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  • The Magic City: Florence, Italy

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    Recently, on a rainy afternoon in Florence, I had the wonderful opportunity to spend time with students at New York Film Academy’s (NYFA) Florence location, located in a charming state-of-the-art facility on Via Torta, near the Basilica di Santa Croce. 

    The students had just returned — soaked and exhausted — from a long day filming the last scenes of their final projects. The “crews,” each comprised of four or five students, all used the city of Florence as the “film set” for their visual stories. They were in the homestretch, although they still had a few demanding days ahead, editing their films before presenting their work at the graduation screening and celebration of the conclusion of their semester abroad programs in Filmmaking and Acting for Film. These students came from 12 countries — the United States, Hungary, Ukraine, Iran, Netherlands, Romania, UK, Kazakhstan, Czech Republic, Spain, Italy, and Mexico. 

    Florence 2018

    After unloading their camera gear, we sat down and spoke about the impressions of their time in Florence, and at NYFA, during the past 12 weeks. “Life-changing” was the most echoed description; all heads also nodded “yes” when one student said, “this study abroad opportunity has by far been the best experience of my life so far; during these months I have grown so much as a person and as a filmmaker. ”

    One student fervently told me that, while he had had a passion for acting from a young age, before NYFA he had doubts about whether it was something he wanted to pursue instead of an economics degree; but now he wants nothing more than to be an actor.

    All of the students’ reactions warmed me with joyfulness and “NYFA pride.” There was more under the surface because all of the sentiments were very familiar to me — each word and narrative brought back vivid and distinct memories…

    Florence 2018

    It was 1976 when my feet stepped off a plane at the Leonardo da Vinci–Fiumicino Airport in Rome and a new phase of my life began. Much of it stays with me to this very day, and now, encircled by this wonderful group of young “creatives,” more and more remembrances came rushing back to me. 

    I arrived at 18, never having previously left US soil, with just $300 dollars in my pocket and a full scholarship to study art in Florence that was graciously provided by publishing icon, Anna K. Meredith. At a later point I learned that Ms. Meredith, who at the time headed the family’s The Meredith Corporation — a massive publishing empire that produces dozens of the most popular magazines (including Sports Illustrated, Fortune and PEOPLE) — personally chose me as the first recipient of her generous study abroad grant. 

    My route to this study abroad experience was an extraordinary one; I was a freshman at the University of Denver and in the Spring of that year my favorite art instructor approached me — quite out of the blue — and handed me a formal document. “Read it!” she ardently and rather exuberantly stated. It was an acceptance letter from a US-accredited Art School in Florence. I was offered an acceptance and didn’t even know that I had applied! My professor, seeing my dismay, explained, “Jim, I applied on your behalf because I knew if you had this opportunity, it would change your art and your life in so many amazing ways.”

    Florence 2018

    Now, I knew that in a week this delightful group of talented young people would be saying goodbye to the city of Florence, to the New York Film Academy staff and faculty, to their classmates and their friends, and that they would walk forward — as I did 40 years ago — into lives that will be forever changed for the better. 

    My teacher was certainly more accurate than she could ever have imagined. It is both the magic of Florence and the impact of the experience of studying abroad that simply cannot be explained well in words, because they reside in a spirit deep within the city — and at the same time — in one’s own heart. 

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    December 24, 2018 • Acting, Film School, Filmmaking, Study Abroad • Views: 447

  • New York Film Academy (NYFA) Acting for Film Alum Ioanna Meli Stars in “Isabel”

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    Isabel, a short film starring New York Film Academy (NYFA) Acting for Film alum Ioanna Meli, is now available on Amazon Prime Video, allowing millions of the streaming service’s subscribers to check out the haunting drama. 

    Ioanna Meli
    Ioanna Meli

    Ioanna Meli originally hails from Greece, and studied for her Master of Fine Arts in Acting for Film from NYFA’s Los Angeles campus, where she was trained and taught by a faculty of working professionals from Hollywood, Broadway, and the independent film industry.

    NYFA’s MFA in Acting for Film program is an intense commitment — students learn two years’ worth of education in only sixteen months, and are often rehearsing and studying on weekends, in evenings, and wherever they can find those extra minutes to devote to their craft. Meli was more than up for the task however, and her work in Isabel shows off her talent and the skills she picked up while at the Academy.

    Written and directed by Alex Knudsen based on a story by Charlotte Zang, Isabel tells the story of an elderly woman named Isabel Dove at the very end of her life. However, when she seemingly passes away, she wakes up hours later as her younger self. The mystery grows deeper from there as Isabel searches for answers and reflects on the life she thought she was leaving behind. The film stars Jamie Donnelly and Lauren Elyse Buckley as old and young Isabel, respectively; Meli co-stars as Meredith. 

    About her experience filming the short, Meli tells New York Film Academy, “Working with Alex on set was a fantastic, collaborative experience. The film’s dialogue was composed to express only what was necessary to move the story forward, creating a sense of mystery that’s powerful in this film.”

    Meli continued, “The scene we did with Lauren was challenging; our energies and objectives in the story are very different and in the scene, we meet under circumstances that both of our characters are uncertain about. Working through that together was an interesting process.”

    The New York Film Academy congratulates Acting for Film alum Ioanna Meli on her stellar work in Isabel, and encourages everyone who can to check it out on Amazon Prime Video

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    December 17, 2018 • Acting, Student & Alumni Spotlights • Views: 739

  • New York Film Academy (NYFA) Holds Meet and Greet for Alumni

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    On Thursday, December 6, New York Film Academy (NYFA) hosted a TALENT MEET AND GREET at its Los Angeles Campus. NYFA invited talent agents and managers from around Hollywood to meet with Acting for Film alumni in an informal setting. 

    Agents and managers that attended the event were: Guy Kochlani (Across the Board Talent Agency), Laura Bowman (Brady, Brannon & Rick Talent), Ryan Hayden (Ideal Talent Agency), Denise Barrett (BBA Talent), Jean-Marc Carre & Vincent Carre (Central Artists), Sandy Oroumieh & Lucia Chiao (Rothman / Andrés Entertainment), Christopher Montgomery-Bender (Prodigy Talent), and Tyler Kahl (Allegory Creative Talent).  

    December 2018 NYFA Alumni Meet & Greet

    The talent agents and managers set up their own desks and booths and NYFA alumni went from table to table handing out headshots and spending a few minutes with each representative. For the aspiring actors this was a unique opportunity to meet many talent representatives — all in one evening!

    The NYFA alumni were given time to pitch themselves and ask the agents and managers advice on careers, the entertainment industry, and how to succeed. Hearing real-world critiques from a variety of industry professionals helped them better prepare for their future as they continue to network and pursue their acting careers.  

    Barbara Weintraub, Chair of Industry Outreach and Professional Development, organized the event and was thrilled with the turnout and positive feedback from both the alumni and agencies. She heard back from students the next day who were contacted by the companies.  

    Here is just some of what the alumni had to say following the meet and greet:

    This experience has been nothing short of amazing. It’s one thing to email your headshot and resume to an agent and hope to hear back, but now not only do you get to hand them a physical copy — you get to sell your personality to them.
    —Jack

    I love this. It’s a great opportunity to meet with agents and managers!
    —Belle Guillory

    It’s great to see agents in real life instead of just submitting your headshot.
    —Laura Van Yck

    This event is so great, and I am so happy that the school is doing this and giving us the opportunity to get in touch with people in the industry and to get to know new people and talk to them.
    —Anna Salles

    New York Film Academy thanks the industry representatives for their time and looks forward to having more of these events in the future!

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    December 14, 2018 • Acting, Alumni Events, Community Highlights • Views: 538

  • Q&A with Emmy Award-winning editor, actor, writer, and director, Steven Sprung

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    On Wednesday, December 5th, New York Film Academy (NYFA) hosted a Q&A session with Emmy Award-winning editor, actor, writer, and director, Steven Sprung, following an episode of Community which Sprung directed. Sprung is best known for his editing work on Star Trek Beyond, Entourage, and Arrested Development.

    Steven Sprung

    The Q&A began with a student who inquired about Sprung’s time at Syracuse University. Sprung shared that in college, he and his friends were very enthusiastic about filmmaking and worked together to produce numerous short films. During this time, Sprung got the chance to write, direct, edit, and act as these short films had very small production teams and needed many roles filled by very few people. He discovered that he had a special talent for editing and was nominated for an A.C.E. Eddie Award for outstanding achievement in editing while still an undergraduate at Syracuse.

    Another student asked what advice Sprung had for actors trying to perform comedic material. “Do a lot of live productions ‘cause you can get instant feedback on whether people are finding things funny,” answered Sprung, “…and… don’t try to be funny; that’s the biggest killer of all.” Sprung suggested that actors “really get invested in the drama of a scene” because a character’s investment and reactions in the moment heighten the humor.

    One student in the audience asked if Sprung felt that the entertainment industry was progressing in terms of the number of roles available for actors of color and international actors. Sprung said that, in his experience, most mainstream television shows and movies have mostly white and American production teams and actors. However, he added that there are increasing roles for actors of color and international actors because there is “so much content” available to consumers: cable TV, streaming services, web series etc.

    Steven Sprung

    Another student asked Sprung what makes actors stand out in auditions, inspiring casting directors to choose them as opposed to their peers. Sprung discussed how he cast one of the actors in the episode of Community that the students had just watched; he ultimately chose this actor because he “lit up the room” in auditions — Sprung liked his energy and his delivery. He informed students that casting is not an exact science or necessarily predictable; casting is based on a number of factors including industry relationships, whether casting directors are looking for known or unknown actors, personal opinion, etc.

    One student asked Sprung how to become a known actor. Sprung said that he believes that that type of motivation to be unsustainable in the long run. He added, “If your primary motivation is to entertain people, or to engage creatively with others… if you have a vision for your life, then you can do that no matter who’s paying you, no matter who’s validating you, or hiring you or not hiring you.”

    The New York Film Academy would like to thank Emmy Award-winning editor, actor, writer, and director, Steven Sprung for sharing his industry experiences and wisdom with our students!


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    December 11, 2018 • Acting, Digital Editing, Filmmaking, Guest Speakers, Screenwriting • Views: 567

  • New York Film Academy (NYFA) Los Angeles Holds Q&A with “Affairs of State” Director and Cast

    Facebooktwittergoogle_plusredditpinterestlinkedinmailOn Monday, December 3rd, the New York Film Academy (NYFA) hosted a screening of Affairs of State followed by a Q&A with director and NYFA instructor, Eric Bross, producer, Stephen Israel, and actors, David Corenswet and Nate Walker, moderated by NYFA Producing Chair, Roberta Colangelo. Affairs of State explores the extent to which one man is willing to take risks to progress his career in Washington D.C.

    Director and NYFA instructor, Eric Bross, is known for directing A Country Christmas Story (2013), Traffic (2004) and Stranger Than Fiction (2000). Producer, Stephen Israel, is a former VP of New Business Development at TBS, worked in strategic planning at Warner Brothers and spent four years as a management consultant with Booz, Allen & Hamilton. He is known for producing Blood, Sand and Gold (2017), G.B.F. (2013) and I Do (2012). Actor, David Corenswet, is a Julliard graduate known for his roles in House of Cards, The Tap and Elementary. Actor, Nate Walker, is known for his roles in Homeland, Bottom of the Barrel and The Maladjusted.

    Colangelo opened up the Q&A by inquiring about Bross’ inspiration for the film. Bross shared that he and Todd Cudworth, the film’s writer, were inspired by the ruthlessness of the “game” of politics; the original script, written in the early 2000s, was based on the tactics used by the Republican party to discredit President Bill Clinton– and the Democratic party as a whole– in the public eye in the late 90s. Bross said that Cudworth asked himself, “What if the Democrats got really ruthless, just matched the tactics of the Republicans who seemed to be pretty much willing to do whatever it [took]?” However, as America moved closer to the Trump presidency, the script evolved.

    Ultimately, Bross and Cudworth wanted to bring attention to the world of politics rather than make an argument about a specific political party as contemporary politics is so consumed by polarity. Producer Stephen Israel assisted with the blurring of the political binary in through the characterization of the protagonist’s boss, a political candidate named John Baines, “We took a lot of trouble to play…Baines’ politics down the middle,” said Israel, “We tried to make him a conservative who could appeal to liberals.”

    Colangelo noted that sex is used by the main character of the film, Michael Lawson, to gain power in the political sphere and asked how Bross navigated the sex scenes from a storytelling perspective. “I never like to shoot anything gratuitous,” said Bross, “Every scene in every movie should have a purpose…and this movie, ultimately to me, is about the exchange of power, sex for power.” Bross discussed how the sex scenes in which Michael is with Mrs. Baines, his boss’ wife, and the sex scenes in which Michael is with Darcy Baines, his boss’ daughter, were shot and edited differently to give different effects; Michael’s scenes with Mrs. Baines are focused on the exchange of sex for power whereas Michael’s scenes with Darcy are more romantic and idealized.

    The New York Film Academy would like to thank Eric Bross, Stephen Israel, David Corenswet and Nate Walker for sharing their perspectives on storytelling and working in the entertainment industry with our students.Facebooktwittergoogle_plusredditpinterestlinkedinmail

    December 7, 2018 • Acting, Faculty Highlights, Filmmaking, Guest Speakers • Views: 673

  • New York Film Academy (NYFA) Alum Gonzalo Martin Stars in “Life is Strange 2”

    Facebooktwittergoogle_plusredditpinterestlinkedinmailgonzalo martinNew York Film Academy (NYFA) Alum Gonzalo Martin might agree that “life is strange,” especially since he nabbed the lead role in Square Enix’s highly-anticipated video game, Life is Strange 2. Square Enix is the Japanese developer and publisher of wildly popular games Final Fantasy, Kingdom Hearts, and Dragon Quest, among others. 

    The episodic graphic adventure video game, available on nearly all major platforms (including Xbox One, Playstation 4, PC and macOS), is the sequel to the smash hit and critically-acclaimed Life is Strange, originally released in 2015. That title has sold over 3 million copies to date.

    The newest entry released its first episode in September 2018, with the last of five episodes set to come out in 2019. Life is Strange 2 was developed by Dontnod Entertainment (Vampyr, Twin Mirror) and has already been nominated for several gaming awards and won the Special Jury Prize at the 2018 Ping Awards.

    Life is Strange 2 tells the story of young brothers Sean and Daniel Diaz, who are on the run from the police. The game is a third-person story adventure, with dialogue trees and gaming decisions
    affecting the story and future episodes.

    Gonzalo Martin stars as lead protagonist Sean Diaz, who the player controls throughout the game. Martin is an Acting for Film alum from the New York Film Academy, having attended the AFA program in 2015, and has previously been a part of the Academy’s admissions team. At NYFA’s acting school, Martin was given both practical experience and a hands-on education to develop his skills as an actor, with training from a faculty of experienced actors currently working in the industry.

    Previous acting roles of Martin include BuzzFeed Murder Mystery Stories, and the films I’ll Be Next Door for Christmas and When It Rings.

    The New York Film Academy congratulates Gonzalo Martin on landing the lead role in Square Enix’s Life is Strange 2! Facebooktwittergoogle_plusredditpinterestlinkedinmail

    November 28, 2018 • Acting, Student & Alumni Spotlights • Views: 914

  • “One Night in Miami” Stars New York Film Academy (NYFA) Acting Alum Kieron Anthony As Cassius Clay

    Facebooktwittergoogle_plusredditpinterestlinkedinmailLast October, One Night in Miami premiered as a Miami New Drama production at Miami Beach’s Colony Theatre, starring New York Film Academy (NYFA) Acting Alum Kieron Anthony as legendary fighter Cassius Clay.

    The play was written by Kemp Powers and staged by Miami native Carl Cofield, associate artistic director of the Classical Theatre of Harlem. It imagines the events of February 25, 1964, after Clay had defeated Sonny Liston and won the World Heavyweight Crown. After the fight, Clay was joined at the Hampton House Motel Room by three other famous men of color — Sam Cooke, Jim Brown, and Malcolm X. 

    Kieron Anthony as Cassius Clay

    Leon Thomas III, Esau Pritchett and Jason Delane listen as Kieron Anthony’s Cassius Clay (standing on bed) recounts his victory over Sonny Liston in “One Night in Miami.” Photo by STIAN ROENNING

    While only the surviving member of the foursome, Jim Brown, knows what the men really discussed that night, One Night in Miami postulates what could have been happened when four such prominent personalities are confined in a small room after such an incredible evening. The play, which takes place during Segregation, also incorporates important themes of race and religion in the 1960s.

    Kieron Anthony plays the pivotal role of Cassius Clay, who the day after the night depicted in the play would announce his conversion to the Nation of Islam. He would change his name and be known by for the rest of his life as Muhammad Ali. Of his performance, Christine Dolen wrote in the Miami Herald that Anthony “conveys the young champ’s joyous confidence as he reenacts moments of his life-changing fight for his famous friends. He dials up the rhetoric and swagger when he goes outside to speak with the reporters who finally track him down, but with his friends he’s willing to show he’s still grappling with embracing and declaring his faith.”

    Anthony graduated from New York Film Academy South Beach’s 1-year acting conservatory in 2015. As part of an extremely diverse student body with classmates from around the world, Anthony received an educational experience unique from other acting schools in Florida, focusing on hands-on experience from faculty members currently working in the Miami acting scene.

    Yves Arispe, NYFA South Beach’s Director of Housing and Student Services, called Anthony’s performance “natural, believable, relatable as he delivered on every beat,” and that, “Kieron’s performance makes NYFA South Beach proud!”

    The New York Film Academy congratulates Acting alum Kieron Anthony on his stellar performance as Cassius Clay in One Night in Miami!Facebooktwittergoogle_plusredditpinterestlinkedinmail

    November 27, 2018 • Academic Programs, Acting, South Beach, Student & Alumni Spotlights • Views: 710

  • Q&A with Star and Filmmakers of IFC’s “DriverX”

    Facebooktwittergoogle_plusredditpinterestlinkedinmailOn Friday, November 18, New York Film Academy (NYFA) hosted a screening of IFC’s DriverX (2018), followed by a Q&A with director/writer and NYFA instructor, Henry Barrial; producer, Mark Stolaroff; and star, Patrick Fabian; featuring and moderated by NYFA Acting Dept. Associate Chair, Anne Moore. 

    DriverX ScreeningBarrial is a writer, director, and filmmaking/acting instructor at New York Film Academy’s Los Angeles campus. DriverX marks Barrial’s fifth feature. His previous credits include The House That Jack Built, Pig, and Some Body, which premiered at the Sundance Film Festival. Stolaroff is a producer with 25+ years in the business, and is considered to be an expert in micro-budget filmmaking. He has produced all five of Barrial’s features.

    Fabian has been a working actor for over 25 years, with 115+ credits to his name. He currently stars as Howard Hamlin on AMC’s Emmy-nominated Better Call Saul. His other credits include  Friends, Grey’s Anatomy, The Newsroom, Criminal Minds, and Will & Grace, to name a few.  Film audiences may know him best as Reverend Cotton Marcus in The Last Exorcism, and he is also fondly remember as “Professor Lasky” in Saved by the Bell: The College Years. Fabian has also starred in NYFA alum Aymen Khoja’s Arabian Warrior, the first ever Saudi-American feature.

    Moderator Anne Moore opened up the Q&A by asking Barrial about the collaboration between Fabian and himself on the script, as Barrial wrote the part of Leonard Moore specifically for Fabian. “I had the outline of the script worked out before I brought it to Patrick, and from there we worked on the character development,” says Barrial. He added, “In terms of the actual writing of the script, that was all me.” DriverX Screening

    Barrial went on to discuss the importance of collaboration and community in this business, with Fabian chiming in by asking, “Who on this stage has been playing beach volleyball for the past 15 years together?” Barrial, Fabian, and Moore all raised their hands and it was revealed they have been friends and colleagues for a very long time.

    Barrial went on to talk about the personal nature of this project and his collaboration with producer Mark Stolaroff. “Most producers won’t tell you what their budget was, but I will!” exclaimed Stolaroff.  Immediately a Filmmaking student asked what the budget was, with Stolaroff answering, “We started with a budget of $100,000 which got us through production. From there we did a Kickstarter campaign to raise the funds we needed for Post, so all in the budget is $140,000.”  

    Obviously the movie is a labor of love as many of the cast and crew have worked on Barrial/Stolaroff films before.

    When asked about how Fabian worked around his Better Call Saul shooting schedule, Fabian replied, “First off, I have to say how happy I am that I have a job that needs to be worked around. Henry and Mark were great about my schedule, but that’s what you do, you make it work.”

    DriverX ScreeningFabian went on to talk about his longevity in the business, and the importance of being prepared: “You need to show up, be ready, and be early. And take care of yourselves when you don’t get the part. Go hiking, drink juice, do whatever you need to get you through the tough times, because if you stay focused and committed, things will go your way.”

    The New York Film Academy thanks Patrick Fabian, Mark Stolaroff, and Henry Barrial for sharing their insights about making an independent film on a micro budget with a challenging schedule.

    DriverX opens November 30th in theaters and on demand.Facebooktwittergoogle_plusredditpinterestlinkedinmail

    November 21, 2018 • Acting, Filmmaking, Guest Speakers, Producing • Views: 803

  • Ayelet Zurer Speaks With Tova Laiter at New York Film Academy

    Facebooktwittergoogle_plusredditpinterestlinkedinmailOn October 30, the New York Film Academy (NYFA) hosted a Q&A with actress Ayelet Zurer following a screening of a third season episode from Netflix’s acclaimed series Daredevil. The Q&A was moderated by Tova Laiter, NYFA Director of the Q&A Series.Ayelet Zurer

    Zurer is an award-winning Israeli actress whose career began in Israeli television and crossed over to mainstream American movies and TV, most notably Steven Spielberg’s Munich (2005); Vantage Point with Dennis Quaid (2008); Ron Howard’s Angels and Demons, with Tom Hanks (2009); Zach Snyder’s Man of Steel (2013); Rodrigo Garcia’s Last Days in the Desert, alongside Ewan McGregor; Timur Bekmambetov’s adaptation of Ben Hur, and many more.

    Laiter opened up the Q&A by asking about Zurer’s early career; Zurer shared that she was artistic as a young girl and did not “fall in love with acting as a profession” until she studied acting in her hometown,Tel Aviv. She then relocated to New York City to study further and acted in numerous theatrical productions before being offered a large role on a television series in Israel, moving back home where she would work in the Israeli entertainment industry to great success and winning many awards.

    Ayelet ZurerWhile Zurer was working on a television show, In Treatment, that would later be adapted for HBO, she got a mysterious call to audition from an English casting agent who caught one of her random films. Zurer was apprehensive but then she was informed this audition was for Steven Spielberg’s Munich. Zurer landed the role and this launched her career as an actress in American media. “Say yes to things!” Zurer advised the students in the audience.

    A couple years later, Zurer has the opportunity to act in the film, Angels and Demons; she was anxious about the magnitude of the film but when she sat down with Tom Hanks to run lines, “I don’t know what happened; it was really magical; I was not nervous…” 

    Laiter inquired about the lessons Zurer learned from working with Hanks. Zurer replied, “The tone is set on a film by its leader. Tom was relaxed, intelligent, and generous. When he had an idea, he didn’t pester the director with it but suggested it in the right time… you have to have patience… he really set the tone.”

    Laiter asked Zurer about the lessons she has learned as an actress. “One of the things I’ve learned is to be very present because… that’s the most important thing for an actor and for a person in life, period.” Between “action” and “cut,” “…in that moment I [am] able to eliminate everything out there; the sound of fear, the self-doubt…” continued Zurer, while illustrating to the students a technique she uses just before she goes on stage or set.Ayelet Zurer

    To a student’s question of how she prepares for a role, Zurer talked about first learning the lines until they are embedded, doing research, and focusing on the storytelling; she asks herself: “What’s the beginning? Where [am I] coming [from]? What do I wanna say? What [does the] story [want] to say? What’s my job in that story? What is my role; what kind of a device am I?”

    The New York Film Academy would like to thank Ayelet Zurer for sharing her entertainment industry wisdom and acting expertise with our students!

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    November 2, 2018 • Acting, Guest Speakers • Views: 620

  • New York Film Academy (NYFA) Hosts Fulbright Foreign Student Welcome Dinner

    Facebooktwittergoogle_plusredditpinterestlinkedinmailThe tradition of hosting a welcome dinner for the incoming cohort of New York Film Academy Foreign Fulbright Grantees continued at the New York Film Academy College of Visual & Performing Arts in Los Angeles (NYFA-LA) last week.

    Fulbright Grantees with Dan Mackler, NYFA’s LA Campus Director, Amy Ellenberger, Miguel Cruz, NYFA´s Director of Fulbright Initiatives and Marcus Louis Fien

    Fulbright Grantees with Dan Mackler, NYFA’s LA Campus Director, Amy Ellenberger, Miguel Cruz, NYFA´s Director of Fulbright Initiatives and Marcus Louis Fien

    NYFA-LA Campus Director Dan Mackler, and NYFA Director of Fulbright Initiatives Miguel Cruz hosted the six Fulbright students who are on campus for the 2018/2019 Academic Year.  They include four grantees in the MFA Filmmaking Program, one grantee in MFA Documentary Filmmaking, and one grantee in the 1-Year Acting for Film Program. Represented countries are Spain (3), Paraguay, Peru, and Bahrain. NYFA is pleased to recognize a Fulbright finalist from Estonia as part of the group as well. 

    In recent years, NYFA has welcomed nearly 60 Fulbrighters to our campuses in Los Angeles and New York City. NYFA Fulbrighters have hailed from more than 30 countries. 

    Dr. José Siles, President of the Fulbright Alumni Association of Los Angeles, joined the celebration, as did Amy Ellenberger, NYFA Director of Recruitment, and NYFA Admissions Specialist Marcus Fien. Dr. Siles invited the Fulbrighters for a tour of NASA Space facilities where he is engaged in research.

    Fulbright grantee Maya Riquelme, with Amy Ellenberger, NYFA Director of Recruitment

    Fulbright grantee Maya Riquelme, with Amy Ellenberger, NYFA Director of Recruitment

    NYFA-LA Campus Director Dan Mackler enthusiastically stated, “For me, meeting the extraordinarily talented Fulbright students that come to study at NYFA-LA is one of the highlights of the start of every academic year.”

    Mackler continued, “In these global creators of visual and performing storytelling, I am provided hope for a future that will be both exciting and impactful. They connect us with a greater humanity.”

    The Fulbright Program is the flagship international educational exchange program sponsored by the U.S. government through the U.S. Department of State.  The Program operates in more than 140 countries and offers opportunities for students and young professionals, as well as for post-doctoral teachers and researchers to undertake international graduate study, advanced research, university teaching, and primary and secondary school teaching.  

    The Fulbright Program awards approximately 8,000 grants annually. Roughly 1,900 are to U.S. students, 4,000 to foreign students, 1,200 to U.S. scholars, and 900 to visiting scholars. In addition, several hundred teachers and professionals receive awards.

    NYFA is proud to be the school of choice for so many inspired and creative minds and to participate in numerous Fulbright initiatives, including producing two TEDxFULBRIGHT events and conducting documentary filmmaking workshops at the Fulbright Foreign Language Teaching Assistant (FLTA) Program Conferences. 

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