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  • New York Film Academy (NYFA) Student and Faculty Work to Screen at DOC NYC 2018

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    For the fourth consecutive year, the New York Film Academy (NYFA) Documentary School has been selected to screen a slate of exceptional student documentaries as part of the prestigious DOC NYC film festival.

    Screens from DOC NYC 2018 films

    The largest documentary film festival in America, DOC NYC is also among the most consequential. One of the most respected programmers in the documentary world, Artistic Director, Thom Powers has a track record for programming Academy Award winners and nominees. Thanks to Executive Director (and Academy Award-nominated NYFA alum), Raphaela Neihausen, the festival has also become one of the most important annual gatherings of the worldwide documentary community.

    The festival will premiere four NYFA DOCS shorts, curated by the Documentary program. NYFA was invited by noted Shorts Programmer, Opal H. Bennett.

    Save the Date: November 9th at 11:45 a.m. 
    IFC Center
    323 6th Ave
    New York, NY 10014

    Tickets are just $12 and you can buy them here.

    NYFA’s Showcase features just the tip of the iceberg of remarkable NYC student work:

    Cricket Liu
    Cricket Liu (China, 18 min., Julia Cheng), an aging Cricket Fighting master uses his ancient art to earn all he can for the grandson he is barely allowed to know. Matt struggles daily to remember what happened even minutes ago in I Love You, Wally (USA, 19 min., Simona Kubasova Prakash). In Keliling Bali (Bali, 4 min., Gary Bencheghib, DP Aitor Mendilibar), Gary and Sam attempt to circumnavigate the plastics-filled ocean surrounding Bali. On a rocky Danish island, five-year-old Tobias sets out on a quest to find its famed mythological creatures in The Trolls & I (Denmark, 19 min., Charlotte Madvig Schmidt).

    EXPECTED TO ATTEND: Directors Julia Cheng (’18), Simona Kubasova Prakash (’18) and Charlotte Madvig Schmidt (’18); DPs Braulio Jatar (’18) and Aitor Mendilibar (’13) and Producer Sam Bencheghib

    Cricket Liu

    Cricket Liu

    Also taking place during the course of the week:

    To Kid or Not to Kid

    The World Premiere of NYFA Doc prof Maxine Trump’s To Kid or Not to Kid on Sunday, November 11, 2018, 2:15 PM at the IFC Center.

    EXPECTED TO ATTEND:  Director Maxine Trump, Producer/NYFA DOCS Master Class prof, Josh Granger and PA/Production Coordinator and NYFA DOCS graduate Marie Vanderusten (’16).

    Grit
    The NYC Premiere of the NYFA Doc prof Tracie Holder-produced Grit on Sunday, November 11, 2018, 5:15 PM at Cinepolis Chelsea and onThursday, November 15, 2018, 12:45 PM at the IFC Center

    EXPECTED TO ATTEND: Producer Tracie Holder; Director Cynthia Wade, Sasha Friedlander; Executive Producer Abigail Disney

    RBG

    RBG 

    And screening as part of Thom Powers’ Short List:

    RBG – shot by NYFA DOCS instructor, Cinematographer, Claudia Raschke

    Free Solo – edited by NYFA DOCS instructor, Editor, Bob Eisenhardt

    Breslin and Hamill: Deadline Artists edited by NYFA DOCS Master Class prof, Geof Bartz – World Premiere/Closing Night Film

    DOC NYC has also tapped several of NYFA DOCS’ venerated faculty for panels and special sessions throughout the week, which will be announced shortly.

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  • Recap: New York Film Academy (NYFA) at IFP Week 2018

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    This year, New York Film Academy (NYFA) was honored to help IFP Week celebrate its 40th anniversary. A leader in the independent media community, Independent Filmmaker Project (IFP) champions the future of storytelling by connecting artists with essential resources at all stages of development and distribution. NYFA was a co-sponsor for the second consecutive year. The week-long event took place at IFP’s state-of-the-art Made in NY Media Center in DUMBO, Brooklyn. A leading voice in the independent film industry, IFP also runs Filmmaker Magazine and the prestigious annual Gotham Awards.

    Andrea Swift moderated an essential #MeToo panel on Saturday. The all-women panel took on difficult but necessary questions about the present and future of the industry in the wake of the #MeToo movement. The panelists discussed what needs to be done both on screen and through media activism. Filmmaker and panelist Shruti Rya Ganguly perceptively said, “The #MeToo movement is not necessarily something new, but a different way of having that conversation.”

    The #MeToo Panel at IFP Week (photo provided by IFP)

    The panel discussed the power of strong journalism and the exact role of social media. They also emphasized the importance of women of color in the aftermath of the #MeToo reckoning. Adding to that, Anne Carey, President of Production at Archer Gray said, “I would hope that the takeaway from this conversation is create a space of safety so people who feel threatened have a place to talk, push to tell the best stories with the best people telling them.”

    NYFA Producing Instructor Krysanne Katsoolis moderated the Looking Abroad panel. This panel discussed the how-to’s and why-not’s of utilizing international co-productions and tax incentives. Katsoolis has significant multi-platform experience in content creation, financing, and distribution. She has produced over 60 films and series, and has worked with Academy and Emmy Award-winning directors. Recently Katsoolis built a media venture (Liquid Media Group) with actor Joshua Jackson, which is now public on NASDAQ.

    NYFA Documentary Chair Andrea Swift (photo provided by IFP)

    In addition to panels and screenings, IFP Week presented Spotlight On Documentaries, a mix of 72 documentary features, non-fiction series, and audio stories ranging from an early financing stage to those nearing completion. NYFA Screenwriting Chair Randy Dottin’s work-in-progress film The Chicago Franchise was selected for a prestigious slot in the Spotlight. The unfinished film was produced

    Veranika Nikanava, NYFA Screenwriting Chair Randy Dottin, and Revital Iyov at IFP Week

    by Randall Dottin and Angela Tucker, and executive produced by Cynthia Kobel. After the city of Chicago tore down its high rise public housing towers in 2011, the murder rate continued to climb. The documentary explores the complicated relationship between gun violence, poverty, and residential segregation — and how they’re all interconnected.

    The New York Film Academy would like to thank IFP and the Made in NY Media Center for inclusion, yet again, in such a fantastic and thought-provoking week. We look forward to IFP Week 2019!

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  • Q&A With 2018 Glendale International Film Festival Filmmakers

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    Looking for something to watch this week?  Look no further than the Glendale Laemmle!  Several films by New York Film Academy (NYFA) alumni are official selections of the Glendale International Film Festival coming up October 5-12, 2018.  

    NYFA spoke with filmmakers Buffy Milner, Gabriele Fabbro, Rudy Womack, Diego Vicentini, and Boise Esquerra right before the festival and asked them to tell us about their experiences:

    Type by Buffy Milner, Fall 2015 BFA Acting for Film
    Screens October 6, 2018, at 2pm

    New York Film Academy (NYFA): Tell us about your film, Type.

    Buffy Milner (BM): Type is a coming of age story about the social struggles of a girl recently diagnosed with Type 1 Diabetes.

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    BM: My classes at NYFA gave me the tools and knowledge that I needed to be able to write and produce my film and much of the pre-production elements, outside of the acting, that I was clueless about before I went to NYFA. The teachers that helped me the most were outside of class, during consultations: Christopher Cass, my thesis advisor, and Joe Basille.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?  

    BM: I have won nine awards for my film in festivals, but this is my first live event for Type. I am very excited about having the screening and getting to show my film to others.

    Type

    Can’t Take My Eyes Off You by Gabriele Fabbro, BFA Filmmaking Fall 2015
    Screens October 7, 2018 at 10pm

    NYFA: Tell us about your film.  

    Gabriele Fabbro (GF): Can’t Take My Eyes Off You is a narrative music video based on one of the most famous songs by Frankie Valli and the Four Seasons. The story revolves around a confused young man who has to reject his top-model girlfriend in order to follow his true love. With the music as the driving force of the story, the film aims to break the common conception of “soundtracks perceived as accompaniment to the visual”.

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    GF: Past mistakes definitely have been the key to success of this film. I was lucky to work with one of the most talented casts and crews at NYFA. The film would have been a total disaster if it wasn’t for my DP Brandon Lattman, my assistant director Kelvin Shum, and my lead actors Derek Andrew Ramsay and Ydalie Turk. I’m very thankful to my directing instructor Andres Rosende, who taught me how to simplify complex concepts.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?  

    GF: I’ve had two other projects shown at the Glendale Festival. One in 2016, and in 2017 my intermediate film won “Best Student Film”. I’ve worked for the festival throughout 2018. Sadly, I won’t be able to attend this year’s screening. I’ll be shooting a feature documentary in Italy during the festival period. I hope my cast and crew will attend and do some networking. I’m always nervous to watch one of my films on a theatre. I’ve been to over 40 festivals now and that fear still doesn’t leave me.

    Can't Take My Eyes Off You

    In This Gray Place by Rudy Womack, MFA Filmmaking; produced by Radhika Womack, 1-Year Producing

    Screens October 10, 2018, at 8pm

    NYFA: Tell us about your film.

    Rudy Womack (RW): In This Gray Place is a feature, a psychological thriller about Aaron, a petty criminal who is involved in a robbery gone wrong. Wounded and surrounded by police, he barricades himself in a rest stop bathroom.

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    RW: Just about everyone involved with the project I met at NYFA! The lead actor, Aleksander Ristic, was in the MFA Acting program alongside me in the filmmaking department. I also met the Director of Photography, Naeem Seirafi, at NYFA. He was in the Cinematography school.  And, of course, my wife Radhika Womack, who was in the Producing program at NYFA when we first met. All of my experience at NYFA taught me how to pre-plan every small detail. We were a very limited crew with limited resources, so planning was essential to the success of the film.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?

    RW: Glendale is a fantastic festival and we are very lucky to be a part of it. The caliber of the other films speaks volumes to the quality of the festival and the filmmakers involved. This is our 15th screening, so the nerves have finally gone away. After the first few screenings, I went back and fine-tuned the edit, so I’m very excited to share it with a couple of people who haven’t seen this version. And, of course, I can’t wait to show it to all my friends and colleagues who haven’t seen it yet

    In This Gray Place
    Simón
    by Diego Vicentini, Fall 16 MFA Filmmaking

    Screens Thursday, October 11th at 6:00pm at the Laemmle Glendale Theatre

    NYFA: Tell us about your film. 

    Diego Vicentini (DV): Simón tells the story of a young Venezuelan freedom fighter seeking political asylum in the United States after being persecuted by the Venezuelan government. Simón must then find a way to keep helping the cause from thousands of miles away.

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    DV: The screenwriting and directing classes were the ones that most helped propel the creation and execution of Simón. Gil McDonald from screenwriting read multiple drafts of the script, always helping guide the story to fulfill its potential, as well as urging us to write about something we were passionate about. Andres Rosende then helped to make sure the story was in good shape both in the writing and after, during post-production while I was editing.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?

    DV: I am looking forward to beginning the festival run of Simón, lucky to be able to have our first public screening in our own city of LA. I am also looking forward to spreading awareness about the dire situation that Venezuelans are going through right now through audiences watching the film.

    Simon

    Cowboy by Boise Esquerra, Fall 2015 MFA Filmmaking

    Screens Thursday, October 11, 2018, at 10pm

    NYFA: Tell us about your film.  

    Boise Esquerra (BE): Cowboy is a short drama produced and filmed in the surrounding Burbank area and the Santa Clarita valley. It’s about a bitter, lonely cowboy who is set at ease after crossing paths with a promiscuous female vagabond. 

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    BE: From the get go, NYFA provides a multitude of hands-on exercises and projects for you to delve right into, allowing for much learning, practice, and most importantly, learning from your mistakes. These lessons are invaluable because they allow you to progress in your craft, so long as you take each one seriously. In particular, towards my final semesters, instructors like Tony Schwartz, James Pasternak, and Greg Marks helped me to reel in everything I learned and apply it to a solid project. Cowboy was the end result.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?  

    BE: I am looking forward to the screening itself!

    Cowboy

    The New York Film Academy congratulates our filmmakers and wishes them the best of luck! For more information about screenings and tickets, click HERE.

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    October 5, 2018 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 858

  • New York Film Academy (NYFA) Sponsors Prestigious IFP Week 2018: Faculty Featured on Panels, NYFA Discounts, and More

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    The New York Film Academy (NYFA) is once again a proud sponsor of the famed industry gathering IFP Week 2018, in Brooklyn from September 15th through 20th. At this year’s event, NYFA faculty will be featured on two separate IFP panels. Additionally, NYFA Screenwriting Chair Randy Dottin’s work-in-progress film The Chicago Franchise was selected for a prestigious slot in IFP Week’s Spotlight on Documentaries.

    NYFA Documentary Chair Andrea Swift and Producing Chair Neal Weisman explain that IFP Week is an essential industry gathering —whether you’re a director, producer, documentary filmmaker, screenwriter, It is as important for launching and maintaining careers as Sundance, and people fly in from all over the world to attend. IFP Week is the only multiple-platform, international co-production market for projects in the United States. This year is particularly exciting as IFP is celebrating its 40th anniversary with the independent media community.

    Andrea Swift will moderate an important #MeToo panel on Saturday, September 15th at 12:30 p.m. The all-female panel will explore difficult but necessary questions and discuss how we can shape the future of the #MeToo movement on screen and through media activism. NYFA Producing Instructor Krysanne Katsoolis will moderate the Looking Abroad panel on Monday, September 17th at 2 p.m. This panel will discuss the how-to’s and why-not’s of utilizing international co-productions and tax incentives.

    IFP Week 2017 

    Additionally, NYFA Screenwriting Chair Randall Dottin’s film The Chicago Franchise was selected for a prestigious slot in IFP Week’s Spotlight on Documentaries. The documentary explores the complicated relationship between gun violence, poverty, and residential segregation in the nation’s third largest city. Learn more about the full project slate here.

    The New York Film Academy is proud to help sponsor IFP, and is very pleased to share that IFP has extended a 20% discount to our students and alumni using special code IFP20! Click the following panel titles to purchase tickets for the #MeToo and Looking Abroad.

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  • New York Film Academy (NYFA) Students Win At Los Angeles Live Score Film Festival

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    The theater lights dimmed, the first frames of film flickered across the screen, and the orchestra played their opening bars. Orchestra? Yes, orchestra, for this wasn’t just any film screening. This was the Los Angeles Live Score Film Festival, a celebration of the relationship between film and music, and that was the Helix Collective playing live as the films screened. 

    Held on July 21, 2018 at the Barnsdall Art Park Gallery Theatre, the festival featured the works of Los Angeles area film students, including five New York Film Academy (NYFA) filmmakers. Festival director Sarah May Robinson paired each of them with a composer from the Academy of Scoring Arts who scored the shorts. 

    On the night of the event, host Brian Ralston of the SCOREcast interviewed each director/composer team, asking them to discuss the experience of being matched with a total stranger and what it was like to work together. Los Angeles Live Score Film Festival 2018

    Next, conductor Phil Popham picked up his baton and led the orchestra in a thrilling accompaniment for the films. Audiences were entertained by the films of NYFA directors Victoria Gagieva (Niara), Vicken Joulfayan (Liminal), Oliver Weinmann (The Pill), Nicolas Varela (Aphrodite), and Haily Lanyue Zhang and Majik Jingwei Zhou (Arrow and Oil). 

    But the excitement didn’t stop at the last “The End” because the audience was asked to vote for the Best Film and the Best Score. The tension was palpable as audience members texted in their choices. The winners for Best Film were Haily Lanyue Zhang and Majik Jingwei Zhou with Arrow and Oil, and their composer George Oldziey took Best Score. After their win, Zhang exclaimed, “I’m thrilled and excited! Now I have great expectations about launching into more film festivals!” 

    Zhou was also full of thanks, remarking, “I want to thank my parents. They supported me to come to the USA to study Filmmaking! Secondly, I want to thank my school. NYFA taught me so much knowledge about filmmaking and gave us this chance to represent the school in this festival. Especially, I want to thank my teachers Nick Sivakumaran, the Kohnen brothers — Matt Kohnen and Sean Kohnen — Carl Bartels, Sanora Bartels, Steve Morris. They are the best teachers, ever, ever!”

    Their prize was a free studio recording of the orchestra playing their composed score.

    All the filmmakers were winners, though, as each received a studio recording of their score for a nominal fee plus a free sound mix from Greenhouse Post.

    The New York Film Academy congratulates all the filmmakers and wishes them continued success in their film festival runs!

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    August 8, 2018 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 563

  • New York Film Academy (NYFA) Alumni Premiere Films at LA Shorts Fest

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    What do New York Film Academy (NYFA) alumni Assem Yedgey, Dina Naji, and Zixian (Season) Ouyang have in common?  They all have thesis films premiering at the Los Angeles International Shorts Film Festival (LA Shorts Fest) July 25 – August 2!

    We sat down with the filmmakers right before the festival and asked them to tell us about their experiences.  

    Escala by Assem Yedgey

    NYFA: Tell us about your film.

    Assem Yedgey: Escala is about a young girl who must win a music competition in order to ease the financial burden on her single father, but her instructor’s obsession with her turns this dream into a dangerous game of cat and mouse. The film takes place in Los Angeles. 

    NYFA: What is the most important thing you learned in making this film? Good or bad?

    AY: I learned that there is nothing that cannot be achieved and that you should always follow your heart. I decided that I wanted to have a 100% female crew to create opportunities for women. Throughout my pre-production almost everyone I know was telling me that it was a bad idea and that I wouldn’t be able to handle it, that I was severely limiting my choices in terms of crew.

    All I can say is that I have never before worked in a better environment. I am very grateful that I had an amazing producer by my side – Yulia Safonova. She supported me immensely, and when I was about to give up on my idea of having an all-female crew, she would say, “We can do this.” And we did it. Our crew were united and all of us wanted the best for Escala. I learnt that the most important thing is to listen what people are suggesting, but not always follow, instead to rather feel what is the best for the film. 

    NYFA: What are you looking forward to at your screening at LA Shorts Fest?

    AY: I haven’t premiered my movie anywhere. LA Shorts Fest will be the official premiere, so this is an exciting new experience for me. I am thrilled to watch it with an audience and observe them and explore their reactions. This is my first festival and it is one of the most prestigious festivals; it is like a dream came true. I’m so grateful that I will be able to share my story with so many people and hopefully they will get something out of it. 

    NYFA: Anything else you would like us to know?

    AY: I want to say that without collaboration and the hard work of my cast and crew, Escala wouldn’t have been made. A huge thank you to everybody involved.

    Escala screens Saturday, July 28, at 9:55 pm at the Noho Laemmle Playhouse.

    assem

    Hind’s Case by Dina Naji

    NYFA: Tell us about your film.

    Dina Naji: My film Hind’s Case was inspired by true events. I wanted to shine a light on one case in particular that happened in 2015 in a woman’s housing shelter in Saudi Arabia. The story follows Hind (20), who at a young age witnessed her father kill and bury her mother, then went on to suffer years of abuse at his hands. When Hind escapes from her abusive home, she gets sent to live in a housing shelter. While there, Hind makes the first friends she’s ever had, and enjoys the freedom away from her father. However, when the manager of the housing shelter informs Hind that her father has requested to take her home, Hind decides to take matters into her own hands and gets sent to the solitary confinement room in order to join her mother in heaven, as she can’t stand the thought of living with her father again.

    NYFA: What is the most important thing you learned in making this film? Good or bad?

    DN: The process of making Hind’s Case with a fantastic cast and crew was amazing. As a director, I learned that if you want to make a film, you should have a cast and crew that are passionate about the story you want to tell and want to bring a story alive. 

    NYFA: What are you looking forward to at your screening at LA Shorts Fest?

    DN: I am very thrilled to have my film screen for the first time in LA Shorts Fest, and it is a huge opportunity to show my film to many people who are coming from different backgrounds and cultures. It’s a dream come true. 

    NYFA: Anything else you would like us to know?

    DN: I would like to thank all the crew, cast, and my teachers, especially Scott Hartmann and Tamera Daugherty-Martin, for all the support. And I want to thank the New York Film Academy for this opportunity. 

    Hind’s Case screens Friday, July 27, at 5:30 pm at the Noho Laemmle Playhouse.HInd's Case

     

    Love in Canton by Zixian (Season) Ouyang

    NYFA: Tell us about your film.

    Season Ouyang: The movie is about an old woman accepting her husband’s death on her way to his funeral in Canton.

    NYFA: What is the most important thing you learned in making this film? Good or bad?

    SO: I think I improved my directing skills, and it gave me more good ideas about how to direct a good musical film.

    NYFA: What are you looking forward to at your screening at LA Shorts Fest?

    SO: I am looking forward to more audiences seeing and enjoying my movie in this screening. I want people to know me! 

    NYFA: Anything else you would like us to know?

    SO: I want you guys to know my dream is to make Cantonese film be great again in the world! 

    Love in Canton is an official selection of the festival’s New Wave Chinese Filmmakers opening night program. It screens Wednesday, July 25, 2018 at 4 pm downtown at Regal LA Live.Love in Canton

    Congratulations to Assem, Dina, and Season! For more information on the LA Shorts Fest, and to purchase tickets, please visit http://lashortsfest.com/

     

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    July 25, 2018 • Film Festivals, Student & Alumni Spotlights • Views: 434

  • Five New York Film Academy Los Angeles Students Selected as Finalists in LA Live Score Film Festival

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    Whether a director is choosing a song to play in an onscreen location or adding a composed score to the soundtrack to punctuate an emotion, music is a key element for a successful film.

    This May, the Film Festival Department of the New York Film Academy in Los Angeles selected five student and alumni filmmakers to participate in the 2018 Los Angeles Live Score Film Festival. For this unique event, each filmmaker was matched with a professional composer from The Academy of Scoring Arts who then wrote their score. Several filmmakers also worked with post-production sound professor Huch Platt to enhance their sound design. This Saturday, July 21, 2018, the films will be screened for the first time before a live audience while the orchestra Helix Collective plays the new music.

    We caught up with the filmmakers as they looked forward to the event and asked them about their experiences.

    Nicolas Varela

    Film: Aphrodite

    Composer: Drum & Lace

    Logline: A frustrated career in singing drives Aphrodite to pay with her own flesh and identity for an uncertain opportunity in the industry.

    What has it been like to work with your composer?

    Working with Sofia has been such an amazing experience. I think the directors of the festival made a really good match by putting us together. She really understands my visuals and knows how to translate that in music. We are really communicative with each other, and we are always working for feedback. Beyond the festival, Sofia and I are creating an artistic relationship of mutual support and networking. 

    What have you learned in this process? 

    I learned how important music is. Film is born when music and motion picture meet each other. My film is more powerful than before just because the music is able to highlight emotions and thoughts in an underneath level. Music is not explicit, music works through sensations. 

    What are you specifically looking forward to in the live screening?  

    I hope the orchestra can make justice of Sofia’s work and that the people in the audience can just enjoy this very unique experience of watching a movie with an orchestra playing live. 

    What was it like working on your sound design?

    Huch is such an amazing professional and teacher. I never had classes with him, but when we worked together he was teaching me a lot in the process. Sound design is really underrated among amateur filmmakers. After working with Huch, I realized the big difference a good sound design makes to your film. Sound design is atmosphere, it’s mood, it’s subtle but very important. 

     

    Lanyue Zhang

    Film: Arrow and Oil

    Composer: George Oldziey

    Logline: Around 1010 A.D. during the Northern Song Dynasty, Chen YaoZi, a civil officer from the imperial court with superb archery skills starts questioning the relationship between his archery and his work after he meets an old oil seller.

    What has it been like to work with your composer?

    We did a spotting session at our first meeting, and I gave George some references. He did two versions of music, then my co-director (Majik Jingwei Zhou) and I gave him some notes. He changed some parts, and although we had some different ideas, we accepted each other idea in the end.

    What have you learned in this process? 

    We learned how to communicate with our composer. To make sure our composer can get our story, we let him watch our film and talk about his first idea, then we explained our story and the metaphor in our film. I learned communication is very important in this process. On the other hand, because this is a festival event, we didn’t hire him as our composer. Our collaboration is not like the normal process between director and composer, so we gave George more freedom to do the music.

    What are you specifically looking forward to in the live screening?  

    We are looking forward to bringing our crew to the festival, and also we are looking forward to the live performances.

     

    Vicken Joulfayan

    Film: Liminal

    Composer: Shaun Chasin

    Logline: Nadim tries to escape his own reality but soon realizes that he is being forced to confront it more than ever.

    What has it been like to work with your composer?

    I was not sure in the beginning how the composer would approach my movie after explaining the mood and what genre of music is needed. Then he sent me a first rough and it was way too different from what I wanted. We spoke about it in more detail, and I gave him a deeper explanation of each part. He blew my mind with the updated version.

    What have you learned in this process? 

    I learned to wait and let the composer do his thing, and start tweaking from there, because I did not expect the music to be what it is now, and I love it. That was mainly the composer’s personal touch on the film after understanding the beats of the story.

    What are you specifically looking forward to in the live screening?  

    Actually watching the movie and seeing the live orchestra play the music in front of us is the most exciting part for me!

    Victoria Gagieva

    Film: Niara

    Composer: Steph Kowal

    Logline: A lonely child soldier trapped in the horror of an African militant group experiences a simple act of humanity from a person she is about to condemn to death.

    What has it been like to work with your composer?

    Working with Steph has been great! We met once in person to watch the film together and discuss/dissect it to find a strategy and approach for the music. We were talking about characters, their situations and intentions and also discussing examples of best practices from different films. It was so productive that the first try was exactly what “Niara” needed music-wise.

    What have you learned in this process? 

    The whole experience taught me to be prepared thoroughly for such conversations. I had characters’ back stories ready for Steph, I could explain and reason about the story, ideas and intentions. I was also very open to what she as a professional was bringing to the table, and overall, our collaboration turned out to be perfect.

    What are you specifically looking forward to in the live screening?  

    This will be my first festival experience, so I’m excited about it and open to it. 

    What was it like working on your sound design?

    This was my first time working with a professional sound mixer, and that was extremely interesting and useful. Besides working on the film, Huch explained lots of nuances and practices for future projects. How you organize the tracks for the sound mixer, deliver elements. He was very impressed with my work on the sound design and basically he went off of it. He didn’t have to do any sound design. He just had to mix it and level everything up, distinguish dialogue from the background, things like that. We did two sessions of a couple of hours each.

    Oliver Weinmann

    Film: The Pill

    Composer: Jonathan Keith

    Logline: A dark comedy about a woman who is trapped in a relationship, and the only way she is able to go on is by taking a pill.

    What has it been like to work with your composer?

    Being able to work with Jonathan has been an incredible experience. We are both so passionate about the craft of filmmaking. Yet we view films so differently. I focus on the picture whereas Jonathan follows the film by the music and sounds. When I was able to rewatch the film I made with the soundtrack Jonathan created, it evoked emotions that I could not have created with imagery. 

    What have you learned in this process? 

    I have learned to take more of a backseat. As a director, it is easy to over-direct. After meeting Jonathan and talking to him about the vision of my film, I knew that I had to let go of the reigns and let him do what he is best at doing. 

    What are you looking forward to in the live screening?  

    I look forward to an evening filled with music, storytelling, and the people who put it all together. 

     

    We could not have put it better ourselves, and we wish the best of luck to all the filmmakers!

     

    The New York Film Academy community is invited to attend the LA Live Score Film Festival this Saturday, July 21, 2018, from 6-10 pm at Barnsdall Art Park. To purchase tickets, please follow this link and use promo code FilmScoresRock to receive a discount.

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  • NYFA Alumni (& Brothers) Maan & Talha Bin Abdulrahman Are Saudi Film Trailblazers

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    Five of the nine films premiered by Saudi Arabia at Cannes this year featured the work of NYFA students and alumni, including brothers and fellow BFA Filmmaking graduates Maan Bin Abdulrahman, producer, and Talha Bin Abdulrahman, director. Together, the brothers founded Prince of Arabia Entertainment, and have helmed an impressive series of award-winning projects.


    Talha’s NYFA thesis film, The Scapegoat, screened at the 14th Dubai International Film Festival as well as the second annual Young Saudi Film Festival, Irvine International Film Festival, Orlando Film Festival, San Antonio Film Festival, and Chandler Film Festival.

    At Cannes, the brothers presented Film School Musical, which they co-directed. Winning over critics and audiences alike, the musical short won the Best Shorts Competition at the Hollywood Comedy Shorts Film Festival as well as the Jury Prize for Best Musical and Best Cinematography, garnering numerous festival award nominations along the way.

    Additional film credits include Under the Concrete (Winner: Qomrah 2), Served Cold (ShortsTV, Winner: 2014 Student Filmmaker Awards Film Festival), and Not This Way (Winner – Golden palm in Dammam Film festival).

    We’re exciting to see the next steps these brothers take in both the Saudi and international film industry.

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  • Eurasia International Film Festival (EIFF) Welcomes the New York Film Academy

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    The New York Film Academy (NYFA) was honored to participate in the Eurasia International Film Festival this July in Astana, Kazakhstan, as a VIP guest on the red carpet and beyond.

    Established in 1998 and accredited by the International Federation of Film Producers (FIAPF), the Eurasia International Film Festival is Central Asia’s most prestigious film forum. The event focuses on fostering and celebrating collaborations between European and Asian film industries, all while supporting Kazakhstan’s current and future filmmakers.

    As a distinguished guest, Vice President of Strategic Partnerships Jim Miller represented NYFA in the prestigious event’s competitive Project Market program, as well as heading the PitchFest jury.

    To support the development of new works, Eurasia International Film Festival’s Project Market offers filmmakers, producers, distributors, and production companies an opportunity to form partnerships, shop films, and do business. This year’s Project Market was a smashing success, connecting filmmakers with diverse international institutions including Syndicado (Canada), Film Republic (Great Britain), Alpha Violet (France), Filmotor (Czech Republic), Juben Pictures (China), IRIB MEDIA TRADE (Iran), Festagent (Russia); and Kazakh film companies Kazakhfilm, Sataifilm, Nurtas Production, Bissembin Film and MG Production, for presentations, panels, master classes, and more,

    A crowning jewel of 2018’s Project Market was the PitchFest competition. Out of 31 project submissions, 10 films from Kazakhstan, Kyrgyzstan, Russia, and Tajikistan were selected to compete for four top prizes. The most sought-after prize? Two full tuition scholarships to the New York Film Academy.

    NYFA Vice President of Strategic Partnerships Jim Miller spearheaded the PitchFest jury, working alongside premiere filmmakers, writers, directors, film critics, editors, journalists, documentarians, distribution executives, and producers. These industry experts hailed from the film industries of Kazakhstan, Russia, Singapore, Israel, and the U.S. Together, they selected four winners, with the two grand prize winners receiving scholarships to the New York Film Academy’s New York and Los Angeles campuses.

    The NYFA scholarships were awarded to Kazakh filmmaker Amir Amenov (Ystyk kun, salkyn sira/Hot Nights, Cold Beer), and Kyrgyz filmmaker Dalmira Tilepbergen (Lonely Pine).

    Celebrities from around the world, including César Award-winning actor Vincent Cassel (France) and two-time Palme d’Or-winning director Emir Kusturica (Serbia), attended the Eurasia International Film Festival’s climactic red carpet event and award ceremony, along with many special VIP guests. The award ceremony featured world-class performances for an enthusiastic audience of over 5,000.

    The New York Film Academy thanks the Eurasia International Film Festival, and its President Aiman Massakhajayeva, for the honor of participating.

    Massakhajayeva is the National Artist of the Republic of Kazakhstan, an honorary UNESCO Artist of Peace, and the Rector of Kazakh National University of Arts (KazNUA) — with whom NYFA recently established a partnership. This fall, the NYFA Los Angeles campus will welcome six KazNUA students through this cooperative agreement.

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  • New York Film Academy Partners with AT&T SHAPE

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    We are excited to be working with AT&T this year on AT&T SHAPE being held at Warner Bros. Studios in Los Angeles on June 2-3, 2018. SHAPE is an immersive event that explores the convergence of technology and entertainment. Discover how the future of content creation and distribution will usher in new audience experiences. Get inspired by visionary speakers, and experience interactive exhibits from promising start-ups and industry leaders at Warner Bros. Studios backlots.

    New York Film Academy will hold Interactive Demos led by NYFA award-winning instructors. You’ll be able to try out the latest full-body motion capture technology and create a live digital action scene with a fellow performer. See your emotions come to life on animatronics and robotics through the magic of facial motion-data conversion. Get some hands-on experience creating your own VFX video using green screens and the most popular visual effects programs. There will be live Twitch streaming for the gaming enthusiasts, and more.

    2018 AT&T SHAPE logo

    What Can You Explore at SHAPE 2018?

    Take a stroll through interactive exhibits that will demonstrate how technology is revolutionizing entertainment. There will be a variety of demos on display that feature a visual effects studio, full body and facial motion capture, drone and filming tech, virtual and augmented reality and 5G. Here are just a few that you can explore at SHAPE:

    • Full Dome Pro: Take a step into our 360 projection dome and get transported to the next level in immersive experiences. This is VR made social. No headsets, no goggles, no limits- just breathtaking shared virtual reality. Experience VR you will never forget.
    • Open the Portal: –Mirror Rorrom, Electronic Countermeasure, and Open the Portal teamed up to create a hall of mirrors unlike any other. A stop motion character will guide you through an experience that transforms your image before your eyes and facilitates a thought-provoking journey for you to consider your own feelings about the future that technology is facilitating and your place within it.
    • KUKA: See how robotics can enhance the motion picture capture process. KUKA Robotics, in cooperation with their integration partner Motorized Precision, are demonstrating the KIRA 2.0 cinema robotic automation system.
    • Red: Sample games, movies, and other content on the RED Hydrogen One smartphone before it is released to the public.

    Visionary Speakers at SHAPE

    Be inspired by visionary speakers as they discuss how new technologies like mixed reality, interactive storytelling, emerging tech in networking, blockchain are transforming digital media, film, television, and gaming. A few of our featured speakers and sessions include the following:

    • Ava DuVernay: A writer, producer, director, and distributor of independent film, DuVernay will co-host our AT&T Film Awards finals and discuss her experience as an aspiring filmmaker. She is the director of Selma, which chronicles the historic 1965 voting rights campaign led by Dr. Martin Luther King Jr. The film was nominated for two Academy Awards, including Best Picture. Her most recent work includes her 2018 film, A Wrinkle in Time. and screening. Join her as we screen the finalists’ films in front of a live audience. Attend this session to vote for your favorite short and help determine who will take home a share of $60,000 in prizes.
    • Issa Rae: With her own unique flare and infectious sense of humor, Issa Rae’s content has garnered million of views online and she has received two Golden Globe nominations for Best Actress for her hit show, HBO’s Insecure. Issa’s web series, The Misadventures of Awkward Black Girl was the recipient of the coveted Shorty Award for Best Web Show and her first book, a collection of essays, is a New York Times Best Seller. Rae has graced the cover and pages of major national media outlets including Essence, The Hollywood Reporter, Vanity Fair, The New York Times, CNN, VOGUE and TIME with appearances on The Tonight Show with Jimmy Fallon, Good Morning America, The View and more. She’ll join us at SHAPE for an intimate conversation about her experience in getting to mainstream broadcast.
    • Brian Krzanich: The Chief Executive Officer (CEO) of Intel, Krzanich was elected CEO in May 2013 after serving in a variety of technical and leadership roles in manufacturing and as the company’s Chief Operating Officer (COO). As CEO, Krzanich is transforming Intel from a PC-centric to a data-centric company. Under his leadership, Intel has expanded in markets like memory, modems, and programmable solutions while investing in emerging areas such as AI, 5G, and autonomous driving. Hear Krzanich talk about the new ways content will be delivered and monetized through immersive experiences, including how data and investments in 5G will transform networks to meet the growing demand for new entertainment experiences.
    • Brian McLean: In 2016, McLean was awarded a Scientific and Engineering Oscar® plaque for pioneering the use of 3D printers in stop-motion animated characters. In 2017, he received an Academy Award® nomination for Best Visual Effects for his contributions to Kubo and the Two Strings. In 2009, McLean won an Annie Award for Special Achievement in Animation for his work on Following the release of ParaNorman, he was named by Variety as one of 2012’s “Animation Elite.” Prior to LAIKA, Brian worked as a traditionally trained sculptor and model maker for print and TV ads.
    • Steve Emerson: An Oscar®-nominated visual effects supervisor and longtime LAIKA collaborator, he has contributed to all four award-winning films: Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline. Prior to joining LAIKA, Steve spent nearly twenty years working in visual effects as an artist and technical director. He has worked on many feature films and television series including The Matrix Reloaded, Transformers, The Dark Knight, and Sliders for Universal Television. In 2017, he received the Visual Effects Society Award for Outstanding Visual Effects in an Animated Feature for Kubo and the Two Strings.
    • Brent Bushnell: An entrepreneur, electrical engineer, software developer, and an authority in immersive entertainment, VR, MR, and AR, Bushnell also serves as CEO of experiential entertainment company, Two Bit Circus. Brent is an expert in the art of engagement and passionate about using immersive technologies to create new ways to capture people’s hearts and minds. The interdisciplinary team strives to create immersive, social fun and is currently building a network of micro-amusement parks featuring free-roaming VR, robot bartenders, an interactive supper club, and more.
    • Jess Fuselier: A community outreach, marketing, and data specialist, Fuselier pioneered a community outreach program to connect film sets across the U.S. with the communities in which they operate. An experienced coder, she co-founded Young Women Who Code, teaching elementary-age girls the building blocks of STEM education. As Manager of Research and Education at Sundance Institute’s Creative Distribution Initiative, Fuselier works to cultivate meaningful insights rooted in data transparency, in order to create resources that impact the sustainability of the independent film community.
    • Liz Manashil: In addition to her work at Sundance Institute’s Creative Distribution Initiative, Manashil is also a feature writer and film director. She earned her B.A. in Film & Media Studies at Washington University, and her M.F.A. from USC’s School of Cinematic Arts. Manashil spent several years as a film critic for the PBS/Hulu series Just Seen It and has worked with distribution guru Peter Broderick. Her debut feature, Bread and Butter, was called “an absolute must-watch for women everywhere” by HelloGiggles. Liz is currently in pre-production on her next film, Speed of Life.
    • Ross Goodwin: Artist, creative technologist, hacker, gonzo data scientist, and former White House ghostwriter, Goodwin employs machine learning, natural language processing, and other computational tools to realize new forms and interfaces for written language. Ross’s projects—from word.camera, a camera that expressively narrates photographs in real-time using artificial neural networks, to Sunspring (with Oscar Sharp), the world’s first film created from an A.I.-written screenplay—have earned international acclaim.
    • Oscar Sharp: A BAFTA-nominated British filmmaker, Sharp is best known for short films The Kármán Line, Sign Language, and Sunspring, and upcoming feature Woolly for 20th Century Fox. In 2016, Sharp teamed up with Ross Goodwin and actor Thomas Middleditch to create Sunspring, the first film to be entirely scripted by artificial intelligence and produced widespread international discussion. Sharp and Goodwin followed Sunspring in 2017 with It’s No Game starring David Hasselhoff, in which the actor performs dialogue generated by an AI from a large collection of his past performances.

    SHAPE Competitions

    Every year at SHAPE, a few competitions are held to inspire aspiring filmmakers and creators.

    • AT&T Create-a-thon:Watch or participate in the AT&T Create-a-thon where you can shoot your short film at Warner Bros. Studios using select iconic cityscapes and backlots. You’ll have a chance to win a $10,000* cash prize for the best, completed film in a number of categories.
    • AT&T Film Awards: Come see the finals of the AT&T Film Awards, a short film competition for aspiring creators who are using emerging filmmaking technologies to tell their stories. Vote for your favorite short and help determine who will take home a share of $60,000 in prizes, as we screen the finalists’ films in front of a live audience and esteemed panel of judges.

    Take the Warner Bros. Studio Tour and explore outdoor sets and soundstages used to create productions such as Gilmore Girls, The Big Bang Theory, and Argo. Visit the DC Universe and walk through the DC Comics Exhibit, the real Central Perk Friends set, original Batman Museum, where you’ll see the Batmobile Collection, and so much more.

    Continue to check the schedule on the registration website to give you the most recent information about SHAPE. We hope to see you in Los Angeles in June!

     

    *No purchase necessary, U.S. resident, age of majority. Enter by 4/27/17. Void where prohibited. See Official Rules.

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