This year, New York Film Academy’s top-ranked summer camps went virtual and campers in countries across Asia had the opportunity to make films, learn to act, and create animations under the umbrella of knowledgeable Los Angeles campus instructors who have worked in the industry for years, in interactive live classes, from the comfort of their home!
Campers finished hands-on projects, and socialized (virtually) with their fellow campers. In addition, NYFA’s camps team had designed after-class social activities that would occur two to three times per week to allow campers to get to know one another and just have some fun!
NYFA’s unique Filmmaking, Acting, and 3D Animation teen courses have become a dynamic new standard in visual and performing arts distance education. During the summer of 2020, more than 40 students from China, Japan, Singapore, India and so on attended the teen camps online offered from NYFA’s Los Angeles campus, located in the heart of Hollywood.
At their home, the campers could shoot, participate, and edit in film, acting, or animation projects using their smartphones and laptops. Students screened or displayed their final works at NYFA’s virtual graduation ceremony at the end of each program, varying from one to four weeks, along with popcorn at home and a virtual gathering of friends and family members.
NYFA Summer Camps 2019 (On Campus)
Danny, a camper in China, share: “I wanted to say it was one of the best experiences of my life. You run such an awesome program and I am so grateful that I got to experience this summer program at home. I would like to experience NYFA’s in-person programs soon.”
To learn more about future programs for China or Asia time zones, please click here to learn more about our summer camp programs or contact us through WeChat: nyfabeijing
At New York Film Academy, our instructors are working industry professionals who are constantly creating and pushing the boundaries in their industries. For NYFA Los Angeles Playwright and Features instructor Colette Freedman, she is doing just that, having recently worked as the script doctor on Steve Aoki’s highly anticipated musical Mozart² and continuing her work as a writer and an actress.
Freedman recalls jumping into her acting and writing career after experiencing an “ah-ha moment” in a theatre company while on a play reading committee. “I was reading a script and I realized ‘I can do better’.”
NYFA instructor Colette Freedman
Freedman then wrote the First to the Egg, which won a slew of awards. She also wrote the play Sister Cities, which has been produced all over the world and made into a novel and a Netflix film adaption in which Freedman also acted alongside Michelle Trachtenberg and Troian Bellisario.
‘Serial Killer Barbie’ (Written by Colette Freedman)
Freedman’s favorite projects she’s written include her dark comedy Serial Killer Barbie with Nickella Moschetti and another recent project with Freedman’s writing partner, Brooke Purdy, called The Last Bookstore, which gained great critical acclaim and is even receiving some film interest.
For the highly anticipated Mozart², Freedman shares that the process was quite collaborative when working with Steve Aoki and the entire team to bring this story to the stage. “We [Freedman and Tegan Summer] write the libretto and original songs alongside composer Gregory Nabours. Steve [Aoki] and his team would then select the EDM numbers that work best for the moments we define in the script, and then it comes together to green light, arrange, and orchestrate.”
Playwrights, as Freedman, points out, are not just there at the beginning to write the story, but are involved in the life of the musical or play from beginning to end. “ [For Mozart²] We have an amazing design team for visuals and incredible choreographers in Dwight Rhoden and Desmond Richardson with Ferly Prado,” she shares. “We steer the narrative, they steer the floor.”
Poster for Steve Aoki’s ‘Mozart²’
As for what she hopes audiences will get from her script and the musical overall, she hopes audiences will relate to lead character Nan and shine a light on not only her character, but “all of the women whose talent was silenced due to the patriarchy.”
In the meantime, Freedman has this to say to students and creatives:
“Go make art. Especially in these times. Use your voice to create. Brooke and I have a YouTube channel Midlife Mutiny, which gives inspirational tidbits and encourages you to tell your stories and share your voice. Nan Mozart didn’t have the luxury of social media to get her voice out, but you do!”
New York Film Academy congratulates instructor, actress, and writer Colette Freedman on her recent achievement with Mozart² and encourages everyone to stay tuned for additional information about the musical and when it will be available to the public.
On Friday, July 10th, CG Supervisor, Daniele Tosti spoke with New York Film Academy (NYFA) Los Angeles Animation Instructor Bruce Buckley as part of an ongoing series for his Youtube channel, The Computer Graphic Career. “…Dedicated to helping artists in the feature and digital production industry”, the channel features several interviews with “some of the most successful senior artists and supervisors in the feature digital art business.”
The admiration between the two artists is clear from the start of the interview as they speak to each other’s successes and past collaborations. Once underway, we discover the passion and experiences that ultimately lead to Buckley’s long career as a CG Supervisor and Visual Development Artist for films like: Casper, Beowulf, Fantastic Beasts and Where to Find Them, The Fate of the Furious, and Deadpool 2.
3D design from Bruce Buckley’s portfolio of work on Pixars’s ‘The Incredibles’
The interview uncovers everything from the ways Bruce is able to find balance between being a supervisor while still feeling like an artist, to what he sees for the future of the business from a technological standpoint. However, it is Tosti’s questions that speak to the more personal nature of artists that separates this series from anything else. “As artists, we are all driven by emotions and subjective beauty. For that reason we tend to see the world differently and our passion goes deep. But balancing that passion with the economy of your professional life as an artist, as well as with your family and people around you is the most critical journey.” It is through this lens we begin to pull back the layers and see what it really takes to be able to make it in the industry.
NYFA’s Animation department prides itself on cultivating a faculty of working professionals utilizing a top down method. It stems from our belief that in order to become the best, you must learn from the best, and Bruce Buckley is simply the best.
New York Film Academy (NYFA) alum Paula Bryant-Ellis’ story is proof that you do not have to grow up in the entertainment industry or start in showbiz at an early age to find your voice or succeed in the business. With the foundation of her faith and the skills from her career and educational experiences, Bryant-Ellis has managed to switch vocations and elevate her voice and the experiences of others along the way.
After graduating from Concordia University in Texas, where she majored in Accounting, Bryant-Ellis furthered her education with an MBA from UOP and an executive MBA from MIT. After years in corporate America as an executive and COO in banking and finance, Bryant-Ellis decided it was time for a change. “I was unfulfilled and really felt God pulling me in a different direction. So, my husband and I took a leap of faith and we sold our house, packed up our belongings, and moved to Los Angeles.”
That leap of faith led Bryant-Ellis to attend NYFA’s Los Angeles campus to study producing. “I enrolled at NYFA because I needed a way to learn the industry and get up to speed quickly,” she says. “I came out of the producing program convinced that I could produce my first project, and I did!” Bryant-Ellis also learned filmmaking at NYFA’s New York City campus. “I was able to develop relationships with students from LA, New York, Russia, Nigeria and South Africa and keep in touch with them even now,” she shares.
Photo courtesy of Paula Bryant-Ellis
Bryant-Ellis has gone on to produce TV series Hard Medicine and the short film Twelve Steps. She also recently made a small cameo appearance for an episode in season four of HBO’s Insecure, directed by her son Jay Ellis, who also stars on the show opposite NYFA filmmaking alum Issa Rae.
Bryant-Ellis’ most recent project to date has been her docuseries Behind Her Faith, which focuses on women in entertainment and their personal journey and the role of their faith in their career. The series features Essence Atkins (A Haunted House, Are We There Yet?), Niecy Nash (Claws, When They See Us), Angelica Nwandu (The Shade Room), and Aisha Hinds (Godzilla: King of the Monsters, 9-1-1).
“Mentoring and encouraging women has always been extremely important to me, especially because there were no role models for me in my field as I was working my way up through corporate America,” reveals Bryant-Ellis. “There were very few females in the upper ranks and there were absolutely no men or women of color in senior or executive level positions.”
‘Behind Her Faith’ created by an produced by Paula Bryant-Ellis
Behind Her Faith is currently streaming on Apple TV, Amazon Prime, Roku and UMC.tv (an AMC network), and Bryant-Ellis hopes to have more seasons in the future. “I want the audience to know that God loves them and that He’s waiting to have an encounter with them that’s more powerful than they could ever think or imagine.”
With faith being a cornerstone of Bryant-Ellis’ storytelling foundation, she also shares that this time in show business is crucial for people to understand that all stories should properly represented and calls for change in the industry. “Stop believing you can tell my story better than I can. No one’s story is more important than the other but BOTH must be told.”
Paula Bryant-Ellis behind the scenes during a film shoot
With the Black Lives Matter movement continuing to bring a reckoning in Hollywood, Bryant-Ellis also adds “it’s not enough to say that you are aligned with a cause when you don’t provide resources to support the cause,” and this is not just an issue that appears in the entertainment industry. “It does not matter what industry you’re in; your Boards and your decision-making team must be diverse and reflective of the people that support and purchase your products.”
Bryant-Ellis also reveals she has a couple of additional projects in the works including a docuseries and a drama, but is unable to officially share more information just yet. For now, she has this to say:
“Believe in you. This industry requires tough skin and staying power. Find a niche that works for you and create content that keeps you true to who you are. Don’t worry about what everyone else is doing. No one can do you better than you, you just have to believe it and trust it. Trust your voice and your vision!”
New York Film Academy would like to congratulate alum Paula Bryant-Ellis on her docuseries, Behind Her Faith, and looks forward to what exciting and inspiring projects come next from the NYFA alum!
Photo courtesy of Paula Bryant-Ellis
To learn more about Paula Bryant-Ellis and to keep an eye out for her upcoming projects, check out the links below:
New York Film Academy (NYFA), in partnership with the City of Burbank’s Cultural Arts Commission, has produced a video highlighting the 2019 Burbank Arts Beautification Program, an art installation initiative to display original artwork on utility boxes throughout the Burbank community.
With NYFA’s own Los Angeles campus located in the Burbank area, NYFA offered its support to the Burbank Arts Beautification Program for this local community initiative as a means to provide a glimpse at what has been accomplished so far in the community through the Program. NYFA’s video highlights the Phase 3 of the Burbank Arts Beautification Program, which focused on the utility boxes located in the media district of Burbank. These boxes were painted by talented artists, who were inspired by the theme “A World of Entertainment.”
A Vintage Postcard for Burbank’ by Artist Monika Petroczy
In addition to creating the video highlighting the 2019 Burbank Arts Beautification Program, NYFA also sponsored artist Monika Petroczy, who created her box, ‘A Vintage Postcard for Burbank.’ Petroczy’s box was inspired by the classic vintage postcards from the 1950’s and included famous Burbank landmarks, activities and landscapes both classic and modern.
NYFA sponsored artist Monika Petroczy (Left)
This week, the City of Burbank in partnership with the Parks and Recreation Department and the Public Works Department, announced a call to all artists to participate in the Burbank Arts Utility Box Beautification Project for 2020. Various utility boxes throughout the City’s Magnolia Park District will be painted with original art inspired by the theme of “Celebrate Community.” Applications are now open and will close on Thursday, July 23, 2020 at 5:00 P.M PST.
NYFA would like to thank the City of Burbank’s Cultural Arts Commission for being part of Burbank Arts Beautification Program and encourages artists to apply to be part of the Magnolia Park District phase of the Program.
To learn about previous Utility Box Beautification Projects, or to apply, click here.
The end of May was an exciting time at New York Film Academy (NYFA) for the Spring Class of 2020, where students and instructors witnessed the culmination of their hard work over multiple days of final screenings, presentations, pitches, and of course, graduation ceremonies.
Actor Vincent D’Oforino (Left) and Dean of Academic Advising for NYFA Los Angeles, Mike Civille (Right)
This year, NYFA graduations, like many across the country, were held virtually with students and their families tuning in from all over the world to celebrate as NYFA graduates proudly accepted their diplomas and tossed their caps in the air.
Guest speaker Vincent D’Onofrio joined in the commencement ceremony by delivering a speech that encouraged BFA and MFA students as they go into working more closely with the industry after graduation. He encouraged students to continue to remember what they know, but to constantly be willing to learn and grow along the way throughout their respective careers.
New York Film Academy congratulates all of the incredible students of the class of Spring 2020 who have dedicated so much time and hard work into completing their training here. We look forward to celebrating all their wonderful achievements to come!
One of the biggest advantages to studying 3D Animation & Visual Effects at New York Film Academy (NYFA) is studying under faculty members who not only have experience in the industry, but also continue to work in it and have the most up-to-date and relevant perspectives from the inside out.
Matt Galuppo, Associate Chair of the NYFA-LA 3D Animation & VFX school, is one of these experienced faculty members, with credits as a visual effects artist on films including Divergent, Hercules, Warcraft, The Maze Runner, and Teenage Mutant Ninja Turtles (2014). Most recently, he worked on not one but three Super Bowl commercials as part of the pitch and pre-pro team for the production companies behind them: Microsoft – Bring it to the Surface m:United
In his own words, Galuppo describes what it was like pitching and working on Super Bowl commercials seen by millions of television and streaming viewers:
Working on the pitch and pre-production for every commercial is different. It can shift between visual research and script breakdowns to taking passes on the actual script itself. You have to have a great sense of collaboration, client sensibilities, visual storytelling, as well as copywriting. It is doing a little bit of everything over a very short period of time.
Whatever the individual asks for, most agency and production company pitches usually culminate in some sort of treatment or deck. The purpose of these is to take the agency and brand step by step through the spot, covering everything from pacing, tone, story arc, etc.
For the Microsoft spot centering on the first female coach in the Super Bowl, it included watching and reading hours of interviews of the coach, Katie Sower, to better get to know her. What came out of that research was that she was an avid journaler, and we were able to use her reading from her old journals as a narrative frame for the longer spot itself.
The Verizon 5G spot did a great job of doing what no one else was doing. While everyone else was talking about smartphones and emerging technologies, Verizon reframed the conversation around those how jobs could work with or without the technology. It refocused the conversation on the bravery and humanity of first responders and their organic relationship to technology.
The trick of the NFL 100 opening is a giant montage across America where every shot had to include references to both past and present NFL players, coaches, and commentators, while also referencing the city themselves. The agency was very open to hearing additional gag pitches for the teams and cities involved.
New York Film Academy thanks Associate Chair of NYFA-LA 3D Animation & VFX Matt Galuppo for describing what it was like behind the scenes working on these Super Bowl ads!
Paquita Hughes, Navy veteran and alum of New York Film Academy’s Filmmaking and Photography schools, has added Little Fires Everywhere to her growing list of Hollywood credits.
Little Fires Everywhere, which debuted on Hulu on March 18, stars Reese Witherspoon and Kerry Washington, who both also served as executive producers on the dramatic miniseries. The show is adapted from the 2017 novel of the same name by Celeste Ng and tells the story of two mothers from diametric socioeconomic backgrounds in Shaker Heights, Ohio during the 1990s.
Hughes is a veteran of the United States Navy and first attended NYFA’s 1-Year Filmmaking conservatory in July 2011 at our Burbank-based campus in Los Angeles. After completing the program, she then enrolled in the 1-Year Photography conservatory. Her thesis project was a pilot for the dramedy web series Sugar, which dealt with the sex industry and included strongly written, complicated female protagonists.
Since filming Sugar and graduating, Hughes has been very busy working in Hollywood working in various positions, including as location manager on hit productions like Grey’s Anatomy, NCIS: Los Angeles, and Marvel’s Runaways. Additionally, Hughes is working as location manager on the new period-set reboot of Perry Mason, starring NYFA Guest Speaker Matthew Rhys. “I had an epiphany when I was in the Navy,” Hughes says in a NYFA video spotlighting her success as an alumni, “and I thought to myself if I could succeed at serving my country during a time of war, I could succeed at following my dreams attending film school, so I decided to get out and study film.”
New York Film Academy congratulates NYFA Filmmaking and Photography alum Paquita Hughes on her prolific work on Hollywood productions and encourages everyone to watch Little Fires Everywhere on Hulu!
Before he unexpectedly passed away last summer, New York Film Academy (NYFA) 1-Year Screenwriting conservatory and BFA Acting for Film alum Elan Vega lit up the lives of everyone around him, especially his NYFA classmates. His positivity, hard work, and commitment to the arts now lives on through NYFA’s Elan Vega Award, and it was no surprise that the award’s first recipient was NYFA 1-Year Filmmaking conservatory student and BFA Acting for Film grad Michael Johnson.
Both Johnson and Vega graduated from the BFA Acting for Film program at NYFA’s Los Angeles campus. Both alumni also sought to expand their artistic talents into other avenues; in Spring 2019, Johnson enrolled in NYFA-LA’s 1-Year Filmmaking conservatory while Vega began studying in the 1-Year Screenwriting conservatory. Vega was a veteran of the United States Marine Corps who had a huge heart and who personified service, perseverance, and passion. Johnson is also a military veteran, having served in the US Army, and shares these same virtues, making him the perfect choice to receive the inaugural Elan Vega Award.
NYFA alum and Elan Vega Award recipient Michael Johnson
The award will be distributed each semester by New York Film Academy in Vega’s honor to students that embody Vega’s kindness, selflessness, and thoughtfulness, students who have demonstrated the desire to help their fellow artists whenever and wherever needed, as Vega had done so many times. Vega loved the process of storytelling, our community, and the friends he made at NYFA, and elevated both his classmates and his program with his enduring attitude.
To that end, the Elan Vega Award includes both a beautifully-crafted plaque and a financial grant to help recipients further their studies and artistic pursuits. Johnson received the award in February in a ceremony attended by, among other NYFA senior faculty, actor and NYFA Master Class instructor Matthew Modine.
Michael Johnson receiving the Elan Vega Award with senior NYFA faculty
Like Vega, Johnson is beloved by his peers in the NYFA community, as well as his instructors and other faculty and administration. While the tragic passing of Vega will never be forgotten, his spirit living on through his friends and through future graduates of NYFA who embody that spirit is something to celebrate. Friends and classmates of both Vega and Johnson were glad to see Vega’s memory honored by Johnson, who gave a heartfelt acceptance speech at the award ceremony.
New York Film Academy congratulates 1-Year Filmmaking conservatory and BFA Acting for Film grad Michael Johnson on receiving the inaugural Elan Vega Award and honoring the spirit of NYFA alum Elan Vega.
NYFA alum and Elan Vega Award recipient Michael Johnson
On Saturday, March 7, New York Film Academy Los Angeles (NYFA-LA) had the pleasure to once again host Lunafest, a series of films by and about women for the Zonta Club of Burbank. Crickett Rumley, NYFA Director of Film Festivals, moderated the event. Lunafest was also attended by Burbank Mayor Sharon Springer and Council Member Tim Murphy.
NYFA Acting faculty Lee Quarrie, NYFA Film Festival Director Crickett Rumley, LADY PARTS writer/director Jessica Sherif, NYFA MFA Filmmaking student Jumanah El Shabazz, NYFA Filmmaking alum Roshni “Rush” Bhatia
In order to combat the underrepresentation of women in film, Lunafest was created in 2001 as the first all-women traveling film festival. Since then, the festival has opened opportunities to more than 150 women filmmakers, giving them the recognition and platform they deserve. In addition, Lunafest travels to nearly 200 cities annually, raising funds for local women’s causes. This year, proceeds from NYFA’s presentation of Lunafest were allocated to Zonta Burbank, a volunteer organization working to empower women through service and advocacy.
Following a screening of the short film program, Rumley began a guided conversation where students and panelists had the opportunity to talk about the films. Students from all backgrounds saw themselves in the stories, and even felt uncomfortable, in good ways–they had moments of realization, moments of uplift, and moments of inspiration.
NYFA previously hosted Lunafest in 2019. Panelists included members of the campus Film Festival Club, including its president, Jumanah El Shabazz; NYFA alum and recipient of the Zonta Wings Grant, Roshni “Rush” Bhatia; NYFA Acting Faculty and Academic Adviser, Lee Quarrie; and Director and Producer of the Lunafest-selected film Lady Parts, Jessica Sherif.
Speaking on the relatability of the films to both students and Zonta Burbank members alike, Rumley shared, “Lunafest is such a strong program, and it was fascinating to see how the films reflected audience experiences.” She continued, “Not only was the dance in Ballet After Dark beautiful to watch, the protagonist’s determination to survive trauma spoke to women of all ages. And Zonta members who have been breaking glass ceilings for decades were heavily impacted by PURL because the main character faced such an uncomfortable, if not hostile, all-male workplace that she had to overcome.”
NYFA alum Roshni “Rush” Bhatia and Jessica Sherif, director/producer of LADY PARTS
The writing and emotional impact of the films pierced through to everyone in the audience. NYFA student Nadiia Pavlyk-Vachkova, stated, “I invited my friend, a director from India, and I wasn’t sure that he would endure 90 minutes of content devoted to women. But all the films were so strong and well done that we got the impression we were watching Oscar nominees. After the performance, we discussed the funny and tragic moments that we both learned from.”
New York Film Academy thanks Lunafest, the Zonta Club of Burbank, and the panelists for joining us for such a successful event and sharing it with our students.