The New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT) has snagged two film festival wins for its original movie musical Plus One. The epic short film utilizes original music as it follows three generations of women, two unexpected pregnancies, and a time-traveling secretary with the key to their futures.
After a successful run at the NOVA Fest,Plus One went home with the top trophies for Best Musical and Best LGBT Film.
Plus One’s trophies will be proudly displayed in the Musical Theatre office at the NYFA New York City campus. Stop by and check them out, and learn more about PCMT’s work!
Two-Year Conservatory students at PCMT have had the opportunity to perform in original movie musicals since the program began in 2012. The unique experience allows conservatory students to prepare for the film and television industry as well as the stage. Each PCMT original movie musical is created from scratch with original stories and scores, and executed through collaborations with working industry professionals. Past films have featured collaborators such as Tony Award-winner James Monroe Iglehart and Tony Award-nominee Charlotte D’amboise. Yet each PCMT movie musical maintains its focus on its student performers, allowing the next generation of artists to truly shine.
Long before the final school bell rings every year, kids and teens around the world are dreaming of a camp where they can do what they love all day, every day. At the New York Film Academy, camp means storytelling in the visual and performing arts. Since 1996, the visual and performing arts stars of tomorrow have found their way to NYFA, where we’ve welcomed thousands of young artists, performers, filmmakers, and designers from all over the world at our many international locations. Our campers collaborate with working industry professionals while creating their own original art, and the creative excitement can last a lifetime.
Even after summer ends and our campers go home, many take their passion for the visual and performing arts to the next level as they forge their own pathways as rising artists. Check out these incredibly inspiring stories from some of our NYFA summer camp alums.
Made famous by her breakout performance as April Ludgate on Parks and Recreation with Amy Poehler, Aubrey Plaza, attended film camp at NYFA — and even returned to the school as a Guest Speaker in 2015. Since then, she has skyrocketed from success to success, going on to astound audiences with her riveting performance as Legion to winning an Independent Spirit Award for Best First Feature for Ingrid Goes West in 2018.
Eve Hewson may come from a famous family, but the daughter of U2 rock star Bono has carved out her own space in the entertainment industry through hard work and talent — which she honed in NYFA’s summer camps for acting! Since her studies, Eve has acted opposite Sean Penn and Frances McDormand in This Must Be the Place, opposite James Gandolfini in Enough Said, and opposite Clive Owen in Steven Soderbergh critically acclaimed series The Knick.
New York Film Academy summer camp grad Michael Gallagher started out making hundreds of shorts on YouTube channel TotallySketch before going on to realize his dreams as a director. His directing credits include TV mini-series Interns, How to Survive High School and The Station. He’s also produced films Smiley, The Thinning, and Internet Famous. Despite being so busy, Gallagher found the time to return to NYFA as a Guest Speaker for a special screening of his film The Thinning in 2016.
An alum of NYFA’s filmmaking camps, Bex Taylor-Klaus now stars in the hit MTV TV series Scream — though savvy viewers may also recognize her from her appearances in popular shows like House of Lies, The Killing, and Arrow. And if you listen closely, you’ll be able to tell that Bex also voiced the character of Katie “Pidge” Holt in Netflix’s Voltron: Legendary Defender.
Jonathan Morgan Heit
After attending NYFA camps both as a kid and a teen, Jonathan Morgan Heit has gone on to great fun as the voice of Disney Junior’s Cubby and in commercials for Comcast, Zales, Dodge, Wal-Mart, Publix and Barilla Pasta. But you’ll also recognize him from TV smash hits including How I Met Your Mother, ER, and Close to Home, as well as films films Disney feature In Search of Santa Paws, Date Night, and Valentine’s Day.
After wrapping up NYFA’s musical theatre camp in 2010, Pati Amoroso starred as Sophie in Brazil’s production of the Broadway smash hit Mamma Mia! And in 2018, she is expanding her work from stage to screen, with production of first pilot, Don’t Dig.
Learn more about NYFA’s many summer and youth camp offerings here.
As the March for Our Lives Movement conducts rallies and students around the country commemorate the 20th anniversary of Columbine with walkouts on April 20, the New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT)’s will donate all proceeds from its powerful update of the movie musical Camp’s smash hit Here’s Where I Stand to Everytown for Gun Safety, a charity focused on protecting communities from gun violence. The non-profit organization, first founded by concerned mothers, “is a movement of Americans working together to end gun violence and build safer communities,” and has inspired more than 4 million people to “come together to make their own communities safer.”
Students from around the country also joined together March 24 in the first March for Our Lives protest, in at least 50 cities throughout the U.S. On that day, the New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT) raised its voice in support. PCMT’s powerful update of the movie musical Camp’s smash hit Here’s Where I Standis available for digital download on iTunes (go to iTunes Store, not iTunes Music, and search “PCMT”), Google Play, and Bandcamp.
To download on iTunes, open iTunes Store (not iTunes Music) and search for “PCMT”.
In line with the March for Our Lives rallies and Everytown’s message of community and hope, Here’s Where I Stand offers an empowering message for young people in its lyrics:
In this life we’ve come so far
but we’re only who we are (who we are)
Courage of love (courage of love)
will show us the way (show us the way)
From the time PCMT first conceived the Here’s Where I Stand project in October of 2017 to March For Our Lives’ first rally on March 24, there had been 18 school shootings. New York Film Academy students and faculty alike at PCMT have been inspired by the students around the country who are raising their voices for safety and change.
“Here’s Where I Stand is a powerful song that resonates differently for everyone,” says PCMT Artistic Director Kristy Cates. “It is a song about having the courage to speak your truth and take a stand for what you believe in. As we’ve seen young people around the country respond to the epidemic of gun violence by raising their voices for change, we as musical theatre performers thought this was the perfect way for us to lend our own voices in support this movement.”
The PCMT’s music video is directed by The New York Film Academy’s PCMT was highlighted by Variety as one of the most cutting-edge musical theatre training programs.
To download on iTunes, open iTunes Store (not iTunes Music) and search for “PCMT.” To download PCMT’s Here’s Where I Stand to your Apple or Android devices from Google Play or Bandcamp, click the icons below:
If you experience any difficulties downloading the track on iTunes through your phone app, please try your desktop.
Thank you to the talented students who lent their voices to the song and cause (in alphabetical order):
Alexandra Attardi, Alyssa Carrigan, Cecilie Kiorbye Bertelsen, Clara Colombo, Damaris Olivo, Ekaterina Chigvintseva, Gabriella Malm, Giuliana Deantoni Tanze, Grace Strickland, Hannah Swanson, Helora Danna Santos da Rosa, Jenna Bruce, Lisbeth Celis, Madeline Mancebo, Majeste Pearson, Maria Cavanaugh, Maria Christina Mosquera, Marije Louise Maliepaard, Micaela Haskins, Michael Baccari, Nathaniel Anderson, Nicole Goldstein, Noah Chartrand, Paige Gittelson, Rebecca Keenan, Ruby Locknar, Ryan Curley, Samuel Beard, Sarah Elizabeth Venners.
The New York Film Academy (NYFA) Professional Conservatory of Musical Theatre’s original movie musicals Alma Mater and Plus One are Official Selections of the Fourth Annual Northern Virginia International Film & Music Festival, and both films have received a number of award nominations.
Plus One has been nominated for Best Musical, Best Director (Short Film), Best Screenplay (Short Film), Best LGBT Film, and Best Visual Effects, while Alma Mater is nominated for Best Musical and Best Acting Ensemble. Alma Mater will also screen at Soho International Film Festival on Saturday, June, 16th 2018 at 1:45pm in the Village East Cinema. Please click here for tickets.
In addition to its honors at the Nova Fest, NYFA’s movie musical Plus One will also screen at the Manhattan Film Festival April 21, at 1-3 p.m. Click here for program and ticket info. The Manhattan Film Festival will also screen NYFA movie musical Walk the Walk April 26, at 4-5 p.m. For those details and ticket info, click here.
That is not the only honor the Conservatory has received from the prominent festival. Two other NYFA musicals will be included in the Artist Circle: Food Like Love and Bang Boom Pow.
As the festival explains, The Nova Fest “offers a fertile environment for distributors, sales agents, buyers, filmmakers, and writers to converge, negotiate and close film, series, and script deals on all media platforms.“ Films are screened from around the world, from countries including Canada, Australia, England, India, Pakistan, Japan, Mongolia, Russia, France, Kosovo, Albania, Spain, and the U.S.
The NYFA Professional Conservatory of Musical Theatre has been creating original movie musicals since 2012, offering its second-year students the remarkable opportunity to perform in new stories, written for them, alongside industry professionals — including Tony Award-winner James Monroe Iglehart and Tony Award-nominee Charlotte D’amboise. Yet even with these high-profile ties to Broadway, each film is focused on the student performers.
“We’re so excited by this program because of the quality of what the students experience in the classroom, and the quality of what they put on film,” NYFA Senior Executive Vice President David Klein told Variety. “There is so much opportunity for them.”
For tickets and more information on the NYFA movie musicals screening at The NOVA Fest, check out the festival website. D.C. friends — you can catch a screening of Plus One (Weds. April 4) and Alma Mater (Sat. April 7) at Angelika Film Center in Fairfax, Virginia.
Tony Award-winning composer and lyricist Jeff Marx visited the New York Film Academy at our New York City Theatre in late February, much to the delight of our Musical Theatre students.
Marx is best known for Avenue Q,the innovative musical starring both human and puppet characters that instantly earned critical acclaim and won over audiences across the country. It went on to win three Tony Awards, including Best Musical. It is currently running Off-Broadway and has toured the country and been produced in both the West End and Las Vegas.
Before writing Avenue Q, Marx passed the New York State Bar exam, planning to be a lawyer. He met partner Robert Lopez shortly after at the BMI Lehman Engel Musical Theater Workshop, writing a spec Muppet film as a pre-cursor to their collaboration on Avenue Q. Since winning his Tony, Marx has gone on to write for the musical episode of NBC’s Scrubs, as well as songs for Bear in the Big Blue House and The Book of Pooh. He also co-wrote the theme song for Logo TV’s Rick & Steve: The Happiest Gay Couple in All the World.
Speaking with the students of NYFA’s Professional Conservatory of Musical Theatre, Marx highlighted his indirect path to Broadway stardom, mentioning that he didn’t even start writing until he was 28 years old. “The greatest thing that I can wish for you,” Marx told the audience of aspiring Broadway stars, “is hunger.” He also shared anecdotes about the making of Avenue Q.
Highlights from the @newyorkfilmacademy Instagram story featuring Jeff Marx’s visit to NYFA #PCMT
In addition to inspiring students with his story, he also brought a special and well-received guest — puppet and star of Avenue Q, Nicky. Avenue Q’s cast of puppet characters included both rod puppets and live-hands, the latter of which are often operated simultaneously by two puppeteers. Nicky is a live-hands puppet, and students were delighted to see him in action on stage with Marx.
Nicky wasn’t all Marx brought with him on his visit to NYFA. In addition to Nicky, he brought along his Tony Award, Broadway’s highest honor. Musical Theatre students were thrilled when Marx allowed them to hold it and pass it around — an inspiring moment for those learning at NYFA and hoping to win one of their own in the not-too-distant future.
By the time the students had to say goodbye to Marx and Nicky, they had learned and laughed, and were extremely grateful for the generous time, energy, and inspiring words Marx brought with him to the New York Film Academy.
This Women’s History Month, which also includes International Women’s Day on March 8, the New York Film Academy joins the conversation on gender inclusivity with an updated Gender Inequality in Film Infographic as well as a full slate of events across its campus locations.
From International Women’s Day industry panel events to film screenings and raffles, check out NYFA’s calendar of Women’s History Month activities, below, and join us on campus in Los Angeles, New York City, South Beach, and NYFA Australia, Gold Coast. And on social media, we’ll be shouting out to many of the Women of NYFA — alums who are doing incredible work in the community, in the entertainment industry, and beyond.
New York Film Academy Women’s History Month events will include:
MARCH 7 – Stand Up for Women Comedy Night
Lisa deLarios – Lisa has toured the country featuring for Zach Galifianakis, Paul F. Tompkins, Anthony Jeselnik, and Maria Bamford among others. She was showcased on Comedy Central’s Live at Gotham and has been a frequent guest on Doug Loves Movies.
Laura House – Laura is a headlining comedian who has performed on HBO, Comedy Central, NBC, and starred in MTV’s Austin Stories. She written on the Emmy-winning shows Mom and Samantha Who, BAFTA-winning Secret Lives of Boys, as well as Nicole Byer’s Loosely, Exactly, Nicole, The George Lopez Show, Mad Love, Blue Collar TV & more.
Jackie Kashian – Jackie is a comic whose new album, I Am Not The Hero Of This Story, was the #1 comedy album on iTunes and Amazon. She is in the 12th year of her podcast The Dark Forest and has a new podcast on the Nerdist Network called The Jackie and Laurie Show.
Jena Friedman – Jena is a comedian, writer, filmmaker and political satirist who recently appeared on Conan. Her Adult Swim special Soft Focus with Jena Friedman aired in February. She has been a field producer at The Daily Show with Jon Stewart and has written for Late Show with David Letterman.
Annie Lederman – Annie was the co-host of We Have Issues on E! and has been a cast member on Chelsea Lately, Girl Code, @midnight, and Impractical Jokers.
Kate Willett – Kate tours nationally and internationally, has been featured on Viceland’s Flophouse and Comedy Central’s This is Not Happening, and recently taped a Netflix special.
Vanessa Gonzalez – Vanessa was recently voted “Best Stand-up Comic” in the Austin Chronicle readers’ poll, and created and stars in the Mas Mejor web series Ms. Vanessa.
Jessica Sele– Jessica is a stand-up comedian who tours across the country, and has performed at the Bridgetown Comedy Festival and SF Sketchfest. She was written about in HuffPost.
Ellington Wells – Ellington is a filmmaker and comedian who hosts the monthly stand-up show Blackberry Jam, and has worked on television shows such as Insecure, It’s Always Sunny in Philadelphia, and Baskets.
March 8 – International Women’s Day: A Perspective on Women in Entertainment: Industry Panel Discussion
Dea Lawrence – CMO of Variety
Kelly Gilmore – Sr. VP Marketing at Warner Bros.
Barbara Bain – 3 time Emmy Winning Actress
Jeanette Collins – Producer/Writer: Big Love, Drop Dead Diva, Suddenly Susan
If music is the universal language, than New York Film Academy (NYFA) Professional Conservatory of Musical Theatre grad Laís Lenci is becoming a universal performer. From Brazil to New York to Mexico City, the triple-threat singer/dancer/actress is now performing in triple languages. In March, Lais will star as Cosette while also performing in the ensemble for Cameron Mackintosh’s Spanish-language production of international smash-hit Les Miserables, in Mexico City.
We caught up with the busy performer to hear about her experience working with one of theatre’s most renowned producers in one of the world’s favorite musicals. We’re sure you’ll be as impressed as we are: Lais has worked with Cameron Mackintosh not once, but twice — and in two languages, neither of which is her mother tongue!
NYFA: First, can you tell us a little bit about yourself and what brought you to the New York Film Academy?
Laís: My name is Laís Lenci, I’m 24 years old and I’m a Brazilian actress, singer, and dancer. I decided to live in New York to study musical theatre, specifically, because I felt that something was missing in my background as an artist. I wanted to improve and learn things that in Brazil just couldn’t be taught.
A friend of mine saw a NYFA’s audition advertisement and said, “You should try it!” The same week, I scheduled my audition — and received the greatest news that I would be studying at NYFA the next year! That was one of the most amazing experiences I’ve ever had in my whole life.
Laís: Well, I started dancing when I was three years old and I always enjoyed being on stage. At the age of nine I started taking acting classes and the singing came a bit later.
When I saw the Disney production of Beauty and the Beast in Brazil I was still a kid, but I was certain that I wanted to become a musical theatre performer. I think that dancing, the singing, and acting become more powerful together. I feel that they can really connect to the audience and touch their souls in a very special way. That’s really inspiring to me.
NYFA: Do you have any favorite NYFA moments from your time studying with us?
Laís: I have many! But if I can point out one, it should be my last performance at our graduation showcase. When I finished my last note, I felt that I was finally ready to share my art with the world. And that was a very special moment to me.
NYFA: What surprised you the most during your training? Was there anything you hadn’t expected to learn or do?
Laís: I just didn’t know that I was capable of learning so much in only one year. I felt that I grew up as a person and as an artist, 10 years in one.
I hadn’t expected to do such great and tough scenes during Meisner Classes. I had no idea that there was so much inside of me, emotionally speaking, and that I was going to be able to express all of that during my scenes. It proved me that, with the correct training, I could become a great actress.
NYFA: You’re gearing up for a March premier of Les Misérables in Mexico City with Cameron Mackintosh, one of the most famous theatrical producers in the world. Can you tell us a bit about how this opportunity came about for you?
Laís: Yes I am, and that’s very exciting! Two years ago I auditioned in Brazil for Cameron Machintosh’s Les Misérables. After a very exhausting six months of auditions and waiting, I had the great answer that I’d be a part of the cast.
We did a one-year run in Brazil. By the end of the year I got a call from the producers, asking me to send in an audition tape for their next production of Les Miserables around the world. I sent it, and a month later they called me back to tell me that I got cast again, but this time I would be doing the show in Mexico City, singing in Spanish — which is not my mother language. A brand new experience!
NYFA: How are rehearsals going?
Laís: Rehearsals are going really well! It’s very interesting to do the same show but with a whole new team of directors, new cast, new language, new country. Many things have changed in my track as well and it’s very challenging. It’s also an exhausting period, as every musical’s rehearsals are. It’s the moment when we just can’t waste our energy and time with anything else but the show. We need to be 100% committed to the piece!
Laís: Cosette is a hard one, because there are a few specific high notes that you have to be fully vocally healthy to do perfectly. And I’m also a member of the ensemble, doing eight shows per week. My challenge is to sing all the ensemble songs (the poor, the lovely ladies) that are all very belted and powerful, and still be ready and not vocally tired when I go on as Cosette — who is the only legit female singing role in the whole show.
My advice is to rest as much as you can when you’re not doing the show. Take care of your voice and your body’s health. Take voice lessons even when you are in a run. It’s really important to always be working with a vocal professional that you trust.
And be kind to your instrument. Don’t push. Don’t force your vocal chords when you are not feeling okay. We need to know our limits, and know how far we can go, to be able to sing for three hours and still be healthy for a whole week of work.
NYFA: How has working with Cameron Mackintosh helped you grow as a performer?
Laís: What really impresses me about Cameron is that he’s the greatest Musical Theatre producer in the world, he has a huge team working with him, and still, he’s fully involved with all the shows he’s opening around the world. He always comes a few days before opening night to make sure that everything will be just perfect. He’s also a very humble man and a real gentleman.
It’s such an honor that I’ve been cast twice by Cameron himself. His success is a response to the love that he puts into his work and his shows.
That’s what I want to achieve in life. I think that greatness only comes when we are fully committed to our work and when we truly love what we do.
NYFA: You’ve traveled from Brazil to New York, and now to Mexico City as a performer. As an international student and artist, what has been your greatest challenge? What advice would you give to your fellow international performers?
Laís: I do love challenges, and I’m very moved by them. I think that the biggest challenge is to be away from my family and friends. Sometimes you want your mother’s hug and you just can’t have it. But that’s also a part of our profession. We go where we have work.
My advice is to be brave and embrace the challenges — they make us grow, they make us better people. Stick to your character and your personal ethic. Stay strong to your beliefs and never give up on your dreams! They do come true for those who work hard and have love and gratitude in their hearts.
NYFA: Is there anything I missed that you’d like to speak on?
Laís: I just want to say that I’m so thankful for everything that NYFA has offered me as an artist and as a person. I will never forget everything I lived there, and that I wouldn’t be where I am now if I hadn’t taken the decision of moving to NYC to study at NYFA.
Thank you for trusting my talent and for changing me for good! I miss every second of my experience with you and wish all the success in the world to all the students! I’m pretty sure they are all in the best hands of NYC!
Since 2011, the New York Film Academy (NYFA) has been leading the movie musical renaissance, with its 2-Year Professional Conservatory of Musical Theatre creating fully-produced original movie musicals as a part of its curriculum. Each NYFA-produced film consists of original music and stories that feature collaborations between NYFA students, faculty, and Broadway professionals, including John Wesley Shipp, Tony winner James Monroe Iglehart (“Landed“) two-time Tony nominee Charlotte d’Amboise, and most recently, Okieriete Onaodowan of “Hamilton” and “The Great Comet.”
“After touring film festivals internationally and garnering numerous awards, these films have received recognition in The Huffington Post,Variety and other notable media outlets,” says filmmaker Sean Robinson, who produces, edits and oversees the movie musical productions at NYFA.
Watch the latest movie musical trailers below, featuring the 2017 NYFA Professional Conservatory of Musical Theatre students.
“Alma Mater” director Nathan Brewer is currently in post production on his third movie musical, entitled “Hold Your Peace.”
Upcoming movie musicals include “KAYA: Taste Of Paradise,” directed by Paul Warner, written by Jerome A. Parker, and with music and lyrics by Anna K Jacobs. This ‘70’s disco-era film has already ignited interest from Playbill and Broadwayworld.
“KAYA,” co-starring “Hamilton” alum Okieriete Onaodowan,provides NYFA’s students with a direct pipeline to working industry professionals, such as costume designer David Withrow, choreographer Michelle Potterf, hair and makeup artist Makayla Benedict, music director Anna Ebbesen, and Nyfa’s own Till Neumann as director of photography.
Still from NYFA movie musical “Kaya”
“You can expect a trailer for ‘Kaya’ this spring” says Robinson. “This film not only showcases exceptional music, storytelling, and direction, but it also celebrates a significant socio-political era in pursuit of civil rights. The gift of song should never be wasted and NYFA is providing an avenue for these students’ voices to be heard.”
Still from NYFA movie musical “Kaya”
The New York Film Academy Professional Conservatory of Musical Theatre’s highlight reel can be watchedhere.
For more information, release dates and upcoming screenings visit nyfa.edu.
David Fincher’s critically-acclaimed Netflix series “Mindhunter” has been described by Slant Magazine as “addictive and resonant,” and features the work of two New York Film Academy (NYFA) instructors.
In the wake of David Berkowitz (aka “Son of Sam”), Charles Manson and others, a new team within the FBI was formed to psychologically analyze the minds of killers. “Mindhunters” focuses on the early days of the FBI’s Behavioral Analysis Unit (BAU) as its members struggle to understand the minds of serial killers, a term which had not yet been coined. The series stars New York Film Academy Musical Theatre Master Class lecturer Jonathan Groff, while veteran actor and NYFA instructor Happy Anderson is featured in two episodes of Season 1 in the chilling role of imprisoned killer Jerry Brudos.
Jonathan Groff and Happy Anderson in a still from “Mindhunters,” via IMDB.
This week, Anderson will return to NYFA’s New York City campus as a special guest in the New York Film Academy’s Guest Speaker Series, to share insights with students and discuss his career — which has included roles on acclaimed shows such “The Knick,” “Boardwalk Empire,” and “The Deuce.” He will also be featured in “Bright” alongside Will Smith, which will be released December 22nd, 2017. Episode 7 of “Mindhunter,” in which Anderson guest stars, will be screened for students prior to a Q&A. NYFA Chair of Acting in New York City Peter Stone will be moderating the Q&A.
“Mindhunter” has recently been renewed by Netflix for a second season which was announced in a tweet by the show’s official account:
New York Film Academy (NYFA) alumna Elena Wang is seeing her name in Broadway lights. Wang is no stranger to the stage. She has performed at London’s Royal Albert Hall with Daniel Dae Kim in “The King and I.” She worked alongside Tori Kelly in “Oz” and has also worked with Shaquille O’Neal through NYFA and Taylor Swift through Sony. Having performed in Australia, Singapore, and England Wang will make her LA stage debut in “Allegiance,” a new musical inspired by the true story of writer George Takei’s time spent in an internment camp on American soil.
NYFA: When did you realize you wanted to be an actress?
Wang: I was born in Singapore but I was raised in Australia. I was blessed to have attended a school (St. Hilda’s Anglican School for Girls) that’s very strong in the arts. When I was 12, they put on the production of “The Wizard of Oz.” I was cast as Dorothy. I realize now how big of a leap they took to cast a little Asian girl for that role, but it was also an eye-opening experience for me. Acting and singing was something I really loved and it was a thrill to bring a character to life regardless of my race. That process was the very first spark of understanding that this could be something I could do for the rest of my life.
NYFA: What was your first acting gig?
Wang: I had to move back to Singapore for my family after high school. As luck would have it, I was able to get into a theater program I had had my eye on. During my graduation show of “Once on this Island,” where I played Asaka, a leading theatre company discovered me. Wild Rice is known for their large-scale production of “Beauty World.” They needed a leading lady and they entrusted me with the role. It was the role that got me ELLE’s ‘Breakout star of the year award’ and opened several doors for me. I was incredibly blessed that it was my first.
NYFA: What brought you to NYFA?
Wang: I grew up loving film. A year after my big break in Singapore, I landed a role in “The King and I” that was to be staged at the prestigious Royal Albert Hall in London starring Daniel Dae Kim (“Lost,” “Hawaii Five-O”). After performing for 5000 people every night, I realized that film was still something I wanted to try. So I took the leap, left London, and started fresh in Los Angeles at NYFA. I read that NYFA was hands-on and more practical-based, which was something I wanted.
NYFA: Do you have a favorite class or moment from your history at NYFA?
Wang: Singing has been a huge part of my career. I am an actor first and foremost. I would have to say my favorite class was Meisner class. We really got to dig deep. The class allowed us to be in front of the camera and experience what it was really like to be on set. In the two years that I attended NYFA, there were plenty of similar opportunities for which I am grateful.
NYFA: What did you learn at NYFA that helped you most in your career?
Wang: That’s a big question because we covered so many things. I would have to say learning how to be in an audition room, how to cold read, how to break scripts down and how to do it in a short amount of time. They were able to teach me what it is like in the “real world,” so even if it was daunting post-graduation, I still felt confident and prepared.
NYFA: What was the audition process for “Allegiance” like?
Wang: I didn’t have to audition for the cast that will be coming to LA in 2018. I made my Broadway debut in 2015 with “Allegiance.” However, for the Broadway audition, it was intimidating, to say the least. I stumbled upon the open call auditions via a friend whom I haven’t seen in years. This was just two years after graduating from NYFA. At the time, I was mainly focused on my VISA applications to be able to stay and continue working.
Professionally, I’d already performed in music videos, commercials and a pilot. But, I had not sung for four years. I had to wait six hours among hundreds of other hopeful actors because I was not Equity. It felt alien to include singing with my acting audition, but I guess something clicked that day. I got through the first three rounds of auditions, which required me to sing and dance for the panel.
They then gave me two days to learn some material for the lead role. Lea Salonga had set dates off for other commitments, and they needed someone to take over when she was away for those dates. The rest of the cast flew into LA from New York. There is a video online that shows the last round of the audition process, “Trek to Broadway – Episode 2 – ‘All We Need is the Girl.'” It is George Takei’s documentary on their road to Broadway with Allegiance. I’m lucky that I get to look back on the moment they offered me the position. Till this day it still feels like a dream, but now I get to say that it’s my life.
NYFA: Have you had an opportunity to meet George Takei? What was that like?
Wang: I love George and we have known each other for two years now. He was so wonderful, and nominated me for the Paul Green Award 2016 for the most promising young actor. I received the award in front of artistic directors and founders of theaters across the nation. George won the Person of the Year Award in 2016. I have also played the role of Kei several times on Broadway and acted alongside him every day and night across 2015/2016.
It has been nothing but an absolute dream. He is the grandfather I never had and the most loving and sincere person I have ever known. If I were to say something to him, now, it would be “I love you very much.” Five days after I return from Singapore I will be doing a press/promo tour in Hawaii and Japan with George and our producer/writer Lorenzo Thione. It also coincides with my birthday and I can’t think of anyone else better to spend it with!
NYFA: What, if anything, does this play mean to you on a personal level?
Wang: On a broad level, this show is about how Japanese Americans were captured and placed in internment camps after Pearl Harbor. As long as you looked like the enemy, you were considered the enemy. It is also loosely based on George Takei’s life, as he was interned as a child.
This story is important for all to see. Generalization of race is still an ongoing issue today. Having grown up in western countries, being the minority has always been a part of my life. I absolutely relate to the themes within the show of family and endurance.
The character Kei whom I’ll be playing in LA in 2018 finds herself through turmoil and stands up for what she believes. Together with her family and her community, they find strength in faith and love. So much of this within my own life has been true. Through my travels, I’ve had to find a deep inner belief that I do belong, regardless of my race. I intend to fight for my dreams. Breaking convention and showing the world that I belong in this industry has been an ongoing theme in my career so I am so happy to be able to continue to find myself within this show.
NYFA: Tell us a little about the character you play.
Wang: I believe through our troubles and failure, we find ourselves on a level we never knew before. [My character] Kei Kimura had to grow up without a mother. She drowns in her responsibilities, which includes looking after her younger brother, Sammy. But after facing turmoil, she finally finds her vulnerability, falls in love, and gains the strength to fight for her rights. She becomes a new person and a renewed daughter and sister.
NYFA: What has the rehearsal process for “Allegiance” been like?
Wang: For the Broadway show, it was an entirely new experience. I had never been to New York City. The moment I moved, it was press events and rehearsals for both the lead and my feature role as Nan Goto. Lea Salonga was not available until the second week. The show had been in the works for eight years prior but it was all new to me.
After four days of rehearsals, taking on a double track immediately felt like boot camp. The rest was amazing. During previews, we would make changes in the day and perform it to a paying crowd that night. It was hard work but also a dream come true.
NYFA: What’s up next for you?
Wang: There are lots of exciting new projects coming up within the Broadway community. We just had the world premiere of “Bastard Jones” Off-Broadway, and due to amazing reviews, I am looking forward to the next exciting phase of the show. It is the one show that the writers Marc Acito (“Allegiance”) and Amy Engelhardt (“The Bobs”) entrusted me to play what was originally an English comedic ingénue. They wanted the casting to represent “real” America. I love being a part of “colorblind” casting.
We also just went through the first industry showing of “Tiananmen.” It follows the journey of Xirui (whom I play), a young college girl who leads the hunger strike during the Tiananmen Square protests of 1989. I adore this show so I am excited about its next steps.
I am enjoying the flow of my Broadway dreams but I am still very much in love with film. Any support, however, NYFA can give (even this blog) is the support I am grateful of.
The New York Film Academy would like to congratulate Wang on all of her success. Be sure to check out “Allegiance”when it comes to the East West Players beginning February 22. Tickets are available here.