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  • NYFA Instructor & Alum, Arnold Song, Builds Demo for Houdini Hive Worldwide Presentation

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    On Monday, May 18, 2020, SideFX will host their annual Houdini Hive Worldwide presentation that explores the various techniques used by top studios and artists to meet a wide variety of studio production needs. NYFA instructor & alum, Arnold Song, who works at SideFX, is part of the team testing and building the demos for the presentation.

    Houdini, the premiere procedural animation software by SideFX, is a universally adopted software across animation studio giants like Dreamworks, Disney, and Pixar. (In fact, it is one of the few “off the shelf” pieces of software that Pixar uses).

    NYFA instructor and alum Arnold Song

    NYFA had the opportunity to speak to Song about his work for the presentation, the future of Animation and VFX, and any advice he has for students interested in pursuing a path in this industry.

    When asked about his presentation for the event, Song commented that it will be centered on how things can be done in a new system in Houdini (USD Workflow), called Solaris. USD stands for Universal Scene Description and it allows 3D data to be interchanged among different suites of digital creation applications. The Solaris presentation, Song says, will allow animators and VFX artists to learn “how to bring in USD assets, how to select different models from the one asset set, how you can add effects on the USD asset, and, finally, how to use the new render engine, Karma, to render it.”

    Houdini (USD) Workflow

    “For me, everything is new,” says Song. “I didn’t know anything about USD at the beginning, and Solaris is still under development. Putting two completely new things together, and creating a good result [with his team] is the most fun part.”

    Rendered image using Houdini software

    When asked what advice Song has for students who want to get into effects animation, Song shared this response:

    “Effects animation is unlike other departments like modeling, animation, and lighting. Making an effect is slow. You change some values, and you wait anywhere from ten minutes to a few hours,” he begins. “There is no correct way to make something, which means there could be 100+ ways to make a similar effect. This increases the opportunity to make a totally unique effect but, at the same time, it is really hard to get to know how exactly things should work. So, be patient and just keep practicing.”

    USD could become a replacement for the now standard python language. To see Houdini accepting it so enthusiastically means that it is here to stay and will most likely become the standard of the future. It seems that SideFX, and NYFA alum and instructor Arnold Song, are signaling that USD will become the programming language of the future for Animation and VFX.

    New York Film Academy (NYFA) would like to congratulate NYFA alum and instructor Arnold song on his upcoming presentation for Houdini Hive Worldwide and would like to thank him for sharing more about his work on Polaris and his advice to future students.

    For more information on the 3D & VFX Animation School at NYFA, check out our website here. 

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    May 15, 2020 • 3D Animation, Alumni Events, Faculty Highlights • Views: 818

  • New York Film Academy (NYFA) 3D Animation & VFX Faculty Matt Galuppo Works on 3 Super Bowl Commercials

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    One of the biggest advantages to studying 3D Animation & Visual Effects at New York Film Academy (NYFA) is studying under faculty members who not only have experience in the industry, but also continue to work in it and have the most up-to-date and relevant perspectives from the inside out.

    Matt Galuppo, Associate Chair of the NYFA-LA 3D Animation & VFX school, is one of these experienced faculty members, with credits as a visual effects artist on films including Divergent, Hercules, Warcraft, The Maze Runner, and Teenage Mutant Ninja Turtles (2014). Most recently, he worked on not one but three Super Bowl commercials as part of the pitch and pre-pro team for the production companies behind them:

    Microsoft – Bring it to the Surface
    m:United

    Verizon 5G
    McCann Ericson

    NFL 100 Opening – Take It to the House
    72 and Sunny

    super bowl liv

    In his own words, Galuppo describes what it was like pitching and working on Super Bowl commercials seen by millions of television and streaming viewers:

    Working on the pitch and pre-production for every commercial is different. It can shift between visual research and script breakdowns to taking passes on the actual script itself. You have to have a great sense of collaboration, client sensibilities, visual storytelling, as well as copywriting. It is doing a little bit of everything over a very short period of time.

    Whatever the individual asks for, most agency and production company pitches usually culminate in some sort of treatment or deck. The purpose of these is to take the agency and brand step by step through the spot, covering everything from pacing, tone, story arc, etc.

    For the Microsoft spot centering on the first female coach in the Super Bowl, it included watching and reading hours of interviews of the coach, Katie Sower, to better get to know her. What came out of that research was that she was an avid journaler, and we were able to use her reading from her old journals as a narrative frame for the longer spot itself.

    The Verizon 5G spot did a great job of doing what no one else was doing. While everyone else was talking about smartphones and emerging technologies, Verizon reframed the conversation around those how jobs could work with or without the technology. It refocused the conversation on the bravery and humanity of first responders and their organic relationship to technology.

    The trick of the NFL 100 opening is a giant montage across America where every shot had to include references to both past and present NFL players, coaches, and commentators, while also referencing the city themselves. The agency was very open to hearing additional gag pitches for the teams and cities involved.

    New York Film Academy thanks Associate Chair of NYFA-LA 3D Animation & VFX Matt Galuppo for describing what it was like behind the scenes working on these Super Bowl ads!

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    March 26, 2020 • 3D Animation, Faculty Highlights • Views: 1092

  • New York Film Academy (NYFA) 3D Animation & VFX Alum Daniela Lobo Dias Works on ‘Sonic the Hedgehog’

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    New York Film Academy (NYFA) 3D Animation & VFX alum Daniela Lobo Dias has been doing animation work on some of Hollywood’s biggest movies since graduating NYFA in 2015 , including the hotly-anticipated Sonic the Hedgehog movie.

    Lobo Dias first attended New York Film Academy in 2014, enrolling in the 4-Week 3D Animation & VFX workshop at our New York campus. She later advanced her studies later that fall in NYFA’s 1-Year 3D Animation & VFX conservatory.

    “Daniela was a spectacular student whilst enrolled in NYFA,” says NYFA Animation and VFX faculty Robert Appleton, “where she—along with three other outstanding female students—created an incredible final project.”

    After graduating, Lobo Dias interned at a top animation company in New York before relocating to the West Coast and then Canada. She has worked on special effects-heavy films such as Maleficent: Mistress of Evil, Venom, Ad Astra, Bumblebee, Pokémon: Detective Pikachu, and recently, Cats.

    Her latest film is Sonic the Hedgehog, a mix of live-action and animation that adapts the wildly popular Sega video game franchise about a snarky blue hedgehog that outruns the bad guys at lightning speed. The film stars Jim Carrey as Sonic’s live action nemesis Dr. Robotnik, with Ben Schwartz voicing a completely animated Sonic. Sonic the Hedgehog is directed by Jeff Fowler and co-stars James Marsden, Adam Pally, and Tika Sumpter.

    Lobo Dias worked as a layout artist on the film, with her primary tasks being blocking out CG elements (such as characters and environment assets) over the live action plate, creating projection camera setups to integrate live action plates into CG environments, and creating final camera animation with character blocking for full CG shots.

    With Sonic coming out on Valentine’s Day, the animation had to be completed well before its theatrical release. In the interim, Lobo Dias worked on the upcoming Disney film Jungle Cruise, starring Dwayne “The Rock” Johnson and Emily Blunt. She is currently working on the upcoming sequel Ghostbusters: Afterlife. Her hard work at NYFA has certainly paid off.

    “You get out of NYFA what you put in,” says Lobo Dias. “When you show up each day with enthusiasm and a readiness to listen and learn, you’re planting seeds with your teachers and classmates that blossom into a professional network.”

    Daniela Lobo Dias Sonic the Hedgehog

    Lobo Dias is quick to express her gratitude for those who helped her along the way, however. “I am very grateful for my teachers at NYFA who not only taught me the skills I needed,” she adds, “but also nurtured my potential, and then gave me my first industry opportunities. A special shoutout to Rob, Boaz, Gavin, Tim, and Phoebe!”

    New York Film Academy congratulates 3D Animation & VFX alum Daniela Lobo Dias on the release of Sonic the Hedgehog and looks forward to seeing the blockbusters she’ll be working on in the future!

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    February 13, 2020 • 3D Animation, Student & Alumni Spotlights • Views: 896

  • New York Film Academy (NYFA) 3D Animation & VFX Alum Joins Paradox Interactive

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    Hanna Johansson, an alum of the Fall 2016 1-Year 3D Animation & Visual Effects conservatory at New York Film Academy (NYFA), has been hired as a character animator for Paradox Interactive.Hanna Johansson

    Paradox Interactive AB is a video game publisher based out of Stockholm, Sweden, and was founded in 1999. They are best known for their historically-themed strategy games, as well as role-playing games and management simulators.

    They are perhaps best known for their games Prison Architect and Cities: Skylines. The latter was released in 2015 as a competitor to SimCity, and has sold over six million copies.

    At NYFA’s Los Angeles campus, Johansson learned the craft from an award-winning faculty of professional animators and visual effects artists. In addition to working as a Teachers Assistant in NYFA’s Animation department, Johansson has worked as a freelance 3D animator since graduation. She has been working with Paradox Interactive’s Arctic Studio as a character animator since June 2019.

    New York Film Academy congratulates 3D Animation & Visual Effects alum Hanna Johansson on her position and looks forward to her future work as an animator!

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    September 15, 2019 • 3D Animation, Student & Alumni Spotlights • Views: 893

  • New York Film Academy (NYFA) Hosts Creators Society Panel on Animation Careers

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    Last month, New York Film Academy (NYFA) hosted the Creators Society monthly meeting and panel discussion. The Creators Society is a group of passionate, like-minded members of the animation community who work in the fields of film, TV, commercials, visual effects, VR/AR, and gaming. The topic for August’s panel was “Freelance Vs. Big Studios: Navigating a Career in Animation.”

    Artists, producers, and animators from DreamWorks, Warner Brothers, Disney, and more came to NYFA to mingle and share their advice with Creator Society members and students of the NYFA 3D & Visual Effects Animation department. 

    Creators Society Panel Sept 2019

    The panelists included:

    Melody Severns: Severns started her career interning at Film Roman and moved into the role of layout artist on The Simpsons (both the show and movie). She’s worked in production management on Monster High, Transformers: Robots in Disguise, and DC Superhero Girls. She is also the founder and head of Girls Drawin’ Girls, an art organization dedicated to promoting the work female artists in the animation industry.

    Daniel “Hashi” Hashimoto: Hashi worked for DreamWorks Animation’s visual development team. Since 2014, Hashi has been using his VFX skills to turn the playtime of his young son, James, into the viral webseries Action Movie Kid, which has over a million followers across social media. He’s partnered with Disney, LucasFilm, Warner Brothers, Target, and Toys ‘R’ Us in commercial campaigns, and is now a Senior Content Creator at Red Giant, creating their series Cheap Tricks. Hashi still consults for animation studios on upcoming feature film projects and is developing new and fun ideas with his writing partners.

    Liz Climo: Climo has worked in animation as a writer, storyboard artist, layout artist, and animator on shows like The Simpsons and Harvey Beaks, as well as The Simpsons Movie. She is also the writer and illustrator of the Rory the Dinosaur series of children’s books, as well as You Don’t Want A Unicorn, Lobster is the Best Medicine, and other titles.

    Creators Society Panel Sept 2019

    Students and alumni attending the event had a wonderful time listening to the panelists. Here are just some of the responses from the attendees:

    “My first Creator Society event was an extremely pleasant, eye-opening experience. To have the chance to mingle with artists in the industry, make connections, and listen to their stories and experiences is invaluable.

    “One of the things I took from this event was that as an artist, you don’t have to be good at everything. Most of the people I spoke with—along with the event’s speakers—weren’t jack-of-all-trades types but were instead exceptionally good at something that made them artistically unique, which (along with luck and the right connections) is what helps you get a job in the industry.”

    -Hilmar Loftsson, BFA 3D & VFX Animation Student

    “They talked about how to stand out as a woman in the animation industry—to which they talked about making yourself be seen and occupying space. Like not sitting in a corner where no one sees you, but instead take your space and make yourself be noticed and not be overshadowed by the men. Which, in a way, I think it can be applied to recent hires in the sense of voicing their opinions and not being afraid to give suggestions that might help the overall project.”
    -Juan Gordillo, BFA 3D & VFX Animation Student

    “The event with the Creator Society was the first of its kind for NYFA, and a successful one at it. The panel was divided between professionals who work at bigger companies and ones that are self-employed and work as freelance. It was very interesting and helpful to hear the collected thoughts of these brilliant panelists, on the differences between working at a studio for others and being your own boss. 

    “They talked about what traits artists should have when working at bigger studios, what to expect, and the division between creativity and technicality at these two different settings. The four professional panelists were also very fun to listen to. They were serious with their answers and opinions, yet in a joking and funny way that made the event more casual and fun than a boring Q&A session. Students and visitors responded positively to the event, and many wanted to talk to the panelists afterwards.”
    -Gayatri Ankam, 1-Year 3D & VFX Animation Alumni

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    September 5, 2019 • 3D Animation, Guest Speakers • Views: 1173

  • New York Film Academy (NYFA) 3D Animation & Visual Effects Alumni Bring to Life Superhero Films, ‘Game of Thrones’, ‘Star Trek’ and More

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    Students who graduate from the 3D Animation & Visual Effects programs at New York Film Academy (NYFA) have gone on to work on numerous high-profile, visually stunning films, games, and television series, including Game of Thrones, Shazam!, The Orville, and more.

    It’s no surprise NYFA 3D Animation & VFX alumni have found success after graduation—they learned their craft from a professional faculty of working, award-winning animators and visual artists who shared their own industry secrets and practical knowledge to prepare students for careers in a competitive and rewarding industry. 

    NYFA offers workshops, conservatories, camps, and BFA and MFA in 3D Animation programs where students will use state-of-the-art software and equipment and learn the various skills necessary for successful careers in the industry—including storyboarding, modeling, particle dynamics, advanced rigging, and much, much more.

    Take a closer look at some esteemed alumni of the NYFA 3D Animation & Visual Effects programs and see where their studies have taken them so far. Click each image for a detailed, fullscreen look at these graduates’ achievements!

    You can find more information on the programs offered by the New York Film Academy 3D Animation & Visual Effects department here!

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    July 22, 2019 • 3D Animation, Student & Alumni Spotlights • Views: 1652

  • New York Film Academy (NYFA) BFA 3D Animation & Visual Effects Student Chris Su Wins Pixar Storyboard Contest

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    Xingyu “Chris” Su, a BFA in 3D Animation & Visual Effects student at New York Film Academy-Los Angeles (NYFA-LA), recently won a storyboard contest held by Campus Movie Fest and Pixar Animation Studios.

    Su submitted his work to the contest, which was judged by representatives from Campus Movie Fest and Pixar, the studio behind animation blockbusters Toy Story, Finding Nemo, The Incredibles, WALL-E, Up, and Ratatouille.

    Chris Su

    NYFA 3D Animation & VFX Student Chris Su

    As part of his prize, Su was able to work with Pixar executives and artists in Atlanta, Georgia for four days at the end of June. Su and other contest winners visited the CMF Terminus at the Hilton in Atlanta, where he was able to participate in creative workshops and attend a Pixar SparkShort screening. There was also a mixer where Su was able to network with other artists and experienced members of the industry. The weekend concluded with the Golden Tripod Award ceremony.

    Perhaps most importantly, Su was able to work with these established animators, including producers and directors from Pixar and Disney, who shared their experiences and passed some of their knowledge along to the contest winners.

    “It was a fun weekend and I received so much good experience,” Su tells NYFA. “It was such a good opportunity. And I encourage NYFA students to submit their films to the contest next year.”

    Su is currently working on his thesis project. He plans to work as a storyboard artist after graduating NYFA’s BFA in 3D Animation & Visual Effects program, ideally for Pixar or Disney. His favorite recent Pixar film is Coco. “It’s such a touching story,” says Su, “and I want to tell a story like that some day.”

    New York Film Academy congratulates BFA in 3D Animation & Visual Effects student Chris Su on his win and looks forward to his future career in animation!

    See the award-winning work Chris Su submitted to Pixar below:

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    July 18, 2019 • 3D Animation, Student & Alumni Spotlights • Views: 1597

  • Meet the Faculty of the New York Film Academy (NYFA) 3D Animation & Visual Effects Department

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    Part of what makes the 3D Animation & Visual Effects department at New York Film Academy (NYFA) one of the best animation schools in the world is its experienced, professional, award-winning faculty. 

    These working animators and visual artists are the perfect instructors to NYFA Animation student, able to share a wealth of industry secrets and practical knowledge to prepare students for professional careers in a competitive industry after graduation. By showing students first-hand how they’ve applied their skills on well-known projects like Star Wars and The Last of Us, these exceptional instructors help embody NYFA’s mission to teach the practical, technical and artistic skills necessary for a career in the visual arts.

    Here is a closer look at some of the esteemed faculty of the NYFA 3D Animation & Visual Effects department. Click each image for a detailed, fullscreen look at each faculty member’s achievements!

    You can find more information on the programs offered by the New York Film Academy 3D Animation & Visual Effects department here!

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    July 9, 2019 • 3D Animation, Faculty Highlights • Views: 1471

  • 2019 BAFTA Nominations Include Documentaries Worked On By New York Film Academy (NYFA) Faculty

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    UPDATE: The winners were announced last night, February 11. The list includes Free Solo, which won Best Documentary, and which was edited by New York Film Academy (NYFA) instructor Bob Eisenhardt.

    The full list of winners for this year’s BAFTA Film Awards are named below.

    –February 12, 2019

    Nominations for the 2019 BAFTA Film Awards were announced earlier today, as this year’s awards season continues towards its crescendo.

    The BAFTA Awards are given out by the British Academy of Film and Television Arts, and celebrates cinematic achievements by both British artists and those around the world. The Academy was formed from the combination of the Guild of Television Producers and Directors, founded in 1953, and the British Film Academy, started in 1947. The first BAFTA Award went to silent film star and filmmaking legend Charlie Chaplin.

    Many of this year’s BAFTA nominees should seem familiar, as they have already been recognized by various industry guilds as well as this year’s Golden Globes. Historical comedy The Favourite dominated the nominations with a total of 12 following star Olivia Colman’s win for Best Actress at the Globes.

    Spike Lee picked up his first BAFTA nom for directing Best Film nominee BlackKklansman. Bradley Cooper broke BAFTA records by earning five nominations from five different disciplines for his film A Star is Born, which received seven total, including Best Film. 

    Two previous guest speakers of New York Film Academy (NYFA) also received BAFTA nominations. Adam Driver, who spoke with NYFA students at our New York campus last year, received a nod for Best Supporting Actor for his work in BlackKklansman. Glenn Close, who also spoke with NYFA students, picked up a Best Actress nomination for her starring role in The Wife. Close won earlier this week at the Golden Globe Awards for the same performance.

    Three films that were worked on by New York Film Academy faculty and alumni also received BAFTA nominations. Avengers: Infinity War received a nod for Best Special Visual Effects. NYFA 3D Animation and VFX alum Francesco Panzieri worked on the visual effects team for the epic blockbuster. 

    Additionally, two of this year’s Best Documentary nominees feature work by faculty members of the NYFA Documentary school. RBG, the hit documentary about Supreme Court Justice Ruth Bader Ginsberg, was shot by director of photography and cinematography instructor Claudia Raschke. Free Solo, the critically-acclaimed film about Alex Honnold as he attempts to free climb El Capitan, was edited by instructor Bob Eisenhardt. 

    Both films are also shortlisted for the Academy Awards, whose nominations will be announced later this month. New York Film Academy wishes them the best of luck!

    Here is a full list of this year’s BAFTA nominees. The WINNERS are listed in bold.

    Best Film
    BlacKkKlansman
    The Favourite
    Green Book
    Roma
    A Star Is Born

    Outstanding British Film
    Beast
    Bohemian Rhapsody
    The Favourite
    McQueen
    Stan & Ollie
    You Were Never Really Here

    Outstanding Debut by a British Writer, Director or Producer
    Apostasy — Daniel Kokotajlo
    Beast — Michael Pearce, Lauren Dark
    A Cambodian Spring — Chris Kelly
    Pili — Leanne Welham, Sophie Harman
    Ray & Liz — Richard Billingham, Jacqui Davies

    Film Not in the English Language
    Capernaum
    Cold War
    Dogman
    Roma
    Shoplifters

    Documentary
    Free Solo
    McQueen
    RBG
    They Shall Not Grow Old
    Three Identical Strangers

    Animated Film
    Incredibles 2
    Isle of Dogs
    Spider-man: Into the Spider-verse

    Director
    BlacKkKlansman — Spike Lee
    Cold War — Paweł Pawlikowski
    The Favourite — Yorgos Lanthimos
    Roma — Alfonso Cuarón
    A Star Is Born — Bradley Cooper

    Original Screenplay
    Cold War
    The Favourite
    Green Book
    Roma
    Vice

    Adapted Screenplay
    BlacKkKlansman

    Can You Ever Forgive Me?
    First Man
    If Beale Street Could Talk
    A Star Is Born

    Leading Actress
    Glenn Close — The Wife
    Lady Gaga — A Star Is Born
    Melissa McCarthy — Can You Ever Forgive Me?
    Olivia Colman — The Favourite
    Viola Davis — Widows

    Leading Actor
    Bradley Cooper — A Star Is Born
    Christian Bale — Vice
    Rami Malek — Bohemian Rhapsody
    Steve Coogan — Stan & Ollie
    Viggo Mortensen — Green Book

    Supporting Actress
    Amy Adams — Vice
    Claire Foy — First Man
    Emma Stone — The Favourite
    Margot Robbie — Mary Queen of Scots
    Rachel Weisz — The Favourite

    Supporting Actor
    Adam Driver — BlacKkKlansman
    Mahershala Ali — Green Book
    Richard E. Grant — Can You Ever Forgive Me?
    Sam Rockwell — Vice
    Timothée Chalamet — Beautiful Boy

    Original Music
    BlacKkKlansman
    If Beale Street Could Talk
    Isle of Dogs
    Mary Poppins Returns
    A Star Is Born

    Cinematography
    Bohemian Rhapsody
    Cold War
    The Favourite
    First Man
    Roma

    Editing
    Bohemian Rhapsody
    The Favourite
    First Man
    Roma
    Vice

    Production Design
    Fantastic Beasts: The Crimes of Grindelwald
    The Favourite
    First Man
    Mary Poppins Returns
    Roma

    Costume Design
    The Ballad of Buster Scruggs
    Bohemian Rhapsody
    The Favourite
    Mary Poppins Returns
    Mary Queen of Scots

    Makeup & Hair
    Bohemian Rhapsody
    The Favourite
    Mary Queen of Scots
    Stan & Ollie
    Vice

    Sound
    Bohemian Rhapsody
    First Man
    Mission: Impossible — Fallout
    A Quiet Place
    A Star Is Born

    Special Visual Effects
    Avengers: Infinity War
    Black Panther
    Fantastic Beasts: The Crimes of Grindelwald
    First Man
    Ready Player One

    British Short Animation
    I’m OK
    Marfa
    Roughhouse

    British Short Film
    73 Cows
    Bachelor, 38
    The Blue Door
    The Field
    Wale

    EE Rising Star Award
    Barry Keoghan
    Cynthia Erivo
    Jessie Buckley
    Lakeith Stanfield
    Letitia Wright

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    February 11, 2019 • 3D Animation, Documentary Filmmaking, Entertainment News, Film School • Views: 2359

  • Celebrating Craig Caton-Largent’s 1st Anniversary as Chair of 3D Animation & VFX at New York Film Academy Los Angeles

    FacebooktwitterredditpinterestlinkedinmailCraig Caton-Largent has just marked his first anniversary as Chair of 3D Animation & VFX at the New York Film Academy (NYFA) Los Angeles Campus. Caton is renowned in the film industry for his groundbreaking VFX work on beloved blockbusters including Jurassic Park, Interview with the Vampire: The Vampire Chronicles, Big Trouble in Little China, Edward Scissorhands,  Apollo 13, Tangled, and more.

    To celebrate Craig’s anniversary, we’re sharing some highlights from his first year as chair of the Animation School at NYFA Los Angeles. Here’s looking forward to another great year!

    Building Community

    At Home

    This year, the NYFA Los Angeles 3D Animation School created an art wall and added a display cabinet to show off student work. The wall was a wonderful encouragement and inspiration for 3D Animation & VFX students as they worked on their showcase projects, creating a great talking point in the community and sharing their work with others. It was a great to share all their hard work with the rest of the NYFA community!

    Numbers

    It’s been a big year at the NYfA Los Angeles Animation School — this year we’ve seen a 283% increase in student enrollment in our 3D Animation & VFX programs!

    On Social

    The NYFA Los Angeles 3D Animation & VFX School also joined Instagram this year! Follow “nyfa_animation_gaming” and join the conversation!

    Alumni News & Credits

    It’s been a great year for our NYFA Los Angeles 3D Animation &VFX alumni! Here are some inspiring stories:

    • BFA grad Jessica Chung is the Winner of the LA Livescore Film Festival for Best Original Score for her animation short, Sushi Man.
    • 1-Year Conservatory grad Alex LoRusso isurrently working as an FX Artist at Scanline. Her 2017 major film credits Include Justice League, Pirates 5, & Alien Covenant. She also recently worked on Suicide Squad and Fantastic Beasts and Where to Find Them.
    • 1-Year Conservatory grad Soraia Malaquias is working as a 3D Generalist at TNF Visual Effects. Her impressive list of 2017 film credits Include: American Gods and Star Wars: The Last Jedi.
    • 1-Year Conservatory grad Gabriel Fernandez currently works as a Production Assistant at Eight VFX.
    • 1-Year Conservatory alum Ujala Saini is a VFX/Post Production at Electric Theatre Collective.

    Events

    There have been a lot of special events to celebrate this year!

    Monsterpalooza

    Chair Craig Caton’s new animation software Animservo was announced, and NYFA conducted the test phase. The announcement was broadcast live, then received over 20K views in the first hour.

    Siggraph

    SIGGRAPH is the world’s largest, most influential annual conference and exhibition in computer graphics and interactive techniques. Chair Craig Caton gave demonstrations during the course of the convention at the Faceware Technologies booth.

    Motion capture data from Faceware’s Analyzer and Retargeter software was output to an animatronic goblin using Caton’s new animation software, AnimServo.

    Media Lab

    This year also saw NYFA Los Angeles’ launch of the the Media Lab, to create opportunities for students and instructors to collaborate on research projects.

    The first project was testing Chair Craig Caton’s animation software Animservo. With testing successfully completed, Animservo has now be become available at animservo.com.  

    Matt Sheehan has been given directorship of the Media Lab and there is an exciting list of topics coming up … stay tuned!

    Industry Guests

    The New York Film Academy’s Guest Speaker Series saw a number of incredible animation and visual effects artists visit to share their insights with NYFA Los Angeles Animation School students.

    Amy Lawson Smeed, lead character animator of Disney’s Moana, came for a special screening and talk with Chair Craig Caton. That’s not all — NYFA alum Hanna Johansson then had a chance to meet with Amy personally to discuss her reel!

    Amy Lawson Smeed

    Byron Bashforth, character shading lead of Disney’s Coco, revealed more Disney magic in an intimate Q&A with Chair Craig Caton.

    Byron Bashforth answers questions about Disney's Coco at NYFA LA

    Byron Bashforth

    Head of Research and Development of DreamWorks Animation, Jeff Wike, was another honored guest, who treated Animation School students to a remarkable industry insider perspective on the innovation and inspiration behind much of today’s most cutting-edge animation.

    Jeff Wike atNew York Film Academy Los Angeles

    Chair Craig Caton-Largent and Jeff Wikes at NYFA Los Angeles

    Jason Liles, the Lead Actor in Netflix’s DeathNote, gave Animation School students an inside perspective of what it’s like for the actors working on the other side of motion capture technology.

    There are many exciting projects as we move into Chair Craig Caton’s second year of leadership — stay tuned for more. Congratulations, Craig, on a remarkable 1st anniversary!

     

     

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