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  • Recap: New York Film Academy (NYFA) at IFP Week 2018

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    This year, New York Film Academy (NYFA) was honored to help IFP Week celebrate its 40th anniversary. A leader in the independent media community, Independent Filmmaker Project (IFP) champions the future of storytelling by connecting artists with essential resources at all stages of development and distribution. NYFA was a co-sponsor for the second consecutive year. The week-long event took place at IFP’s state-of-the-art Made in NY Media Center in DUMBO, Brooklyn. A leading voice in the independent film industry, IFP also runs Filmmaker Magazine and the prestigious annual Gotham Awards.

    Andrea Swift moderated an essential #MeToo panel on Saturday. The all-women panel took on difficult but necessary questions about the present and future of the industry in the wake of the #MeToo movement. The panelists discussed what needs to be done both on screen and through media activism. Filmmaker and panelist Shruti Rya Ganguly perceptively said, “The #MeToo movement is not necessarily something new, but a different way of having that conversation.”

    The #MeToo Panel at IFP Week (photo provided by IFP)

    The panel discussed the power of strong journalism and the exact role of social media. They also emphasized the importance of women of color in the aftermath of the #MeToo reckoning. Adding to that, Anne Carey, President of Production at Archer Gray said, “I would hope that the takeaway from this conversation is create a space of safety so people who feel threatened have a place to talk, push to tell the best stories with the best people telling them.”

    NYFA Producing Instructor Krysanne Katsoolis moderated the Looking Abroad panel. This panel discussed the how-to’s and why-not’s of utilizing international co-productions and tax incentives. Katsoolis has significant multi-platform experience in content creation, financing, and distribution. She has produced over 60 films and series, and has worked with Academy and Emmy Award-winning directors. Recently Katsoolis built a media venture (Liquid Media Group) with actor Joshua Jackson, which is now public on NASDAQ.

    NYFA Documentary Chair Andrea Swift (photo provided by IFP)

    In addition to panels and screenings, IFP Week presented Spotlight On Documentaries, a mix of 72 documentary features, non-fiction series, and audio stories ranging from an early financing stage to those nearing completion. NYFA Screenwriting Chair Randy Dottin’s work-in-progress film The Chicago Franchise was selected for a prestigious slot in the Spotlight. The unfinished film was produced

    Veranika Nikanava, NYFA Screenwriting Chair Randy Dottin, and Revital Iyov at IFP Week

    by Randall Dottin and Angela Tucker, and executive produced by Cynthia Kobel. After the city of Chicago tore down its high rise public housing towers in 2011, the murder rate continued to climb. The documentary explores the complicated relationship between gun violence, poverty, and residential segregation — and how they’re all interconnected.

    The New York Film Academy would like to thank IFP and the Made in NY Media Center for inclusion, yet again, in such a fantastic and thought-provoking week. We look forward to IFP Week 2019!

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  • New York Film Academy (NYFA) Alum Ilaria Polsonetti Nominated for News & Documentary Emmy

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    New York Film Academy (NYFA) Documentary school alum Ilaria Polsonetti’s film has been nominated for multiple awards at the 39th Annual News & Documentary Emmys. Made for VICE News Tonight on HBO, “Libya: Intercepting Migrants” is nominated for Outstanding Editor News and for Outstanding Continuing Coverage of a News Story. Winners are announced on the first of October in New York City.

    Ilaria Polsonetti

    Ilaria Polsonetti

    Polsonetti graduated from NYFA’s 1-Year Documentary program in 2011. She is also a graduate of the 3-Month Screenwriting program, which she finished in 2013. Over the course of her career, the editor has melded her knowledge gleaned at NYFA with her M.S. in Sociology (London School of Economics). After graduating, she worked for Market Road Films, Singer Street Films, and as a freelance editor.

    A screenshot from "Dirty Oil in Nigeria"

    A screenshot from “Dirty Oil”

    Since 2015, Polsonetti has worked for VICE in Brooklyn. With the expansive and ever-growing global media brand, she has had the chance to work on urgent and political topics such as Libya’s migrant crisis and Venezuela’s anti-government protests. VICE’s increasingly diverse and critically-acclaimed documentary series’ have been an ideal place for the multicultural filmmaker to hone her skills. In 2017 alone, Polsonetti worked on “German Hotelier turns Hotel into a Migrant Center,” “Dirty Oil,” and “The Politics of Terror” in addition to the aforementioned Libya piece. Along with her work for VICE, Polsonetti has worked on “The Notorious Mr. Bout” and “First to Fall.” She was also recently editor on VICE’s Raised in the System” starring Michael K. Williams (aka Omar on “The Wire”).

    Documentary Chair Andrea Swift says of Polsonetti’s work,”These nominations don’t surprise me in the least. Ilaria has always been an insightful and diligent editor who demonstrated a unique sensitivity to the human experience. She developed a strong sense of story that is equally evident in this piece.”

    The New York Film Academy congratulates Ilaria Polsonetti on her recent success and looks forward to seeing what she works on next! You can watch VICE on HBO’s documentary on migrants in the Mediterranean below:

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  • New York Film Academy (NYFA) Screenwriting Grads Celebrate With an Industry Pitch Fest

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    It was that time of year once more as graduating BFA New York Film Academy (NYFA) Screenwriting students recently attended their culminating Industry Pitch Fest Event, held at the penthouse ballroom of the Andaz Hotel on Sunset Boulevard in West Hollywood, surrounded by the astounding views of Los Angeles.Screenwriting Pitch Fest Sept 2018

    A catered event and mingling opportunity for students, executives, and faculty alike, this capstone evening celebrated the New York Film Academy’s graduating Screenwriting school students by offering them a unique opportunity to jumpstart their professional development and pitching their film and TV thesis projects to entertainment industry professionals.

    These exceptional writing students spent their final semester in their Business of Screenwriting classes working with instructor Jerry Shandy in conjunction with Faculty Chair Nunzio DeFilippis and other members of the Screenwriting Department, preparing and fine-tuning their pitches. They were also joined by a stellar Screenwriting alum that night. The Pitch Fest shared the venue with an equally impressive event by NYFA’s Producing school.

    The students’ dedication and passion for their work was on display as they pitched their thesis projects, which they had developed for nearly a year. Students left with new contacts, excitement about the scripts they’d worked so hard on, and a sense of what it’s like to meet with industry professionals.

    Considered by the school to be their first night as professional screenwriters, their hard work paid off as the talented and creative students pitched agents, managers, studios, and digital, VR, TV, and film production company executives in a relaxed, roundtable environment.

    Screenwriting Pitch Fest Sept 2018Organized and hosted by Jenni Powell, Ashley Bank, and Adam Finer, the Pitch Fest featured representatives from Hollywood companies including: Jim Henson Company, MGM, Practical Magic, Verve, Rain Management, Little Studio Films, Tremendum Pictures, and Gulfstream Pictures.

    The New York Film Academy wishes to thank all of its participants, particularly our industry guests, without whom this evening could not have been possible. NYFA also extends a big congratulations to all of our BFA graduates and wishes them the best of luck as they move forward in their professional journeys!

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    September 26, 2018 • Community Highlights, Screenwriting • Views: 520

  • Women in Comics: New York Film Academy (NYFA) and Final Draft Host “Write On” Podcast

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    On August 20, 2018, the New York Film Academy (NYFA) partnered with Final Draft to host a live taping of Final Draft’s podcast, Write On, focused on women in comics. The panelists were Shannon Watters, Kirsten “Kiwi” Smith, and NYFA screenwriting school instructor Christina Weir. The event was moderated by Pete D’Alessandro."Write On: Women in Comics"

    Shannon Watters is the senior editor at BOOM! Studios and co-creator and co-writer of the award-winning comic book series, Lumberjanes. Kirsten Smith is a writer and producer (Legally Blonde, 10 Things I Hate About You, She’s the Man, Ella Enchanted, The House Bunny and The Ugly Truth) and Christina Weir is a writer (New X-Men, Skinwalker, Three Strikes, Maria’s Wedding, Bad Medicine, Play Ball, Dragon Age: Deception).

    The panelists were first asked what makes comics unique as an artistic medium. Smith said that, in her opinion, comics are special and intimate because they are “a work of art.” Weir added that, in the comic medium, it is essential to keep things moving; even if the scene is just a conversation, it’s important to keep it visually interesting to the reader. Watters shared that she likes using “the page turn” as a tool to surprise and entertain readers of comics in book form.

    The production of a comic is similar to the production of a play or TV show or film because, to be successful, the comic has to tell a story and, in order to tell a story well, there must be trust and communication between all parties involved. Watters described the relationship between a comic writer and artist as symbiotic and “like a marriage.”

    "Write On: Women in Comics"Weir added that comics are “great learning tools for screenwriting” because they “force [the writer] to get to what’s important… You only have so much space to get your point across.”

    The panelists were asked what they believe the future of the comic industry looks like. Watters said that she believes that in the next couple decades, there will be more and more women, people of color, and LGBTQ comic writers and artists. Weir added, “We are in an age now where kids are encouraged to read comics… Comics are cool!”

    Lastly, Watters’ advice for aspiring comic writers and artists is to “Get your stuff out there!” She encouraged students to share their work on the web and to meet other creative people to network, collaborate, and grow.

    The New York Film Academy would like to thank Shannon Watters, Kirsten Smith, and Christina Weir for sharing their experiences and advice for young writers.

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    August 28, 2018 • Guest Speakers, Screenwriting • Views: 1183

  • New York Film Academy (NYFA) Alum Writes Feature Film Un Regalo Esencial

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    New York Film Academy (NYFA) alum Elizabeth Soto-Lara can now add a feature film to her list of screenwriting credits after finishing production on the film Un Regalo Esencial (An Essential Gift). Not only is she the film’s screenwriter, but Soto-Lara also served on set as the First Assistant Director.

    Un Regalo Esencial was filmed in more than 30 locations in Costa Rica over the course of about ninety days. It was co-written and directed by Jose Mario Salas Boza. Both Boza and Soto-Lara graduated from the New York Film Academy’s Fall ’16 MA Film & Media program. 

    The film tells the story of a grandfather who relives the memories of his first romantic relationship to share life lessons with his grandchild about the consequences of jealousy and insecurity. It merges genres of romance, drama, comedy, and musical, and looks to make its audience ride a rollercoaster of emotions. Its setting ranges from the 1980s to the near future, all in a running time of about 90 minutes. 

    Un Regalo Esencial stars notable Costa Rican actors Viviana Calderon and Pablo Rodriguez, as well as featuring Mauricio Hoffman and Norval Calvo in supporting roles. It is currently in post-production and will be released in October 2018.

    Soto-Lara is a Mexican filmmaker who has been writing for television and film for more than four years. She has written and directed more than 10 short films within both Mexico and the US. Soto-Lara won the award for Best Short Film at the Mexico International Film Festival for her film Restored, which was originally her NYFA thesis film. Restored is also an Official Selection at the 2019 Los Angeles CineFest.

    Of her work on Un Regalo Esencial, Soto-Lara remarked, “It was an unforgettable experience to be able to be on set and see how the words I put on paper came to life. I feel very lucky and thankful to have had this opportunity to share a beautiful story, make friends from around the globe, and learn in the process.”

    She continued, “This experience will remain as an indelible mark in me for the rest of my life.”

    New York Film Academy congratulates Elizabeth Soto-Lara’s on her well-earned success and encourages her and the rest of our students to continue writing and keep sharing their stories.

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    August 8, 2018 • Screenwriting, Student & Alumni Spotlights • Views: 1731

  • New York Film Academy Screenwriting Instructors Pen New Comic Miniseries Dragon Age: Deception

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    New York Film Academy Screenwriting Chair Nunzio DeFilippis and NYFA Instructor Christina Weir are returning to the Dragon Age franchise with a comic miniseries, Dragon Age: Deception, which will launch in October 2018.

    Dragon Age: Deception is a three issue comic book miniseries, set in the world of the best selling and award-winning video game series, Dragon Age. The miniseries, published by Dark Horse Comics, follows the story of a failed actress turned con artist who sets out to con the heir to a magically gifted family and gets caught up in something much larger.

    The announcement for the miniseries can be found on the Dark Horse website.

    About their experience writing for Dragon Age DeFilippis and Weir said:

    Nunzio DeFilippis: We’ve been lucky to be able to create our own story worlds in our creator-owned books, but there is a thrill we get out of working within an established universe that has its own history, characters, and fan-base.  And in the case of Dragon Age, we’re both huge fans of the franchise.  We know all the lore, and all the characters, and that was a huge plus going into the project.

    Christina Weir:  WithKnight Errant and now Deception, we’ve been able to build our own central characters, and that’s exciting.  We’re adding pieces to the Dragon Age canon.  But we also get to work with characters we’ve loved in the games.  In the last mini, we worked with Varric and Sebastian.  In this one, we’re working with… well, I’m not sure we’re supposed to spoil that just yet.  But there’s a small role for a fan-favorite in this mini.  And he was a great character to interact with in the games, so we had a real thrill giving him a few scenes.

    Nunzio DeFilippis: There’s a big piece of emerging lore that we got to put into this story – something that shapes the franchise going forward.  When we started this mini, we had a long conversation with the Dragon Age story team at Bioware, and they told us where they saw the story world going forward, and we asked how we could help advance that.  And they let us, which was awesome.  This universe is evolving, through the games, the books, the comics… and we get to help it along the way.

    Image Courtesy of Dark Horse Comics

    Nunzio DeFilippis is the Chair of Screenwriting and Dean of Faculty at NYFA’s Los Angeles campus. Christina Weir teaches TV and Comic Writing at the Los Angeles Campus, as well as Story Generation and Character Development. The two are a writing team who were writer/producers on HBO’s Arliss and wrote for the Disney Channel series Kim Possible. They have had features optioned at Hollywood Pictures, Process Media and Humble Journey Films. They developed a video game at Sony, and a TV movie (Two Step) at Oxygen. The pair has written in comics for almost two decades, and beyond Dragon Age, they have written New X-Men, Adventures of Superman and Batman Confidential. They created the comic franchises Bad Medicine (in development at Closed On Mondays with NBC), The Amy Devlin Mysteries (in development as a TV series at E!) and Frenemy of the State (co-created with Rashida Jones, optioned as a feature film by Imagine Entertainment/Universal Pictures).

    DeFilippis and Weir have worked on one previous Dragon Age miniseries in 2017, entitled Knight Errant.

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  • Producer Howard Rosenman Delivers Lively Q&A to New York Film Academy Students

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    The New York Film Academy (NYFA) New York recently had the honor of hosting legendary producer Howard Rosenman for a Q&A. NYFA Chair of Producing Neal Weisman moderated the evening.

    Producing Chair Neal Weisman & Producer Howard Rosenman

    Producing Chair Neal Weisman & Producer Howard Rosenman

    New York Film Academy’s Producing and Screenwriting departments teamed up to bring in the acclaimed film producer on May 16th. The longtime Hollywood mainstay is known for  “Buffy the Vampire Slayer,” “Father of the Bride,” “Family Man,” and the recent Academy Award-winning “Call Me By Your Name.”

    NYC Producing Chair Neal Weisman led a back-and-forth discussion which took place in the 1st Floor Theatre on New York’s campus. A longtime Hollywood icon, this was actually a homecoming of sorts for the Brownsville, Brooklyn-born, Far Rockaway, Queens-raised Rosenman. He attended Brooklyn College in Flatbush in 1965. For decades since, he has been a staple on the Hollywood scene.

    The LGBTQI icon discussed the difficulties of being gay in Hollywood and how he has championed gay characters and themes in film throughout his lengthy career. Discussing how he landed his first acting gig on the Oscar-winning “Milk,” Rosenman joked, “Gus [Van Sandt] said to Francine Maisler, the casting director, ‘get me someone that looks like Howard Rosenman, that talks like Howard Rosenman, that acts like Howard Rosenman, and has Howard Rosenman’s vibe.’ And she said, ‘let’s get Howard Rosenman!'”

    Producer Howard Rosenman at NYFA

    Producer Howard Rosenman at NYFA

    The New York Film Academy would like to thank Howard Rosenman for sharing his extensive knowledge with students.

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    June 23, 2018 • Guest Speakers, Producing, Screenwriting • Views: 413

  • Loveratri, Ee Nagaraniki Emaindi, Arya Babber and More From New York Film Academy Mumbai Alumni & Guest Speakers

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    Since opening its doors in May 2017, NYFA Mumbai has seen an incredible year filled with student successes, insightful guest speakers, special master classes, and powerful storytelling. If you’re a film buff, whether you’re in the capital of Bollywood or simply streaming movies from anywhere in the world, you won’t want to miss what’s been happening at NYFA Mumbai.

    Check out these alumni success stories, as well as some of the luminaries that have visited our newest campus this year as Guest Speakers to share their advice with NYFA Mumbai students.

    NYFA Mumbai Alum & Guest Speaker Sana Saeed

    TODAYYY ❤️ @newyorkfilmacademy #NYFAMumbai #letstogethermakethisyearcount

    A post shared by Sana Saeed (@sanaofficial) on

    It’s always a special occasion when a NYFA alum returns to their alma mater as a Guest Speaker, and NYFA Mumbai recently welcomed NYFA Acting for Film alum and child star Sana Saeed. Sharing a joyous evening with a packed house of students, Saeed spoke especially to the new class of NYFA Mumbai teen camp attendees in sharing her experiences as a child actor in Bollywood.

    As a child, Saeed played megastar Shah Rukh Khan’s daughter in the romantic epic Kuch Kuch Hota Hai, and was re-cast by same director Karan Johar 20 years later!

    NYFA Mumbai Alum Arya Babbar

    Noted actor Arya Babber is currently studying at NYFA Mumbai, taking a Filmmaking course to expand his already impressive repertoire. Well known in Punjabi film industry, Babber was nominated as the Most Promising Newcomer in 2002.

    Babber has also had crossover success in Bollywood, where he is one of the best known Punjabi actors; he has acted in 25 feature films in 16 years. So far, he’s been very open on social media about how much he is loving his time at NYFA Mumbai.

    NYFA Mumbai Guest Speaker Sanjay Shetty


    Founder, Director at Opticus INC, recent NYFA Mumbai Guest Speaker Sanjay Shetty has over two decades of experience as a director at Ad-Films. During his time at Ad-Films, Shetty was a finalist at the Cannes Lions Festival, one of the most prominent and coveted awards for the creative and marketing communications industry. He has been recognized for his work at Promax-Asia Advertising Awards & Goa Abbey Awards.

    NYFA Mumbai Guest Speaker Sandeep Shandilya


    With over 17 years of experience as a producer, from feature films to ads, for the past eight years NYFA Mumbai Guest Speaker Sandeep Shandilya has executive-produced such Bollywood hits as Love Story 2050, 1920 London, and TV series 24:India. As a producer, he has worked all over India and internationally, from Australia, New Zealand, Singapore, Malaysia, and Bangkok to Dubai, Paris, Switzerland, and much more.

    NYFA Mumbai Alum Tharun Bhascker


    NYFA alum Tharun Bhascker attended NYFA’s intensive 4-week Filmmaking Program in Mumbai in 2011, even before NYFA established its permanent campus at the Urmi Estate. He’s recently directed his second feature hit, Ee Nagaraniki Emaindi, which follows the major success of his first feature, #Pellichoopulu.

    NYFA Mumbai Alum & Guest Speaker Rakesh Varre


    NYFA Guest Speaker Rakesh Varre is an Acting for Film, Filmmaking, and Screenwriting New York Film Academy alumnus. He is best known for for Baahubali: The Beginning, and Baahubali 2: The Conclusion, where he played Setu Patti, and Vedam.

    Bahubali 2: The Conclusion was released in April 2017 and quickly became the highest-grossing film in India, grossing $82.8 million in five days.

    NYFA Mumbai Guest Speaker Seher Latif


    Seher Latif is a Casting Director and CSA member who has had success in both the American and Indian film industries. Her credits include Zero Dark Thirty, Furious 7, The Best Exotic Marigold Hotel, and Eat Pray Love. Her Bollywood credits include The Lunch Box, and Monsoon Shootout.

    NYFA Mumbai Alum Warina Hussain


    Warina Hussain is a model and actress of Afghani-Iraqi descent, who attended the New York Film Academy’s Mumbai campus in 2017 to study Acting for Film. She is currently filming the lead role in Salman Khan’s Loverati, in which she will star alongside Khan’s brother-in-law Aayush Sharma, in his acting debut.

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  • Screenwriting Graduates Celebrate with an Industry Pitch Fest

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    It was that time of year once more as graduating MFA and BFA New York Film Academy Screenwriting students recently attended their culminating Industry Pitch Fest Event, held at the penthouse ballroom of the Andaz Hotel on Sunset Boulevard in West Hollywood surrounded by astounding views of Los Angeles.

    A catered event and mingling opportunities for the students, executives, and faculty alike, this capstone evening celebrates the New York Film Academy’s graduating Screenwriting students, offering them a unique opportunity to jumpstart their professional development by pitching their Film and TV thesis projects to entertainment industry professionals.

    These exceptional writing students spent their final semester in their Business of Screenwriting classes working with Business of Screenwriting Instructors Ashley Bank and Jerry Shandy in conjunction with Faculty Chair Nunzio DeFilippis and other members of the Screenwriting Department, preparing and fine-tuning their pitches.

    The students’ dedication and passionate love for their work shined as they pitched their thesis projects, which they had developed for nearly a year.  Students left with new contacts, excitement about the scripts they’d worked so hard on and a sense of what it’s like to meet with industry professionals.

    Considered by the school to be their first night as professional screenwriters, this group of talented and creative student’s hard work paid off, as they pitched agents, managers, studios, and Digital, VR, TV and Film production company execs in a relaxed, round-table environment.

    Organized and hosted by Jenni Powell, Ashley Bank, and Adam Finer, the event featured representatives from Hollywood companies, including —

    Jim Henson Company, Warner Brothers Animation, Covert Media, Madhouse Entertainment, Orion Pictures, MGM, Practical Magic, We Are the Mighty, Tremendum Pictures, and The Wolper Organization.

    NYFA wishes to thank all of its participants, particularly our industry guests, without whom this evening could not have been possible. Also, we’d like to extend a big congratulations to all of our MFA and BFA graduates and wish them the best as they move forward in their professional journeys!

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    June 5, 2018 • Screenwriting • Views: 509

  • Final Draft’s Write On With Altered Carbon Writer Nevin Denham Live From the New York Film Academy Los Angeles

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    The New York Film Academy (NYFA) Los Angeles recently welcomed Final Draft to the NYFA Theater for Write On: A Screenwriting Podcast. The live Q&A event featured Final Draft’s Pete D’Alessandro and writer Nevin Densham, executive story editor for Netflix’s original series, Altered Carbon.

    NYFA and Final Draft, the entertainment industry’s standard screenwriting software, have a relationship that goes back many years. NYFA provides a 12-Week Fellowship for the winners of the Final Draft Big Break Screenwriting Contest, yet this was the first time that Final Draft held Write On: A Screenwriting Podcast at the NYFA Los Angeles campus.

    “We’re excited to extend our relationship with Final Draft and build upon the great work we’ve done with the Final Draft Big Break Fellowship,” said Dean of Faculty and Chair of Screenwriting Nunzio DeFilippis. “Having the Write On: A Screenwriting Podcast take place at the NYFA Theater provides our students with additional networking opportunities and even more chances to gain insights from podcast guests.”

    Final Draft’s Write On: A Screenwriting Podcast provides listeners with insights into writing from industry experts and professionals, and in this case the audience of NYFA students and guests from Final Draft who were able to learn more about Densham’s journey as a writer. 

    Before delving into writing for Altered Cabon, Densham admitted that his path into writing for television was not traditional. He grew up in Los Angeles in a household where he had the unique experience to learn from his writer, producer, director father Pen Densham.  

    “I was mentored from a very early age on story and a love for storytelling,” said Densham. “At the time, in the late ‘80s, a version of a hero was a man who killed other men, and he did not want me to be raised seeing that as what a hero was. A hero was a man who fought for other people even though you didn’t necessarily get what you wanted. Selfishness versus, you know, being selfless. And from a really early age, those kind of things were made really clear to me because it was just what he believed.”

    Densham shared that he learned early on that it was about “thoughtful storytelling. It wasn’t just ‘hey let’s make a buck.’ It was how do you tell a story that matters? How do you do something that hopefully leaves a little good left in the world? And I was encouraged to write.”      

    Although the lessons from his father shaped his story sensibility, Nevin decided to leave Los Angeles to study sociology. When he returned to L.A. he had the opportunity to jump into the deep end of the pool, but he wanted to understand the business of film and television and first.  

    “I came back to L.A. and I wanted to roll phones,” he explained. “I didn’t know how to do that and I wanted to take notes, ‘cause I didn’t know how to do that. I didn’t know anything, frankly. I knew how to go have a meeting with a top level executive and talk and not be intimidated, but I could not answer a phone, and I knew that was a fatal flaw.”  

    During his time working “on a desk,” he took courses in television writing to learn the things he didn’t know. He wrote spec features and television pilots. His work got him some freelance writing jobs and an offer for a staff position, but his family friend, (and future Altered Carbon showrunner) Laeta Kalogridis told him not to take the job — but she couldn’t tell him why.

    What Densham soon learned was that Laeta wanted him to join her as the story editor of Altered Carbon. Densham took a leap of faith and passed on an offer in hopes that Kalogridis’ project would come through … and it did.  

    Densham knew the Altered Carbon book series well, and over several months worked with Laeta to breaking down the show, learning a lot from Kalogridis during pre-production and production. He praised Kalogridis as the hardest working person, driven out of pure passion.  Through her, Densham learned to not settle for something that could be better.

    Densham spoke about how he approached some of his favorite spec scripts and pilots, saying that he kept giving himself permission to write it the way he wanted. This comment sparked a NYFA student to ask how far out there stories should be.  

    Densham responded, “My advice is to be out there to the degree you’re comfortable with, that you want to be. You have to be able to sell you. You have to be you to the most you can be, and as interestingly and effervescently or at least marketably as you can be. If I’m going to hire a writer or someone is going to hire a writer, they’re looking at not just, can they write?They’re looking at, can I bear to be with them — for hours and hours? Can I have conflict with them? You have to be you, because any kind of inauthentic you will ‘out,’ because you’re going to be working hard with a lot of people. Best to be yourself and to make that what is marketable about you.”  

    The final question to Densham was, what advice would you have given to yourself 10 years ago? After a moment, Densham said he would have told himself, “have a little be more faith.  Have a little bit more confidence.”

    His final piece of advice to himself would be to write more, be more industrious, and to know that “you don’t have to be the natural talent, you have to do it, keep doing it.”

    This was the first Final Draft podcast recorded at NYFA but we look forward to hosting more in the future. Listen to the full episode of Final Draft’s Write On: A Screenwriting Podcast with Nevin Densham here.

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