cast of Musical Theatre students working alongside NYFA’s professional faculty of artists as part of their Musical Theatre curriculum, which requires students to perform in original movie musicals, combining both musical theatre for the stage and for film.

    Official Selection: 
    Global Nonviolent Film Festival
    South Film and Arts Festival
    Film for Peace
    New York Short Film Festival
    Sanctuary International Film Festival

    Accolades:
    A Show For Change – Creativity Award
    Awareness Festival – Merit Award for Awareness
    X World Short Film Festival – Best International Short and Best Original Music
    Cinefest – Best Musical
    Blow Up Arthouse – Finalist

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    November 17, 2020 • Faculty Highlights, Film Festivals, Musical Theatre • Views: 443

  • 2020 Nordic International Film Festival Founded by NYFA Alumni Has Covid Safe Drive-In

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    Now in its 6th year, the Nordic International Film Festival (NIFF) founded by New York Film Academy alumni Linnea Larsdotter and Johan Matton required some creative problem solving to pull of this year’s festival amid the COVID-19 global pandemic. The solution came in the form of a hybrid in-person and online experience where festival goers could attend drive-in screenings at The Brooklyn Army Terminal in New York City as well as view films online.

    NIFF has always fostered lofty goals, aiming to nurture a mutual connection between the Nordic region and the international film community while also placing gender-equality and environmental sustainability at the center of their mission. The 2020 festival donated 50% of all online ticket sales to organizations supporting the Black Lives Matter movement.

    The 2020 edition of the Nordic International Film Festival was held at the The Brooklyn Army Terminal Drive-In in NYC.

    Linnea Larsdotter and Johan Matton spoke about the unique challenges of this year’s festival. “We are extremely pleased to be able to pull off a safe event this year both online and with a drive-in cinema, thanks to the help from A24 and Rooftop Films. It’s been a challenging year for many and we are so impressed that so many incredible filmmakers have submitted and showcased that art and films are more important now than ever.”

    New York Film Academy renewed its partenrship with NIFF for the second year in a row awarding a four week scholarship to one of NYFA’s online programs to this year’s Aurora Borealis winner. NYFA President Michael Young expressed his congratulations to NYFA alumni Johan Matton and Linnea Larsdotter. “I’d like to congratulate our alumni Johan and Linnea on putting together another wonderful festival and working so hard to make it safe and accessible to everyone,”

    “Index” by Nicolas Kolovos garnered the director the Aurora Borealis award at this year’s festival.NIFF’s Aurora Borealis category is dedicated to up-and-coming filmmakers and Nicolas Kolovos who wrote and directed Index was selected as this yer’s winner. The short film is filmed in a single shot and tells of a family preparing to flee to Europe by boat when their young son’s finger gets stuck in the trailer of the truck transporting them. As time for the boat’s departure nears, the family has a terrifying decision to make.

    New York Film Academy congratulates NYFA alumni Johan Matton and Linnea Larsdotter on this year’s successful edition of NIFF as well as Aurora Borealis winner Nicolas Kolovos.

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    October 30, 2020 • Film Festivals, Student & Alumni Spotlights • Views: 452

  • NYFA Filmmaking Alum Alessandro Marcon Debuts Short Film “Anemone” at Italy’s Prestigious Trieste Science + Fiction Festival

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    Italian native Alessandro Marcon grew up in the small town of Conegliano, just one hour away from Venice, and had big dreams of becoming a film director. After attending Graphic Design school at ISSM San Marco, Marcon got his start in filmmaking, creating comedy sketches with his schoolmates. “I was in a boarding school (because I lived far away) where we were not allowed to go out. This way we had plenty of time to kill, so we thought ‘why not making some movies?’”

    NYFA alum Alessandro Marcon

    After Graphic Design school ended, Marcon decided to make his dreams come true and become a filmmaker, enrolling at New York Film Academy’s Los Angeles campus in Burbank in a 1-Year Filmmaking Conservatory program.

    “Since then, it’s been a roller coaster ride,” revealed Marcon. “The experience made me see the world from a different perspective. Suddenly, a ton of challenges hit me all at once, making me change and mature into who I am today.” 

    Film poster for “Anemone”

    Marcon has gone on to work on films and music videos, with his latest project being a short film he directed, wrote, produced, edited, and shares a co-cinematographer credit on called Anemone. The 16-minute sci-fi short film was shot on the white peaks of the Dolomites, located in the Eastern Alps. “We worked during winter in places with over 10 feet of snow. It was cold and very difficult to shoot in these conditions,” revealed Marcon. “Some of us literally had blood coming out of our hands or suffered in the below-zero temperatures.”

    In the end, Marcon and his team managed to pull off their short film and are premiering it on October 31, 2020, at the prestigious Trieste Science + Fiction Festival, known for being an important festival in Italy for genre films in particular. “We couldn’t be happier to be there telling what an incredible journey has been,” shared Marcon.

    Alessandro Marcon behind the scenes filming in the Dolomites

    As for what the filmmaker has learned while living out his dream of directing, Marcon shares that it’s all about communication. “I was already good at a lot of technical aspects of filmmaking (not everything, and I’ve still learned a lot), but not really good at talking with people,” revealed Marcon. “I was closed in myself and this translated also on the narratives of my stories. I’m still learning a lot in this field, but if I didn’t come here [to NYFA], all of this would not have happened.”

    New York Film Academy congratulates Filmmaking alum, Alessandro Marcon, on the premiere of his new film Anemone and looks forward to what is next from the NYFA alum. 

    Anemone will premiere in the U.S. on November 12, 2020, at the Arpa Film Festival

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    October 29, 2020 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 904

  • NYFA Alum Matthew Avery Berg Screens ‘Accomplice’ in National Film Festival for Talented Youth

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    Science fiction has a unique ability to drop audiences into a futuristic or unrealistic world and make us think beyond the realm of our everyday existence. In writing and directing his sci-fi short Accomplice, however, NYFA alum Matthew Avery Berg drew from a real, personal crisis to create his fictional story that takes place in the distant future. Crickett Rumley, NYFA’s Director of Film Festivals, spoke with Matthew as the film became available for online streaming as an official selection of the National Film Festival for Talented Youth (NFFTY), running October 23 – November 1, 2020. 

    Crickett Rumley (CR): Congratulations on getting into NFFTY! Tell us more about Accomplice.  

    Matthew Avery Berg (MAB): Accomplice is about a man who’s forced to experience the memories of the person he accidentally killed. It takes place inside a medical compound in the year 2067. The sci-fi elements are obviously not inspired by true events; however, the underlying story is. Following my first surgery, I was constantly on opioids for a week. Being doped up for that long disassociated me from reality and my own mind. I’d start speaking to myself like I was two different people. However, it also led me to reflect on my life. I’d whisper confessions and admit things that I had been in self-denial about.

    Accomplice follows a man whose mind is inhabited by two different people following surgery. The new person in his head forces him to do an introspection on both their lives. It allows the protagonist to finally acknowledge his guilt the same way recovering from surgery had forced me to recognize my own…over way less dramatic things though, of course.

    Film poster for Matthew Avery Berg’s ‘Accomplice’

    My direction of the film was shaped by the health issues I was dealing with while still raising the financing. The prior summer, in 2018, I had progressively become more nauseous each night. Soon I realized that whenever I closed my eyes and avoided light my nausea improved. This feeling, which had previously only lasted a few hours at night, had become a 24/7 occurrence. I couldn’t sleep, couldn’t eat. I lost fifteen pounds in two weeks. Before undergoing an MRI, I concluded that I was dying. I was relieved to learn that I had a benign cyst in my brain. Yet, disturbingly this clue only brought more mystery and fear as I grew too sick to walk. Finally, doctors discovered that I suffered from a rare condition called “status migrainosus.” Essentially, an everlasting migraine.

    Despite the diagnosis, no neurologist could provide a cure. I took steroids and tried a variety of medications, but as some symptoms disappeared, others emerged. Two weeks later, I experienced constant vertigo, tingling throughout my body, and unbearable indigestion. I spent each day trying to distract myself until I could be sedated in hopes of waking up better the next day. This cycle continued for months, forcing me to postpone shooting an earlier version of my film.

    NYFA alum Matthew Avery Berg (Right) 

    CR: That sounds so painful and challenging. How did this crisis impact your work on the film?

    MAB: It dawned on me there was not much difference between this character suffering from external and intruding memories and me battling these strange ailments. I rewrote the script to incorporate the way I dealt with my pain as a sci-fi thriller. 

    Six months later, in every meeting with the cinematographer, we used the word “migraine” almost as much as “camera.” I instructed him which parts I wanted to feel like a migraine. In one scene, I inserted flashing lights. In another scene, I added other bright lights, and in additional scenes, we used a handheld to simulate vertigo.

    CR: What was your favorite thing about making this film?

    MAB: Seeing the (almost) finished film for the first time on the mixing stage was my favorite thing about making this movie. Although the VFX had not been added in and the color wasn’t confirmed, it was amazing to see what I had been trying to get made since sophomore year of high school play on a big screen for the first time. My producer, who had been very critical of the project up until that point – as was his job – whispered during the fade to black, “that’s awesome”. It took me a second to realize he was talking about our movie. I don’t care what anyone says, nothing is more satisfying in the process of making a film than seeing the finished product.

    CR: What was the most challenging thing about making the film?  What did you learn in the process? 

    MAB: I’d say the biggest challenge was being able to film a high-quality production with as many moving pieces and locations as this project had written. High concept sci-fi is not meant for a short film budget. I was having to rewrite in my head while we were shooting to make our tight schedule and budget work. Although I accomplished what I had set out to, there is a reason I kept my latest project to just two people in a tattooing session. While I do not believe films should be written for the sake of accommodating their budget, I now definitely think about how much a concept could cost to produce before choosing to write it. If you write an amazing space-traveling epic, you’re only doing your story a disservice by making it for $10,000.

    Still from ‘Accomplice’

    CR: What are you looking forward to in your screening with NFFTY? Are any of their masterclasses or programming looking interesting to you? 

    MAB: I’m looking forward to being able to interact with my fellow filmmakers in the same age group as me even if online. Everyone I work with tends to be at least nine years older, so I love the idea of being able to meet other people my own age with the same standard of quality to potentially collaborate with. All of the programming and masterclasses at NFFTY look amazing. However, despite what you may assume from watching my film, I’m most excited to watch the Dynamic Duos section. So much of being young and growing up is about the friendships we make and maintain. If there is a genre I feel that youth filmmakers have the most legitimate truth to share in, it is the buddy film.

    CR: Which festivals have you been in so far with Accomplice? What was that experience like?

    MAB: This has been more than a weird year for festivals. A lot of the festivals have either been postponed or canceled for 2020. However, there have been some other great ones we’ve been able to be a part of so far. We were an official selection at Dances With Films, which had an amazing virtual experience featuring some of the greatest panels I’ve had the chance to listen to. We are also an official selection at FilmQuest and won the shorts category at Buffalo Dreams Fantastic Film Festival. Unfortunately, FilmQuest has been postponed to 2021 and we were not able to attend Buffalo Dreams due to the pandemic. However, I had a student film as an official selection at Cinequest a couple of years ago and highly recommend that one. That festival gets up to 100,000 attendees, and the industry networking events are just one of the amazing aspects of that superb festival. Still waiting for the notification date for that one. 

    Accomplice was also invited to be part of Hollyshorts’ Monthly Screening Series on Bitpix.

    CR: You’ve wanted to be a filmmaker since you were four years old, and you started attending NYFA Tween Digital programs when you were in the fifth grade.  How do you think your education and the work you did here prepared you for a career in filmmaking?

    MAB: I did the 12-week Saturday program for three semesters, so for 36 Saturdays I would come and take 6-8 hours of classes throughout the school year in all aspects of filmmaking. I would shoot projects on the Universal Backlot as a ten-year-old. In all honesty, my education at NYFA was essential to preparing me as a filmmaker. I learned everything there was to learn about filmmaking without doing it professionally.

    With that being said, you don’t learn the other 75% until you get actual experience directing on professional sets.

    Still from ‘Accomplice’

    CR: So true. What have you been up to since then? 

    MAB: Since I graduated from my high school, Harvard-Westlake in Los Angeles, in June of 2019, I have been writing and directing professional short films. Although I was supposed to go to USC starting this semester, I ended up dropping due to the opportunities I was beginning to be handed. Accomplice started getting me attention from executives in the industry who wanted to mentor me and to fund my projects.

    I was offered carte blanche creative control of a fully-financed short film with Academy Award Nominee Eric Roberts, as well as producers inquiring about financing a feature with me directing. I was also being set up with some really big directors to shadow. Although COVID put a halt on the shadowing gigs and the feature offers, I was still able to direct the film with Eric Roberts.

    CR: That’s cool! What was the experience like?  

    MAB: It was a magical shoot. LA Ink’s Dan Smith, a celebrity tattoo artist, and musician was involved with the project and did all our tattooing inserts. Richard Patrick of Filter and Nine Inch Nails is slated to compose for it. It’s so awesome to be working with someone who I grew up listening to. The producer on the project is R. Andru Davies whose last feature film with Karen Gillian was nominated for a Scottish BAFTA and a British Independent Film Award. He’s also executive producing Stan Lee’s ArchAlien. The film is currently in post.

    CR: What else do you have coming up? 

    MAB: The next step is a feature film! I’m currently working on a script for what I think could be a great first feature, but I’d be willing to do anything that was offered to me as long as it has the potential to be amazing. 

    The New York Film Academy thanks Tween Digital Program alum Matthew Avery Berg for taking the time to talk with us about his film and emerging career. From October 23 through November 1, 2020, Accomplice can be viewed on-demand as a “pay what you can” event. On Sunday, November 1, 2020, at 1:00 p.m. ET/10:00 a.m. PT, it will live stream in the Salient Simulations Watch Party, followed by a live Q&A with Matthew and other filmmakers.

    Follow Matthew on Instagram @matthew_a_berg.

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    October 27, 2020 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 588

  • NYFA Alum Catalina Loret Screens Experimental Short ‘Flores Dentro’ in National Film Festival for Talented Youth

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    Hailing from Merida, a seaside town in the southeast of Mexico, New York Film Academy alum Catalina Loret (Fall 2015 BFA Filmmaking) “grew up on the beach, exploring the underwater world and fascinated with stories from the world underneath. I went to NYFA with the desire to learn how to tell these stories through a camera lens and have since explored different ways to tell stories through film.” Her latest short Flores Dentro is an official selection of the National Film Festival for Talented Youth, for which the New York Film Academy is a Producing Partner. 

    Crickett Rumley, NYFA’s Director of Film Festivals, caught up with Catalina as the festival was beginning.

    Film poster for Catalina Loret’s film ‘Flores Dentro’

    Crickett Rumley (CR): Tell us about Flores Dentro. What was your inspiration?

    Catalina Loret (CL): Flores Dentro is a film that came out of meeting new collaborators and being inspired to create something personal. I made it two years after I graduated. I wanted to explore women’s relationships with one another using the repercussions of imposed beauty standards as a frame. Women have been instilled with the false narrative that there is not enough room for all of us to be whole without tearing each other down. The physical body fluctuates; our value does not. This film aims to expose the myth of physical beauty standards and to remind everyone that bodies are merely temporary cases and what truly matters lies within and transcends physical form.

    CR: What was your favorite thing about making this film?

    CL: I am very grateful for the connections that were created for this project, from script to camera to animation. Also, that so many women have connected with the film and that it’s a piece that touched on an aspect that can be personal to us.  

    CR: What was the most challenging thing about making the film?

    CL: Shooting in film. It had been a long time since I shot in the film, and sometimes you don’t expose it right, and you don’t learn that until the developed film comes back. But these “mistakes” made the film better as we had to work with the footage we had. It made for more creative and powerful cuts in the edit.  

    Still from ‘Flores Dentro’ 

    CR: What are you looking forward to in your screening with NFFTY? Are any of their master classes or programming that look interesting to you?

    CL: I’m looking forward to sharing this film with more people! It is my intention that this film can reach as many women as possible, and share a message of empowerment and allyship. And the panel I’m most looking forward to is After the Festival Circuit, about short film distribution, so that this film can be shared further.

    CR: Which festivals have you been in so far with Flores Dentro, and what was that experience like?

    CL: I have been to LALIFF (LA Latino International Film Festival) and Hola Mexico, and during these virtual times, it was interesting. Honestly, it’s very tiring being in front of the computer all day, but I was encouraged to attend thanks to the panelists themselves who gave great talks. There was proximity felt as we were all at home in this together, making the best out of these times.

    CR: How do you think your education at NYFA and the work you did here prepared you for a career in filmmaking?

    CL: I learned a very hands-on approach to filmmaking, making it work with what we had, crafting big ideas in simple ways. I was very fortunate to have great classmates who remain colleagues and to have further developed with them.

    Director Catalina Loret behind the scenes of ‘Flores Dentro’

    CR: Do you have any advice for recent graduates making their way into the professional world?

    CL: Make, Do, Create. Keep making projects, even simple ones, and nurture your creativity, and continue to do what you love even on a small scale. It’s easy to get caught up in working for other projects and it is very important to do so, as there is so much to learn from collaborations, but always remember to create your art.

    CR: These are trying times in the world today. Art matters more than ever. Do you want to share any words about the importance of film in the lives of people living right now?

    CL: Art has always been the outlet for trying times. When we are trying to make sense of the world and put words on the nameless, we turn to art to find that connection and understand our inner and outer worlds. In times of physical distance, it is important to make and share films that call for unity and community. These can be our most powerful tools for uncertain times.  

    The New York Film Academy thanks Filmmaking alum Catalina Loret for taking the time to talk with us about her film. From October 23 through November 1, 2020, Flores Dentro can be screened on demand as part of NFFTY’s Art in Motion short film program. This “pay what you can” program will be followed by a pre-recorded Q&A with Catalina and other filmmakers, and viewers can vote for the audience award.

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    October 26, 2020 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 627

  • NYFA Partners with the National Film Festival for Talented Youth for 2020 Events

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    As the world’s largest and most influential film festival showcasing young talent from around the globe, the National Film Festival for Talented Youth in Seattle has long been a mecca for emerging directors.  This year, not only is the New York Film Academy jumping on board as a Producing Partner, but NYFA alumni Catalina Loret (Fall 2015 BFA Filmmaking) and Matthew Avery Berg (2011-2012 Tween Digital Programs) have films in the festival and will participate in Q&As.

    Film poster for Catalina Loret’s film ‘Flores Dentro’

    Responding to the current moment, Dan Hudson, NFFTY’s Executive Director, said, “We’re excited to announce that the entire lineup from our 14th edition will be available online for a global audience.” No matter where they are in the world this October 23 through November 1, 2020, members of the NYFA community can attend online workshops, panels, and masterclasses as well as watch the work of filmmakers under the age of twenty-five.

    On Friday, October 30, Andrea Swift, filmmaker and NYFA Documentary Filmmaking Chair, and Claudia Raschke, Academy Award-nominated cinematographer, and NYFA Documentary Cinematography professor will teach a free workshop on Smartphone Cinematography for Social Media Micro Docs at 6 pm ET/3 pm PT. Attendees will be introduced to the art of making cutting-edge Micro Docs for social media distribution, learn key smartphone cinematography techniques, and be able to ask questions.

    Still from ‘Flores Dentro’ by Catalina Loret

    Throughout the festival, Catalina Loret’s film Flores Dentro can be screened on-demand as part of the Art in Motion short film program. This “pay what you can” program will be followed by a pre-recorded Q&A with Catalina and other filmmakers, and viewers can vote for the audience award.

    On Sunday, November 1, 2020, at 1:00 pm ET/10:00 a.m. PT, Accomplice by Matthew Avery Berg will live stream in the Salient Simulations Watch Party, followed by a live Q&A with Matthew and other filmmakers.  Tickets can be purchased for the live Watch Party and Q&A, or his film can be viewed on-demand during the festival as a “pay what you can” event, where viewers can vote for the audience award.

    Film poster for ‘Accomplice’ by Matthew Avery Berg

    “I’ve long admired the National Film Festival for Talented Youth’s powerful programming and commitment to filmmakers new on the scene,” said Crickett Rumley, NYFA’s Director of Film Festivals. “It’s an honor to be partnering with them this year, and I encourage everyone to swing by for the films, then stay for the panels and workshops.  There’s so much to be experienced and explored.”

    For more information on the National Film Festival for Talented Youth, please click here, and be sure to read our other blogs on Catalina Loret and Matthew Avery Berg to learn more about them and their films.

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    October 25, 2020 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 387

  • NYFA Screenwriting Alum Miguel Ángel Parra’s Enjoys Successful Festival Run With Screenplay ‘The Pink House’

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    We hear it all the time, “write what you know.” As a journalist, Spanish native Miguel Ángel Parra was all too familiar with that phrase and went from applying it to his work as a journalist to becoming a screenwriter writing stories that reflect pockets of his own life. 

    After he lost his job in January 2019, Parra realized it was time to make his dreams come true and focus solely on screenwriting. He also credits the many “voices that have been silenced along the way throughout history” to being the driving force behind wanting to make people listen to those stories as a screenwriter. 

    Enrolling in the 8-Week Screenwriting program at NYFA finally allowed Parra to learn how to improve crafting the structure of his scripts and how to write better dialogue for his characters, crediting instructor Dennis Green as being the driving force behind learning new techniques.

    While studying at NYFA, Parra wrote his screenplay for The Pink House, which has since gone on to win screenplay contests in the Madrid International Film Festival (2020), the LGBTQ Toronto  Film Festival (2020), the All Genre Screenplay Contest (sponsored by Amazon, 2020), and become a semi-finalist in the Nashville International Film Festival (2020). 

    “It [The Pink House] is my first feature film script and I wrote it in English! When I came back to Spain, I translated it into Spanish and rewrote it several times,” shared Parra. “During the quarantine, I finished it and translated into English again in order to be able to submit to international competitions.” 

    NYFA screenwriting alum Miguel Ángel Parra

    The Pink House is a dramedy that, while humorous, is also a story about the abandonment suffered by LGBTI seniors. “The young activists who fought for the LGBT rights in the late 70s in Spain are nowadays men and women in their 70s and 8os and most of them don’t have a home to live in, as they were rejected by their families or have lost their couples,” explained Parra about his award-winning script. 

    “It is a story that needs to be told. In my country we lived 40 years of dictatorship, with a hard repression on these people, so I felt that I HAD to thank them for their fight somehow because, thanks to them, we have the rights we have right now.”

    Parra hopes that audiences, especially the younger generation, will be able understand that the story is about having the rights and freedoms of today “because someone fought for them.” Since Parra has submitted his script to multiple festivals and competitions, he has received incredible notoriety and shared that the positive response is overwhelming.

    “Being my first feature film script, it is quite exciting to see that people (and jurys) like it. It’s been an honor to see The Pink House selected at the Nashville Film Festival Screenwriting Competition and reaching the semifinals, or being one of the Best Unproduced Scripts at Madrid International Film Festival, or seeing my script published and sold on Amazon thanks to the All Genre Screenplay Contest. I never imagined something like this would happen. “

    As for what’s next for the newly minted screenwriter, Parra’s upcoming short film The Eternal Angels was shot in August and is expected to premiere at the Seville European Film Festival in November. Parra also revealed he recently wrote a play that he hopes will open in January a TV pilot called The Golden Boys, a renewed, gay remix of the popular TV show The Golden Girls, which has already shown interest with a production company.

    Miguel Ángel Parra on set for ‘The Eternal Angels’

    New York Film Academy would like to thank Screenwriting alum Miguel Ángel Parra for taking the time to share his journey on writing his first feature film script and the importance of telling the stories of those who have been silent for a long time. NYFA looks forward to seeing what is next from Parra and wishes him the best on his upcoming short film The Eternal Angels.

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    October 7, 2020 • Film Festivals, Screenwriting, Student & Alumni Spotlights • Views: 814