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  • ‘The Shorts Show’ Creator Finds a Knack for Poster Art

    hooligans

    After graduating from New York Film Academy’s Two-Year Acting for Film course, Corey Scott Rutledge created a comedy sketch group with his friends and fellow NYFA graduates Nick Snow, Brooks Russell, Luis Alarcon, Dirk Otis, Grant Lancaster and Dave Steffey.

    The Shorts Show, which has amassed 76 videos and well over 1 million views since its creation, has hilariously parodied everything from Game of Thrones to Matthew McConaughey being…well Matthew McConaughey. Given not only the quantity of content but the quality of their videos, it’s only a matter of time until these guys land a show on a network like Comedy Central.

    “Attending NYFA was very important to what I have been able to do,” says The Shorts Show creator Corey Rutledge. “Not only meeting those who I currently work with now on the show but also networking into so many different projects while there has landed me projects both acting and design wise post graduation.”

    In addition to Corey’s ability to parody trends in pop-culture, he’s a very talented graphic designer. Before his acting studies at NYFA, Corey earned his computer graphics degree back home in Michigan. His graphic design skills have recently become a major factor in his life, once again. With so many of his peers looking for concept art for their short films, he became the go-to guy for stellar movie posters like The Hooligans one in this post. As time went on, he thought it was common sense to start offering his services to filmmakers outside of his network. Now, he’d be killing two birds with one stone, working on both of his passions at once with poster art.

    He’s quickly built a portfolio and a reputation for delivering some really cool posters for students and independent filmmakers. If you’re looking to get your short or indie feature to stand out amongst the crowd with a solid poster, check out Corey’s work on his website or shoot him an email about his services at theshortsshow@gmail.com.

    January 16, 2015 • Acting, Student and Alumni Spotlights • Views: 1027

  • NYFA’s Paul Warner to Direct OUTMusic Awards

    outmusic awards

    As a school that wholeheartedly embraces diversity, the New York Film Academy is honored to have of two of its faculty members, Paul Warner and Sean Robinson, as an integral part of both the 9th Annual OUTMusic Awards and the documentary For Which We Stand. Esteemed Filmmaking Instructor Paul Warner, an award-winning film and stage director, will direct the awards, which are hosted by Lea DeLaria of Orange is the New Black and recording artist Ari Gold.

    Held at The Town Hall Theater in Manhattan on January 19, 2015, the Awards will be the centerpiece of For Which WE Stand (One Queer Music Nation In The Visible) directed by award-winning Director Sean Robinson, and produced by Warner. The film spotlights the rise of LGBT music, culture & entertainment and it’s influence in mainstream culture. The January 19th OUTMusic Awards gala is the last event of the three-day city wide celebration, which also includes a Pre-OMA Benefit Concert for the Brooklyn Community Pride Center on Friday, and the OUTMusic Awards VIP Women’s Event presented by Curve Magazine and Lexus at Marquee NY on Saturday.

    Paul Warner

    Paul Warner directing Liev Schreiber with Alison Pill and David Michalek Photo Credit Mark Kornbluth

    The 9th Annual OUTMusic Awards is the biggest night in LGBT music & entertainment and celebrates the year’s best recordings, artists and industry contributions with a message of inclusion and equality.

    Tony Award Winner Billy Porter (actor, director and star of Kinky Boots) will receive the Lifetime Achievement Award. Award-winning Deborah Cox will receive the Pillar Award. R&B recording artist Monifah Carter, who is nominated for two OUTMusic Awards, will be on hand to accept the Vanguard Award. Carter stars on TV One’s reality show R&B Divas Atlanta that featured the first African-American celebrity same-sex wedding to air on national television.

    Porter, Carter and Cox join a lineup of legendary honorees and nominees including celebrated artist and activist Holly Near, award-winning country rock band Antigone Rising, Grammy nominated duo Tegan & Sara and Producer of the documentary How Do I Look Wolfgang Busch.

    “I am honored to both direct the 9th Annual OUTmusic Awards and produce For Which WE Stand as I feel strongly that the LGBTQ Academy of Recording Arts’ mission is essential to the LGBTQ equality movement,” says Warner. “While experiencing considerable gains, there has also been an escalation of bullying and continued discrimination, so the pursuit of equality is far from over. Of equal importance, I am excited to collaborate with music and media artists from all disciplines whose passion for and undying dedication to their craft will shape our future cultural and political landscape.”

    The film will feature live performances from the OUTmusic Awards with behind the scenes footage, interviews with pioneers, recording artists, activists, industry executives and various creative industry professionals.

    “I am equally honored to have Sean Robinson and Paul Warner on board,” says Diedra Meredith, Chairwoman/CEO of LARA. “This film and the live production of the OUTmusic Awards is integral to the Academy’s mission to document and archive our movement and history. Our goal is to create more opportunities for LGBTQ recording artists and ensure that Queer Music Culture will continue to be included as an integral platform in music and media history.”

    The LGBT Academy of Recording Arts (LARA) was founded in 1990 to promote the advancement and appreciation of underrepresented LGBT music, culture & heritage. LARA seeks to create opportunities to support the development of young aspiring LGBT artists, increase the visibility of the LGBT music & entertainment platform, as well as honor, document and archive the contributions of underrepresented out & proud LGBT music artists into music history.

    To learn more or purchase ticket to the OUTMusic Awards, please visit www.outmusicawards.com and LARA at www.thelara.org.

    January 15, 2015 • Acting, Documentary Filmmaking • Views: 787

  • The Polls Are In: Movies Cost Too Much

    A movie ticket booth

    A new survey released by PricewaterhouseCoopers this week revealed that more than half of those polled don’t go to the movies more often because of rising ticket prices. As usual, the average cost of a movie ticket is at all time high, its nationwide mean coming in at $8.08 per stub (which, to New Yorkers, is still a bargain basement price.)

    Does this factor into the decreasing audience for movie theaters and lower box-office revenue? It’s more than likely, as high ticket prices were the biggest reason given by respondents. PWC asked consumers why they don’t go to the movies more often and offered 18 potential reasons for rejecting the multiplex. Respondents were allowed to choose three—the ten most cited reasons were then published.

    The clear winner was “Ticket prices are too high,” with 53% of respondents listing that as a cause. The second most popular reason speaks to the creative dearth of Hollywood’s excessive reboots and remakes: “Movies are not as interesting as they once were.” Advances in technology and the cultural shift to streaming and DVR gave rise to the third most popular reason: “Prefer movies ‘on my own schedule.’”

    It’s not all economic and technological reasons however—#10 on the poll just proves the universal conceit that sometimes, people are just jerks: Ten percent of respondents complained that “Too many people use photos and tablets in theaters.” This means, however, that the other 90 percent are the inconsiderate majority, checking Instagram and playing Candy Crush in the middle of the movie they just paid too much to see.

    Here’s the top ten reasons and percentage of respondents who chose them:

    1. Ticket prices are too high – 53%
    2. Movies are not as interesting as they once were – 41%
    3. Prefer movies “on my own schedule” – 30%
    4. Prefer to spend money on other activities – 29%
    5. Can see movies at home shortly after theatrical release – 24%
    6. Prefer going out to dinner – 19%
    7. Don’t have as much disposable income as a year ago – 18%
    8. Decline in overall theater experience – 16%
    9. Online content is equally entertaining – 13%
    10. Too many people using phones and tablets in theaters – 10%

    What keeps you from going to the movies more often? Let us know in the comments!

    January 14, 2015 • Acting, Entertainment News • Views: 1038

  • #MyBoyhood: How Would You Have Aged in ‘Boyhood’?

    Michael Keaton

    Michael Keaton

    As the groundbreaking Richard Linklater film Boyhood continues to pick up steam with its Golden Globe Award for Best Picture, Drama, we at the New York Film Academy thought it’d be fun to see what other nominees and actors would look like as a child, compared to today. Imagine having twelve years of your life documented into an award-winning film. Pretty cool, right?

    We’ve compiled several famous actors “boyhood” or “girlhood” photos and placed them beside a current photo to start off the trend.

    How do your boyhood comparisons pair up to these celebs? Post your child photo alongside of a current photo and share it with us on Twitter or Instagram with #MyBoyhood.

    Ben Affleck

    Ben Affleck

    Benedict Cumberbatch

    Benedict Cumberbatch

    Channing Tatum

    Channing Tatum

    Jake Gyllenhaal

    Jake Gyllenhaal

    jennifer aniston

    Jennifer Aniston

    Kevin Spacey

    Kevin Spacey

    Michael Keaton

    Michael Keaton

    Reese Witherspoon

    Reese Witherspoon

    Rosamund Pike

    Rosamund Pike

    Steve Carell

    Steve Carell

    You’re next! Don’t forget to tag your picture comparison with #MyBoyhood. Look forward to seeing your posts on social media!

    January 12, 2015 • Acting, Community Highlights, Entertainment News • Views: 4071

  • Ken Lerner Brings His Vast Acting Experience to NYFA

    Ken Lerner

    Actor and NYFA Acting Instructor, Ken Lerner

    One of the finest and most accomplished feelings for a teacher is when his or her pupils succeed in the real world. Such is the case with New York Film Academy’s Acting for Film Instructor Ken Lerner, who is not only recognized for his long-standing career as an actor but also for his help in getting thousands of actors cast in movies, television shows, pilots and plays.

    Ken’s audition technique and scene study classes are exciting places to grow as an actor. His technique combines the wisdom of the great acting teachers with whom he has studied—London, Stella Adler and Peggy Feury—with his own extensive hands-on experiences in movies, TV shows, plays and commercials.

    “I love teaching at NYFA because of all the countries that the students come from,” said Lerner. “It is a melting pot of experiences — the enthusiasm of these actors is energizing.”

    Similar to many of NYFA’s staff of talented instructors, Ken has continued to work in TV, movies, and commercials for the last 36 years, making his a recognizable face everywhere he goes. He has appeared in more than 100 top television shows, including The Mentalist, NCIS, In Plain Sight, Two and a Half Men, Desperate Housewives, Castle, Weeds, CSI, Without a Trace and Buffy The Vampire Slayer. He has had over 40 film roles, including Unlawful Entry, The Doctor, The Fabulous Baker Boys, The Running Man, The Story of Us, Immediate Family, Irreconcilable Differences and Project X. In addition to film and television, Ken has starred in productions at The Pasadena Playhouse and Garry Marshall’s Falcon Theater and off-Broadway.

    “My experience in the industry seems to be the biggest factor in my ability to be trusted that I know what I am teaching them, especially about auditions. I constantly use my acting jobs as reference for my students’ learning.”

    Ken’s experience on sets and on stage give him the ability to share inside information with his students. Ken’s positive approach to the work and outstanding ability to break down scripts help him to nurture and bring out the best qualities in his students. Ken works and auditions all the time and imparts his experiences in his own funny, gentle but firm way. His technique gets results, as evidenced by the success of his students, who star on shows such as House, CSI, Cougar Town, Burn Notice, Scrubs, CSI: Miami and many others.

    Ken uses his extensive contacts in the industry with directors, producers, casting directors and agents to offer special events for his students and monthly industry nights as a public service to the acting community.

    His advice to all of his acting students and those pursuing the craft is to work hard and bring their special qualities to their auditions. “They are unique, and they must bring that into the audition rooms.”

    January 12, 2015 • Acting, Community Highlights • Views: 994

  • Screening of ‘The Talented Mr. Ripley’ with Casting Director David Rubin

    David Rubin

    Casting director David Rubin visited New York Film Academy Los Angeles to screen the classic film The Talented Mr. Ripley, which he cast, and participate in a Q&A session with students. David is chairman of the Casting Directors Branch at the Academy of Motion Picture Arts & Sciences and is also the casting consultant for HBO, working on their upcoming series, movies and miniseries. He cast such films as the upcoming Wild with Reese Witherspoon and Warren Beatty’s Howard Hughes film. He also cast other acclaimed films like The Addams Family, The War of the Roses, My Cousin Vinny, The Firm, Four Weddings and a Funeral, Get Shorty, The English Patient, Men in Black, and My Best Friend’s Wedding. David won an Emmy for casting Game Changer for HBO and received the Hollywood Film Festival Award for Outstanding Career Achievement, as well as an honorary Career Achievement Award from the Casting Society of America presented to him by Baz Luhrmann. Producer Tova Laiter and NYFA acting instructor Michael Zelniker moderated the discussion.

    Mr. Rubin has been a fan of live theater all of his life and admits to being a complete “theater geek.” In fact, he’s kept a program from every show he’s attended since he was a boy in a plastic sealed scrapbook. As a young man in New York, the encyclopedia-like knowledge of the city’s pool of acting talent and enormous vocabulary David acquired from seeing so many plays, and also directing his own, unconsciously prepared him in a perfect manner for a career in casting. It wasn’t until he took on a job as a casting assistant that he realized how well suited for casting he was and the deep-rooted passion he had for the profession.

    david and tova

    David has a unique approach to casting that has led him to immense success. When he first receives a script, he crosses all of the writer’s character descriptions out. David knows that these labels are obvious, surface interpretations of the character and he’s going for something much deeper. He lets the character’s story arch clue him in to the type of actor appropriate for the role. And instead of bringing in a bunch of actors that all look and sound the same, which is the norm the casting world, he auditions actors of all shapes, sizes, races, and personality types. In this way, David uses the casting process to further investigate the right kind of person he’s looking for.

    Mr. Rubin’s best advice to actors in the audience was this: “Be yourself.” Many actors fail in attempting to conform themselves to what they believe the role is and the result is always inauthentic. Expressing yourself fully is your most valuable commodity by far as an actor because there is no one else exactly like you. What David always looks for in auditions is the “Actor’s essence” and he then determines whether that matches what he has determined the “character’s essence” to be.

    Hearing how David Rubin rose to success as a casting director and the invaluable advice he acquired along the way was an incredible gift to NYFA students. We sincerely thank David for his time and look forward to seeing all of his amazing casting work to come.

    January 2, 2015 • Acting, Guest Speakers • Views: 1147

  • Robert Pucci: From Law School to Hollywood

    Robert PucciNew York Film Academy Los Angeles Critical Film Art and Intro To Film Instructor Robert Pucci took a rather interesting turn in his career after passing the bar exams for both New York and New Jersey — a difficult feat in itself. What could be a more challenging career path than passing law school and two bar exams? Acting. Robert’s passion for the craft sent him on his way to Los Angeles to become an actor. However, while playing a recurring role on The Young and the Restless, he realized that, at heart, he is a writer.

    Robert has sold over twenty-five screenplays to major Hollywood studios and worked with, among others, Ridley Scott, Oliver Stone, Jan Debont, James Foley, Mark Wahlberg and Roland Joffe. Recently, Robert’s artistic endeavors are focused on books and not screenplays. In his first novel, In Harlem’s Way, Robert continues telling stories and creating characters that examine the complexities of the human heart. Touching on themes of innocence, guilt, forgiveness and ultimately love, the book tells the inspiring story of the unlikely relationship forged between a damaged white youth lost in Harlem, and the first African American man he’s ever met, a bond that heals and forever changes them both.

    With tremendous experience in the industry, in addition to his grasp on the law, Robert provides invaluable insight to his students on the world ahead of them. “I feel any instructor who has been in the trenches, (and I’ve been in them as an actor, and to a far greater extent, as a writer) offers something worthwhile to young artists,” says Mr. Pucci. “That said, my aim is to make this experience about them and not me, but when I can impart lessons learned by way of trial by fire, I share them.”

    Robert currently teaches two courses at the Film Academy that provide an overview of the history of cinema with a look at the many movements and techniques which shape film as they experience it today. In so doing, Robert aims to connect the past to the present and show the students that the filmmakers, actors and writers they currently admire are well-versed in the work of the artists who came before and incorporate what they’ve learned in their own work.

    “I find the enthusiasm of the students infectious. I also enjoy interacting with the international student body at NYFA as in each class I learn something new about cultures from around the world.”
    Robert’s advice to young screenwriters is the same advice he was given when starting out. “There is much in the entertainment industry that is out of your control, so work diligently and focus on the things which you can control, and the main one is your work output. Always be writing. When you finish one script, immediately start the next one.”

    December 16, 2014 • Acting, Community Highlights, Screenwriting • Views: 1969

  • NYFA Sydney Holds First Inaugural Filmmaking Showcase at Event Cinemas

    NYFA Sydney Event

    The New York Film Academy Australia campus in Sydney held its first Inaugural Filmmaking Showcase at Event Cinemas, George Street in VMAX 2. The multiplex theater, which screens today’s top films, just so happens to be filmmaker Baz Luhrmann’s favorite cinema in Australia!

    To kick off the event, filmmakers strutted the red carpet outside of the theater. After all, what would an award-ceremony be without a red carpet? Guests included our filmmakers and their families and friends, screen industry professionals, 2015 committed students, potential new students and NYFA Sydney alumni. NYFA Australia Director Simon Hunter and NYFA Australia Academic Manager Craig Proudley were also on hand for the night. NYFA is the first and only film school to have showcased thesis films in a VMAX cinema at Event Cinemas, George Street, Sydney. We love being pioneers.

    The awards ceremony gave out 4 awards, including Outstanding Student, Best Cinematographer, Best Director and Best Film, which was chosen by a panel of screen industry professionals.

    nyfa sydney actors

    “It is an exciting partnership that Event Cinemas has with NYFA,” said Event Cinemas General Manager, Anthony Kierann. “Last night was a night of talented filmmakers and actors expressing their creative journey and discovering their voice within the magical process of storytelling in the art of filmmaking. There is a huge appetite within the film-going community to experience extraordinary stories with universal themes and social significance. Last night there was a range of styles, performances, screenwriting and visual bravery with astute detail and a willingness to explore all the nuanced options creatively available to tell a story — the films screened last night at the thesis screenings certainly were a testament to the talent pool at NYFA in Sydney. As an exhibitor, it is encouraging to see such a depth of talent. Events looks forward to furthering its support and partnership; to be in some small way a nurturing component that may allow these young filmmakers and actors wings to grow. Congratulations to everyone involved and a special congratulations to Ren Thackham for her audacious visionary film Lady Luck, which won the Best Film Award”

    Anthony and Event Cinemas were so pleased with the night that they have committed to playing one of our filmmakers thesis films, Wolf by Ethan Thomas before a feature film. Overall, it was not only an entertaining night, it was a whopping success. We look forward to our next Filmmaking Showcase at Event Cinemas!

    December 11, 2014 • Acting, Community Highlights, Filmmaking, Study Abroad • Views: 1996

  • A Look at Acting Instructor Michael Zelniker

    Red Rodney Zelniker

    Michael Zelniker as Red Rodney in “Bird”

    One of the more enticing factors of studying at the New York Film Academy is its commitment to staffing its teachers and instructors with those who have sound experience and success in the film industry. In some cases our instructors come from a versatile background, having worked extensively in many artistic areas, including acting, filmmaking and theatre. Such is the case with Acting for Film and Acting Technique Instructor Michael Zelniker. Having starred in more than 20 feature films and countless television productions, Zelniker is perhaps best known for his portrayal of trumpeter Red Rodney in Clint Eastwood’s award winning film Bird. If you’re from Canada, you may recognize him for his Canadian Academy Award (Genie Award) winning performance in The Terry Fox Story, which also starred Robert Duvall.

    “One of the reasons I love working at NYFA is — having spent my life learning how to do this work I love so much — getting to give it away to young people just beginning their creative journeys is an awesome privilege,” said Zelniker. “One of the great features to NYFA as an educational institution is it has a very large international student body. That unique mix of cultures, ideas and sensibilities makes for a powerfully dynamic artistic atmosphere.”

    Zelniker was born and raised in Montreal where he trained as an actor at Dawson College’s Conservatory Theatre School. After graduating, Zelniker moved to Toronto, where he began working in theaters all across Canada doing everything from Shakespeare to David Mamet, appearing in more than 20 Equity productions, including Amadeus, Henry V, Mother Courage and American Buffalo.

    Zelniker

    Michael Zelniker as Martin in “Naked Lunch”

    Since moving to Los Angeles, where he currently teaches, Zelniker has worked in both movies and television. His long list of credits include co-starring in David Cronenberg’s acclaimed film Naked Lunch with Peter Weller; Queens Logic with John Malkovich and Kevin Bacon; Touch and Go with Michael Keaton; and Bird with Forest Whitaker.

    Some notable television movie appearances include the Showtime mini-series The Neon Empire; Masterpiece Theatre’s Glory Enough For All for PBS; and the ABC mini-series Crossings with Christopher Plummer. Zelniker guest starred many times on series such as The Dead Zone, Chicago Hope, Millennium, Profiler, The Inside, Strong Medicine, Veritas the Quest, For the People, In the Heat of the Night and Murder She Wrote. Zelniker has starred in many independent features including, Snide and Prejudice, directed by Philippe Mora; Air Time, directed by Gary Fleder; and the Sundance Lab developed film, After Image.

    Zelniker’s theatre directing credits include the critically acclaimed Child’s Play, at the John Anson Ford Theatre, the sketch comedy show, White House Chicks at the HBO Workspace, Waiting for Lefty and Moonchildren at the Lillian Theater, and One Love and Love and Death and Other Trivial Matters at the Artworks Theatre.

    As a filmmaker, Zelniker co-wrote, produced, and played the title character in the critically acclaimed, festival award winning feature, Stuart Bliss. He also directed, co-wrote and produced the low budget, experimental feature, Falling… that premiered at Indie Fest USA International Film Festival in August 2012, winning their Best of Festival Award. The film is currently being distributed by Vanguard Cinema and Anderson Digital.

    We’re thrilled to have Michael Zelniker on our team and confident in his ability to share his invaluable insight to budding talent at the New York Film Academy.

    December 10, 2014 • Acting, Community Highlights • Views: 1711

  • Iconic Actor Al Pacino Speaks at New York Film Academy

    Al Pacino New York Film Academy

    New York Film Academy students received the rare opportunity to participate in an intimate Q&A with one of the greatest actors in film history Al Pacino this past Thursday, December 4th at the Warner Bros. Studios in Los Angeles, CA. The discussion took place after a special advanced screening of Pacino’s new film The Humbling. In this, funny, observant, erotic comedy, Pacino plays an aging actor who feels he is losing his craft and after a breakdown becomes involved with a much younger woman but soon finds that it’s difficult to keep pace with her and makes the ultimate performance. The film was highly received by the students for its content and Mr. Pacino’s amazing performance in it. Producer Tova Laiter moderated the Q&A.

    Oscar, Emmy, and Tony winning Al Pacino took the stage to an uproar of applause and a standing ovation from students. The legendary actor, who’s entertained and inspired us with iconic performances in The Godfather, Scarface, Dog Day Afternoon, Scent of a Woman, Glengarry Glen Ross, and Heat, to name just a few, was tremendously gracious for the warm reception. Pacino was all smiles and full of life, emanating that vivacious energy we’ve come to love him for.

    In a profound statement about the actor’s process, and artistic process in general, Pacino stated, “I love the line that Michelangelo said in a poem when he was doing the Sistine Chapel, he said, ‘Lord, free me of myself that I may please you.’ Meaning, get to that place in us where we’re not censoring ourselves or trying to do it good or right but rather connect with whatever it is we’re trying to say in our work. Become. Become it, absorb it and let it come out and let the unconscious free. And I strive for that. And I rarely, rarely get it. If I do it’s for a moment or two… Sometimes I’m given a role… Then I have to look at the empty canvas and I say, ‘Wow, I don’t know anything about acting. I don’t know anything about anything. What am I gonna do?’ And you start. And the hope is that instead of figuring it out, you find it.”

    Al Pacino and Tova Laiter

    Producer Tova Laiter with Al Pacino

    But it wasn’t all serious talk. Pacino revealed the origins of his “Hoo-ah!” line in Scent of a Woman in an amusing story: “That came because I was learning to assemble and disassemble a .45 in forty-five seconds. And that ain’t easy. And I worked literally weeks on that, months, just with this Lieutenant Col. who would say to me every once in a while when I did it well, he would just say to me (pointing) ‘Hoo-ha!’ And I finally said to him, ‘What is that?’ And he said, ‘Well, you see that’s the way I talk to the troops. If they get in line and their suits are straight and their metals are straight, I just go up and I say ‘Hoo-ha!’ And that got into the movie. That wasn’t written.”

    In closing, to the question of what the most important thing acting has taught him, Pacino answered, “It taught me to love people more. I feel more a part of the world. And that we’re all actors. Only some of us can really do it. Some of us have the ability to do it…and the desire to do it. And it taught me that desire can sometimes trump talent. Think about that. So that you may not have as much talent as you think you have, but if you have the desire, your talent will find you.”

    When the Q&A ended, Al Pacino thanked and waved goodbye to students as they all stood and cheered once again. It was a wildly entertaining and inspiring night that was a special gift to NYFA. In a cosmic coincidence, Pacino’s daughter Julie Pacino, an alumna of NYFA, showed her movie to NYFA students at our Union Square square campus the same day!

    We thank Al Pacino for sharing his time with us and look forward to the success of The Humbling (which Mr. Pacino also produced), directed by Barry Levinson. The film opens in theaters in limited release for a week on December 5th and wide release January 23rd, 2015.

    December 8, 2014 • Acting, Guest Speakers • Views: 3072