It’s the most wonderful time of the year…well almost. Netflix has recently announced the upcoming release of the holiday musical feature film Jingle Jangle: A Christmas Journey (Jingle Jangle), starring Forest Whitaker, Keegan-Michael Key, Phylicia Rashad, Anika Noni Rose, Hugh Bonneville, and more. NYFA’s own Francesco Panzieri served as the compositing supervisor for the upcoming film, set to be released November 13, 2020, on the streaming service platform.
The NYFA alum’s latest work will be featured in Jingle Jangle, a holiday musical by David E. Talbert, with songs by EGOT winner and celebrated recording artist John Legend. The story follows a former toymaker (Whitaker), who is rejuvenated in his love of creativity for his craft when his curious granddaughter appears on his doorstep one day.
Still from Netflix’s ‘Jingle Jangle’ (Netflix)
Panzieri worked as an in-house compositing supervisor for Jingle Jangle, leading a team of artists who completed over 230 shots of post-visualization, with over 70 production shots that are in the final cut. Panzieri shared that the total VFX shot count was around 550 and is confident that the film will be welcomed warmly for all audiences over the upcoming holidays.
New York Film Academy would like to congratulate Francesco Panzieri on his involvement on Netflix’s Jingle Jangle and encourages everyone to check out the holiday film on November 13, 2020.
On October 15, 2020, New York Film Academy (NYFA) had the honor of hosting a live video Q&A with acclaimed actress Nathalie Emmanuel to discuss the acting craft and her latest project Die Hart (now streaming on Quibi) with NYFA students. Tova Laiter, Director of the NYFA Q&A-List Series, curated and moderated the event.
Nathalie Emmanuel is one of Hollywood’s most sought-after English actresses and well-known to many as ‘Missandei’ in the critically acclaimed HBO series Game of Thrones. Emmanuel can now be seen in Quibi’s comedic series Die Hart, starring alongside Kevin Hart and John Travolta. The actress was recently seen in Hulu’s romantic comedy series Four Weddings and a Funeral and made her US feature film debut with the wildly popular Fast & Furious and is expected to appear in the ninth installment, F9.
Emmanuel has also been heard as the voice of Deet in Netflix’s The Dark Crystal: Age of Resistance, and starred in 20th Century Fox’s Maze Runner: The Scorch Trials and Maze Runner: The Death Cure. Emmanuel is also set to star in Josh Friedlander’s directorial debut Holly Slept Over, alongside Ron Livingston, Josh Lawson and Britt Lower.
Tova Laiter (Left) and Nathalie Emmanuel (Right) for NYFA’s The Q&A-List
Laiter began the conversation with the Die Hart actress by asking about how she started in the business. Stating she was a shy kid growing up, Emmanuel remarked how she got into the arts as a fun hobby until she finally got her big break on British TV show Hollyoaks.
Now Emmanuel is known all over the globe and her most recent project, Die Hart, is the latest comedy from bite-size content streaming provider Quibi. Laiter, who also has experience with Quibi for the reboot of Varsity Blues, asked Emmanuel about her experience shooting the show and the unique breakdown of each episode. “It was a four week shoot and we shot based on where we were and what we could get and it can be quite challenging shooting out of sequence, but the script was so great I remember leaving it and laughing so much and my character was such a fun challenge for me.”
Nathalie Emmanuel and Kevin Hart in ‘Die Hart’ (Quibi)
The discussion then opened to questions with one student asking Emmanuel about what she looks for in a script when deciding on a role. “I look for the challenges and aspects of the character that I can relate to,” she began. “As a woman and as a woman of color, I want to ask myself ‘what else can I bring to this?’ It’s also interesting to play people who are complex and when there is variety in the character’s journey.”
Speaking of characters, Emmanuel shared with the audience some advice on how to further connect with their characters if they are feeling stuck. “Sometimes my character can be inspired by music or it’s as simple as putting on your character’s clothing, but it depends on the part and sometimes the day. Once I am sure I really understand the scene and what I am about to do, the character’s world and the people around them, then it helps me connect to my character quicker.”
Nathalie Emmanuel in ‘The Fate of The Furious’ (Universal Pictures)
When building out her characters, Emmanuel shared that the process is different each time depending on the story and motivation of her character. “It really depends on the story. My character is a badass in Game of Thrones, but in a different way from my character in Fast & Furious is,” she recalled. “I would just try to prepare the character and identify all their qualities and flaws. I try to treat each character as an individual person and focus on their actions and what they do.”
Emmanuel also encouraged students who are making the move in the industry to have a solid support system nearby. “I’ve had to work hard at positive affirmation. I have control over the things that I can control in my career and there is a confidence that comes with that,” she shared. “You have to give yourself time though. Things won’t happen at the speed like someone else.”
Nathalie Emmanuel as Missandei in ‘Game of Thrones’ (HBO)
Students were also able to ask Emmanuel about getting the part of her most iconic role, Missandei on HBO’s Game of Thrones. Emmanuel joked that she kept harassing her agent about to find a role to audition for on the show.
After landing the role and winning over audiences everywhere, Emmanuel remarked that her favorite director on the series, Mark Mylod, was outstanding at making everything comfortable on set for an intimate scene with fellow actor Jacob Anderson (Grey Worm). “Mark took the best care of us and gave us his ideas and would allow us to provide feedback. He was so respectful and so wonderful and just helped us bring out the beauty of that scene to where we felt like we just earned this moment.”
When working with directors, Emmanuel shared that she likes it when she can get direct feedback, even if it’s criticism. “As long as people are respectful to me when giving a note, I am fine with it,” she elaborated. “When it is laid out in a clear way, even if it’s negative, they [the director] are allowed to do that. Sometimes, you just have to work stuff out, get frustrated, and work through it.”
Nathalie Emmanuel in ‘Maze Runner: The Death Cure’ (20th Century Fox)
At the end of the discussion, Laiter thanked Emmanuel for taking the time to speak with NYFA students and giving them insight into getting into character and working on set. “It was my pleasure honestly,” replied Emmanuel. “When I had seen the amazing talent of the people who have been on this series [Q&A-List], I was flattered to be here. I also get so excited about the talent that’s coming into the industry; you guys [NYFA students] are going to take hold of that whole shift that is happening.”
New York Film Academy would like to thank actress Nathalie Emmanuel for taking the time to speak with the NYFA community and invite the actress to come back in the future as many times as she wants!
Nathalie Emmanuel can be seen in Quibi’s Die Hart, now available to stream by downloading the Quibi app in the app store or through Quibi.com.
“Live from New York, it’s Saturday Night…with your host, Issa Rae!” In the show’s third episode of the live sketch comedy’s 46th season, NYFA Filmmaking alum Issa Rae played the iconic role of celebrity host on Saturday Night Live, performing in the comedic sketches alongside the show’s main cast and introducing this week’s musical guest, Justin Bieber.
NYFA alum Issa Rae performs her opening monologue on ‘SNL’ (Will Heath/NBC)
With Rae as host, shared how important the hosting gig was to her and joked that if Insecure’s fourth season was her senior year of High School, then SNL felt like the prom and the live audience were her dates. Rae also joked, “If the show goes bad tonight, just blame it on me, Mary J. Blige,” a lighthearted jab at how Black people in Hollywood often get confused for other people who look nothing like them.
Rae’s quirky comedy enlivened many sketches throughout the evening, but her top moments seemed to shine in sketches like “First Date Exes,” where her character keeps seeing her extremely off-putting exes while on a first date, and “Canadian News Show,” in which she played an anchor always on the lookout for Canadian rapper Drake in Toronto.
In a season cut short by the Coronavirus pandemic, the Tony Awards declare the show must go on by celebrating the productions that ran before the February 19, 2020 cut-off to be considered for the 74th Annual Tony Awards.
The nominations were revealed on October 15, 2020 by Tony Award-winner James Monroe Iglehart, who shared the nominations via video that honored Broadway shows and artists.
‘Jagged Little Pill’ (Photo Credit: Matthew Murphy)
Leading the pack of nominations is the Alanis Morissette musical Jagged Little Pill with 15 nominations, earning at least one nomination in every eligible category. The heavily-nominated production was produced by NYFA Musical Theatre alumni Chase Thomas and Yael Silver.
Moulin Rouge! earned 14 nominations, including Aaron Tveit earning the only Best Performance by an Actor in a Leading Role in a Musical nomination; making him an automatic winner of the award if 60 percent of the total ballots cast will grant an award to that category.
Caption: ‘A Christmas Carol’ (Photo Credit: The New York Times)
A Christmas Carol, also produced by NYFA alum Chase Thomas, received nods for Best Original Score Written for the Theatre, Best Scenic Design of a Play, Best Costume Design of a Play, Best Lighting Design of a Play, and Best Sound Design of a Play.
At this time, The American Broadway Wing and The American Theatre Wing have not officially announced when the award ceremony, being held virtually, will take place.
Congratulations to NYFA alum Yael Silver and Chase Thomas on their respective shows’ nominations! To watch the full list of nominations, check out the full video below:
Now available to stream on Netflix: Filmmaking alum Pavitra Chalam co-directs the new, inspirational documentary Rooting For Roona about a child named Roona with an advanced form of hydrocephalus, a condition in which fluid builds up in the brain resulting in an enlarged head and can also cause brain damage.
Roona quickly becomes known all over the world after images of her go viral. Not long after, Roona is admitted to one of India’s premier private hospitals in the nation in New Delhi to undergo surgery for her condition. In the documentary, Chalam and co-director Akshay Shankar chart the incredible story of Roona and her family as the young child goes through a life-altering surgery to combat her birth defect.
Documentary film poster for ‘Rooting For Roona’ (Netflix)
Chalam and Shankar aim to create public awareness around the issue of congenital healthcare and bring birth defects to the forefront of the public conversation. Chalam has previously directed documentary shorts Anamika: Her Glorious Past, Indelible, and Maanasi – ‘of Sound Mind.’
NYFA Alum Pavitra Chalam with Roona
New York Film Academy would like to congratulate Filmmaking alum Pavitra Chalam on her latest directorial achievement and encourages everyone to check out the new documentary now streaming on Netflix.
Watch the full trailer for the new documentary below or click here.
It’s no secret that NYFA alum and India native Arif Minhaz knows how to take a stunning portrait. Don’t believe us? See his stunning work for yourself.
The Photography alum is also a decorated photographer, having won four WPE International awards for his fine art portraiture and fashion work, which also landed Minhaz on their list of Distinguished Photographers.
NYFA Photography alum Arif Minhaz
Minhaz has also won two WPPI awards, received honorable mentions at the Monochrome International Awards (2019), and has had his work exhibited at multiple galleries in New York, London and Paris. “This was only possible because I pushed myself out of my comfort zone,” shared Minhaz. “I urge every aspiring photographer to do the same.”
One of the four awards won by Minhaz was for one of my high key street fashion photographs shot on the streets of Soho, New York, with the other three awarded for Minhaz’s portrait series “Maanavatvam.”
Maanavatvam derives from the Indian language of Telugu and translates as ‘Humanity’,” shared Minhaz. “This body of work dives into the true essence of what Maanavatvam stands for: beings capable of inclusive emotional intelligence. It celebrates the diversity we encounter and our understanding and acceptance of the many differences in appearances, behaviors and traits that make all people human.”
Minhaz came to NYFA in 2019 to study in the 1-Year Conservatory Program. “It was a dream come true and I am forever grateful to my aunt, mom and grandma for gifting me this opportunity of learning from photographers I’ve idolized, at one of the top photography schools in the world,” shared Minhaz.
The acclaimed photographer credits NYFA as a key factor to helping him evolve as a photographer. “I would like to thank each and every instructor at NYFA for helping me push my boundaries, refine my photographic style, hone my skills both technically and artistically and put them all together to serve my vision.” The NYFA alum also has this to share with any incoming NYFA students: “Never stop investing time in yourself, be persistent and stay committed.”
The photo alum continues to be based out of New York City and has shared that he is inspired by “monochromatic dramatism” for his projects and incorporates contemporary elements of style.
Minhaz has also explored personal projects that address societal issues “that break stereotypes” by incorporating his personal style of “dramatic portraiture“ into his work to give the illusion of a contemporary painting.
“I am inspired by the people I surround myself with, their characteristics and everything else in between,” explained Minhaz. “I take a lot of inspiration from paintings, my country (India) and its culture, my past experiences, and things that I have come across in my life everyday.
We hear it all the time, “write what you know.” As a journalist, Spanish native Miguel Ángel Parra was all too familiar with that phrase and went from applying it to his work as a journalist to becoming a screenwriter writing stories that reflect pockets of his own life.
After he lost his job in January 2019, Parra realized it was time to make his dreams come true and focus solely on screenwriting. He also credits the many “voices that have been silenced along the way throughout history” to being the driving force behind wanting to make people listen to those stories as a screenwriter.
Enrolling in the 8-Week Screenwriting program at NYFA finally allowed Parra to learn how to improve crafting the structure of his scripts and how to write better dialogue for his characters, crediting instructor Dennis Green as being the driving force behind learning new techniques.
While studying at NYFA, Parra wrote his screenplay for The Pink House, which has since gone on to win screenplay contests in the Madrid International Film Festival (2020), the LGBTQ Toronto Film Festival (2020), the All Genre Screenplay Contest (sponsored by Amazon, 2020), and become a semi-finalist in the Nashville International Film Festival (2020).
“It [The Pink House] is my first feature film script and I wrote it in English! When I came back to Spain, I translated it into Spanish and rewrote it several times,” shared Parra. “During the quarantine, I finished it and translated into English again in order to be able to submit to international competitions.”
NYFA screenwriting alum Miguel Ángel Parra
The Pink House is a dramedy that, while humorous, is also a story about the abandonment suffered by LGBTI seniors. “The young activists who fought for the LGBT rights in the late 70s in Spain are nowadays men and women in their 70s and 8os and most of them don’t have a home to live in, as they were rejected by their families or have lost their couples,” explained Parra about his award-winning script.
“It is a story that needs to be told. In my country we lived 40 years of dictatorship, with a hard repression on these people, so I felt that I HAD to thank them for their fight somehow because, thanks to them, we have the rights we have right now.”
Parra hopes that audiences, especially the younger generation, will be able understand that the story is about having the rights and freedoms of today “because someone fought for them.” Since Parra has submitted his script to multiple festivals and competitions, he has received incredible notoriety and shared that the positive response is overwhelming.
“Being my first feature film script, it is quite exciting to see that people (and jurys) like it. It’s been an honor to see The Pink House selected at the Nashville Film Festival Screenwriting Competition and reaching the semifinals, or being one of the Best Unproduced Scripts at Madrid International Film Festival, or seeing my script published and sold on Amazon thanks to the All Genre Screenplay Contest. I never imagined something like this would happen. “
As for what’s next for the newly minted screenwriter, Parra’s upcoming short film The Eternal Angels was shot in August and is expected to premiere at the Seville European Film Festival in November. Parra also revealed he recently wrote a play that he hopes will open in January a TV pilot called The Golden Boys, a renewed, gay remix of the popular TV show The Golden Girls, which has already shown interest with a production company.
Miguel Ángel Parra on set for ‘The Eternal Angels’
New York Film Academy would like to thank Screenwriting alum Miguel Ángel Parra for taking the time to share his journey on writing his first feature film script and the importance of telling the stories of those who have been silent for a long time. NYFA looks forward to seeing what is next from Parra and wishes him the best on his upcoming short film The Eternal Angels.
I had the pleasure of teaching Jeffrey Lay (BFA in Game Design) in several Game Design classes at the New York Film Academy here in Los Angeles. When he graduated, I had heard he got a job as a level designer at Square Root Studios. I recently found out that Square Root Studios had a new game on Kickstarter, so I contacted Jeffrey to find out more about it.
Scott Rogers (SR): Hey Jeffrey! Congratulations on launching TitanReach on Kickstarter! How did you join Square Root Studios?
Jeffrey Lay (JL): Hi Scott! Thank you very much. Funny story, I was in the middle of working on my own project, which was also heavily inspired by RuneScape, however it formed into a more idle-passive (mobile) version due to my limited coding experience. After a few weeks working on it, I saw a Discord post about the game and joined these two guys from Australia, both experienced programmers, and thought the idea was perfect. Now we’re now at about five to six developers.
SR: What can you tell me about TitanReach?
JL:TitanReach is an old school type MMORPG (an online role-playing video game) that focuses on skilling systems and action combat in a massive fantasy open-world with unique quests and a warm social experience! The game is heavily inspired by RuneScape, which had a very warm and calm feeling for it’s skilling system, along with great music, and was a “happy place” you could go to; which we’re combining with the nice warm environment.
SR: I think we all could use a “happy place” these days! What makes TitanReach different from all of those other MMORPGs that have come out in the past?
JL: The biggest adjustment for us is that we’re using action combat, which will be the contrast to it’s skilling system.
SR: What are your job responsibilities at Square Root Studios?
JL: While I’ve been part of TitanReach, I’ve focused on:
Level Design: Concepting out areas including the level design of Glimmermoore, the tutorial village, which is seen in the Demo.
Game Design: Coming up with the game world & environmental design, content design such as the Slayer Skill with all its details, skilling bosses, mini-games, along with combat design, economy and other various content coming down the line.
Project Management: Throughout the earlier months, this included checking developers are doing their tasks and prioritizing what needs to be done. This also includes finding other issues that need to be addressed although we have someone else who has since filled this position, though I still do some of it.
Marketing: I worked a lot on creating the Kickstarter campaign, including the written part of the Kickstarter. I’m also in charge of reaching out to various blogs, websites and content creators to gain exposure.
SR: It sounds like they keep you pretty busy! Why should someone back the TitanReach Kickstarter?
JL: We are being as open to the community as we can be in terms of our development.
We’ve released a free demo for anyone to play to see the exact stage we are in, which comes with its bugs and issues (ignore the quest). That demo is continually being patched each week for the community to see how fast we can turn around bugs and add some rough content in a week’s time for people to play around with.
With more time, these things can then be cleaned and polished. By backing us it will guarantee the cost of us continuing working on the project in order for us to deliver a polished, nice game. Having gotten this far with a penny, we’ll be able to focus full-time on the project.
The biggest benefit for backing us right now is that our Alpha/Beta is unlike most other companies (being 3-10 days) will be throughout the months of the game’s development stage (meaning months of playtime throughout those stages), although a player’s progress will be wiped at game launch, as we don’t want any unbalanced values (economic-abuse) to be transferred over to the official launch like what has happened with the dual universe beta to launch.
SR: That sounds like a good idea. Too many games have had issues with that in the past. What are some of the issues you find in games nowadays?
JL: An issue we see in games nowadays is that they are overwhelmed with Microtransactions (MTX) that bring an unfair advantage to many other users, although it’s understandable why they do it. We want to remain free from MTX, which gives a player any unfair advantage such as gold/xp rates or other unfair benefits. We try to level out the field and give everyone the same chance!
SR: That sounds really fair! I think your players will really appreciate that. So, where can we find out more about TitanReach online?
JL:Our Kickstarter has a lot more information along with our other social media! Feel free to join our Discord of over 12,500 Members and check out our website here!
SR: Thanks Jeffrey and good luck with the game! JL: Thank you!
New York Film Academy would like to congratulate NYFA Game Design alum Jeffrey Lay on his new game TitanReach and wishes the Jeffrey all the best on the kickstarter campaign.
On September 29, 2020, New York Film Academy (NYFA) had the honor of hosting a live video Q&A with writer/director and NYFA Filmmaking alum Antonio Campos to discuss his latest hit movie on Netflix’s The Devil All The Time with NYFA students and alumni. Tova Laiter, Director of the NYFA Q&A-List Series, curated and moderated the event.
Antonio Campos’ other notable feature directing credits include the Sundance sensations Christine, starring Rebecca Hall, and Simon Killer, starring Brady Corbet. His debut feature Afterschool premiered at the Cannes Film Festival and was nominated for the Caméra d’Or and Un Certain Regard awards. In television, he directed the pilot of the USA Emmy-nominated series The Sinner and served as an Executive Producer for the first season of the anthology series. He has other credits both in Film and TV as producer.
Tova Laiter (Left) and Antonio Campos (Right) for the NYFA Q&A-List Series
Laiter opened the discussion with the NYFA alum by asking him about how he first got into filmmaking “I knew I wanted to be a filmmaker for a long time and it really started at New York Film Academy,” remembered Campos. He shared a humorous account of how he was too young (13!) to take classes so he posed as a 16 year old so he could take a 6-Week Filmmaking course at NYFA.
“For six weeks I was living this other reality and my parents were comfortable with me staying up late to edit,” he joked. “My first short film I did at NYFA called Puberty and I remember this moment where I was so nervous to watch the film with an audience that I stayed in the projection room, and I didn’t know how people were reacting. Afterwards, I saw my father crying because he was so proud and it was validation and support that I could feel, so it’s one of the most important moments for me as a filmmaker.”
Antonio Campos (Left) and Rebecca Hall at ‘Christine’ screening (Photo Credit: Variety)
Campos then rooted himself in the indie film world, solidifying himself with hits like Martha Marcy May Marlene, which he produced, along with Afterschool and Christine, which he directed. “I made Christine and, in a lot of ways, it led me to getting The Sinner. That became a success and changed the perception of me as someone who can make things work beyond the art house. That’s just patience and letting things organically happen.” To the question of what contributed the most to the success of the movie, he attributed it to the fact that he always takes his time with the script, even if everyone else is impatient. That’s why it takes him four years between movies but ultimately, they get the response he intended them to have.
Laiter then asked Campos to share more on the making of his hit film The Devil All The Time, which Campos adapted from the original novel and co-wrote with his brother. “The characters felt familiar, but also specific in how he [the author] was rendering the characters and getting into their heads to go to these places with awful people,” revealed Campos.
Antonio Campos shooting ‘The Devil All The Time’ (Photo Credit: Netflix)
“It’s an interesting movie to have gotten the wide reception it has. It’s a very disruptive film emotionally. When I talk about the movie, it should feel like you are breathless for two and a half hours until you get in the car with Arvin and then you can catch your breath,” explained Campos.
With The Devil All The Time boasting a star-studded cast with the likes of Tom Holland, Robert Pattinson, Bill Skarsgård, and more, one audience member asked Campos how he selects actors for his projects. “I like actors that take big swings and make strong choices, along with actors with distinct faces,” he replied. “I ask myself, ‘how do I feel when I meet them,’ because I will be spending a lot of time with them.”
Antonio Campos (Left) with Robert Pattinson (Right) on set for ‘The Devil All The Time’ (Photo Credit: Netflix)
Campos also reminded the directors in the audience to “always make your actors feel seen and heard” and reminded the actors in the audience to communicate with other actors on what they need and that a good actor “likes to be around other actors and feed off that energy.”
With a stacked cast of celebrity actors in his own film, Campos shared that, regardless of star power, his film is, ultimately, character-driven and was “calibrated between people who were more well-known with other character actors or people you may have never seen before.” When it came to casting his film, he shared that he “knew that this film was very different for how we were approaching characters,” and it required the balance of both known and unknown performers, all of whom shine in this ensemble film.
In one of the last questions of the night, one student asked for tips on how NYFA students can make the jump from student to a seasoned professional in the industry. Campos had this to share with the audience:
“Everyone’s career is different and times out differently. Always expect that things may take longer than you expect, but keep your network of friends and collaborators close. In my case, it was about being open to getting involved with other filmmakers and their processes to make their movies. Keep making short films before you make your feature. Always try and be working. Short films are such a safe place to make mistakes and learn. Put yourself out there and submit to every film festival and embrace the networking aspect of being a filmmaker. You can be the most talented filmmaker in the world, but if you cannot convey your film into concrete terms, people will not be able to understand your vision.”
Antonio Campos (Left) with the cast of his film ‘Afterschool’ at NYFF (Photo Credit: Godlis)
As for what’s next for Campos, the writer-director reveals that he is adapting a comedy piece, as well as a new drama series starring Hollywood heavyweight Harrison Ford. “It’s called The Staircase, based on the documentary on novelist Michael Peterson,” he shared. “I’ve been working on it in some capacity for ten years and it never quite worked as a feature, so now it is going to be a series and it’s set up with HBO Max.”
Campos closed the conversation by thanking Laiter for the enjoyable discussion and wished NYFA’s next generation of filmmakers the best of luck for their future projects.
New York Film Academy would like to thank director and NYFA alum Antonio Campos for sharing his time and filmmaking experience with NYFA students and alumni, and looks forward to his upcoming projects including The Staircase.
To watch Campos’ recent film, The Devil All The Time, the film is available to stream here on Netflix.
To hear the full conversation, click the video below our watch on our YouTube channel here.
New York Film Academy (NYFA) alum Francesca Scorsese breaks out in her first-ever TV series as Britney in Luca Guadagnino’s new miniseries We Are Who We Are for HBO.
We Are Who We Are marks Guadagnino’s first TV show after directing critically acclaimed films Call Me By Your Name and Suspiria. The series is a coming-of-age story set at an army base in Italy and follows the exhilaration and pitfalls of becoming a teenager. The series premiered on September 14, 2020 on HBO and also features Jack Dylan Grazer, Chloë Sevigny, Alice Braga, and Scott Mescudi (a.k.a Kid Cudi).
NYFA Alum Francesca Scorsese in ‘We Are Who We Are’ (Photo Credit: HBO)
Scorsese studied at NYFA’s New York City campus from 2012-2014 in NYFA’s Filmmaking Camps for Kids and Teens. We Are Who We Are is Scorsese’s first TV project, having also starred in Wolf at The Door and landing smaller roles in projects helmed by her father, famed director Martin Scorsese, which include: Boardwalk Empire, Hugo, and The Aviator.
Scorsese in ‘We Are Who We Are’ (Photo Credit: Alessio Bolzoni/HBO)
NYFA would like to congratulate alum Francesca Scorsese on her breakout role as Britney in the new miniseries We Are Who We Are, now appearing on HBO and streaming on HBO Max.
Watch the full trailer for Luca Guadagnino’s We Are Who We Are below or click here.