The New York Film Academy (NYFA) Australia welcomed Academy Award winner and former NYFA Australia instructor Ben Osmo to its Gold Coast campus for an exclusive event as a part of its continuing Guest Speaker Series last month.
Osmo received the Academy Award for his work as production sound mixer on the critically acclaimed international Blockbuster hit “Max Mad: Fury Road,” a much-anticipated reimagining of the 1980s apocalyptic action thriller directed by George Miller and starring Charlize Theron and Tom Hardy.
The veteran sound mixer and recorder also picked up a BAFFTA Nomination and ACCTA Award for his work on “Mad Max: Road Fury,” but these recent accolades are only a small part of his impressive resume. His other credits include Hollywood Blockbuster “Alien Covenant,” directed by Ridley Scott; family features “Babe” and “Happy Feet Two”; and beloved Australian films including “Strictly Ballroom” and “Dead Calm.”
Hosted by Deputy Chair of Filmmaking Brian Vining, the Guest Speaker event commenced with a Q&A session followed by a special screening of Osmo’s documentary on the making of the sound for “Mad Max: Fury Road.”
NYFA Gold Coast students and staff alike were thrilled at the opportunity to delve further into the realm of sound design and editing for film, an often under-appreciated yet integral component of a great movie masterpiece.
Students described the event as “very informative,” with September Advanced Diploma acting for film student Tommie Thomas explaining, “As an actor, you don’t realize how much collaboration goes into making a film until you are able to hear it from someone of this caliber.”
New York Film Academy Australia prides itself in offering students the opportunity to develop their own technical and creative abilities through continued mentoring and master classes with illustrious members of the film and entertainment industry.
The list of sports films and sports comedies are endless, but not many movies have been about the burgeoning E-Sports wave, the billion-dollar industry of competitive video games. New York Film Academy Australia (NYFA AU) Gold Coast alumnus and California native Josh Hale sought to change that, and it’s starting to pay off for the filmmaker.
His mockumentary film “Digital Athletes: The Road to Seat League” just had its North American premiere at the Historic Bay Theatre on November 3, and has already picked up multiple awards and official selections to festivals around the world. “I am on cloud nine,” Hale told NYFA while in California showcasing his film.
Hale’s most recent win was the Best Comedy Film Award from the San Francisco International New Concept Film Festival. The Festival bills itself as an “international platform for film lovers, new filmmakers and film/media students who love filmmaking to stand out,” with a specific mission of “discovering and selecting potential talents with new concepts to accelerate the prosperous development of the film industry.”
Hale told The San Leandro Times that his mockumentary style was inspired by comedy classics like “This is Spinal Tap” and “Best in Show.” He continued, “I find E-Sports fascinating.” Hale shot the entire feature-length film on Australia’s Gold Coast on a tiny budget of $5000, using local actors.
Hale graduated from the Advanced Diploma of Screen and Media in Filmmaking at NYFA AU Gold Coast. Skills he developed during his time at NYFA AU, including producing and budgeting, were the fundamental skills he utilized during the production. Hale is still a part of the NYFA AU family, and is now passing on his experience and knowledge at the campus as a Teaching Assistant.
“Josh utlitzed his hands-on training with NYFA Gold Coast to go make a feature film right out of college,” noted NYFA Gold Coast Director Tasha Cooper. “He’s one of our success stories and we’re very proud of his recent achievements.”
The New York Film Academy congratulates Josh Hale on his success, and looks forward to seeing what further accomplishments his hard work and dedication will bring!
This October, the New York Film Academy Gold Coast campus held a joined graduation screening night for Sept. 2016 Filmmakers and March 2017 Filmmaking at Event Cinemas in Pacific Fair.
Students and guests gathered in the foyer, where they were photographed at our NYFA media wall before being ushered into the cinema to watch the end of year films. All graduating students screened incredibly diverse and high quality films that showcased their exceptional skills in the art of storytelling.
Directing and Editing lecturer Trevor Hawkins stated, “It’s been a privilege to be part of these students’ journey in becoming future filmmakers. Filmmaking is a skilled craft. Having a good story also helps, and NYFA certainly gives a firm grounding on both counts. The result has been some of the most impressive end of year productions. I wish them all well and I hope to work with them again sometime in the future.”
Deputy Chair of Filmmaking Brian Vining said, “The screening was a huge success, with a big turnout of current student filmmakers, family, supporters, cast members and alumni. We are very proud of the skills, motivation and talent of our graduating filmmakers.”
Congratulations to the graduating students: Brad Smith, Emilie Chetty, Lynne Cairncross, Adam Anonuevo, Callum Taylor, Isaac Moit and Philip Paton. We are very proud of their skills, motivation and talent, and can’t wait to see them succeed in their chosen fields.
This October, the New York Film Academy Gold Coast campus held the March 2017 Diploma of Acting for Film end of year screening at Event Cinemas in Pacific Fair. The event included an opening reception for students, friends and family, and concluded with a screening of the students’ performances filmed throughout their year at NYFA Gold Coast.
Acting Coordinator Louise Lee Mei said, “We are all very proud of the skill, motivation and determination of these students. Two special guests, Gael McDonald from Williams Management and Casting Director Cinzia Coassin, were in attendance to congratulate the graduates on their showcase scenes. As students prepare to enter our Advanced Diploma, the Acting for Film team look forward to further developing their professional skills for on-camera work.”
Senior Acting Lecturer Adam Couper stated, “These students truly embraced the spirit of collaboration. They were a tight-knit and mutually respectful group and I think the work we saw showed how successful they were.”
On behalf of all the staff and lecturers at the New York Film Academy Gold Coast, we would like to give our sincerest congratulations to the following graduating students: Amber Monaghan, Christopher Le Poidevinm, Ilavalu Tupou, Jake Dodds, Lachlan Crane, Lachlan Bliss, Olivia Samin, Shaunyl Benson and Tarnequa Pettet.
NYFA Australia instructor Timothy Maddocks has taken the philosophy of learning by doing a step farther: teaching by example, continuing to not only remain active in his industry, expanding his impressive list of producing credits with a new feature and festival award wins. “Blue World Order,” which Maddocks produced, is causing a stir on the festival circuit, screening at the prestigious Madrid International Film Festival and sweeping awards elsewhere including:
Winner, Best Narrative Feature; Film Invasion Los Angeles
Winner, Audience Choice; Canberra International Film Festival
Winner Best Feature; Mindfield Los Angeles
Official Selection: Sci-Fi London, Madrid International (Nominated for Best Film), Burbank International, Phoenix Comic Con
“Blue World Order” also co-stars fellow NYFA instructor Stephen Hunter, perhaps best known for his turn as Bombur in “The Hobbit” films. NYFA had a chance to catch up with Mr. Maddocks to hear some of his insights on producing high quality films for the festival circuits, and how his students can continue learning by doing out in the industry.
NYFA: First, can you tell us a little bit about your journey and what brought you to NYFA?
TM: My road to producing and teaching has been a long one. It started with working shooting sports and community TV, then studying a diploma of film and television at TAFE. After my studies I used sports cameras to shoot several short films with friends where we all honed our skills. Some of the films were OK, but many of them were just lessons for us. After about 10 shorts we got together and shot a low budget feature film called “Sum of Existence” that we eventually sold to the National Nine Network. I thought that having made something we would be able to get funding more easily, but in the end it still took a number of years.
One night, while showing one of the last of the short films at an event, I was approached by another director who had a film screening there, Marc Furmie, and we went for funding on a short and got it.
“Death’s Requiem” was the first film to have a decent budget — twice what we had for “Sum of Existence,” and it opened doors to many other places. Through networking I met people who funded our first full budget feature, “Terminus.”
Along the way, one of the people I had met was Hunter McMahon and after he saw “Terminus” he invited me to come and speak to the students at NYFA as a one-off. The students asked a lot of questions, and as it happened, NYFA was looking for a teacher for production — so I joined the school.
NYFA: Do you have a favorite NYFA moment from your time as an instructor with us?
TM: My favourite moment at NYFA came when I was working on my third feature, “Out of the Shadows,” and some students came on a field trip to assist with shooting pick-ups. I know the students got a lot out of that day and it felt good to give them real hands-on experience, because NYFA is all about the experience of making things, rather than just classroom learning.
NYFA: As a producer, what do you look for in a project?
TM: The script is the guide. Firstly, you have to be able to read it from cover to cover without wanting to put it down. Then, you think about genre, market, and how you can get it made. As I’ve grown, so have my tastes, and while I have been known for producing horror and thrillers, “Blue World Order” was a sci-fi and a great story to start with.
NYFA: What inspired your film “Blue World Order,” which you produced?
TM: “Blue World Order” was written by Ché Baker, and he is also a published author as Scott Baker. I read both his script and novel ,and saw the enormous potential in the world that he had created because, like all of the best sci-fi, it is only a small stretch from the world we live in — and that is what makes it easy to relate to. Ché had met me back in the sports days and reached out to get my opinion of the script. I gave him notes and he could see how they helped with the story. From then on, we started talking about how to make the film.
NYFA: Can you tell us a bit about your experience producing the film? Were there any surprises along the way?
TM: Producing the film was a great experience. We had the challenges that most face: limited time, budget, and resources, however Ché had really made a great start in that he had many of the people of Canberra on his side and they welcomed us with open arms. Ché had also worked on several films in crew roles and had made some good connections in both cast and crew. I had also worked with some great people. We set up the schedule so that the first couple of days on set had Bruce Spence starring as Whippet — a very dark character. Bruce brought him to life and that really sparked our crew.
Many of the crew were Canberra locals with little or no on-set experience. In the middle of the shoot we had Jack Thompson come and that gave everyone a fresh injection. And partly because I was still closing the deal with the Department of Immigration, and also his agent, but the last few days were with Billy Zane. Ché had met Billy in the U.S. when he was working as an on-set driver and the two had hit it off. Billy came along and helped us finish the main block of shooting. As is often the case, there were pick-ups done later, but at the end of five weeks we had the makings of a film.
NYFA: “Blue World Order” has swept quite a few film festival awards. What advice would you offer to students interested in producing quality films and competing at renowned festivals?
TM: “Blue World Order” has picked up several awards, and so did “Death’s Requiem, The New Life,” and it is always the same reason: Because when we get an opportunity to make a film it is our job to pour everything into it.
No one gives you the opportunity. You earn it. Ché knew that and he poured everything he had into “Blue World Order,” and his passion was infectious. Our crew were drawn from film students to other people who just wanted to give it a go. A few of us had worked together before, like Production Designer Merryn Schofield who had been in the art department on “Terminus,” but being the designer was a big break for her and she had a great group of locals who are inseparable friends today.
The thing anyone who has made a film knows, is that making it is only half the battle — getting it out there is the next part. You have to send it to festivals, research which ones are appropriate, and push, push, push. That’s the only way that industry buyers are going to notice your film, and from there, the real audience can discover it.
NYFA: The film co-stars fellow NYFA Instructor Stephen Hunter. Can you tell us how that collaboration came about?
TM: During his time on “The Hobbit” movies where he worked with Andrew Lesnie as his on-set colourist, Ché had made friends with Stephen Hunter, who played Bombur. Stephen read an early draft and gave Ché feedback and really brought the humour to the script. All of the best films are collaborations: Everyone brings something to the table, and the best directors and producers are the ones who know how to bring those ideas to the fore and make the film better each time. Stephen was full of ideas and willing to get in there and give things a go. It was a great opportunity for him to step into a role that had a lot more going on for his character too.
NYFA: Would you say your time at NYFA was at all useful in preparing you for your work on “Blue World Order”?
TM: My time at NYFA was helpful in that every time I do anything I look for the learning experience in it. As someone who had come from sports and worked into film, I hadn’t really sat down and broken down the elements of what I do as a producer until I had to teach students.
Teaching other people gives you structure, and structure is important when managing a large project like a feature film. As a teacher I always love the enthusiasm students bring, and the attitude is one of “just do it” and I encourage that, but then impart on students some of the lessons that I have learned along the way.
You can spend just as much time and money making a terrible film as making a good one — the difference is in the planning.
NYFA: Can you tell us about any upcoming projects you’re working on, or what’s next for “Blue World Order”?
TM: Since “Blue World Order” spent a long time in post-production because of the special effects involved in sci-fi, I was able to get on and make “Out of the Shadows” while Ché, as director/producer saw “Blue World Order” home. “Out of the Shadows” is also making its way into the world.
I’ve also started working on IMAX documentaries and helped Jen Peedom on “Mountain,” which is releasing soon.
“Blue World Order” is going through the screenings for the AACTA awards and has screened in Melbourne on Sept. 12, Sydney on the Sept. 16, and Brisbane on Sept. 19. Any AACTA members can head along and see the film and vote for it there.
Then later in the year there are more screenings open to the public in Australia. It is being sold by Arclight worldwide and so we’ll have to see where they get traction for the release. If you’re a student who is curious, then sign up for updates here.
NYFA: Is there anything I missed that you’d like to speak on?
TM: I’d really just like to reinforce how important it is to be passionate about your career in film, as no one else is going to care as much as you. Every time you get an opportunity to work on a film in whatever role it is, if you give it your all, people will notice. Several cast and crew that I have worked with on small films have come on to larger ones, and usually in greater roles. I do it myself where I have helped people out and then found myself with work. NYFA students often have that passion and some of my students are already building careers for themselves. I really enjoy working with people who seize the opportunities and then go on to create more.
The New York Film Academy would like to thank Timothy Maddocks for taking the time to share his experience producing “Blue World Order” with our community.
Last week as August gave way to September, the New York Film Academy Gold Coast campus celebrated the January 2017 Diploma of Filmmaking Final Screenings. The two-day event held an opening reception for students, friends and family, and concluded with students’ digital dialogue screening at the Event Cinemas in Pacific Fair.
The final screenings serve as an opportunity for students, friends, family, and faculty to share the experience of watching the films created throughout the duration of the course, celebrate the students’ achievement, and come together to prepare for the transition into the industry.
NYFA Gold Coast Campus Manager DJ Stonier commented, “I was amazed by the outstanding quality of the films and the range of genres presented. These films are definitely festival circuit ready and I look forward to hearing about the journey these students will have as NYFA-AU graduates.”
Congratulations to all of our filmmaking graduates.
This August, the New York Film Academy Gold Coast held the May 2017 Filmmaking mid-year screening showcase for it’s May 2017 intake Filmmaking students at the new, purpose-built Southport campus theatre.
Filmmaking Lecturer Trevor Hawkins, stated, “It’s all about storytelling and turning good ideas into good films. And that’s what our May intake of student filmmakers are showcasing with their mid-year screening of their non-sync films.”
As a part of the New York Film Academy Australia’s commitment to hands-on education, the mid-year showcase provides students with the opportunity to screen their work from class for an invited audience of peers, friends, and family.
Mr. Hawkins continued, “With an impressive variety of story ideas, our new and emerging filmmakers have explored numerous genres including comedy, drama, action, science fiction, gangster and social comment.
“Each film has left a lasting impression which is a sign of good filmmaking and we congratulate all students on a job well done! And, as we all know, filmmaking is like learning a musical instrument, it’s all about practice, practice, practice. So we all look forward to their next films.”
Congratulations to our Filmmaking students for their successful mid-year screenings.
New York Film Academy Australia Filmmaking Instructor Joshua Belinfante recently screened his short documentary “Requires Review” at the prestigious Los Angeles festival Dances With Films Festival.
With an eye for the eccentric and surreal, Belinfante is a filmmaker and photographer who has self-produced numerous short films, crewed on feature films, TVCs, TV shows, music videos and stop motion animations in Australia, Europe, and Asia.
“Requires Review” follows Björn Lindqvist, a “self-confessed world’s best town planner” who draws attention to urban planning issues by places placards around Stockholm that say “Granskning Erfordras” — in English, “Requires Review.” Sign bearers from around the world have begun copying Lindqvist’s strategy, even at such famous landmarks as the Eiffel Tower, Westminster, the Austrian Mountains, Canals of Amsterdam and even the Opera House, Sydney.
We had a chance to catch up with Belinfante and hear his reflections on his recent experience at Dances With Films, and learn what inspired his film “Requires Review.”
NYFA: First, can you tell us a little bit about your background and what drew you to become an instructor at NYFA Australia?
JB: I’ve been making films since I was 12 years old. For me, filmmaking is more about putting a part of myself into a work rather than trying to get something out of it. Having said that, the balancing act between art and entertainment is a constant struggle of anyone in film today. I currently work in TV as a post production media manager as well as an independent film producer/director. I operate my own production companies Belinfante Photography and FineSilver Media, where I shoot, produce, edit and direct content for various clients.
I was drawn to becoming an instructor at NYFA because I wanted to give something back to the next generation of hungry filmmakers. Perhaps there was something I could show them that I was never told when I was in film school. I wanted to teach them the most relevant skills & know-how to help get them a foothold into the film & TV industry.
Björn Lindqvist in “Requires Review”
NYFA: As a filmmaker and photographer, how does your approach to your work change in different mediums?
JB: The medium is always the message. Whether I am taking a photo of someone or making a documentary about someone, you are always trying to capture the essence of the individual. Part of that process involves communicating a value, belief or an aesthetic to an audience. If I am making a docu-fiction or a narrative drama I will still approach the story with the same eyes and the same questions. What am I making? Why am I making it? Who am I making it for? What do I want them to get out of it? Is what I am making real, or unreal?
NYFA: What would you say is your teaching style as a film instructor?
JB: I always hone in on the needs of each individual learner. Having been trained as a teacher since 2008 I am aware of how to facilitate an environment for learning. Everyone learns differently, some through listening, some through reading, but for most people it’s getting up and doing and making mistakes.
Unfortunately a lot of industry professionals know their craft back to front but struggle with communicating this in a way that is understandable for students from all walks of life and backgrounds.
I encourage making mistakes and failing spectacularly so that you can get back up your feet, dust yourself off and try again. Most of the time your failures fuel you more than your successes.
NYFA: Do you have a favorite NYFA moment?
JB: My favourite NYFA moment would have to be when I taught a mature age student named Paul. At the start of the course Paul couldn’t use a mouse on a computer. By the end of it he was directing films on a RED camera. I gave him a lot of extracurricular work to do and he went from strength to strength. Most people wrote Paul off due to his difficult past and Paul-Hogan-Crocodile-Dundee kind of approach to life. I’m happy to report Paul has been making some great projects since finishing up at NYFA. I regularly keep in touch with our alumni too.
NYFA: Can you tell us what inspired your film “Requires Review”?
JB: I have always been aghast by poor town planning in global cities. What’s town planning, I hear you say? Well it’s otherwise known as urban planning, and it’s all the things that make a city keep spinning. The architecture, transport, public utilities etc. I was curious what the problems would be in a seemingly perfect city like Stockholm.
I had a script, I just had to find a town planner to interview. Which proved quite challenging! But, rather serendipitously I eventually met a mysterious urban planner in the national library in Stockholm! We spent a few hours discussing all the horrible things we hate in cities, and the next day we made the film.
NYFA: How was your experience at Dances With Film?
JB: Dances with Films was such a beautiful experience, meeting filmmakers and like-minded people from all over the world. Being welcomed with open arms by people you’d never met before was truly touching. Every day of the festival there was an industry meetup, cocktail session or a screening to attend. It was a great boot camp and introduction to the LA filmmaking scene. And a breath of fresh air from my day to day life!
NYFA: Would you say your time within the NYFA community was at all helpful in your experience creating this film?
JB: One thing I will say is that when I arrived in LA, it was a happy accident that some of our acting students & teachers from Sydney were studying & working at the NYFA LA campus. It was pretty surreal that they were able to attend the screening and came out to support “Requires Review” and all the other filmmakers at the festival. The NYFA community shone through there for sure.
NYFA: What’s next for you? Any upcoming projects you can tell us about?
JB: I’m currently working on some TV shows for Australian ABC and SBS TV networks. I am also in development on a TV series based on “Requires Review” as well as several other independent productions that I filmed in Bangkok and Sydney.
NYFA: What advice would you give to your students who are seeking to find the path to screening their own films in a festival like Dances With Film?
JB: Know what your film is, why you made it, and what you want to get out of it. Is your film going to be a calling card for you as a director? DOP? Writer? How can you best use this film as a stepping stone?
NYFA: Is there anything we missed that you’d like to share with the NYFA community?
JB: I always take the attitude that you are always an amateur at your profession. The second you believe you are a professional that knows everything you shut yourself off to curiosity and a desire to learn more. You also shut yourself off from learning from those around you & your own experiences. Never stop being inquisitive and learning!
The New York Film Academy would like to thank Joshua Belinfante for sharing a bit of his story with our community, and congratulate him on his recent successes!
NYFAA Gold Coast May ’17 Acting Diploma student Abeer Salem was given the outstanding achievement of being one of three finalists for 2017’s Queensland Training Awards.
Out of 800 applicants, the Queensland Training Awards selected Abeer as a South East Queensland Regional finalist, recognizing her achievement as a vocational student. Abeer accepted her certificate at the 56th Queensland Training Awards State Gala Dinner on July 21.
Born and raised in Egypt, Abeer found her way to the sunny Gold Coast in 2012 and has been determined to further an education in business. To date, she has completed over 15 Diplomas.
Abeer states, “The quest for knowledge is never ending. No one is ever too good to learn. Successful people live each day with a relentless desire to improve.”
After years of studying and working in business, Abeer found her passion in acting. She says, “I quit my job to attend NYFA … I’m in love with acting and its craft. If I don’t become an actor I want to teach acting. It’s my new passion in life.”
She further explains, “I love NYFA and have known about the Academy for years. The Academy has such a great history and a fantastic support system for its actors … In my short time at NYFA I’ve learnt so much and look forward to doing the Advanced Diploma.”
The New York Film Academy was especially excited to watch the Tony Awards this year, as our Musical Theatre Program has welcomed many members of the Broadway community as instructors, guest speakers, and featured artists in our original movie musicals, from our Artistic Director Kristy Cates to visiting Master Class lecturer Jonathan Groff. For industry insiders and theatre lovers everywhere, the 71st Annual Tony Awards on Sunday was the theatre event of the season. The New York Film Academy provided live social media coverage on Twitter, while the live CBS broadcast of the Tony Awards ceremony at Radio City Music Hall gave nearly 6 million home viewers a glimpse into an evening full of Broadway royalty, moving speeches, and much-anticipated performances.
In case you missed it, here are some highlights from the 71st Annual Tony Awards:
After much anticipation, audience favorite “Dear Evan Hansen” swept the Tony’s this season, taking home awards in not one, not two, but six categories — including the coveted spot for Best New Musical. The groundbreaking musical is a true original, featuring a small cast and orchestra and offering some innovative tie-ins to social media.
Best Actor in a Musical
“Dear Evan Hansen” also gave us one of the evening’s brightest new stars, when leading actor Ben Platt snagged the Tony for Best Actor in a Musical. Platt received a rousing standing ovation from the live audience and the orchestra at the Tony’s, and used his moment in the spotlight to spread some inspiration.
As quoted in the New York Times, Ben offered encouragement to fellow theatre kids: “To all young people watching at home, don’t waste any time trying to be like anybody but yourself, because the things that make you strange are the things that make you powerful.”
Best Actress in a Musical
“Dear Evan Hansen” was not the only star of the evening. The Radio City Music Hall audience also swept to its feet to recognize and celebrate beloved industry icon Bette Midler, as she won the the Best Actress in a Musical award for her portrayal of Dolly Levi in the revival of “Hello, Dolly!”
While musicals and musical performances punctuated the evening, the Tony’s also celebrate legitimate Broadway performers and plays. This year, the category for Best Play (non-musical) was especially competitive, but in the end the award went to “Oslo,” which dramatizes the 1993 Middle East peace accords.
Best Actress in a Play
Laurie Metcalf had been nominated for a Tony Award four times before her emotionally-charged win on Sunday, when she took home the category for Best Actress in a Play for her performance as Nora in “A Doll’s House, Part 2.”
Most-buzzed Acceptance Speech
Cynthia Nixon took the stage to accept an award for Best Featured Actress in a play for “The Little Foxes,” the Lillian Helman classic which was also nominated in the Best Revival of a Play category. During her acceptance speech, Nixon caused major internet buzz for quoting the playwright to make a political statement: ““Sixty years ago, [Hellman] wrote, ‘There are people who eat the earth and eat all the people on it and other people who just stand around and watch them do it.’ My love, gratitude and undying respect go out to all the people in 2017 who are refusing to just stand and watch them do it.”
Former Vice President Joe Biden and his wife, Jill, rocked Radio City during Jill’s moment on stage. Mrs. Biden made a brief appearance during the ceremony to promote Got Your Six, a campaign benefitting military veterans. And Variety reports that the crowd’s enthusiasm for the political superstars cased selfie-seekers to create traffic jams at the after-party as they clamored for a pic with the Bidens.
Lifetime Achievement Award
James Earl Jones received recognition for a full and incredible career on the stage, taking home the 2017 Special Tony Award for Lifetime Achievement in Theater. The superstar, who has portrayed roles from Darth Vader in “Star Wars” to Othello on Broadway, graciously thanked the New York City Police Department during his moment on stage for their work keeping the Broadway community safe.
Here is the full list of this year’s Tony Award winners, as reported by The Tony Awards website:
“Dear Evan Hansen”
BEST REVIVAL OF A PLAY
August Wilson’s “Jitney”
BEST REVIVAL OF A MUSICAL
BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAY
Kevin Kline for “Present Laughter”
BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAY
Laurie Metcalf for “A Doll’s House, Part 2”
BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL
Ben Platt for “Dear Evan Hansen”
BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL
Bette Midler for “Hello, Dolly!”
BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY
Michael Aronov for “Oslo”
BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAY
Cynthia Nixon for Lillian Hellman’s “The Little Foxes”
BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL
Gavin Creel for “Hello, Dolly!”
BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL
Rachel Bay Jones for “Dear Evan Hansen”
BEST BOOK OF A MUSICAL
Steven Levenson for “Dear Evan Hansen”
BEST ORIGINAL SCORE (MUSIC AND/OR LYRICS) WRITTEN FOR THE THEATRE
“Dear Evan Hansen” Music & Lyrics: Benj Pasek & Justin Paul
BEST SCENIC DESIGN OF A PLAY
Nigel Hook for “The Play That Goes Wrong”
BEST SCENIC DESIGN OF A MUSICAL
Mimi Lien for “Natasha, Pierre & The Great Comet of 1812”
BEST COSTUME DESIGN OF A PLAY
Jane Greenwood for Lillian Hellman’s “The Little Foxes”
BEST COSTUME DESIGN OF A MUSICAL
Santo Loquasto for “Hello, Dolly!”
BEST LIGHTING DESIGN OF A PLAY
Christopher Akerlind for “Indecent”
BEST LIGHTING DESIGN OF A MUSICAL
Bradley King for “Natasha, Pierre & The Great Comet of 1812”
BEST DIRECTION OF A PLAY
Rebecca Taichman for “Indecent”
BEST DIRECTION OF A MUSICAL
Christopher Ashley for “Come From Away”
Andy Blankenbuehler for “Bandstand”
Alex Lacamoire for “Dear Evan Hansen”
SPECIAL TONY AWARD® FOR LIFETIME ACHIEVEMENT IN THE THEATRE