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| 3-WEEK ACTING FOR FILM CAMP |
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 At most New York Film Academy locations, we offer a second summer Acting for Film session of three weeks. The Three-Week Acting for Film Camp has the same range of classes as the Four-Week Acting Camp, which is usually offered in the first summer session.
In addition to providing students with a thorough foundation in acting for film, the New York Film Academy’s Three-Week Acting for Film Camp offers high school students the opportunity to have a tremendously rewarding hands-on summer experience that fits conveniently into his or her summer schedule.
Instruction in the Acting for Film program emphasizes the practical application of acting technique as it applies to screen acting. Students should be prepared to work in non-traditional acting classes emphasizing the construction and control of character given the unique pressures of a film or television shoot.
Using a variety of techniques ranging from Stanislavski "System," "the Method," and "Meisner Technique" as starting points, students develop scenes and monologues for the camera. In conjunction with these classes, students participate in exercises aimed specifically at training the actor for the arduous requirements of acting on a film set.
Upon the successful completion of the Three-Week Summer Acting Camp, students take home a master copy of the scenes shot in the acting for film class and receive a New York Film Academy diploma.
CLASS DESCRIPTIONS
SCENE STUDY
Working on scenes from published plays and screenplays allows actors to learn all of the basic concepts of approaching a scene: defining objectives, breaking the scene down into beats, understanding the arc, pursuing your objective, playing actions, and working to overcome obstacles.
ACTING FOR FILM
Students learn the basics of film acting: calibrating performances based upon shot size and angle, hitting marks, emotional and physical continuity, and strength and imagination in acting choices. Students are assigned scenes from produced screenplays, which are then shot with a crew and edited together.
MOVEMENT
An actor’s movement is his or her only instrument; therefore it must be tuned to perform expertly whenever and however needed. Movement classes, in addition to expanding body flexibility and developing the actor’s ability to relax and tense when needed, focus on breaking down inhibitions, building ensemble spirit, and providing the necessary tools to bring physical dimension to all of their roles.
VOICE
Students gain insight into the power of how to nurture and control their voices by exercising various resonators and muscles, enabling them to release emotional impulses. In addition to breath work, classes focus on singing, relaxation, phrasing, and posture as a way of nurturing the actor’s instrument.
IMPROVISATION
The ability to improvise can never be underestimated especially on camera where there is usually very little rehearsal. Through games and exercises, students learn how to let their imaginations run free, how to play well with others, and how to live "in the moment"—free from anticipating or planning what to do next.
MONOLOGUES
Screenplays oftentimes incorporate monologues into their dramatic structures, but more importantly actors must learn the self-discipline to work individually, without relying on a scene partner for inspiration. Techniques include: choosing monologues that are truthful, meaningful, and revealing, performing script analysis on monologues, staging and directing oneself, and developing both outer and inner focal points.
ACTING TECHNIQUE
Acting teachers throughout the ages have developed many different techniques for teaching the craft to aspiring actors. Since actors oftentimes are required to draw from many facets of their training to meet the demands of a role or a director, this class draws from a range of techniques which may include "Eisner Technique," "the Method," and other variations on Stanislavski "System. This eclectic approach helps actors best prepare for any role they are given to play.
FILM CRAFT
Acting students rarely have the opportunity to immerse themselves in other aspects of filmmaking. However, we feel it is crucial that an actor develops strong collaborative skills by gaining a working knowledge of the film medium and how each member of a film crew contributes to making an actor’s performance shine. Therefore we provide all of our students with master classes taught by the NYFA Filmmaking faculty who give a broad outline of the mechanics, language, and production of film.
AUDITION TECHNIQUE
The ability to audition well is not only critical if you want to embark upon an acting career, but also is a skill that can help you develop your confidence and technique. This class focuses on making strong acting choices with little or no preparation as well bringing your "best self" to the audition room. Other topics may include preparing a resume, selecting a headshot, and pursuing a career. Casting sessions may be held with NYFA Filmmaking students to give students an opportunity to participate in ‘live’ auditions. |
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| DATES & TUITION - PLEASE SELECT A LOCATION: |
| + The Dalton School, New York City |
+ Union Square, New York City |
| + Universal Studios, Los Angeles, CA |
+ Harvard University, Cambridge, MA |
| + Disney Studios, Orlando, FL |
+ Paris, France |
| + Florence, Italy |
+ London, England |
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| WORKSHOP INFORMATION |
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Tuition & Fees: $3,000
Room and Board is Additional | | |
| Start Dates for Available Locations: |
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Tribeca, New York City
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| 3 Week |
Jul 26, 09 - Aug 15, 09
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Universal Studios - Hollywood
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| 3 Week |
Jul 26, 09 - Aug 15, 09
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Harvard University
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| 3 Week |
Jul 19, 09 - Aug 8, 09
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Disney Studios
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| 3 Week |
Jun 7, 09 - Jun 27, 09
Jun 28, 09 - Jul 18, 09
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