It was a time of celebration once again as graduating MFA New York Film Academy (NYFA) Screenwriting students recently attended their culminating Industry Pitch Fest Event, held in the penthouse ballroom of the Andaz Hotel on Sunset Boulevard in West Hollywood, surrounded by astounding views of Los Angeles.
A catered event and mingling opportunity for students, executives, and faculty alike, this capstone evening celebrates the New York Film Academy’s graduating Screenwriting students, offering them a unique opportunity to jumpstart their professional development by pitching their Film and TV thesis projects to entertainment industry professionals. In addition, a very talented alum of the Screenwriting Department also joined in the event.
Organized and hosted by Jenni Powell, Ashley Bank, and Adam Finer, the event featured representatives from Hollywood companies, including Monkeypaw, MGM, Practical Magic, Paramount, Automatik, Grandview, and Gulfstream Pictures.
The exceptional writing students spent their final semester in their Business of Screenwriting classes working with Business of Screenwriting Instructor Ashley Bank in conjunction with NYFA Screenwriting Chair Nunzio DeFilippis and other members of the Screenwriting department, preparing and fine tuning their pitches.
The students’ dedication and passionate love for their work shone as they pitched their thesis projects, which they had developed for nearly a year. Students left with new contacts, excitement about the scripts they’d worked so hard on, and a sense of what it’s like to meet with industry professionals.
Their hard work paid off as the talented and creative students pitched agents, managers, studios, and digital, VR, TV and film production executives in a relaxed, roundtable environment.
“My experience at Pitch Fest was excellent to say the least,” shares David Barbeschi, one of the graduating MFA students at the event. “Nothing like pitching to people who listen to these things as a job to better yourself and see where you stand in the immense LA Film Industry.”
The New York Film Academy wishes to thank all of the Industry Pitch Fest participants, particularly our industry guests without whom this evening could not have been possible. Also, we’d like to extend a big congratulations to all of our MFA graduates and wish them the best of success as they move forward in their professional journeys!
On Monday, February 18, the New York Film Academy (NYFA) partnered with the African American Film Critics Association (AAFCA) and the African Black American (ABA) Film Society to present a special discussion exploring the past, present and future of Black creative excellence in Hollywood through an inaugural learning lab, Celebrating Black Excellence in Cinema at its Los Angeles campus. The event featured Outlier Society’s Alana Mayo, and was moderated by AAFCA Founder and President Gil Robertson.
Gil Robertson said, “AAFCA is thrilled with our partnership with NYFA as we celebrated Black excellence in the industry during BHM. Our panel with Alana was excellent. She was very generous in sharing her experiences with the students as a Creative Executive, as well as providing them with inspiration on how they can follow in her path.”
Alana Mayo was Vice President of Production at Paramount and Vice President and Head of Originals at Vimeo before becoming Head of Production and Development for Michael B. Jordan’s Outlier Society Productions. At Paramount, Mayo helped develop the cinematic adaptation of Fences starring Denzel Washington and Viola Davis.
Mayo discussed her background, how her parents influenced her career, and navigating her trajectory as a Creative Executive for three of the top studios in the industry.
Three students who attended the event gave NYFA their thoughts on the experience. Folake Kehinde, recent NYFA MFA grad and ABA’s Events Chair and Interim Communications Chair, had this to say:
My favorite things about this event were the access. Alana was welcomed by one of the ABA members who is also queer. I had no idea of this connection when I was scheduling volunteers and was so happy to be able to give Jamie the opportunity to meet and welcome Alana. Alana has greatly inspired Jamie and she was thrilled for the opportunity to meet and welcome her.
Alana attended the pre-reception briefly. She took pictures with the ABA and was so polite and happy to be with us. Her humbleness was so sweet and unexpected. Then during the event I appreciated her learnedness. It was so wonderful to hear from a production executive with a degree in film studies. So often production executives studied English or something slightly unrelated to filmmaking—it was nice to hear from someone with an extensive study of cinema as well as years of employment with various studios and production companies.
It was interesting to watch her talk so passionately about her favorite films, Polish Cinema, and the discussions she has while watching TV with [her fiancee] Lena Waithe. They’re very different in how they communicate but both have obtained vast success.
I also loved hearing how nice Michael B. Jordan is. I was so moved by her saying that Michael will give out her email at various places around town to people who have an idea and that they’re even going to make one of the ideas a person he met on the street wrote. I love that Michael is so kind, contemporary, and cutting-edge. The fact that he cares about people and is interested in talking with them and helping them to make their work blows me away. I also love that he is starring in several projects his company is making as well as other projects outside of his company. It’s inspiring to watch his career as an actor and now producer unfold. As an actress and producer myself this helped to confirm for me that I can achieve my dreams!
My final favorite moment was when Jamie told Alana that she is also a queer woman and that she has been so inspired by Alana’s career and bravery to be heard and make a path in the entertainment industry.
After the Q&A, legendary casting director Tracy “Twinkie” Byrd (who cast Michael B. Jordan and others in the film Fruitvale Station and so many other projects) stayed and did an impromptu Q&A with actors and filmmakers. It was fantastic! She had a very frank conversation with us where she challenged us to tell our stories! She talked about being on a panel that read scripts for a Festival and how so many of the ideas were so similar. She knows that all black people didn’t grow up in ‘the hood’ and she wants creators to be unafraid to share their middle-class or wealthy upbringing. She advised actors to look their best at all times—even at the gym. She also told actors to put our pictures on our business cards, and avoid putting too much of another actor on their reels.
It was an extraordinary evening. I’m very grateful to New York Film Academy, Professor Kim Ogletree, and the founder of AAFCA for putting the event together.
Toyin Adewumi, 8-week Producing student, learned a few lessons from the event as well. The first was to take risks! A former HR professional, Adewumi loved that Mayo talked about leaving her comfortable job at a studio she had been at for years: “Having that clarity of there’s more out there. Yes I’m here… but… not being connected with the culture there.” Adewumi was impressed that Alana was brave enough to leave and find her ideal job.
She also loved that Alana isn’t ashamed of her personality. “Her acknowledgement that she needed to change some things. Her boldness to be humble… being willing to drop some things I (she) learned when I’ve (she) grown up. Her being humble helped lead to her breakthrough….Taking risks, knowing when to work on herself, being humble” are lessons Adewumi will treasure for a long time to come.
Brianna Dickens (AFA Acting For Film ’18) was moved by the ABA events held during Black History Month. Dickens had a wonderful chat with Twinkie Byrd and at the ABA Careers in Television event, she was invited to visit a set for a day with some friends. She tells NYFA:
I’m so thankful I found the ABA. I didn’t even know they existed. Luckily my class was invited to a screening event of theirs (the Q&A with Chuck Hayward). The second I arrived, the leaders of the group welcomed me and introduced themselves to me. In less than a month of being an ABA member, I’ve attended three events that have truly inspired me, opened my eyes, taught me things no one else has, and even opened the doors for me to have real on-set experience!
Everyone in this group is focused, supportive, kind, and encouraging. They uplift each other. I think we will do great things for one another and together. I’m thankful to have them.
The New York Film Academy and ABA Film Society thank Alana Mayo and Tracy “Twinkie” Byrd for sharing their experience and advice with our students!
Vampire bats, West African flying squirrels, pangolins and tigers — oh my!
During their field trip to the Natural History Museum of Los Angeles County, New York Film Academy (NYFA) students from this summer’s environmental biology course saw a myriad of species firsthand that most people will never be lucky enough to encounter.
Mammal Collections Manager Dr. Jim Dines gave a behind-the-scenes tour for the students and generously introduced them to the world of natural history collections and explained the importance of museum specimens to scientific endeavors.
The specimens presented have been collected and preserved over the past century for use in ongoing and future biodiversity research. Students also learned about specimen preparation and the usage of specimens for animation and filmmaking.
The environmental biology course is part of NYFA’s Liberal Arts and Sciences department, where the creative artists pursuing their degrees at NYFA can build a foundation in courses ranging from Arts & Humanities to History of Art, Theatre & Media to the Social and Natural Sciences.
The New York Film Academy thanks Dr. Jim Dines and the Natural History Museum of Los Angeles County for giving NYFA students an invaluable insight into this amazing resource and the chance to see and feel such remarkable animals!
The BAFTA New York / New York Film Academy (NYFA) / DeWitt Clinton High School Digital Storytelling Program recently held its first graduation ceremony, screening the students’ newly completed short films. Over the course of eight weeks, ten eager and enthusiastic students made their way each Saturday from the Bronx to the NYFA’s Battery Park campus to learn the fundamentals of filmmaking.
Classes in screenwriting, directing, cinematography, and editing educated the students in telling stories in a medium for which they all have a great passion. Members of the BAFTA Outreach Committee as well as faculty and administrators from both schools joined with the students’ family and friends in the celebration. Aside from newly acquired filmmaking skills, students gained from the experience a boost in confidence, self-awareness, and expression. The program continues the partnership between New York Film Academy (NYFA) and the British Academy of Film and Television Arts (BAFTA) that has previously brought filmmaking workshops to young aspiring artists.
As an added treat, the DeWitt Clinton students attended an exclusive pre-opening BAFTA screening of Spider-Man: Into the Spider-Verse. After a lively Q&A, the students spent a generous amount of time speaking with the film’s celebrated writer-producers Phil Lord and Chris Miller. Needless to say, the movie’s creators were mightily impressed when they learned that Stan Lee, founder of Marvel Comics and creator of Spider-Man, is amongst DeWitt Clinton High School’s illustrious alumni!
As they continue to find their voices, BAFTA New York, DeWitt Clinton High School, and New York Film Academy look forward to seeing more cinematic stories from the recent grads of their Digital Storytelling Program!
On January 17, Cal Tech quantum physicist Dr. Spiros Michalakis came to speak to New York Film Academy (NYFA) at our Los Angeles campus, and spoke with students about his role as science advisor on Hollywood film sets.
The talk was organized originally for students of the brand new (and very popular) “Science and the Movies” class offered at the Los Angeles campus for the BFA degree program—a course focused around analyzing how science is portrayed in film—though it drew many students from outside the course and program as well.
Science advisors are being used more and more in film production, as audiences are demanding less fantastical and more realistic and grounded foundations for science fiction plots.
Dr. Michalakis is known for his work on several Marvel Studios films, including Doctor Strange, the upcoming Captain Marvel,Ant Man and its more recent sequel Ant Man and the Wasp. He also worked on viral shorts that include celebrity scientists and actors alike, like Dr. Stephen Hawking, Paul Rudd, Keanu Reeves, and Zoe Saldana.
In short, he blew the minds of our students with his enthralling descriptions of the quantum realm—a key part of many recent science fiction films, including the aforementioned Ant Man movies—and how best to incorporate such challenging physics into a major Hollywood blockbuster. His take-home message to filmmakers: find a balance between entertainment and education, i.e., there is a brilliant but gentle way to incorporate science in your film that will entice curiosity while not ostracizing the spectator simply looking for entertainment.
The New York Film Academy thanks Hollywood science advisor and quantum physicist Dr. Spiros Michalakis for taking the time to talk science and film with our students!
A special screening of Netflix’s hit series, Medal of Honor, was held at the New York Film Academy (NYFA) Theater in New York City last week, hosted by NYFA’S Division of Veteran Services (DVS).
Commissioner Loree Sutton MD (Brigadier General Ret.) of New York City’s Department of Veteran Services and Medal of Honor recipient Col. Jack Jacobs (Ret.) participated in an unfeigned discussion with attendees after the screening of Episode 8, which featured the heroic story of Staff Sergeant Ty Cater, who was awarded the Medal of Honor by President Obama in 2013 for his heroic actions in Afghanistan.
Reflecting on the Medal of Honor experience from a personal perspective, Colonel Jack Jacobs, who has been the Chair of New York Film Academy’s Veteran Advancement Program since 2014, and is also an on-air Military Analyst at MSNBC/NBC news, answered questions from the audience along side the Commissioner Sutton.
NYFA Acting for Film alum Tyler Williams, who portrays Ty Carter in the episode, not only conveyed the authentic challenges service members face in their transition back from combat, but will be screening the episode with veteran students at New York Film Academy’s Los Angeles campus on February 11.
“A successful transition home is important not only to veterans, but the families and communities they return to,” asserted Commissioner Sutton, an Army psychiatrist and a fierce advocate in New York City for services that protect and empower returning service members.
Attendees engaged openly with the Commissioner Sutton and Colonel Jacobs in a series of questions that ranged from the philosophical (“Do you think that Plato was right when he stated that only the dead have seen the end of war?”) to the pragmatic (“How do vets leverage the skills they learned in the military if they want to work in film and television?”)
Both speakers believe the arts offered great opportunities for healing. Army veteran Justin Ford, a NYFA Filmmaking & Producing conservatory grad, enthusiastically stated, “It was a really great opportunity to hear Commissioner Sutton’s and Colonel Jacobs’ thoughts about the Medal of Honor, war, and returning home from the defining moment of many young veteran’s life—combat.”
The Netflix screening and special quest speakers made for a very moving and emotional evening, which was made all the more special by a touching and warm exchange of military challenge coins that passed reciprocally between Colonel Jacobs and Commissioner Sutton at the event’s conclusion.
New York Film Academy students can attend another screening of Medal of Honor at NYFA’s Los Angeles campus on February 11, with special guest Tyler Williams — you can RSVP for the event here.
New York Film Academy (NYFA) takes a quick look at some recent achievements of the NYFA Documentary Filmmaking alumni, faculty, and students:
Victoria Bergqvist (Fall 2017 1-Year) crewed as a production coordinator on the documentary Stieg Larsson: The Man Who Played With Fire, which is competing at Sundance this year (she did this just prior to coming to NYFA). Now based in Los Angeles after graduating from NYFA’s 1-Year Documentary program, she currently works for George Media creating branded content as a director. Here’s what she had to say about her experience at NYFA and how it serves her in the professional world:
“I can honestly say that the 1-year documentary program at NYFA in Los Angeles gave me very well-rounded skills. Although it was an intense program, I learned how to do literally pretty much everything myself. Meaning: writing, producing, directing, filming, editing, and sound mixing. And also how to make completed films during a short amount of time.
“It turned out that this was exactly what George Media in Venice was looking for. The official job title of the position is ‘Young Director,’ but we are expected to do almost all the things mentioned above ourselves, except we get to work with a DP. The job entails making 12 short videos [in] six months, so having learned to make films under time pressure was incredibly helpful. Also, since the documentary program at NYFA is so hands-on and we make six films [in] one year, it gave me the confidence to keep doing what I had already done at school multiple times in the professional world.”
Producer Julia Cheng (’18) launched production of two feature documentaries in Beijing: The Invisible Shore, a feature doc directed by Qi Zhao, who produced both Last Train Home, The Chinese Mayor, and The City Dream, directed by Weijun Chen who previously directed Please Vote for Me.
Guy Yang (Fall 2016 MFA) Right after graduating with his MFA in Documentary Filmmaking, Guy Yang was hired by Radio Free Asia, based in Washington D.C. as a broadcaster. The station has also asked him to develop three documentary series that focus on social issues in Eastern Asia. He will work with a team, researching and producing episodes and also filming, editing, mixing and, delivering packages to the station. Yang says, given his experience at NYFA of working on multiple projects quickly, he will continue to produce and direct his own documentary projects as well.
Ashley Harris (Fall 2015 MFA) is served in the U.S. Navy as a Second Class Petty Officer. She came to NYFA in Fall 2015 and graduated with an MFA in Documentary in September 2017. In November of that same year, she interviewed with and was hired by Participant Media as Assistant to the Senior Vice President, Documentary Film and TV. She said that she loves the work and continues to grow with the company.
Paul Gallasch’s (‘11) new feature documentary, Love in the Time of Antidepressant, produced with grants from both Screen Australia and the South Australian Film Corporation, premiered to great enthusiasm at the 2018 Adelaide Film Festival. Paul was also a 2018 Points West Fellow at the 2018 Camden Film Festival.
Dikeos Foudeas (Spring 2015 1-Year) was hired for A/V production at the Alaska Airlines Center in Anchorage, Alaska for the University of Alaska Anchorage. Kay (as we affectionately refer to him) has said “I strongly believe my employment was influenced by the training I received at NYFA.” He also continues to work freelance as a videographer in Anchorage, Alaska.
Dade Shields (Fall 2014 1-Year) is a native to Southern California and was always interested in outdoor cinematography. In 2018, Shields produced and shot several branded content mini documentaries for TravisMathew (a sportswear clothing line) as part of their Life on Tour series. Shields continues to shoot sports-themed documentary footage and recently partnered with professional skimboarder Blair Conklin to create YouTube channel Skid Kids, which quickly amassed over 2,000 subscribers.
Rachael Pelzer (Fall 2014 1-Year) is originally from the Midwest and began working as a logger for Herzog & Co right out of graduating NYFA’s Documentary program. She’s been at Herzog for four years and is now their Post Production Coordinator. Her credits include: 1968: The Year that Changed America and The History of Comedy—both series aired on CNN. Rachael continues to credit NYFA for training her in production and this past year revived her 1-year film to develop it into a feature documentary with the help of fellow alum, William Nestlehutt. The two continue production on Rachael’s Hip Hop Ohana.
Marie Vanderrusten (’16) signed on as editor of Ma Ville, Notre Idéal (My City, Our Ideal), airing daily on France 3. The series focuses on young people inventing new apps and industries to take on problems including climate change, overpopulation, poverty, overconsumption, and pollution.
Executive producer Yusaku Kanagawa (’15) hired Mariko Ide (’16) as a story consultant on his Creators Program platform at Yahoo Japan.
Peabody Award-winning production companyTransform Films staffed Nancy Dionne (‘18) as Associate Producer. Her semester one film, All I See Is the Future, will also premiere this month at Winter Film Awards International Film Festival, screening on Feb 19 and Feb 20.
In a unique trifecta, NYFA Docs grads became chief filmmakers for three of the foremost arts institutions, The Metropolitan Museum of Art (Alex Guns (‘10), Joe’s Pub at The Public Theater (JR Cronheim (’12), and New York City Ballet (LauraSnow ’11).
Santiago Machado (’18) began a gig with the United Nations Department of Public Information (UN DPI) for the television section of the News and Content Branch, News and Media Division.
Francesca Pagani (’11) shot, produced, and/or associate produced several new VICE pieces including: Fighting in Drag with LGBTQ Wrestlers,Inside the FBI’s Hunt for “Black Political Extremists, Fighting the Use of Electric Shocks on People with Disabilities, and Inside the Gambling Scandal That Rocked The NBA. Her photos were also featured on the front cover of Politiken as part of a profile of gun violence survivor Jaqueline and her family who arrived in Tijuana with 3,200 others from the migrant “caravan.”
Colorist, Susi Dollnig (’12) has been invited to present a seminar at this year’s Berlinale (Berlin International Film Festival).
David Diaz won the Southern Exposure Film Fellowship, for If They Build It, What Will Come, which he premiered at Wild & Scenic Environmental Film Festival.
Hannah Currie was awarded Best Director at Under Wire Film Festival, for We Are All Here which is now also an Official Selection for both DOCfeed 2019 Film Festival and Glasgow Short Film Festival.
Krisztina Danka’s Final Film, Violet and the Wildman, will make its North American premiere February 16 at the Cinema Verde Environmental Film Festival after winning the Golden Fox Award for the Best Educational Film in Kolkata, India.
Edwige Pezzulli Stępniewska and Maria Giulia Mancuso Prizzitano‘s final film project for NYFA, Embodiment, is now an official selection of Corvallis Queer Film Festival, the Prisma Independent Film Awards and Ivelisecinefestival.
Academy Award nominations were recently announced for Free Solo, edited by Bob Eisenhardt and RBG, whosedirector of photography is instructor Claudia Raschke.
Director/instructor, Maxine Trump, premiered her new film, To Kid or Not to Kid at DOC NYC, published The Documentary Filmmaker’s Roadmapfor Focal Press, delivered a pilot for an ITVS series, and started production on The Tongass Legacy in Alaska.
Editor/instructor, João Queiroga, also Chair of Post-Production, directed Our Skin, which screened at IDFA, Hot Docs, BFI, and DocLisboa, and was nominated for the Iris Prize and received the Lili Award. He produced the feature film I Can Only Be Mary Lane premiering at Doc’n Roll Film Festival in the UK, and is in production on both Digging For Life and Behind the Sun.
Producer/instructor Tracie Holder’s film Grit, directed by Academy Award-winner Cynthia Wade, premiered at Hot Docs and will air on PBS/POV later this year. A film she is currently producing, The Quiet Zone, received Sundance, NYS Council for the Arts, and IFP/HBO funding, while A Place of Absence, the other film she’s producing, was awarded a prestigious grant Tribeca Gucci grant.
Producer/instructor Dorottya Mathe finished post-production of Impossible Monsters a psychological thriller starring Santino Fontana that will be premiering at Cinequest on March 9, line produced the recreation segment of the documentary A Cops and Robbers Story that will be released in 2020, finished and produced The Independents, a modern folk ’n roll comedy that will soon be screened across the US after a successful festival run, and began production of The Tongass Legacy directed by fellow instructor, Maxine Trump.
Chair of Documentary Filmmaking Andrea Swift taught a special workshop facilitating some of the kids from Newtown, CT in making micro-docs as well as a different micro-docs workshop for over 400 Fulbrightersat their annual conference.
And finally, Dunya’s Day, associate produced by NYFA Documentary student, Aya Hamdan, won Sundance Film Festival’s Short Film Jury Award for International Fiction this January.
In Spring 2018, a select group of New York Film Academy (NYFA) Documentary students volunteered to create a video honoring the 65th Anniversary of Family Service Agency (FSA) in Burbank. FSA is a privately-funded mental health service provider that specializes in “treating the mental and emotional well-being of children, adults and families suffering silently through Counseling, Preventing, Educating and Advocating since 1953”.
The NYFA team, consisting of Drama del Rosario, Gustav Gibrand, and Asem Nurlanova, started production in April 2018 and were in active production throughout May and June. They participated in the annual 5K Carewalk (shooting and interviewing participants) and then interviewed Executive Director Laurie Bleick, Operational Director Christine Ramos, Clinical Director George Holbrook, and Director of School Based Counseling Services Ginny Goodwin.
Because FSA is privately funded by many community sponsors, the filmmakers were granted unique access to several local schools and locations key to the services provided by the organization. In July 2018, the students, along with NYFA alum, Eva Maria Bukovinsky, also interviewed Brian Miller, Senior Vice President and General Manager of Cartoon Network to talk to him about his service on the Board of Directors for FSA.
Bukovinszky then got to work editing the project. The resulting film was screened at the October 5, 2018 gala celebrating FSA’s 65 years of service, and now serves to explain their services on the About page of their website.
After the team handed over the final project for FSA, another crew gathered together in September 2018 to begin working on the annual Community Film Project with NYFA instructor Denise Hamilton. The students chose to work with David and Margaret Youth and Family Services, a non-profit that “empowers children, youth, and families through culturally diverse services that foster emotional, educational, spiritual, and identity development.”
The crew pitched three ideas and allowed the organization to choose what suited their needs. They chose Drama del Rosario’s concept and this helped form the crew: Drama del Rosario, producer; Lucia Flores, director & editor; Faisal Aldakheel, director of photography and Asem Nurlanova, sound.
“When we pitched our idea, we wanted to have a good balance of technical information and very human characters,” says del Rosario. “David and Margaret wanted to target youth who might be interested in signing up for the program, so we didn’t want some boring brochure-turned-video. We wanted something that would make them say, ‘Hey, that looks fun! That looks useful!’”
Production, including on location B-roll and interviews in LaVerne, California, about 40 miles east of campus (in Los Angeles traffic this is tantamount to taking a “road trip”), took about a week. After that, production included further research, writing and gathering of archival footage.
The result was screened on January 26, 2019 in NYFA’s private screening room and the organization was thrilled!
New York Film Academy (NYFA) alum António Botelho hails from Lisbon, Portugal and has acted, produced, written, shot, and crewed on several projects both in his home country and aboard.
Botelho attended NYFA’s 2-year Filmmaking program in 2008 at our New York City campus, where he gained invaluable experience directing and shooting his own films as well as serving as an integral crewmember on other students’ films.
His education and professional experience culminated this year in the release of Ruth, the Portuguese feature film directed by Botelho. Ruth is set in the early 1960s and tells the story of Eusébio, an immigrant from Mozambique and football (soccer) superstar who finds himself in a heated sports rivalry amidst political turmoil during the country’s fascist regime.
The New York Film Academy spoke with Botelho about his film and career earlier this year:
New York Film Academy (NYFA): Can you talk a bit about the process involved in getting Ruth subsidized by Portugal?
António Botelho (AB): In Portugal there are hardly any private companies (film or other) that finance their own movies. There isn’t a studio system. There are film companies who produce movies mostly by grants and state competitions with many categories (short films, first features, feature films, documentaries, documentaries short, animation, etc.).
It was through one of these state competitions that Ruth was subsidized. The film company in charge of the production had to present a budget and all sorts of documents boosting the film’s value and whatnot.
My part, in that competition entry, was to write a director’s view kind of document, with my own personal approach on how the movie would be made. It’s a matter of luck. It’s one in a billion.
NYFA: How do you approach the filmmaking process?
AB: I’m a very practical filmmaker. I consider myself a film buff first, then a filmmaker. Great movies are made every year, some of them share the same story, and so I know the movie that I’m making is probably not going to be a Citizen Kane… movies shouldn’t impose on themselves or their filmmakers.
I try to make a movie that makes sense. I put the script and the actors first, then I adapt to several circumstances… as all filmmakers do.
As [NYFA’s founder] Jerry Sherlock put it: “Story, story, story.”
NYFA: How did NYFA help prepare you to be on set for your feature film debut?
AB: NYFA helped me prepare in a sense that it taught me to having the most done — as a director — before entering the set. I prepare myself so that each day I know what I’m shooting, but also how it’s going to cut together. Having a big sense in all film areas, provided by the faculty, helps the filmmaking process and teaches you to respect your fellow colleagues. Filmmaking isn’t a solo thing.
Also, it taught me to act quickly in the face of adversity, because most times you’ll have to adapt.
NYFA: Will Ruth be available online or in other countries?
AB: Eventually it will be online in some of the screening platforms. What I can say for now is that there’s a possibility of it premiering in France in January 2019, and maybe also Germany.
The New York Film Academy thanks António Botelho for his time and thoughtful responses and wishes him the best of luck in his promising career!
On Thursday, December 6, New York Film Academy (NYFA) hosted a TALENT MEET AND GREET at its Los Angeles Campus. NYFA invited talent agents and managers from around Hollywood to meet with Acting for Film alumni in an informal setting.
Agents and managers that attended the event were: Guy Kochlani (Across the Board Talent Agency), Laura Bowman (Brady, Brannon & Rick Talent), Ryan Hayden (Ideal Talent Agency), Denise Barrett (BBA Talent), Jean-Marc Carre & Vincent Carre (Central Artists), Sandy Oroumieh & Lucia Chiao (Rothman / Andrés Entertainment), Christopher Montgomery-Bender (Prodigy Talent), and Tyler Kahl (Allegory Creative Talent).
The talent agents and managers set up their own desks and booths and NYFA alumni went from table to table handing out headshots and spending a few minutes with each representative. For the aspiring actors this was a unique opportunity to meet many talent representatives — all in one evening!
The NYFA alumni were given time to pitch themselves and ask the agents and managers advice on careers, the entertainment industry, and how to succeed. Hearing real-world critiques from a variety of industry professionals helped them better prepare for their future as they continue to network and pursue their acting careers.
Barbara Weintraub, Chair of Industry Outreach and Professional Development, organized the event and was thrilled with the turnout and positive feedback from both the alumni and agencies. She heard back from students the next day who were contacted by the companies.
Here is just some of what the alumni had to say following the meet and greet:
This experience has been nothing short of amazing. It’s one thing to email your headshot and resume to an agent and hope to hear back, but now not only do you get to hand them a physical copy — you get to sell your personality to them. —Jack
I love this. It’s a great opportunity to meet with agents and managers!
It’s great to see agents in real life instead of just submitting your headshot.
—Laura Van Yck
This event is so great, and I am so happy that the school is doing this and giving us the opportunity to get in touch with people in the industry and to get to know new people and talk to them.
New York Film Academy thanks the industry representatives for their time and looks forward to having more of these events in the future!