Filmmaking
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  • MFA Filmmaking Grad Wins Best Short at Golden Pomegranate

    Jing Wen

    Jing Wen on set of “A, B,C or D?”

    Congratulations to the MFA Filmmaking graduate Jing Wen, whose film A, B, C, or D? won Best Short Film and Best Cinematographer (Xiaolong Liu) at the Golden Pomegranate International Film Festival in China. The film will also screen at Cannes in the upcoming Cannes Short Film Corner, where many of our students will have the chance to showcase their work to the public for the very first time.

    As most of know or remember, A, B, C, and D are the choices in a multiple choice test. This is precisely where Wen came up with the title for her film.

    “When we were young, there was always someone who could give you the right answer — maybe the teacher, maybe our parents,” recalls Wen. “When we grow up, A, B, C and D seem like the different choices in our life. What should we choose at every corner, or which one could lead us to success? Only you can discover the answer.”

    In Wen’s film, her main character, Gary, is a 45 year-old man — an age at which most people lose their energy to pursue lifelong dreams due to the pressures of family, work, money and responsibility. The conflict occurs after Gary is notified by his department manager that he will need to the blame for a particular mistake. This leads Gary with a very difficult decision: should he tell his boss the truth or keep silent?

    You can find out his decision at Wen’s next screening of A, B, C, or D? this May at the Cannes Short Film Corner.

    March 11, 2015 • Filmmaking, Student and Alumni Spotlights • Views: 445

  • BFA Student Shane Golden Shoots Feature Film ‘Tapestry’

    shane goldenWith the variety of programs and locations at the New York Film Academy, we provide students with the opportunity to not only explore the world, but also hone their craft in several disciplines while earning a degree. One of of our former Two Year Filmmaking students in New York, Shane Golden, took advantage of NYFA’s resources by studying in New York City while simultaneously interning for filmmaker Brett Ratner. Now, he’s finishing his studies at our Los Angeles campus, where he just finished working as Co-Director of Photography on the upcoming feature film Tapestry.

    The film, directed by Ken Kushner, stars actors Burt Young and Stephen Baldwin. The story revolves around a man (Stephen Baldwin) in the midst of a heavy personal and spiritual crisis. Aided by his father (Burt Young), and his family, he embarks on a personal journey that will forever change him.

    We recently had the chance to catch up with Golden, who has his hands full with projects both inside and outside of the school.

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    Shane Golden with actor Burt Young

    Hello, Shane, congrats on wrapping your feature film, Tapestry! Can you begin by telling us how you first became involved with this film?

    Vanja Ulepic, the Director of Photography of the film asked if I wanted to co-DP on the film with him. He and Ken Kushner, the Director of Tapestry, both really liked the successful online campaign video I had just produced for the tech company, Rocki.

    How long was the shoot?

    The shoot was in production for a little over 6 weeks.

    Would you say your training at NYFA was useful in terms of your transition to DP’ing on a feature film like Tapestry?

    Definitely. Between my time at NYFA and the times I’ve been fortunate enough to spend interning for Brett Ratner, I felt confident in my abilities as a filmmaker. I never considered myself a DP, and had no ambition to become one, but after this experience I have a new found appreciation and respect for the craft. Before we started I remember thinking, “I have no idea what the hell I’m doing as a DP,” but when I got into action and with the language and skills I developed at NYFA, I was able to effectively communicate with the cast and crew on the production.

    Was there any particular shot/scene or influence you had on Tapestry that you’re most proud of?

    There are some tracking shots we did of Stephen’s character in the office where he works that came out really great aesthetically for camera and helped to establish the tone of the film.
    There’s also a scene we shot with Burt Young in this church that came out phenomenal. The architecture was beautiful and allowed for a lot of possibilities when it came to blocking for both the actors and the camera.

    When and where can we see the film? Is there an official release date yet?

    The film is set to be released in theaters sometime next year.

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    Shane Golden with actor Stephen Baldwin

    Are you currently working on another project? If so, can you tell me a little about it.

    I have a few projects, currently. I’m actually now working on the Tapestry soundtrack as a singer/songwriter. Ken, the Director, heard my music and really
    loved it. He asked me if I would sing something for the soundtrack and I said of course. It’s being produced by Grammy winning songwriter/producer Jane’t Sewell-Ulepic and Vanja Ulepic. I’m definitely honored and humbled to be this involved with the project. Besides that, I just booked another feature for later this year, but I don’t have too many details on that project as of yet.

    What is your goal as a filmmaker and cinematographer?

    Simply put, my goal is to tell great stories. I want to make films that touch audiences and inspire my peers to wanna keep creating and producing films that entertain and influence the world.

    Is there any advice could give for current students studying cinematography?

    I would say just know there’s no right or wrong to this. Experience, technique and knowledge of the equipment obviously helps, but at the end of the day you have to use what you have and, as a DP especially, work to make an image that’s
    interesting to you and that best tells the story. Awards and accolade are nice, but I think getting better at your craft is the true gem of any artists pursuit.

    March 9, 2015 • Cinematography, Filmmaking, Student and Alumni Spotlights • Views: 617

  • MFA Filmmaking Grad to Premiere ‘More Than Words’ at Cannes Short Film Corner

    more than wordsThey say write what you know. That’s precisely what former New York Film Academy MFA Filmmaking student Gabe Chavez set out to do with his semi-autobiographical thesis film, More Than Words. Chavez suffers from a heart disorder called Aortic Stenosis, a genetic disorder that constricts his aortic valve. If left unchecked, the disorder could become life threatening. Initially, Chavez refused to take the heart disorder seriously — he wouldn’t even visit his doctor. Eventually, his girlfriend (now fiancée) Caitlin gave him an ultimatum: if you don’t want to take care of yourself, do it for me. A crucial moment not only in Chavez’s film, but in his own life. In addition to Caitlin, other characters in his film were inspired by his extended and immediate family.

    Chavez’s team consisted of a number of NYFA students, including Kyle Pavlin (co writer/AD), Tripp Townsend (producer), Regina Bang (EP), Javier Del Olmo (EP), Laura Elisa Perez (DP), Badr Farha (production design), Mich Castro (1st AC, b camera op), and Yiting Lyu (2nd AC).

    “This film simply could not have been made if it wasn’t for [producer] Tripp Townsend,” said Chavez. “He has been like my brother; he grew up with me in New Mexico, produced my film, and is about to graduate from the producing program this May.”

    Townsend and Chavez are business partners, having teamed up to form production company Frozen Frame Productions, LLC.

    “Also, my actors were fundamental in telling this story—especially my leads, Samm and Cody.”

    Chavez put Samm and Cody through 6 weeks of rehearsals before filming began. While working on set, the three of them formed a very close bond of collaboration and trust that still exists today.

    Praised by NYFA Los Angeles Producing Chair Tony Schwartz, Chavez’s thesis film will begin the festival circuit with its premiere at the Cannes Short Film Corner.

    more than words set

    Chavez originally decided to enroll in the MFA Filmmaking program because of its hands-on approach and access to industry-standard equipment. The program put Chavez in a position where he could concentrate solely on filmmaking and directing.

    “My directing teachers Nick Sivakumaran and Adam Nimoy along with my writing mentor Andy Guerdat really helped me with my thesis,” said Chavez. “While Nick didn’t advise me in my thesis year, it was really his teaching and constant inspiration of my films and efforts that led me to my thesis film with the tools necessary to get the most from the scenes. Adam’s advanced directing class encouraged me to experiment (especially in rehearsals), and gave me the vocabulary to talk these actors through such difficult and personal material. When it comes to Andy, he provided me with such great screenwriting advice and knowledge (coupled with my undergrad screenwriting teacher Matt McDuffie — writer of the recent Ed Harris/Annette Bening vehicle Face of Love), that lead me to the final script I wrote with my cowriter Kyle Pavlin. This story really couldn’t have come off the page without Kyle’s contribution. He really is the most excellent writer.”

    gabe chavez

    Chavez hopes his film will inspire people to examine their own relationships, realizing the blessings they have in life. Beyond that hope, he intends to use this short as a springboard toward the feature film version.

    In addition to showcasing More Than Words at festivals around around the country, Chavez has been working in New York City on several TV shows and movies, including Gotham, Madam Secretary, Unbreakable Kimmy Schmidt, Broad City, The Americans, Elementary, and the upcoming films Urge (with Pierce Brosnan) and Freeheld (with Academy Award Winner Julianne Moore and Inception/Juno star Ellen Page). He is also key gripping a low budget feature film that is being produced by NYFA graduates Regina Bang and Javier Del Olmo (the same team who executive produced his film).

    March 2, 2015 • Filmmaking, Student and Alumni Spotlights • Views: 892

  • Craig Ross, Jr. Advises Directors to Utilize Social Media

    Craig Ross, Jr.

    NYFA Directing Instructor Craig Ross, Jr.

    After graduating from film school, New York Film Academy Directing Instructor Craig Ross, Jr. moved to Los Angeles, where he formed his own production company Asiatic Associates (ASA). From there he went on to direct a number independent films, his first being the film Cappuccino (1998). His other film credits include Blue Hill Avenue (2001), Ride or Die (2004), Motives (2004) and The Mannsfield 12 (2007), the first film that was released through MySpace.com.

    Since 2004, he has also had a career in television, directing episodes of Strong Medicine, Cold Case, Standoff, Crossing Jordan, The 4400, Lincoln Heights, K-Ville, Prison Break, Bones, Numb3rs and NCIS: Naval Criminal Investigative Service.

    Coming from such an extensive background in directing for both film and television, Ross’ on-set knowledge enables him to provide answers and solutions to a number of problems or difficulties that may arise on student film sets. “My work history makes it virtually impossible for me not to be able to answer, from a place of first hand knowledge, any question the students may have,” says Ross. “I’ve done just about everything they’ve thought of doing. So I can definitely help guide them down certain paths from a place of confidence.”

    As experienced as Ross is in the world of directing, he admits that teaching at the New York Film Academy and working with students has been eye opening in terms of his own learning experience. “It may sound like a cliché, but I get as much education from my students as they get from me. So the experience has expanded me as a filmmaker and as a human being.”

    In addition to his work in the classroom and on students’ sets, Ross runs NYFA’s Industry Lab, which provides students with real world experience while still in school. The production entity utilizes instructors and students to produce projects outside of the school for clients that are in need of a production services. The lab is the brainchild of the Chair of Diversity, Cheryl Bedford, who first introduced Ross to the Academy.

    To date, the Industry Lab has worked with Warner Bros. to film a concert series. We were hired as the production company to shoot the summer concert sessions for the record label’s new artists. We’ve also filmed a music video for top selling Uk artist DJ Rusko. Just recently, we shot an interview with Denzel Washington at the Pan African Film Festival, and are currently working on several other commercial projects for outside clients.

    Ross’ strongest piece of advice for his students and others looking to break into television is more clear today than ever before — social media!

    In the digital age, everything is about branding, and today branding can be done for very little money. Simply put, my advice for anyone wanting to be in TV, is to build an audience (crowd funding is a great way to do that) and create a web series. Create partnerships with the project — if it has a social issue attached to it, partner with a corresponding organization.

    Market through social media using your partners social media marketing as amplifiers to get your product seen. The more hits you get, the more visible you are to Hollywood. Web series are a direct path to tv series — all you need is the branding.

    For starters, you can share your projects with us by tweeting @NYFA or using #NYFA. We’re always catching some fantastic projects from students and alumni, and are never shy in sharing your incredible work!

    February 24, 2015 • Filmmaking, Student and Alumni Spotlights • Views: 803

  • NYFA Participates in Interview with Denzel Washington at Pan African Film Festival

    denzel washington

    Executive Director of the PAFF, Ayuko Babu with actor Denzel Washington

    On Saturday, February 14, Industry Lab students and others—through the Diversity Development Department—participated in the filming of three major events in a row at the Pan African Film Festival.

    The first two events were produced by Kim Ogletree, NYFA Producing Instructor, and executive produced and directed by Neema Barnette, the first black woman to win an Emmy directing comedy. The Director of Photography was Tommy Maddox Upshaw who is a Cinematography Instructor at NYFA. NYFA provided some of our hard-working students and equipment.

    PAF students

    The first interview was the Power Broker discussion with Sony Executive, Producer DeVon Franklin. He is also a film producer and has worked on projects like The Karate Kid, Not Easily Broken, Hancock and Heaven Is for Real.

    Next, the students helped document a conversation with Denzel Washington. Having directed Denzel in Devil In a Blue Dress and Out of Time, director Carl Franklin (House of Cards) was the one who interviewed Mr. Washington.

    Lastly, the students took stills for DGA Panel Event, hosted by NYFA Instructor, Jeff Byrd, Co-Chair of the African-American Steering Committee of the DGA. The Director’s Panel consisted of Ernest Dickerson (Bosch, Walking Dead), Charles Stone (CrazySexyCool: The TLC Story, Friday Night Lights), Princess Monique (Seasons of Love, The Call), Janice Cooke (Jane The Virgin, Pretty Little Liars) and Charles Murray (Sons of Anarchy, Castle).

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    February 24, 2015 • Filmmaking, Producing, Student and Alumni Spotlights • Views: 620

  • BFA Filmmaker Wins Best Foreign Film at Williamsburg Film Fest

    alon juwal

    Director Alon Juwal with actor Yair Grimberg and Tahunia (the dog)

    With award season in full swing, it’s always a great honor when students and alumni of our own are recipients of these awards. Such was the case for BFA Filmmaking student, Alon Juwal, who won Best Foreign Film at the Williamsburg Film Festival in Brooklyn, and was an official selection at the Student Filmmaker Awards and the Viewster Online Film Festival.

    His award-winning film, Castor, tells the story of an Israeli Army Dog Handler who takes his dying dog for one last walk before he is put down. The idea stemmed from a news story on Israeli television, in which Castor’s handler narrated the events leading up to Castor’s death. It was a story of bond and sacrifice that Juwal felt must be told.

    Juwal decided to attend NYFA because of its access to cutting-edge equipment — like the RED camera — that he was unable to access back at home in Israel. One of the benefits about studying at the New York Film Academy is the student’s ability to be bi-coastal. Like many of our degree students, Juwal began his BFA in Filmmaking at NYFA’s New York campus for a year, and is currently finishing his degree with two years at our Los Angeles campus. In essence, he’s getting the best of both worlds.

    castor set

    “My experience at NYFA has been extremely useful,” said Juwal. “I owe much credit to two of my instructors: my directing teacher Tassos Rigopoulos, who taught me the foundations of directing and how to handle a crew; and Claude Kerven, who helped me find my original voice and made me the storyteller I am today. I definitely recommend NYFA to many prospective students from Israel. I am glad I am able to call NYFA my home, and I wouldn’t trade my experience for anything in the world. It definitely was an amazing ride, and still is!”

    Juwal is currently focusing his work on music videos. This March, he will be shooting a music video for the folk band Yellow Red Sparks, who have are going on tour to entertain thousands of followers.

    February 17, 2015 • Filmmaking, Student and Alumni Spotlights • Views: 811

  • New York Film Academy Friends & Family on ‘SNL 40′

    nyfa snl

    Last night, NBC and Lorne Michaels managed to manifest the highest population density of celebrities, musicians and comedians into one studio. That studio was 8H, and it was for the 40th anniversary of the iconic sketch comedy show, Saturday Night Live. 

    Fans had the opportunity to see old sketches reprised, such as Dan Aykroyd’s Bassamatic, Celebrity Jeopardy, Wayne’s World and countless others. The event included appearances by a star-studded list of celebrities and former hosts like Robert De Niro, Bill Murray, Chevy Chase, Eddie Murphy, Mike Myers, Adam Sandler, Tom Hanks, Alec Baldwin…the list goes on and on. To put it simply, it was like heaven on Earth for SNL fans.

    While being captivated by television history, we recognized some New York Film Academy friends and family.

    Former guest speaker, Molly Shannon, surprised fans with her socially awkward, Catholic school girl character, Mary Katherine Gallagher. Performing in front of some of the most well known and respected entertainers in the world, Mary became very nervous and began smelling her armpits…like this. Though, soon after, she proclaimed that she was still a Superstar!

    Molly Shannon

    Actress & SNL alum, Molly Shannon at a NYFA Guest Speaker Event

    You may have also noticed another former guest speaker and Master Class Filmmaking Instructor James Signorelli. The SNL 40 show paid tribute to Signorelli by giving him his own unique SNL-style graphic during the broadcast. Signorelli has been a part of the show since 1976, having been the film segment producer for more than 400 episodes. He’s considered the king of ad parodies. If you’re thinking of a popular SNL commercial parody right now, James likely produced it.

    Looking back at many of the classic comedy sketches from the early 1980s, you may recall the famous “Synchronized Swimming” sketch with Harry Shearer and Martin Short, or the classic “Assassination of Buckwheat” with Eddie Murphy. What you may or may not know is Claude Kerven, the New York Film Academy in New York City’s Chair of Filmmaking, directed these short comedy films along with many others.

    The New York Film Academy is proud to have connections to the long-standing, ground-breaking show, SNL. Here’s to another 40 years!

  • Oscar Nominated Writer/Director Dan Gilroy Thrills NYFA Students with ‘Nightcrawler’

    nightcrawler screening nyfa

    Mike Civille, Tova Laiter and Dan Gilroy

    On Thursday, February 12, New York Film Academy Los Angeles students gathered at Warner Bros. studios for a screening of Nightcrawler (2014), starring Jake Gyllenhaal, followed by a Q&A with the film’s Oscar-nominated writer/director Dan Gilroy. Nightcrawler is a chilling, brilliant portrait of a driven young man, desperate for work, who muscles into the world of L.A. crime photo journalism, only to become the star of his own story. Mr. Gilroy is an experienced Hollywood screenwriter – his credits include Two for the Money (Al Pacino & Matthew McConaughey), Real Steel (Hugh Jackman), and The Bourne Legacy (Jeremy Renner) – and Nightcrawler is his directorial debut. He also wrote the film, and his efforts were rewarded with an Oscar nomination for Best Original Screenplay. The Q&A was moderated by producer Tova Laiter and NYFA Dean Mike Civille.

    Nightcrawler is the type of film that makes a lasting impression and forces you to think. Hollywood movies almost always feature a redeeming hero with a character arc, and these rules are rarely questioned. However, Mr. Gilroy admits to purposefully making a film with no character arc at all, since this Hollywood standard doesn’t translate to real life. Instead, Louis Bloom, played by Jake Gyllenhaal, doesn’t change throughout the course of the film and he doesn’t learn a single thing that makes him a “better person.” To that end, he says that he intentionally did not create a backstory for Jake Gyllenhaal’s character, to avoid falling into the trap of creating another conventional Hollywood character. The result is a complicated, attractive, yet morally ambiguous protagonist, and an emotionally stirring film that incites much debate on narrative convention and morality in the movies.

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    Write/director Dan Gilroy

    Because he made the film outside of the studio system, Mr. Gilroy also says that he had the opportunity to take an unorthodox approach to the screenplay format as well. He says that his script includes no scene headings, no INT. or EXT. indications for locations, no parentheticals, and minimal to no character description. He also played with font size and ellipses, developing a screenplay that reflected his stream of consciousness rather than a traditionally structured script. He recommend that the students read the script as an example of how different a screenplay can be, and described these alternative creative techniques in one word: FREEING.

    Mr. Gilroy acknowledged that he wanted to make a film that commented on today’s world, which is focused on “hyper-capitalism” and the predator/prey nature of success. While Louis Bloom has sociopathic tendencies, Mr. Gilroy suggested that Louis’s behavior is a product of modern society, in which competition brings out the “amoral animal” in people. He suggests that he and Jake Gyllenhaal saw Louis Bloom as a starved coyote that comes out of the mountains at night to feed. When Gyllenhaal lost 25 pounds for the role, it thus lent his character a hunger that required his survival instincts to kick in. While this was the central subtext of the film, the commentary is never overdone. Mr. Gilroy encouraged the students to make movies that say something, but cautioned them to avoid making a “message movie.”

    Nightcrawler was no easy task for a first time director. The movie was made for a small budget ($8.5 million) and was shot in twenty-eight days with mostly night shoots. Taking this into consideration when experiencing the elevated artistry of the film, it’s truly astounding. There was no room for error when shooting Nightcrawler, yet it seems like a perfect film. How a director with no previous on-set experience pulled that off is mind blowing. Dan Gilroy attributes his success when the odds were against him to his easy-going attitude, and a positive assumption that creativity would allow the best of even the most stressful moments to emerge. He rolled with the punches, collaborated with his team, pushed through, and took ego out of the equation. This is great advice to any director starting out.

    Mr. Gilroy insisted on staying until the long line of students had asked every last question. We sincerely thank Mr. Gilroy for taking his time to visit NYFA and offer an incredibly in depth and entertaining Q&A. We highly anticipate his next great work.

  • BFA Filmmaking Student Wins Student Filmmaker Award

    served coldSimilar to the NCAA Basketball’s March Madness Tournament, the Student Filmmaker Awards’ Audience Choice Award was created for student filmmakers to compete against other film schools, universities and colleges in a 64 film bracket challenge. The films that receive the most votes advance in the bracket until there is only one standing.

    The New York Film Academy is proud to announce that one of our BFA Filmmaking students, Talha Binabdulrahman, won the Audience Choice prize by beating out 63 other films in the competition! As a result, Talha’s film Served Cold screened alongside Student Filmmaker’s Official Selections on January 21st in Heber, UT. The film is also featured on their website at studentfilmmakerawards.com

    His story focuses on a former drug lord, who is sentenced to life in prison after killing an undercover cop. With the help of his shady attorney he has to take desperate measures in order to be with his teenage daughter.

    “I learned a great deal of skills in both directing and writing Served Cold, especially from hands-on workshops,” said Talha in regards to his experience at NYFA.

    In addition to Served Cold‘s exposure from Student Filmmakers, Talha landed a distribution with the SHORTS TV Channel, where its expected to premiere during the second quarter of 2015.

    As for his next project, Talha says he is working on a new crime/comedy project that is inspired by the well known story of Bonnie & Clyde, but with a modern twist. We look forward to seeing it!

    talha awards

    February 9, 2015 • Filmmaking, Student and Alumni Spotlights • Views: 747

  • Military Student Michael Valenzuela Overcomes the Odds

    Valenzuela

    As an extremely talented musician at a very young age, Michael Valenzuela learned to play over 20 instruments. Performing in diverse ensembles comprised of choir, musicals, marching, jazz, rock, folk and contemporary bands, Valenzuela was nearly a prodigy. Despite that, his artistic talent took a back seat after graduating from high school due to his life-long dream of serving his country as a Naval Aviator.

    Valenzuela enlisted in the United States Naval Academy, even though he could’ve attended the Berklee School of Music. “I joined the Navy because I wanted to be a fighter pilot since I was a little kid and serve our country,” said Valenzuela.

    In 2000, Venezuela received his wings of gold and began a career as a carrier-based F/A-18 Strike/Fighter Pilot. Over the course of his military career between combat operations, Valenzuela was given the unique opportunity to be a Demonstration Air Show Pilot, VIP Liaison, and was introduced to the art of filmmaking by working in front of the camera on over 20 episodes of dramatized training films for the Naval Aviation community.

    His passion for the arts continued while stationed in San Diego. While taking commercial and acting for film workshops, Michael appeared in numerous television shows, movies, commercials, as well as documentaries, which inspired him to work on a travel series called Aviator’s Paradise. It was from there where Valenzuela’s life would take a drastic turn.

    “Unfortunately, both my aviation and acting careers were brought to a sudden and tragic halt due to a work accident that left me paralyzed from the waist down for a span of two years,” recalled Valenzuela. “After two major reconstructive surgeries and years of rehabilitation, I returned to the cockpit as an Advanced Aerobatic and Emergency Maneuver Training Instructor. During my recovery, I discovered Stand-Up Paddleboarding (SUP), becoming a Professional Athlete in the arena of SUP and Snowkiting, and recently became a Crossfit instructor.”

    Turning his life around tenfold, Valenzuela found a new calling in athletics and reaching out to other Disabled Veterans. He began volunteering a considerable amount of his time mentoring and coaching other disabled athletes. He essentially became an ambassador for Disabled Veterans in local and international competition and his accomplishments were featured on an AT&T Uverse Sports series about inspirational athletes.

    With a diverse range of hurdles and accomplishments behind him and with the help and guidance of the staff and students at the New York Film Academy, Valenzuela is enthusiastic about returning other passions of his: acting and filmmaking.

    “I wanted to continue working in the film industry and improve my skill set from a reputable institution. I am looking forward to exploring my passions for motion picture storytelling and have the ability and desire to not only act in front of the camera, but I look forward to collaborating with other artists in a creative environment, obtaining the all-around filmmaking experience to ensure my success within the profession.”

    As a current student, the sky is the limit in terms of what projects Valenzuela would like to pursue after graduation. Though, his interests as of now lie in commercials, travel shows, adventure documentaries and feature films.

    With Valenzuela’s proven track record of overcoming arduous obstacles, we believe he has a bright future ahead of him in the sometimes daunting pursuit of filmmaking and acting.

    February 4, 2015 • Acting, Filmmaking, Student and Alumni Spotlights • Views: 1020