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  • New York Film Academy (NYFA) AFA Acting for Film Alum Gonzalo Martin Nominated for BAFTA Game Award for ‘Life is Strange 2’

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    New York Film Academy (NYFA) AFA Acting for Film Alum Gonzalo Martin has been nominated for a BAFTA Game Award for his voiceover work in the critically-acclaimed video game Life is Strange 2. Martin will be competing in the Best Performer in a Leading Role category, along with notable actors Logan Marshall-Green (Spider-Man: Homecoming, Prometheus) and Norman Reedus (The Walking Dead, The Boondock Saints). The winners of the prestigious awards will be announced at the 2020 British Academy Games Awards ceremony on Thursday, April 2.

    Gonzalo Martin

    NYFA AFA Acting for Film Alum Gonzalo Martin

    Gonzalo Martin stars as lead protagonist Sean Diaz, who the player controls throughout the game. Martin is an Acting for Film alum from New York Film Academy, having attended the AFA program in 2015, and has previously been a part of the Academy’s admissions team. 

    Life is Strange 2 is a graphic adventure video game, available on nearly all major platforms (including Xbox One, Playstation 4, PC and macOS), and is the sequel to the smash hit and critically-acclaimed Life is Strange, originally released in 2015. That title has sold over three million copies to date and comes from Square Enix, the Japanese developer and publisher of wildly popular games Final Fantasy, Kingdom Hearts, and Dragon Quest, among others. 

    The game was developed by Dontnod Entertainment (Vampyr, Twin Mirror) and has already been nominated for several gaming awards and won the Special Jury Prize at the 2018 Ping Awards. The game tells the story of young brothers Sean and Daniel Diaz, who are on the run from the police. The game is a third-person story adventure, with dialogue trees and gaming decisions affecting the story and future episodes.

    “It’s an honor to be nominated for such a prestigious award in a field that I am just getting my feet in,” Martin tells NYFA. “I already feel like I have won, just because of being nominated side-to-side with all these other amazing actors, whose work I admire so much, such as Norman Reedus.”

    Martin’s previous acting roles include BuzzFeed Murder Mystery Stories, and the films I’ll Be Next Door for Christmas and When It Rings. He is currently finishing with post-production of the first feature film he’s produced and starred in, titled Back to Lyla, which features more than five other NYFA alumni on the production.

    “I am a very, very proud NYFA alum,” adds Martin. “And the most fulfilling thing about this nomination was the ability to go back to school and share this amazing news with all my teachers and mentors. They are a big part of the reason why I have made it this far.”

     

    UPDATE (4.3.20): Gonzalo Martin was awarded the BAFTA Game Award for Best Performer in a Leading Role for Life is Strange 2. The winners of the BAFTA Game Awards were announced at the 2020 British Academy Games Awards ceremony via livestream on Thursday, April 2.

    New York Film Academy congratulates Gonzalo Martin on his exciting BAFTA Game Award win for Best Performer in a Leading Role for Square Enix’s Life is Strange 2!

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    March 20, 2020 • Acting, Student & Alumni Spotlights • Views: 658

  • New York Film Academy (NYFA) Broadcast Journalism – March 2020 Update

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    Without a doubt, the spread of the COVID-19 virus is at the top of TV newscasts around the world. That’s not surprising. That said, it is “business as usual” for the Broadcast Journalism department. And even if we can’t meet in Manhattan, my office in cyberspace is functioning just fine.

    The Broadcasting Department connecting online

    Something else that has been transformed is the U.S. Presidential race. Big campaign rallies have been cancelled, until further note. But, before they were, NYFA Broadcast Journalism grad Celina Liv Danielsen was traveling throughout the United States for Denmark’s TV2, and was able to capture when President Donald Trump arrived in New Hampshire.

    NYFA Alum Celina Liv Danielsen captures Donald Trump at his campaign rally in New Hampshire.

    As voters were getting ready for Super Tuesday and the selection of Democratic convention delegates in 11 different states, NYFA alum Karen Hua covered a Bernie Sanders rally in California for the NBC affiliate station in Bakersfield; note that she covered this event solo and posted on social media. TV news reporters are now expected to do so, as such
    postings are essential to building and maintaining audiences.

     

    Meanwhile, Brazilian Broadcast Journalism graduate Livia Fernanda had a far more pleasant assignment. She got to cover Carnival in Saō Paulo… but everything ended at midnight with the arrival of Ash Wednesday.

    NYFA Alum Livia Fernanda covers Carnival in Brazil

    Former NYFA student Suzane de Oliveira works for the French news agency AFP in Rio de Janeiro. An important part of her job is taking international AFP stories and repackaging them for the Brazilian TV market. Certainly one of the most moving stories I have seen in a long time was about a father in Syria, who found the best way to keep his young daughter calm as their town was under artillery and aerial bombardment was to make her laugh. Every time an explosion took place nearby, the two would burst into exuberant laughter.

    Of course, some of our Brazilian grads (like some of our Danish grads) find their way back to New York City. Mariana Janjacomo was reporting from in front of the New York Stock Exchange recently, explaining the confusing economic news. She works for Jovem Pan, the main Brazilian radio station based in São Paulo. It is also the largest network of radio stations in the southern hemisphere and Latin America. Like other legacy media companies, they’ve branched out into online video news.

    Thanks to all of you that passed along information about the NYFA Moscow Journalism Summer School (JSS). We received more than three times as many applications and queries as we have available openings. Successful candidates will be notified later this month.
    Finally, if the Cannes Film Festival takes place this May (and right now, that is a big “if”) my independent feature film Invisible Love will be part of the Marche du Film. I must admit I was seriously surprised when I received a copy of the latest poster for the film, and discovered I got top billing! If anybody’s names should be up there, it ought to be Vietnamese actress Hoàng Phượng and NYFA Acting for Film alum Kazy Tauginas. They portray the two characters seen walking on a beach, near Da Nang in Viet Nam, in the poster.

    Poster for ‘Invisible Love’

    Stay tuned for more.
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    March 19, 2020 • Broadcast Journalism • Views: 911

  • New York Film Academy (NYFA) Producing Students Get Hands-On Film Set Experience

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    One of the great things about studying Producing at New York Film Academy New York (NYFA-NY) is the variety of exciting locations available in New York City. The diverse and sometimes iconic locations lend themselves well to all sorts of projects for Producing students, from commercials to web videos to short films.
    Producing February 2020 PW
    Recently, NYFA’s 1-Year Producing conservatory students shot their “Producing Commercials” project at The Wagner, one of Manhattan’s most glamorous downtown hotels. With glorious views of the New York harbor and the Statue of Liberty, this is an incredible spot (and, conveniently, just one block away from NYFA-NY’s Battery Park campus.)
    Producing February 2020 PW
    In addition to their individual and group production projects, all NYFA 1-Year Producing conservatory students participate in a one-day Production Workshop (PW). The students assume crew positions under their instructors who act as heads of departments–director, Filmmaking and Producing instructor Brad Sample; cinematographer, camera and lighting instructor Arsenio Assin; first assistant director, Producing instructor Richard D’Angelo; production designer, Producing and Filmmaking instructor Debbie DeVilla; and sound mixer, sound instructor Jonathan Appell.
    Producing February 2020 PW

    From left to right: Joey Hindersman, Vivian Wang, Camille Rao, Christine Aberyuf, Richard Payne, Idil Canli, Alice Shy, Caspian Khonigh, Nikki Soo

    This most recent PW was written by Brad Sample, and told the story of two office workers caught in a deadly situation in their company’s storage closet during an office holiday party. Students built a claustrophobic yet effective “storage closet” set, dressed by NYFA Producing student members of the art department. The production workshop, appropriately titled Blood On Our Hands, offers students hands-on insight into how a professional set is run.

    And not a drop of fake stage blood was wasted!
    Producing February 2020 PW

    Fall 2019 1-Year Producing students Christine, Aberyug, VIvian Yang, Richard Payne, Idil Canli, Camille Rao, Nima Khonigh

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    March 19, 2020 • Producing • Views: 851

  • New York Film Academy Los Angeles (NYFA-LA) Hosts Lunafest: Short Films By, For, About Women

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    On Saturday, March 7, New York Film Academy Los Angeles (NYFA-LA) had the pleasure to once again host Lunafest, a series of films by and about women for the Zonta Club of Burbank. Crickett Rumley, NYFA Director of Film Festivals, moderated the event. Lunafest was also attended by Burbank Mayor Sharon Springer and Council Member Tim Murphy. 

    lunafest 2020

    NYFA Acting faculty Lee Quarrie, NYFA Film Festival Director Crickett Rumley, LADY PARTS writer/director Jessica Sherif, NYFA MFA Filmmaking student Jumanah El Shabazz, NYFA Filmmaking alum Roshni “Rush” Bhatia

    In order to combat the underrepresentation of women in film, Lunafest was created in 2001 as the first all-women traveling film festival. Since then, the festival has opened opportunities to more than 150 women filmmakers, giving them the recognition and platform they deserve. In addition, Lunafest travels to nearly 200 cities annually, raising funds for local women’s causes. This year, proceeds from NYFA’s presentation of Lunafest were allocated to Zonta Burbank, a volunteer organization working to empower women through service and advocacy.  

    Following a screening of the short film program, Rumley began a guided conversation where students and panelists had the opportunity to talk about the films. Students from all backgrounds saw themselves in the stories, and even felt uncomfortable, in good ways–they had moments of realization, moments of uplift, and moments of inspiration. 

    NYFA previously hosted Lunafest in 2019. Panelists included members of the campus Film Festival Club, including its president, Jumanah El Shabazz; NYFA alum and recipient of the Zonta Wings Grant, Roshni “Rush” Bhatia; NYFA Acting Faculty and Academic Adviser, Lee Quarrie; and Director and Producer of the Lunafest-selected film Lady Parts, Jessica Sherif.

    Speaking on the relatability of the films to both students and Zonta Burbank members alike, Rumley shared, “Lunafest is such a strong program, and it was fascinating to see how the films reflected audience experiences.” She continued, “Not only was the dance in Ballet After Dark beautiful to watch, the protagonist’s determination to survive trauma spoke to women of all ages. And Zonta members who have been breaking glass ceilings for decades were heavily impacted by PURL because the main character faced such an uncomfortable, if not hostile, all-male workplace that she had to overcome.”

    lunafest 2020

    NYFA alum Roshni “Rush” Bhatia and Jessica Sherif, director/producer of LADY PARTS

    The writing and emotional impact of the films pierced through to everyone in the audience. NYFA student Nadiia Pavlyk-Vachkova, stated, “I invited my friend, a director from India, and I wasn’t sure that he would endure 90 minutes of content devoted to women. But all the films were so strong and well done that we got the impression we were watching Oscar nominees. After the performance, we discussed the funny and tragic moments that we both learned from.” 

    New York Film Academy thanks Lunafest, the Zonta Club of Burbank, and the panelists for joining us for such a successful event and sharing it with our students.

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    March 18, 2020 • #WomenOfNYFA, Film Festivals, Film School, Guest Speakers • Views: 726

  • Netflix Streams Two Short Films by New York Film Academy (NYFA) Alumni

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    In the interest of promoting social issues and international diversity, Netflix has curated a series of six films from Saudi Arabia, including two shorts by New York Film Academy (NYFA) alumni, Mohamed al Salman and Meshal Al Jaser. The series of six Saudi films is entitled Six Windows in the Desert and was made available last month in 190 countries.

    six windows in the desert
    The release is part of an extended effort by Saudi Arabia to expand its cinema culture. Last year, a feature film by NYFA alumni
    made history by becoming the first Saudi film to screen in a professional theater in Jeddah since the nation lifted its 35-year-long ban on cinemas in 2018. With Six Windows, Netflix aims to  “shine a light on thought-provoking subjects with a focus on social themes.”

    One of the films in Six Windows in the Desert is the 2019 short 27th of Shaban, written and directed by Mohamed al Salman. The film follows two characters–Mohammed and Nouf–who go on a date, an act prohibited in Saudi Arabia. “It’s a simple love story in a very unique and complex culture,” says al Salman of his film. al Salman first attended NYFA’s 1-Year Filmmaking conservatory last fall. 

    six windows in the desert

    Cinema is just starting in Saudi Arabia,” he adds, “and I thought we have too many stories in the 2000s that were never told, which I remember vividly. I thought it’s interesting to tell and watch ourselves in the past, especially in a time where the Saudi society is changing considerably.”

    Is Sumiyati Going to Hell? is another of the six films in the series, directed and co-written by BFA Screenwriting alum Meshal Al Jaser. The film tells the story of a maid named Sumiyati through the perspective of a family’s youngest child; Sumiyati previously won Best of the Month at the 2017 Gold Movie Awards. Al Jaser, who studied at NYFA’s Burbank-based campus, was recently nominated for the Grand Jury Prize for Best Short Film at the Sundance Film Festival for his film Arabian Alien.

    Six WIndows isn’t just a major spotlight for Saudi films, but for short films as well. Arab News quoted NYFA MFA Filmmaking alum Abdulelah Al-Qurashi, who described the new series as a great opportunity for short films, “because we usually don’t see them. Short films are usually displayed at festivals.”

    six windows in the desert

    New York Film Academy Filmmaking alum Sultan Al-Salami, who worked on Is Sumiyati Going to Hell?, is thrilled to see Netflix recognize Saudi cinema. “Saudi has a massive amount of talent,” he tells NYFA, before rattling off a list of Saudi directors, producers, and writers, including Sara Alnawasra, Mississippi Ibrahim, Bader Alhomoud, Mahmoud Sabbagh, Haifaa al-Mansour, Malik Nejer, Ali Kalthami, Abdulaziz Alshlahei, Khaled Fahad, Hana Alomair, Dina Naji, Nawaf Alshubaili, and, of course, Sumiyati writer and director Meshal Al Jaser.

    New York Film Academy congratulates NYFA alumni Mohamed al Salman and Meshal Al Jaser on their success and encourages everyone to check out their films as part of Six Windows in the Desert, currently available on Netflix.

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    March 17, 2020 • Film School, Filmmaking, Screenwriting, Student & Alumni Spotlights • Views: 664

  • Award-Winning Director & Cinematographer Liz Hinlein Joins New York Film Academy (NYFA) As Creative Director of Filmmaking & Cinematography

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    New York Film Academy (NYFA) is delighted to announce the addition of award-winning director and cinematographer Liz Hinlein to our faculty as the new Creative Director of Filmmaking & Cinematography. Over the course of her career, Hinlein has made a name for herself in a traditionally male-dominated industry as a passionate, talented filmmaker and director of photography whose work has spanned the fields of feature film, advertising, music video and VR/AR/XR.

    Born in Philadelphia and educated in the Quaker school system, Hinlein earned her MFA in Cinematography from the American Film Institute and her BFA in Film & Television from NYU’s Tisch School of the Arts. Hinlein’s debut feature film, Other People’s Children, earned several awards on the film festival circuit—including Best of the Fest at the Columbia Gorge International Film Festival and Best Director at the NYLA International Film Festival—and is currently available to stream on Amazon Prime and iTunes.

    Liz Hinlein

    NYFA Filmmaking & Cinematography Creative Director Liz Hinlein

    Hinlein’s wealth of experience and passion for innovation makes her a perfect fit for New York Film Academy, which boasts a diverse and international student body from over 120 countries. With the film industry hungrier than ever for filmmakers and visual artists from every background, Hinlein will be an invaluable asset to NYFA Filmmaking and Cinematography students looking to express the world their stories in their own ways.

    “Stepping in to my new role as Creative Director of the Film and Cinematography departments at New York Film Academy is an exciting new challenge,” says Hinlein. “My vision is to elevate the departments and expand their reach as a dynamic creative hub for creators, filmmakers, and visionary thinkers in New York. We’re building a meeting ground where students and the creative community can nurture ideas, collaborate, and learn from one another. NYFA’s Film and Cinematography departments are a refreshing win-win for students and the industry alike.”

    Hinlein has been at the forefront of a rapidly-evolving visual medium. Recently, her VR film for Byton Auto was nominated for Best Branded Entertainment/Commercial at the 2019 CES VR Fest. In 2018 she directed Accenture’s VR film, Behind the Style, winning that same award. Most recently, Hinlein spent time China writing and directing The Dream Factory, a series of seven epic branding films for the prestigious Sichuan Film and Television University, using Google Translate to navigate her way through the country. Currently Liz is in pre-production on OSAGE ’85, a groundbreaking immersive documentary experience. 

    In television, Hinlein was selected for the DGA DDI TV Directing Program, the Sony Diversity Program and the Viacom Diversity Program. Her visual expertise comes from a background of directing commercials and music videos for top brands, including Dove, Lifetime, Revlon, Gillette, Maybelline, A&E, and MAC Cosmetics. Additionally, Hinlein has created films for superstar musicians such as Mary J. Blige and Britney Spears, and has been commissioned to photograph Quincy Jones, Incubus, and Fishbone. 

    Hinlein’s success in multiple fields also reflects NYFA’s commitment to combating gender inequality in the entertainment/media industry by educating and training more women to fill important roles on film and television sets. With a student body that is nearly 50% women, one of Hinlein’s first initiatives as Creative Director will be to form a NYFA Film Femme Club, where students can come together to inspire genuine conversation, encourage self-confidence, collaborate to create healthy media, and establish platforms that empower women to generate a positive impact on the entertainment industry.

    New York Film Academy looks forward to the exciting energy and ideas filmmaker Liz Hinlein will share with our Filmmaking and Cinematography students!

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  • Developing Animated Series: The Creators Society Speak At New York Film Academy (NYFA)

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    On Thursday, February 20, New York Film Academy (NYFA) had the pleasure to host The Creators Society in a panel of both creators and development executives sharing their expertise on developing an animated series. Jason Blum, founder of Pipsqueak Animation, moderated the event.

    Creators Society 2020

    The Creators Society is a group of passionate, like-minded members of the animation community who work in the fields of film, TV, commercials, visual effects, VR/AR, and gaming. Last week’s panel included: writer, creator, and story editor, Emily Brundige; Executive Producer on Jim Henson’s Splash and Bubbles, Michael Shawn Lewis; Cartoon Network’s Vice President of Development, Nicole Rivera; Executive Producer, President, and Co-Chairman of Yeti Farm Creative, Frank Saperstein; and Sr. Director, Animation Development at Nickelodeon, Daniel Wineman.

    After sharing their career trajectories, Blum opened up the Q&A by asking, “How do you know if you have a good idea? What is the difference between a good idea and a sellable idea?” 

    Brundige shared, “I only decide to develop an idea into a show if it has legs to generate lots of stories. If the character can drive plenty of stories or if the show concept creates an engine where you can see lots of stories generating, that’s how I know I’ll have something there.” 

    When asked about the best way to decipher what ideas the market wants, Saperstein advised, “The best advice I can give to a newcomer is not only know your audience in terms of who your ultimate audience is, but know the audience you’re going into a meeting and pitching for.” 

    Creators Society 2020

    To that point, Rivera added, “If you’re not sure what people want, you can always ask for a general meeting before you share all your ideas, because everyone is evolving and looking for different things, so making that connection and vibing before you pitch something is really helpful.” 

    Speaking to the development executives in the room, Blum asked, “What for you are the elements that separate a good idea from an okay idea?” 

    Rivera began by stating, “Definitely character–a character or relationship that feels really specific and can lend itself to lots of comedy and conflict coming from these characters being together, regardless of the world or situation. Then, a world or situation that feels very special will be an additive to those characters.” 

    Lewis chimed in, “From the creative side, when I’m playing with my show and my world and my characters, I feel like there’s a connection that is genuinely mine. I’m not trying to pretend that my character is expressing something that isn’t me. Finding that character–whatever that may be for you–if it’s genuinely yours, that is so much more interesting to watch.”  

    Blum then opened up the Q&A to questions from the audience. One attendee asked, “Has there ever been a moment during a pitch when you notice that you’re starting to lose the interest of the executives, and what did you do to reel them back in and salvage something that may not be going the way you want it to go?” 

    Brundige responded, “Sometimes you or your idea just aren’t a good fit for whoever you’re pitching to, but I’ll usually just try to keep it brief if I feel it’s not going well. However, if you feel like there is something that they’re responding to, such as a character or just something they really laughed at, then you can riff more on that thing and just follow their lead.” 

    New York Film Academy thanks The Creators Society for joining us and sharing their expertise with our students.

    Creators Society 2020

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    March 6, 2020 • 3D Animation, Guest Speakers • Views: 698

  • New York Film Academy (NYFA) Welcomes MFA Screenwriting Alum, Black Film Allegiance Co-Founder, and Monkeypaw Productions Development Manager Elon Joi Washington

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    On Friday, February 21, New York Film Academy (NYFA) welcomed NYFA MFA Screenwriting grad (Class of ’18) Elon Joi Washington, Development Manager at Monkeypaw Productions, and co-founder of Black Film Allegiance. Terah Jackson, ABA Club co-advisor, screenwriting instructor, and NYFA LAS instructor, moderated the event.

    elon joi washington

    Washington is a screenwriter and story analyst with a passion for shedding light on untold narratives. She studied English, Film and Media at the University of Florida, Film and Television at Savannah College of Art and Design and graduated from New York Film Academy’s MFA Screenwriting program. She is the founder of the Black Film Allegiance, a virtual platform promoting collaboration and creative opportunity for up-and-coming filmmakers. Additionally, Washington currently works as Development Manager at Monkeypaw Productions. 

    Following a quick clip of Washington promoting the Black Film Allegiance, Jackson opened up the Q&A by touching upon the students’ interest in Washington’s screenwriting background. He asked, “This idea to become a writer and move into film, when did that start for you?” 

    Washington shared, “I always enjoyed writing. In undergrad I would do open mics as different character roles, and that’s what I started falling in love with character work. I was an English major with a film and media concentration and towards the end my school let me do some production work and I really enjoyed it. But, I was always more interested in what was on the page because it’s where I felt most comfortable creatively.” 

    Jackson then asked what type of stories Washington found herself most engaged in. She replied, “I like stories that revolve around social events and messages that matter to me; especially things that are quite researched. The genres I enjoy are docudrama, horror, psychological thrillers; however, I will do a sci-fi if there’s a bigger message attached to it, but it has to be grounded in truth with something that I know is happening today. Then, I’ll elevate that story in some type of way through a genre like horror.” She continued, “If there’s a research component, that’s usually the part that will draw me in and then the bigger message and character come after.”

    elon joi washington

    Speaking on her time at NYFA, Jackson asked, “Looking back, what were the opportunities here at NYFA that prepared you for what you did after school?” 

    Washington answered, “There are so many resources here that I appreciate, partially because it’s so intimate here and the professors are so hands-on with your growth professionally and as a student. Part of what I appreciated was that opportunity to have one-on-one meetings, even as an alumna. The access you have as alumni is unparalleled. ” She continued, “Also, what you do with the network you’ve built here can really change the course of your post-grad experience. Just having a community and being here created such great connections for me.”

    The Q&A then opened up to student questions. One student asked, “When you submit a script to Monkeypaw Productions, what is it they’re looking for in order to move forward with a story?” 

    Washington responded, “In terms of what Monkeypaw looks for–it’ts genre, underrepresented voices, and a focus on social issues of course, but in a way that’s fun.” She added, “When you’re dealing with difficult issues, you don’t want it to be like medicine, you want it to be rewatchable. It’s always that component, which is a very specific formula and very difficult to find.”  

    New York Film Academy thanks MFA Screenwriting alum Elon Joi Washington for joining sharing her time and expertise with our students!

    elon joi washington

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    March 2, 2020 • Diversity, Guest Speakers, Student & Alumni Spotlights • Views: 962

  • Congratulations to the Winter Class of 2020 at New York Film Academy Los Angeles (NYFA-LA)!

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    The end of January was an exciting time at New York Film Academy (NYFA), as students and instructors witnessed the culmination of their hard work over multiple days of final screenings, presentations, pitches, and of course, graduation ceremonies. 

    Students were able to invite family, friends, and industry professionals and present their work; Filmmaking, Producing, and Acting for Film students held their final screenings at Warner Bros. Studios; Photography students had their work displayed in art galleries; Screenwriting and Producing students pitched ideas to entertainment professionals; and Game Design students presented their creations at a showcase. The excitement concluded with a full day of graduation ceremonies with family and faculty cheering on their graduates.

    The January 2020 graduation ceremony was held at the Harmony Gold Theater in West Hollywood. Throughout three ceremonies, family and friends from all over the world gathered to celebrate as NYFA graduates proudly accepted their diplomas and tossed their caps in the air.

    Guest speaker and NYFA Board Member Matthew Modine encouraged graduates to be actively present in the moment, instructing students and guests to take a deep breath, while stating, “Conscious breathing reminds us that we are alive, in the moment, and that the moment–this moment–is all there really is. No one has ever existed in the past or the future, there’s only now. You must always remember to breathe.” 


    Modine continued his commencement speech by motivating students to hone in on their creativity and open their minds, proclaiming, “Being an artist requires you to think. It demands you to reason, collaborate, and develop a worldview. Your creativity will only be as vast as your imagination. Your talent will manifest in the choices that you make.” 

    He added, “Today, you graduated from this Academy and you must now enroll in the school of thought. The cost for this next investment is simply being present and aware of each and every moment.” Modine’s message garnered a positive response from the hopeful graduates, excited to share their creativity with the world. 

    New York Film Academy congratulates all of the incredible students who have dedicated so much time and hard work into completing their training here. We look forward to celebrating all their wonderful achievements to come! 

     

    Take a look at all the images in the following links:

     

     

     

    January 2020 Graduates  

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    Mahmoud Abul Burghul

    Meshaal Al Jaser

    Sura Aldakhil

    Elton Alexander

    Khaled Algrainees

    Seda Anbarci

    Nida Arif

    Alina Averianova

    Veronica Badell

    Branden Bailey

    Ryan Barnes

    Catalina Barragan Castano

    Frederick Scott Basnight II

    Alexander Bethea

    Zhishen Bi

    Lyndsay Bianco

    Jaime Blanson

    David Bockenkamp

    Jaden Tyler Boland

    Ekaterina Bolshakova

    Trey Bond

    Cole Ryan Brewer

    Sarah Brine

    Troy Brown

    Amara Brown

    Nathaniel Bryan

    Samuel Buckner

    Zhiyin Cai

    Lissette Camacho

    Matthew Relyea Capron

    Federica Carlino

    Andrei Carmona Linhares

    Yu-Fang (Annie) Chang

    Chin-Wei Chang

    Lingjuan Chang

    Kritika Chawla

    Suimeng Chen

    Yanqing Chen

    Haolin Chen

    Yufei Chen

    Lan-Chi Chien

    Sungho Chun

    JaToris Combs

    Paige Conroy

    Alexis Cruz

    Keren Dekterov

    Brianna Dickens

    Francisca Emma Dolha

    Lialdon Donovan-Green

    Yuwei Du

    Zhiyuan Duan

    Daniel Morgan Duddy

    Murat Dugan

    India Edwards

    Theresa Katharina Eschbacher

    Jose Escorcia

    Anthony Alexander Esparza

    Boise Badilla Esquerra

    Liujin Fang

    Chloe Feller

    Aaron J. Field

    Devan Ford

    Hunter Fox

    Huanting Gao

    Daniel Garza

    Steve Grigdesby

    Haining Gu

    Abdulrahman Haddadi

    Erin Lynnette Hall

    Paiten Hamilton

    Woonyea Han

    Ziwei Han

    Wahijadeen Harrison

    Jingya He

    Skye Hendon

    Herbert Antonio Hidalgo

    Chia-Yu Hsieh

    Xuemao Hu

    Xin Huang

    Sean Jackson

    Sebastian Jaimes

    Julianna James

    Tian Jin

    Bobby LaMont Johnson II

    Senka Joti

    Shreya Karunakaram

    .

    Sanaya Gautam Khatri

    Mina Khouzam

    Shreya Kotian

    Anton Krasavin

    Brandon Lattman

    Nicholas Lehman

    Yinghao Li

    Junke Li

    Yilin Li

    Dong Huk Lim

    Doudou Lin

    Shiyu Liu

    Gong Liu

    Kameshia Logan

    Chenxin Lou

    Pedro Louis

    Yi Lu

    Gabriel Lugo

    Chi Ma

    Megan Ressa Mann

    Yasmine Mazboudi

    Jack McKeever

    Ryan Mechling

    Siyuan Miao

    Jaasir Omar Minor

    Nicolai Ndambo

    Joseph Neibich

    Rialene Nel

    Nolan Nelson

    Zhuoran Ni

    Dylan Nuttall

    Mudiwa Kennedy Simbai Nyamande

    Ashley Oge

    Romelia Osorio

    Botagoz Ospanova

    Caglan Ozdogan

    Caterina Piccardo

    Justin Piehler

    Muhammad Rehan

    Jason Dale Rhodes

    Kameron Donnel Rory

    Alexandra Maria Roth-Rosenthal

    Aaron Rowe

    Gulshan Salamli

    Sharwin Sandesh Samant

    Juan Martín Sánchez

    Brenda Serrano

    Jia Shi

    Agnes Shinozaki

    Ilan Siegal Berner

    Thorunn Sigurdardottir

    Chul Hyeon Son

    Noelle Soulier

    Cristopher Spagna

    Athena Stamakinley

    Jonathan Stroughter

    Jeremy Suarez

    Edward Suh

    Keping Sun

    Yueh-Tzu Sun

    Rongkang Sun

    Jared Swift

    Phyllis Tam

    Yuchi Tian

    Diego Toussaint

    Joaquin Trapero

    Szabina Hanna Tutor

    Rachel Vaswani

    Vitoria Mitsuyo Wada

    Jiayu Wang

    Yu-Tzu Wang

    Shiran Wang

    Joshua Weyers

    Daniel Wheatley

    Anthony White

    Banghao Xiao

    Jingrui Xin

    Zehao Xu

    Chuanzhuan Xue

    Vladyslav Yuriyovich Yaremov

    Chen Yu

    Yazeed Zailaee

    Miaoling Zhao

    Muyun Zhou

    Sainan Zhu

    Adilet Zhumabek

     

     

     

     

     

     

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    March 2, 2020 • Community Highlights, Student Life • Views: 971

  • ‘Trauma Therapy’ Screens at New York Film Academy (NYFA) With a Special Q&A

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    On Friday, January 17, New York Film Academy (NYFA) hosted the creative team behind the thriller Trauma Therapy. NYFA producing student Oksana Chester moderated the event.

    Trauma Therapy

    The panel included producer and Head of International Sales at Glass House Distribution, Michelle Alexandria; writer, actor, producer, and Head of Acquisitions at Glass House Distribution, David Josh Lawrence; director and writer, Tyler Graham Pavey; award-winning director of photography, Pascal Combes-Knoke; and actor and musician, Chase Coleman. 

    Following a screening of the film, Chester opened up the Q&A by asking writer, actor, and producer, David Josh Lawrence, “What made you want to write this film and was it hard for you to allow people to change your vision of the film?” 

    Lawrence shared, “Tom Malloy and I wrote it together. I was watching I Am Not Your Guru, which is supposed to be a documentary, but it’s more propaganda to sell Tony Robbins tickets. So I thought, before Tony Robbins was Tony Robbins, who was into him and what kind of things was he teaching. So we took a character like that and gave him a more sinister thought behind what was going on. That was what started it.” 

    In regards to allowing other people to change his vision, Lawrence stated, “The film is told three times. It’s told on the page, then it’s told in production, then it’s told in editing. You do have to let go of what the film once was because of finances and things getting cut.” He continued, “Things change from your original idea and trusting the people that you are with to make a decision that will not affect the film in a negative way is very difficult thing, but it’s one of those things where you do what you can to make sure that the story stays true to what you started off with.” 

    When asked about what piece of advice the panelists wish they knew before they started in the industry, Combes-Knoke expressed, “Take risks and pursue the projects that are more meaningful as opposed to the money. Specifically when it comes to cinematography, try not to get complacent with something you know is going to work. Try new things, use new tools, try different lenses you’re not comfortable with, because you’ll find happy accidents.”  

    Trauma Therapy

    Chester then opened up the Q&A to the student audience. One student asked, “Since you guys are independent, how involved are you in each step of the process?” 

    Director Graham-Pavey shared, “It really depends on the relationship with the individuals. The more you trust the people doing the job, the more they’re telling you as opposed to you telling them. I think every project is different, but in this one I did a cut of the movie then turned it over and they finished it up nicely.” 

    Combes-Knoke added on, “Tying all this together, a majority of directors I’ve worked with would shoot every shot for every angle for the entire scene because they don’t know what they want, and Tyler was great about knowing what shots he wanted—and frankly we couldn’t have made the film in any other way. We had such a short schedule to shoot all those pages out.” 

    To close off the Q&A, the panelists were asked what keeps them motivated. Coleman replied, “Getting to see how I created something that affected people in a great way. That’s what’s so fun and amazing about creating art and creating change in front of someone. When it inspires them to do something better with their life, that’s what keeps me motivated.” 

    When asked what advice moderator Oksana Chester wished to impart on her fellow NYFA students, she shared, “My biggest advice to anyone new to this industry is don’t be afraid to meet new people, or go to different events, or apply for internships. If you want the world to know who you are and see your talents then you must be the one to take those hard, first steps to show the industry why you’re here and why you matter.”  

    New York Film Academy would like to thank the creative team behind Trauma Therapy for joining us, and sharing their expertise with our students.

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    February 28, 2020 • Film School, Guest Speakers • Views: 1024