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  • NYFA Attends Fox 2016 Television Critics Association

    Twice yearly the Television Critics Association gathers to cover the upcoming Fall and Winter programming from major television networks. This year, the New York Film Academy attended the Fox 2016 TCA tour. Fox is putting a more diverse network in its sights this Monday at the Beverly Hilton. The new line-up goes way beyond racial diversity. Fox is expanding the idea of animation on television, the roles women might play in major league sports, and who can play traditional roles.

    Pitch

    With Fox’s new show, Pitch, starring Kylie Bunbury as Ginny Baker the first female pitcher to play on a major league baseball team. Creator and Executive Producer, Dan Fogelman, believes it’ll only be a matter of time before we see a woman in one of the four major sports currently played in America. Fox also brought us the first Black President in the early two thousands with their show 24. Tony Bill, Executive Producer, said the show was pitched ten years ago and predicted the future we live in now, where it’s just a matter of time before a woman plays in the majors.

    The show isn’t just about baseball. What drew many of the creators to the project is the character of Bill Baker, played beautifully by Michael Beach, who is the show’s “sports dad.” Think about Serena and Venus Williams’ father or Tiger Woods’ father. Who are the men behind the child? What do they sacrifice and what drives them? For Bill Baker, it’s the fact that his father wasn’t there to help him get to the majors. He topped at the minors. Baker swore that he would be there for his son. He has a daughter.

    This is where the story begins, a father making sure his daughter has everything she needs to be the very best. So, the show wouldn’t be too bogged down in men, Ginny is given a publicist, Amelia Slater, played by Ali Larter. Both women have to navigate male dominated industries as women at the top of their game.

    Son of Zorn

    Son of Zorn will join The Simpsons, Bob’s Burgers, and Family Guy on Fox’s Sunday night lineup. The show is a family sitcom about a divorced dad trying to reconnect with his estranged son after ten years. One caveat: Zorn, played by a subdued Jason Sudeikis, is an animated barbarian. Yes, you read that right. In the live action world, he is the only animated being. Instead of slaying dragons, he’s trying to land a steady job. His son, a shy kid, and his ex-wife, re-married to Tim Meadows, aren’t too interested in having him back around. Zany antics are sure to ensue in this very weird and bizarrely brave new show.

    Rocky Horror Picture Show

    Fox is also pushing the envelope with The Rocky Horror Picture Show. Televised musicals have been prime time gold for network television companies trying to find their way in a streaming dominant world. Rocky Horror is taking a very definite step away from the original by embracing the camp cult culture that has surrounded the film since its original release in 1975.

    Costumes are adorned with bright sparkles and lots of feathers; the album is brighter with a stronger emphasis on rock music. One reporter asked point-blank why have a transgendered woman play a transsexual? Lou Adler, Executive Producer, said that Dr. Frankenfurter is an alien. Both Cox and Curry played the role as a person from another world. That’s what they wanted to focus on.

    Victoria Justice said of the opportunity to play Janet Weiss, “Another generation will be singing Time Warp…I get to sing Touch Me. This is so exciting.” Executives clearly have the Rocky Horror fans, and the soon to be fans, in mind when crafting this film. They employed the fan club president to make sure the film stayed authentic.

    They also added a crowd to the film. This is a weird kind of experimental twist on Mystery Science Theater 3000. It allows fans that love to participate in the action a chance to do so in their home. It also introduces new fans to crazy traditions of the fandom.

    Live social media interaction and the buzz around theater trained Lavern Cox, who has a five-octave range and will be playing the lead, nearly guarantee a high viewer turn out. Whether it’ll be a hit or not is something for which we’ll have to wait to see.

    The Exorcist

    Next on Fox’s plate is the television remake of The Exorcist. Creator and Executive Producer, Jeremy Slater, said he knew right off the bat he couldn’t write each season about a newly possessed family. No one tunes in for jumps and gore. The story has to come first. Evil has larger ambitions. They’re not just after one girl.

    There will be Easter Eggs for fans of the original series, and Slater insists that this is a continuation, not a remake. In his version, there are two priests, Father Tomas Ortega, Alfonso Herrera, and Father Marcus Keane, Ben Daniels, who are fighting to save the daughter of the Rance family. The matriarch of that family is Angela, played by Geena Davis. Davis said The Exorcist (1973) is the best horror film ever made.

    Gotham and Lucifer

    The Gotham and Lucifer panels went up at the same time. Immediately there was some concern about why Clara Foley had been replaced with Maggie Geha as the shows’ Ivy Pepper. Producers, Ken Woodruff and John Stephens, said the show is about growth and it was time for Ivy to grow from a timid fifteen-year-old to a sixteen-year-old who might be more willing to hurt people. (I could write about reactions here, but they’re mixed and I don’t know if we want to upset any potential future guests.)

    Lucifer will continue its exploration of adult children trying to work through familial issues, this time by introducing Lucifer’s mom into the mix. Some in the crowd voiced skepticism when they learned the actress playing the role, Tricia Helfer, was only a few years older than Lucifer actor, Tom Ellis. Show Producers insisted that Helfer was the best actress for the job, not to mention the supernatural aspects of the show allow for the suspension of disbelief.

    Finally, the time came to showcase the number one show on basic cable, Empire. Taraji P. Henson was there, along with Executive Producers Ilene Chaiken and Sanna Hamri. Season three’s focal point will remain on the Lyons, however, this time Cookie is determined to leave Luscious.

    Taye Diggs will enter the series as a potential love interest for Cookie. To which Henson responded, “…he wished.” Mariah Carey, who has already finished filming her role, will play Kitty a, “mega-superstar who comes to Empire to collaborate with Jamal Lyon (Jussie Smollett) on an explosive new song.” Carey also has a story with lead character Jamal, played by Jussie Smollett, where she helps him acknowledge some personal difficulties.

    With its Fall 2016 line-up Fox continues its push for more diverse content. A mix of strong new content, listening to fan reaction, and a dedication to reinvigorating long-standing projects, Fox has set itself apart from other networks who’ve decided to stand close to their traditional programming; a gamble that’s already netted Fox big viewership rewards.

    August 17, 2016 • Acting, Community Highlights, Entertainment News, Filmmaking • Views: 1778

  • Summer Camp Students Film on Universal “Western” Lot

    The New York Film Academy had a huge day on the Universal Backlot last Thursday as the tweens, teens, and Young Storyteller summer camps hit the Western lot to shoot twenty different films in just eight hours. Universal is the largest studio in the world and the Western set is one of their oldest and most recognized.

    young storytellers

    Students gathered on the set at 8am and were led a thorough safety meeting. Once the meeting wrapped, students broke into groups and set out across the lot to location scout. Potential sets included a saloon, stables, an apothecary, and façade of a stately home.

    Stories ranged from a tale of a sci-fi superhero, who’s been pushed around one too many times, to a standoff in a barn. The students explored every genre from romantic comedy to horror. The films shot on the lot will be screened at New York Film Academy for students and their families.

    young storytellers

    One of New York Film Academy’s acting students, Katisha Sargeant, said of her experience, “These kids humble me. Watching their passion for film has renewed my desire to pursue this craft.”

    One student said of her experience, “I’m glad we had a lot of time to think about the story before we got here. You just have to trust in your training and your crew and hope for the best.”

    universal backlot

    New York Film Academy would like to thank Universal Studios for their support and use of their lots.

    August 17, 2016 • Acting, Community Highlights, Filmmaking, Student and Alumni Spotlights • Views: 1913

  • NYFA Graduate Produces “Othello” at Theaterlab in NYC

    New York Film Academy Acting graduate Luis Christian Dilorenzi and Jung Han Kim in co-production with Time Zone Theatre (London) have put together an acclaimed contemporary interpretation of “Othello” tour through England, and now to New York City, after a sold-out run at the Rose Playhouse, Bankside, London in 2015.

    This stylish, fast-paced adaptation of William Shakespeare’s classic transfers the action to the cityscape of modern London. In the cutthroat financial world, we dive into an abyss of power and intrigue, riddled with suspicion and jealousy.

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    Director Pamela Schermann sets this re-imagining of Shakespeare’s tragedy in the meeting room of the corporate’s office. Everyone is under constant surveillance, private and business lives entwine, workers are caught in a bubble without privacy or time off outside the Corporation. There’s always someone watching you, analyzing your every move and waiting for an opportunity to stab you in your back. In times like these, competition is high. But how much can and should we sacrifice to reach our career goals? What if in the end there is nothing left worth fighting for?
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    “Othello” is currently showing now through August 21st, 2016 at Theaterlab, 357 West 36th Street, New York City, 10018. 
    For tickets and more information, please click here.
    Discount Codes:
    • Veteran Code is VETS
    • NYFA code is NYFA

    August 15, 2016 • Acting, Student and Alumni Spotlights • Views: 1377

  • Student Directed Play Series at NYFA Los Angeles

    New York Film Academy Acting Department Los Angeles campus is very proud of the Student Directed Play Series, which was completed at the end of the semester in July. Five plays, one original poetry/movement piece, and a musical were staged this summer.
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    The season started off with Marcus by Tarell Alvin McCraney directed by Page de la Harpe, Summer ’15 MFA Acting for Film. Marcus completed the Brother’s Size Trilogy by Mr. McCraney, which includes In the Red and Brown Water and A Brother’s Size, also directed by Page in the previous two semesters.

    The second production was Hortensia & The Museum of Dreams by Nilo Cruz, directed by Morgan Aiken, Fall ’15 BFA 3A Acting of Film. Hortensia marks the second play done at NYFA by Latino writer Nilo Cruz, as a production of Ana & The Tropics was done last semester. Morgan has been heavily involved with Student Directed Plays since their inception two years ago, directing and acting in several productions.
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    The third piece was a poetry/movement piece conceived and written by Ria Patel, Fall ’14 BFA 2B, and co-directed by Federico Mallet Flores, Fall ’14 MFA alumnus, entitled If Light Never Comes. This production explored the complex dynamics of a relationship when one ends and another begins through dance. This was Ria’s first piece she’s written. “I grew from this experience by immersing myself with a small and wonderful cast,” said Patel. “I learnt there are many aspects to putting up a production. Also, as an actor, I feel that I have grown. By helping my actors I was able to understand my own characters better and how to work on building a character too.”

    The fourth play was O.C.D., O.C.D by Laurant Baffie, adapted and directed by Gonzalo Maiztegui, Summer ’15 AFA Acting for Film. An unconventional comedy that explored the challenges of O.C.D. through humor. “This play helped me deal with my own mental disorder,” said Maiztegui.

    nyfa plays

    The fifth play was Everything You Touch by Sheila Callaghan, directed by Camilia Mejia Duque, Fall ’15 MFA Acting for Film. Set in the 1970’s and present day, this play explored the themes of women’s bodies, image, and society.

    The sixth play was the British comedy Nan by Catherine Tate, directed by Romeo Visca, Summer ’15 MFA Acting for Film.  Of the experience Visca said, “I learned so much not only from the production process — which taught me how important key elements are when staging a play — but also the casting, the rehearsals, the preparation. But, most of all, it showed me how honest and open you have to be when working with a group of artists, and how many challenges we face in order to make the actors work as a group.”

    nyfa directors plays

    The final production was a musical, Circle of Life, an adaption of The Lion King, adapted and directed by Simmie Sangian, Spring ’15 BFA Acting for Film. This production incorporated African body art and Brazilian Capoeria dance. This was such an amazing production that played to packed houses and an additional performance was added.

    All of these productions were quite the ambitious undertakings and NYFA applauds all of the student directors’ hard work on these very successful productions. We are continuously impressed by the passion and talent they bring to their work.

    August 10, 2016 • Acting, Musical Theatre • Views: 1745

  • NYFA Welcomes Academy Award Nominated Actor Don Murray

    Historic actor and activist Don Murray presented his classic film Bus Stop — his first film starring opposite Marilyn Monroe — to the New York Film Academy. After the screening, students watched highlights of Murray’s forthcoming documentary, Unsung Hero, which was followed by a Q & A.

    don murray

    Don Murray graduated from The American Academy in 1948. He studied method acting in New York City through the 1950’s, the same time as the greats: James Dean, Marlon Brando, and Steve McQueen. After graduating, Murray auditioned for legendary director, Joshua Logan, for Picnic, but instead of taking the role, Murray decided to take some time off to volunteer overseas.

    When he returned he was cast in a play called The Skin of Our Teeth. Logan was in the audience saw him and decided to hire Murray a week before Bus Stop was to begin filming. Murray, a New York native who had never been on a horse, found himself in a rodeo scene on his very fist day on set.

    don murray

    Aside from some television programs in Los Angeles, and his theater studies, Murray didn’t have a lot of Hollywood experience. Because he’s been overseas, he didn’t even think of Monroe as a big star. Initially, Murray continuously turned down the lead role of Bus Stop down because the studio wanted him to sign an exclusive contract. Something, Murray was unwilling to do and called a “slave contract.” They eventually agreed on two pictures a year for five years and every other year he could go to Broadway.

    Murray described his first love as musical comedy, of which he says Monroe was the best. “I never saw a straight play until I was out of high school. My mother was a Ziegfeld girl and my father managed stage musicals.” He took on his next role, Charlie Samson, in the Bachelor Party because it was an ensemble film. “It was like being in a jazz band,” Murray said. That year both Bachelor Party and Hatful of Rain took the second and third place in Time Magazine’s “Movie of the Year” list.

    “I really didn’t appreciate films until I made my own, The Cross and the Switchblade, which I directed. Then I fell in love with movies. Because (before) I hated that there was no continuity (in filming). Always stop and go. I also didn’t like the star system. What (studios) would put up with someone because they were a ‘star’.”

    During the Q & A, a student asked, “What is the one thing that acting didn’t teach you that you wish you knew?” Murray responded, “Your performance comes not only from the text in the script but the eyes of the director. I didn’t join the Actors Studio when I was invited because there was too much business. An actor would get a cigarette in their hands and suddenly the scene becomes about the cigarette.”

    Murray’s most controversial role was in Advise & Consent where he played a closeted Secretary of State who comes under Senate investigation. The film was released in 1962 decades before its time. A student asked if he worried for his career when he took on the role. Murray responded with, “It was an acting role. It never occurred to me to wonder whether or not people would consider me a homosexual. It was an acting role and a wonderful script. It’s probably the best political film ever made. No, excuse me, All The President’s Men is of the same caliber.”

    Another student asked, “Who did you admire coming up?”

    “Well, of course, when I got out of the academy in ‘48, Marlon was on Broadway in A Street Car Named Desire and I’d never seen anything like that. In the audience, you could feel the heat of New Orleans. I was standing in back totally mesmerized by the whole play but specifically Brando. In films, I liked Clift Montgomery… And, also (I liked) James Dean. Not so much Rebel Without a Cause. But I thought East of Eden was fantastic. That was really Cain in the bible. Whose father, God, rejects his gift of wheat, but accepts Abel’s gift of slaughtered lamb. So he was playing Cain, and that was my part in Skin of Our Teeth. So we were basically playing the same part thematically. But that scene where he is confessing to his father really tears at your heart.”

    don murray event

    The New York Film Academy would like to thank Mr. Murray for taking the time to come speak with our students and wish him luck on his next project, the Twin Peaks revival on Showtime.

    August 4, 2016 • Acting, Guest Speakers • Views: 978

  • NYFA Alumni Form Kaleidocircle Productions

    A group of recent New York Film Academy alumni have teamed together to create a production company called Kaleidocircle Productions. Established as fifteen eager actors looking to continue their journey together, they are now a solid group of 12; Aleigha Spinks, Will Parker, Max Turner, Esther Van Zyl, Cesar Brandi, Vitoria Mattos, Laika Lalonde, Victoria Ruud, Natalia Garcez, Ana Paula Marques, Litha Bam and Jen Theophilus.

    Kaleidocircle Productions

    Kaleidocircle Productions

    The production team, a multi-cultural film ensemble, collaborates with actors, filmmakers, writers, photographers, and musicians. They are working to provide high quality entertainment on a global platform while maintaining a level of intimacy and magnitude with their audience. Kaleidocircle strives to provoke, spark, and affect every walk of life the best way possible.

    “Our team thrives on creativity and success from every corner of the globe,” said Aleigha K. Spinks, Managing Director.

    Working within the LGBTQ community is very important to the company, with many of its founding members being a part of the community. Providing opportunities for not just young creatives, but minorities, alike. No matter the level of experience, Kaleidocircle is always willing to assist in the development of creative individuals.

    Kaleidocircle Productions

    “I have managed to not only act, but, write, direct and produce original material of high quality thanks to our companies network of artists across 6 continents,” said Will Parker, Artistic Director.

    K-Circle, as they like to abbreviate sometimes, has created contemporary promotional material for the non-profit organization, Hetrick Martin Institute. They will also be producing their first professional short film in the fall — a story inspired by the true events of the gas explosions in New York City. They hope to touch their audience, evoking raw and honest emotions, while relaying a message of hope to each and every one of us.

    Be sure to check out and follow K-Circle on social media: Facebook, Twitter and Instagram.

    August 2, 2016 • Acting, Filmmaking, Student and Alumni Spotlights • Views: 3393

  • Kevin James, NYFA Alumnus Mike Soccio, and Producer Leo Severino Hold Panel at NYFA

    The King of Queens paid a visit to lower Manhattan this past Friday, as the New York Film Academy welcomed comedian and actor Kevin James. James began his career in stand up and eventually moved over to television where he rose to stardom playing the role of Doug Heffernan in the CBS comedy The King of Queens. James’ career moved over to film when he teamed up with Will Smith in Hitch, and then teamed up with friend Adam Sandler in I Now Pronounce You Chuck and Larry. James would go on to star in several other comedic films, including Paul Blart: Mall Cop, Grown Ups, Zookeeper, and others.

    kevin james

    NYFA alumnus Michael Soccio and Kevin James

    As an additional surprise, James brought with him writer and former NYFA student, Michael Soccio, as well as writer and producer Leo Severino. Soccio has written for The Fresh Prince of Bel Air and The King of Queens. He’s also done numerous re-writes and script doctoring for major motion pictures such as Hitch, The Karate Kid, and Men in Black 2 & 3. Severino produced Bella, which won the People’s Choice Award at the Toronto Film Festival in 2006, and is developing the film Mary, based on the biblical character.

    The panel was moderated by Acting for Film Chair, Glynis Rigsby.

    James opened by discussing how he broke into the business, which came about from stand up and performing. “It’s about getting out there and really getting comfortable in that space,” said James. He stressed the importance of humility, adding, “You are going to fail without a doubt.” The key is to continue to hone your craft until you are comfortable and confident enough to own it.

    As James looked around the full classroom of acting and filmmaking students, he said, “I wish I had this experience. If I could go back to school, I would learn every aspect of filmmaking.”

    Soccio added in the fact that his experience in the NYFA Filmmaking Program in 1997 is what truly elevated his craft as writer. “You can never learn too much,” Soccio said. “I went [to NYFA] for directing. That quite honestly is what made me a much better writer.”

    kevin james

    NYFA alumnus Michael Soccio and Kevin James

    A key element that James kept coming back to was the idea of surrounding yourself with a great team. He admitted to his own faults of sometimes not seeing the full picture in a film or project and seeking the advice of his directors and writers, who “can see the whole landscape.”

    Another important piece of advice given by each guest was the notion that you can never stop learning. A student concluded the day by asking James, “When did you know you mastered your craft?” To this, James replied, “I’ll let you know when I get there.”

    NYFA thanks Kevin James, Michael Soccio, and Leo Severino for taking the time out to speak to our students in such a down-to-earth manner, and looks forward to their upcoming projects, including the new CBS series, Kevin Can Wait.

    July 27, 2016 • Acting, Film School, Filmmaking, Guest Speakers • Views: 2964

  • Highlights from NYFA Australia Sydney’s Acting Department

     

    nyfa

    It’s been a busy few months for the Acting department at the New York Film Academy Australia – Sydney. We started with a bang at NYFA Australia Sydney’s ‘Big Night Out’ – our end of semester showcase for the January intake of actors. Loosely themed around food and drink, we turned one of our larger spaces in the campus at Fox Studios Australia, into a bar/restaurant and served up a collection of delicious tasting scenes.

    We had couples both making up and breaking up over dinner, scenes from Mystic Pizza and Pulp Fiction (This IS a tasty burger!) and not to forget our very own version of the last supper.

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    Peppered throughout the evening was also a collection of motley characters, with everything from surly waiters, pompous maître ds and a psychotic chef to an overzealous busboy. Running over three nights—to an audience of family, friends, students and faculty—a theatrical feast was had by all.

    Following that was our Advanced Diploma acting students with their graduation plays. In a NYFA Australia first, they performed over two weeks in the beautiful 236-seat Monkey Baa Theatre at Sydney’s premiere entertainment location, Darling Harbour. First up, was an Australian classic Don’s Party by David Williamson with guest director Travis McMahon. This was followed by an American classic Dark of the Moon by Howard Richardson and William Berney. Directed by our resident American Speech teacher, Paige Walker, who, as one of the most sought after Voice Over artists and dialect teachers in the country, we are proud to claim as our own.

    nyfa aus

    Amidst all of the above activity, students have been busy shooting their show reel scenes both on campus and on location. We have also seen the launch of our graduating students’ first ever self-devised web series Actor’s Vs, which is rapidly gaining a cult following online. With a comedy/improvisation night and scenes from Chekov just around the corner, not to mention our next big showcase at the historic Australian Theatre For Young People in September, NYFA Australia Sydney is full steam ahead.

    aussie blog

    – Jacki Mison

    July 25, 2016 • Acting, Entertainment Australia • Views: 868

  • Legendary ICM Agent Boaty Boatwright Speaks at NYFA NYC

    The New York Film Academy recently welcomed distinguished ICM talent agent, Boaty Boatwright, who has been in the business for fifty years. Moderated by producer Tova Laiter, the gracious guest fielded questions from a packed theater of filmmaking, producing, and acting students at 17 Battery Place.

    boaty and tova

    Producer Tova Laiter with ICM Agent Boaty Boatwright at NYFA

    Boatwright began her career as a children’s casting assistant in New York for such iconic films as To Kill A Mockingbird and the original Willy Wonka & The Chocolate Factory. Boatwright also served as an executive for major film studios including MGM, Columbia, and Universal.

    As a casting agent, Boatwright worked closely with legendary directors including Norman Jewison, John Huston, Sydney Pollack, Alfred Hitchcock, and Ridley Scott.

    After moving into the role of a talent agent, Boatwright began representing directors such as Alan Pakula, Sidney Lumet, and notable actors, Joanne Woodward Paul Newman. Her current client list includes Stephen Frears (Academy Award Nomination), Tom Hooper (Academy Award Winner) and Cuba Gooding Jr. (Academy Award Winner).

    While acknowledging how difficult the business can be to break in, Boatwright stressed the importance of pushing work at the film festivals, especially Toronto and Sundance. It is often the writer/directors job to be his or her own producer before gaining the attention of an agent. Most agents need to see proven work under a young filmmaker’s belt before they considering signing them. “Finding an agent is the hardest and most important part of the business,” she said.

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    Tova Laiter and Boaty Boatwright

    Several actors from the audience also inquired about being cast as foreigners in American films. Boatwright understood the challenges involved, but stressed the importance of owning your cultural background and finding roles that could highlight what it is that makes your audition different than what’s expected.

    Another fascinating moment of the evening came when Boatwright touched on a time she had worked with Alfred Hithcock, recalling the posh London hotel suites and expensive wine that Hitchcock would enjoy at lunch. In a time when California wine was just becoming popular Hitchcock told Boatwright, “I’ll never drink California wine.”

    Few can claim the amount of experience that Boatwright has had in the entertainment industry, which leaves us extremely thankful for the time she spent enlightening our students on the path ahead.

    July 22, 2016 • Acting, Filmmaking, Guest Speakers, Producing • Views: 2697

  • Students and Alumni Meet with Agents

    As the clock struck 7:00 at the New York Film Academy Los Angeles Campus the lobby began to fill with acting students and alumni. Agents from Abrams Artists Agency, Central Artists, Daniel Hoff Agency, DDO Artists Agency, Howard Talent West, Ideal Talent Agency, LA Management, McKeon-Myones Management, Media Artists Group, Prodigy Talent, Debra Manners Talent Management, sat perched behind desks ready to take the student’s head shots and discuss their future.

    Frederico Mallet a recent MFA Acting graduate attended the recent looking for commercial and theatrical representation. “I think it’s fantastic that Barbara made this happen,” said Mallet. “Because she is really great. She’s one of the finest people at NYFA. She’s at it all the time. She cares so much about us and I’m really grateful that she did this.”

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    The event was organized and run by Barbara Weintraub, Chair of Industry Outreach and Professional Development. She wanted to give recent and soon to be graduates an opportunity not only to network and practice pitching themselves but hopefully to land an agent and secure work.

    Spring 2015 graduate, Katisha Seargent, “I graduated in May and I’ve been trying to get out there. I was doing a lot of self-submissions. I was so grateful to the school put together a program to help us get that foot in the door because it’s something we’ve been trying to do since we graduated.”

    “I watched the footage that they made us shoot on our very first week at NYfA and I just compare it to where I am now and the growth is just exponential. It’s ridiculous. I learned so many things. My interpersonal communication skills rose exponentially. My confidence…it just went through the roof. I’m playing roles now that I never thought that I would do, that I didn’t think I was good at. I found out I have a comedic side. I never thought I was funny. You find out so much about yourself through this process here at NYFA.”

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    Acting student Owen Rousu knew he only had two minutes to impress the agents, “I have a commercial agent already so I’m looking more for theatrical. My little spiel goes, ‘Hey, I’m Owen. This is my theatrical headshot. I’m looking for theatrical representation; either a manager or an agent. I’m SAG eligible. I think what sets me apart from other actors is I spent five years in the army. I deployed twice as a US Army Ranger. So, the roles that I would go up for are usually army, marines, cops, firefighters, or the bad guy, apparently. I get a lot of villains, which actually, I love.”

    When all was said and done we had several students reach back to tell us about their experience.

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    The meet and greet was such a great event! I got an audition for commercial representation at Daniel Hoff! Which is an agency I’ve wanted to audition for so bad!

    So, thank you!

    Best,
    Linnea

    Thank you so much for yesterday the event was great! I was already contacted by two talent agencies!
     
    So, thank you so much! Those events must keep on going! They are of great help.
     Gonzalo
    Thanks for last night event!! I got contacted by DDO agency already for an interview next Thursday for possible representation!
    Thanks,
    Todd
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    The New York Film Academy would like to thank all the agencies that came to view our students and the current students and alumni who took advantage of this opportunity.

    July 21, 2016 • Acting, Community Highlights, Student and Alumni Spotlights • Views: 1683