Student & Alumni Spotlights
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  • New York Film Academy (NYFA) Student and Faculty Work to Screen at DOC NYC 2018

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    For the fourth consecutive year, the New York Film Academy (NYFA) Documentary School has been selected to screen a slate of exceptional student documentaries as part of the prestigious DOC NYC film festival.

    Screens from DOC NYC 2018 films

    The largest documentary film festival in America, DOC NYC is also among the most consequential. One of the most respected programmers in the documentary world, Artistic Director, Thom Powers has a track record for programming Academy Award winners and nominees. Thanks to Executive Director (and Academy Award-nominated NYFA alum), Raphaela Neihausen, the festival has also become one of the most important annual gatherings of the worldwide documentary community.

    The festival will premiere four NYFA DOCS shorts, curated by the Documentary program. NYFA was invited by noted Shorts Programmer, Opal H. Bennett.

    Save the Date: November 9th at 11:45 a.m. 
    IFC Center
    323 6th Ave
    New York, NY 10014

    Tickets are just $12 and you can buy them here.

    NYFA’s Showcase features just the tip of the iceberg of remarkable NYC student work:

    Cricket Liu
    Cricket Liu (China, 18 min., Julia Cheng), an aging Cricket Fighting master uses his ancient art to earn all he can for the grandson he is barely allowed to know. Matt struggles daily to remember what happened even minutes ago in I Love You, Wally (USA, 19 min., Simona Kubasova Prakash). In Keliling Bali (Bali, 4 min., Gary Bencheghib, DP Aitor Mendilibar), Gary and Sam attempt to circumnavigate the plastics-filled ocean surrounding Bali. On a rocky Danish island, five-year-old Tobias sets out on a quest to find its famed mythological creatures in The Trolls & I (Denmark, 19 min., Charlotte Madvig Schmidt).

    EXPECTED TO ATTEND: Directors Julia Cheng (’18), Simona Kubasova Prakash (’18) and Charlotte Madvig Schmidt (’18); DPs Braulio Jatar (’18) and Aitor Mendilibar (’13) and Producer Sam Bencheghib

    Cricket Liu

    Cricket Liu

    Also taking place during the course of the week:

    To Kid or Not to Kid

    The World Premiere of NYFA Doc prof Maxine Trump’s To Kid or Not to Kid on Sunday, November 11, 2018, 2:15 PM at the IFC Center.

    EXPECTED TO ATTEND:  Director Maxine Trump, Producer/NYFA DOCS Master Class prof, Josh Granger and PA/Production Coordinator and NYFA DOCS graduate Marie Vanderusten (’16).

    Grit
    The NYC Premiere of the NYFA Doc prof Tracie Holder-produced Grit on Sunday, November 11, 2018, 5:15 PM at Cinepolis Chelsea and onThursday, November 15, 2018, 12:45 PM at the IFC Center

    EXPECTED TO ATTEND: Producer Tracie Holder; Director Cynthia Wade, Sasha Friedlander; Executive Producer Abigail Disney

    RBG

    RBG 

    And screening as part of Thom Powers’ Short List:

    RBG – shot by NYFA DOCS instructor, Cinematographer, Claudia Raschke

    Free Solo – edited by NYFA DOCS instructor, Editor, Bob Eisenhardt

    Breslin and Hamill: Deadline Artists edited by NYFA DOCS Master Class prof, Geof Bartz – World Premiere/Closing Night Film

    DOC NYC has also tapped several of NYFA DOCS’ venerated faculty for panels and special sessions throughout the week, which will be announced shortly.

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  • New York Film Academy (NYFA) Broadcast Journalism Update – October 17, 2018

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    Everyone knows how much I enjoy writing about New York Film Academy (NYFA) Broadcast Journalism graduates. But usually I only “talk” with them via email and Facebook. Recently, however, two of them were actually able to stop by!

    Ibtisam (“Tisam”) Karaasian had already graduated from the Broadcast Journalism 1-year Conservatory Program when I arrived at NYFA in September 2013. But she was still “here” as a TA. Much of what I initially learned about the “student’s perspective” of the program I first heard from Tisam. Later she returned home to Germany, and has worked on a number of different things including a long-term project for the United Nations. And she shared all of this with the current students… and instructor Evgenia Vlasova.

    Broadcast Journalism
    As all current and former NYFA Broadcast Journalism students know, we have a “skills-based” curriculum. And while those skills are essential to the practice of conventional journalism, they can be used in a wide range of media genres and forms.

    I say that because last week I saw someone else who I first met when I arrived at NYFA, Ljubica (“Lubi”) Popovic. She was part of the very first class I taught at NYFA, the 12-week Evening workshop. Currently she is working at the production unit of the City University of New York (CUNY), but that’s just the start. For Fashion Week New York she was a casting director assistant and worked on all the runway preparations for Tadashi Shoji and Bosideng. That meant working with top models, and A-List Hollywood celebrities like Jeremy Renner and Anne Hathaway.

    Next up she is producing a Comedy Special for Sasha Srbulj, which will be filmed in mid-November at the BRIC theatre in Brooklyn.

    ###

    So, did I ever tell you how I studied French for four years… three years in high school, one year in college? Probably not, since almost everything I learned was long ago forgotten. But I am glad to know that NYFA grad Delphine Darmency is still contributing to francophone culture. She recently posted a nice multimedia piece about the Women’s March in New York for French media giant TV5Monde.

    Fabulous work, Delphine…

    Finally, the two great “secrets” behind incredible human interest stories aren’t secrets at all. Everybody knows them… little kids and animals, neither of whom will do what you want them to do, when you want them to do it.

    NYFA alum Livia Fernanda creates online video content at Somar Meteorologia in Brazil. Last week she posted a gem of a story about little kids, climate, and TV weathercasting. I don’t even understand what the children are saying — my Portuguese language skills being worse than my French — but it is still cute. Take a look for yourself… (BTW, that’s the green screen effect that every 1-year NYFA Broadcast Journalism student learns about.)

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    October 17, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 211

  • Q&A with New York Film Academy (NYFA) Alum Sabrina Percario

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    Sabrina Percario has been very busy since graduating from New York Film Academy’s MFA program in Acting for Film. She has worked in multiple positions in film productions and has produced and acted in numerous multi-award-winning films, with several more on the horizon.

    Sabrina Percario

    Sabrina Percario

    Her journey to becoming a prolific and decorated actress and producer had an unconventional start. Born in Brazil, Percario originally worked for nearly a decade in medicine before gradually becoming immersed more and more in the world of drama. Her deep passion for the art and craft of filmmaking matches both her talent and her incredible work ethic.

    The New York Film Academy recently spoke with Sabrina Percario about the many hats she wears in the film industry, as well as what keeps her motivated and moving forward:

    New York Film Academy (NYFA): First, can you tell us a bit about yourself and what brought you to New York Film Academy?

    Sabrina Percario (SP): I was born in São Paulo, Brazil, and I have dual Brazilian and Italian citizenship. In college, I majored in biomedicine and for almost 10 years I worked in the field of Chinese traditional medicine. 

    I used to lead a lot of workshops in this field in front of large audiences of around 200 people — yet I was very shy. I decided I needed to do something to improve my effectiveness as a speaker. So in 2009 I went to an acting school called the Celia Helena Acting School. I immediately fell in love with acting. Acting is very fulfilling to me because I was always fascinated with human behavior. When you study a character, you put yourself in the place of that person. When you step into another person’s shoes, you suddenly understand why someone would act in a particular way. You stop judging people and, in the process, you learn more about yourself.

    I.C.E. CREAM at LAIFFA wins Best Producer - Sabrina Percario

    I.C.E. CREAM at LAIFFA wins Best Producer

    From 2011 until 2014 I worked as a drama teacher for children ranging in age from six to sixteen. Working with kids was one of my most satisfying life experiences. I learned to be more flexible and open to changes, more willing to let others lead the narrative, and more honest with myself about my feelings. During that period in my life I worked two jobs: I was an acupuncturist as well as a drama teacher.

    In November of 2013, I decided to enroll in NYFA so I could study my craft and improve my knowledge about acting for film.

    From 2014 to 2016 I worked on NYFA’s MFA program in Acting for Film. My thesis film Julia won several awards, including Best Leading Actress at the United International Film Festival (UIFF). Julia is a tribute to my mother, who died four years ago. I used the film to talk about grief and express my gratitude to my mom. She taught me to pursue my dreams — and that’s exactly what I am doing.

    NYFA: Your IMDB page is filled with all sorts of roles — actress, producer, writer, composer, to name just a few — do you feel it is important to learn as many trades in the film industry as possible?

    SP: Yes, it is very important. Everyone should learn as much as they can about the business, especially in the beginning of your career, so you have a holistic view of how a film is made. 

    It was important for me to wear many different hats on set. Having done these jobs, I have so much respect for all the departments. I know how physical and challenging the grips and electrical (G&E) department can be, and how essential they are in contributing to the director of photography’s view. 

    As an actress, I’m much more consistent and self-aware about continuity. That happened only after I was a script supervisor and had to take note of how full the wine glass was or its exact position on the table for every take. I learned similar things as a production designer and when I worked in the wardrobe department. All of this knowledge is tremendously helpful to my performance when I’m in front of the camera.

    For a year I explored all the different jobs on film sets and I realized I had to choose which department I liked the most and wanted to work with. I decided to be an actress and producer.

    As a producer I’m able to produce my own projects and cast myself in them. This gives me a certain amount of control over my career as an actress. I can also create my own voice with stories I think will inspire people. Being a producer has enabled me to meet a lot of people in different departments in the industry. The breadth of my extended network has helped me enormously as a producer when I’m casting my crew.

    As an actress, I want to be in a feature film. To that end I’m writing a feature film (In Search Of) inspired by my life. I want to say to all my international friends that it doesn’t matter where you are located as long as you keep doing what you love. I’m writing in collaboration with other screenwriters, both here in Los Angeles and internationally.

    Sabrina Percario in "Tell"

    Sabrina Percario in “Tell”

    I recommend trying out different departments if you still don’t know what you want to be. Become familiar with the universe behind the camera and then choose a route. Once you decide where you fit in, people will begin to associate your name with that specific department.

    NYFA: Is there something you haven’t done on a film yet that you’d like to try?

    SP: I would love to direct a film one day, but right now I want to have more experience producing one.

    NYFA: You’ve won a litany of awards for your work already. Your projects Tell, I.C.E. CREAM and Breaking are the latest to gain recognition. Can you talk a little about these projects and your roles in them?

    SP: My recent projects that I produced are still in the film festival circuit. My latest films are Breaking and I.C.E. CREAM. Breaking is a fable — it’s the inspiring story of a porcelain doll who overcomes her fears and breaks out of her snow globe. Our purpose was to bring awareness about those who have suffered from sexual harassment. So far, we have won three festivals, two finalists, seven semi-finalists, and seven official selections.

    I.C.E. CREAM is another project I had the honor of producing. This film portrays the life of an immigrant family in this new Trump era. Our purpose was to bring awareness about the collateral lives affected by the immigration policies in place. So far, we have won nine awards. 

    My overall purpose in my films is to touch people’s hearts, inspire them, and spread a good, positive message through the characters I play and the films I produce.

    Tell is a film in which I played the lead actress. Its logline reads: Expecting a visit from his ex, a once-famous alcoholic writer decides to play a game of shoot the apple, until the truth of tragedy unveils the outcome of his intentions. For that film I won three awards as best leading actress.

    "Breaking" produced by Sabrina Percario. Actress/ writer/Executive Producer: Alessandra Hajaj - Sabrina Percario

    “Breaking” produced by Sabrina Percario. Actress/ writer/Executive Producer: Alessandra Hajaj

    NYFA: Which of your many projects was the easiest for you to work on and why? Which was the most difficult?

    SP: Breaking was an easy project to produce because it was shot entirely in one location and the crew and cast had an amazing professionalism and respect for each other. Everything went smoothly. Julia was very challenging for me because I was doing the film as a tribute to my Mom, who died four years ago. When I made the film I was still grieving, and it was very hard for me at that time to accept the loss. I was playing myself in the film, so I channeled all my pain and feelings through the character. It was therapeutic to write, produce, and act in that film, and it helped me to accept loss. It gave me the opportunity to express my love in a poetic way.

    NYFA: What other projects are you working on?

    SP: I’m currently working on Mojave Shadows, in which I play the lead. Its logline reads: A woman named Susan hikes in the middle of the Mojave Desert while coming to terms with guilt about the death of her son. One night she is attacked by a rattlesnake, and in the harrowing process, finds herself. 

    I’m also producing another project called El Fred. Its logline reads: A not-so-imaginary childhood friend returns as an unusual vigilante to protect a struggling single mother and her bullied son. And in December I’ll produce my first documentary, about self-healing and self-knowledge.

    NYFA: What did you learn at NYFA that has applied directly to your career?

    SP: I’m very grateful to NYFA. Thanks to a very hands-on program, I was able to learn how a film works from script to final editing. I also learned that producing a film is a group effort, and each department is essential in creating a coherent film. There are no small roles. I learned that it’s very important to respect your co-workers.

    NYFA: What advice would you give to students just starting out at NYFA?

    SP: Be professional. It doesn’t matter if it’s just a class assignment or a student project, you will graduate with your friends and they will be in the film industry with you. Instead of just making a connection, work on building relationships. Be responsible and reliable. Most importantly, ask yourself every day why you’re doing what you are doing. Remember what it’s all about: this is your passion. It’s important to have a goal, a purpose. Pursue your dreams. Don’t let anyone say no to you. Believe in yourself and trust your instinct.

    I just want to say that I’m very grateful for NYFA. In less than a year I was already working in the film industry. That would not have been possible without the kindness and expertise of the wonderful and talented people at NYFA.

    The New York Film Academy thanks Sabrina Percario for her generous time and looks forward to following her continuing success! 

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    October 16, 2018 • #WomenOfNYFA, Acting, Producing, Student & Alumni Spotlights • Views: 1166

  • New York Film Academy (NYFA) Broadcast Journalism Update – October 12, 2018

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    Last week, we featured the new class of New York Film Academy (NYFA) Broadcast Journalism students learning the fine points of video editing. This week, it is camera class. Graduates will recognize Classroom #505, where many of our students first learned how to shoot with a Canon C300 camera. And as the pictures show, at first it was a lot of fun.

    Broadcast Journalism Update


    But out in the field, shooting your first story (30-second Voiceover) is always challenging. However, things seemed to work out pretty well in the end. (How many of you shot on Stone Street for that project?) I don’t remember the “lion” ever being interviewed before. And with a reflector to even out the light!

    Broadcast Journalism Update

    Broadcast Journalism Update

    The big news last week was New York Film Academy grad Sergei Ivonin winning a Primetime News & Documentary Emmy Award. (That is the highest honor in American television.) Sergei was a member of one of the first NYFA Broadcast Journalism classes, and after graduation he went to work at NBC News. For many years he was an MMJ (multimedia journalist) for the magazine show Dateline NBC. That meant lots of travel. He also played an important role in NBC’s coverage of the 2014 Sochi Winter Olympics. In fact, his Russian language skills made him irreplaceable.That meant he didn’t get very much sleep, as stories had to be generated around the clock for various NBC programs.   

    Sergei is now a producer on the Today show, working on the 9am hour with Megyn Kelly. But it was as a field producer on the Dateline NBC team that he won his Emmy, for a segment in which former U.S. President Barack Obama was interviewed.

    Congratulations, Sergei!sergei ivonin

    Also last week, 2011 Broadcast Journalism graduate Alana Blaylock was profiled in Forbes magazine. Alana used the skills she gained at NYFA as the basis for her development as an innovative content creator. She also has some insightful things to say about the arc of her career, as well as the creative process. Underlying it all is a belief in hard work, adapting to the demands of a project while retaining your integrity, and the enduring value of curiosity and an open mind…

    Alana Blaylock

    Finally, Summer Workshop graduate Varvara Makarevich is still working in Russian language television… Only here in the United States! She is working with Voice of America (VOA), which is a U.S. government-funded broadcast service that distributes journalistically balanced programing in a variety of languages around the world. I know it sounds like a contradiction — a government agency providing unbiased programming — but it’s true. A long-time friend and former colleague in Tokyo is now head of the VOA White House bureau. I think he has one of the toughest jobs in the world. (But that’s just my opinion…)

    Great work, Varvara!

    You can find more information on classes offered at the New York Film Academy Broadcast Journalism School here.

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    October 12, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 370

  • Q&A With 2018 Glendale International Film Festival Filmmakers

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    Looking for something to watch this week?  Look no further than the Glendale Laemmle!  Several films by New York Film Academy (NYFA) alumni are official selections of the Glendale International Film Festival coming up October 5-12, 2018.  

    NYFA spoke with filmmakers Buffy Milner, Gabriele Fabbro, Rudy Womack, Diego Vicentini, and Boise Esquerra right before the festival and asked them to tell us about their experiences:

    Type by Buffy Milner, Fall 2015 BFA Acting for Film
    Screens October 6, 2018, at 2pm

    New York Film Academy (NYFA): Tell us about your film, Type.

    Buffy Milner (BM): Type is a coming of age story about the social struggles of a girl recently diagnosed with Type 1 Diabetes.

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    BM: My classes at NYFA gave me the tools and knowledge that I needed to be able to write and produce my film and much of the pre-production elements, outside of the acting, that I was clueless about before I went to NYFA. The teachers that helped me the most were outside of class, during consultations: Christopher Cass, my thesis advisor, and Joe Basille.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?  

    BM: I have won nine awards for my film in festivals, but this is my first live event for Type. I am very excited about having the screening and getting to show my film to others.

    Type

    Can’t Take My Eyes Off You by Gabriele Fabbro, BFA Filmmaking Fall 2015
    Screens October 7, 2018 at 10pm

    NYFA: Tell us about your film.  

    Gabriele Fabbro (GF): Can’t Take My Eyes Off You is a narrative music video based on one of the most famous songs by Frankie Valli and the Four Seasons. The story revolves around a confused young man who has to reject his top-model girlfriend in order to follow his true love. With the music as the driving force of the story, the film aims to break the common conception of “soundtracks perceived as accompaniment to the visual”.

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    GF: Past mistakes definitely have been the key to success of this film. I was lucky to work with one of the most talented casts and crews at NYFA. The film would have been a total disaster if it wasn’t for my DP Brandon Lattman, my assistant director Kelvin Shum, and my lead actors Derek Andrew Ramsay and Ydalie Turk. I’m very thankful to my directing instructor Andres Rosende, who taught me how to simplify complex concepts.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?  

    GF: I’ve had two other projects shown at the Glendale Festival. One in 2016, and in 2017 my intermediate film won “Best Student Film”. I’ve worked for the festival throughout 2018. Sadly, I won’t be able to attend this year’s screening. I’ll be shooting a feature documentary in Italy during the festival period. I hope my cast and crew will attend and do some networking. I’m always nervous to watch one of my films on a theatre. I’ve been to over 40 festivals now and that fear still doesn’t leave me.

    Can't Take My Eyes Off You

    In This Gray Place by Rudy Womack, MFA Filmmaking; produced by Radhika Womack, 1-Year Producing

    Screens October 10, 2018, at 8pm

    NYFA: Tell us about your film.

    Rudy Womack (RW): In This Gray Place is a feature, a psychological thriller about Aaron, a petty criminal who is involved in a robbery gone wrong. Wounded and surrounded by police, he barricades himself in a rest stop bathroom.

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    RW: Just about everyone involved with the project I met at NYFA! The lead actor, Aleksander Ristic, was in the MFA Acting program alongside me in the filmmaking department. I also met the Director of Photography, Naeem Seirafi, at NYFA. He was in the Cinematography school.  And, of course, my wife Radhika Womack, who was in the Producing program at NYFA when we first met. All of my experience at NYFA taught me how to pre-plan every small detail. We were a very limited crew with limited resources, so planning was essential to the success of the film.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?

    RW: Glendale is a fantastic festival and we are very lucky to be a part of it. The caliber of the other films speaks volumes to the quality of the festival and the filmmakers involved. This is our 15th screening, so the nerves have finally gone away. After the first few screenings, I went back and fine-tuned the edit, so I’m very excited to share it with a couple of people who haven’t seen this version. And, of course, I can’t wait to show it to all my friends and colleagues who haven’t seen it yet

    In This Gray Place
    Simón
    by Diego Vicentini, Fall 16 MFA Filmmaking

    Screens Thursday, October 11th at 6:00pm at the Laemmle Glendale Theatre

    NYFA: Tell us about your film. 

    Diego Vicentini (DV): Simón tells the story of a young Venezuelan freedom fighter seeking political asylum in the United States after being persecuted by the Venezuelan government. Simón must then find a way to keep helping the cause from thousands of miles away.

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    DV: The screenwriting and directing classes were the ones that most helped propel the creation and execution of Simón. Gil McDonald from screenwriting read multiple drafts of the script, always helping guide the story to fulfill its potential, as well as urging us to write about something we were passionate about. Andres Rosende then helped to make sure the story was in good shape both in the writing and after, during post-production while I was editing.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?

    DV: I am looking forward to beginning the festival run of Simón, lucky to be able to have our first public screening in our own city of LA. I am also looking forward to spreading awareness about the dire situation that Venezuelans are going through right now through audiences watching the film.

    Simon

    Cowboy by Boise Esquerra, Fall 2015 MFA Filmmaking

    Screens Thursday, October 11, 2018, at 10pm

    NYFA: Tell us about your film.  

    Boise Esquerra (BE): Cowboy is a short drama produced and filmed in the surrounding Burbank area and the Santa Clarita valley. It’s about a bitter, lonely cowboy who is set at ease after crossing paths with a promiscuous female vagabond. 

    NYFA: How did your experience at the New York Film Academy prepare you to make it?

    BE: From the get go, NYFA provides a multitude of hands-on exercises and projects for you to delve right into, allowing for much learning, practice, and most importantly, learning from your mistakes. These lessons are invaluable because they allow you to progress in your craft, so long as you take each one seriously. In particular, towards my final semesters, instructors like Tony Schwartz, James Pasternak, and Greg Marks helped me to reel in everything I learned and apply it to a solid project. Cowboy was the end result.

    NYFA: What are you looking forward to at your screening at Glendale International Film Festival?  

    BE: I am looking forward to the screening itself!

    Cowboy

    The New York Film Academy congratulates our filmmakers and wishes them the best of luck! For more information about screenings and tickets, click HERE.

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    October 5, 2018 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 797

  • New York Film Academy (NYFA) Broadcast Journalism Update: October 2, 2018

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    Last week was the first week for the new class of students attending the New York Film Academy (NYFA) Broadcast Journalism school. On their third day of classes they were introduced to nonlinear video editing software. Yes, it was time to meet Avid Media Composer 8. And the first reactions were… positive. The credit goes to our fabulous Editing instructor Christine Schottanes, and equally stellar TA (and NYFA grad) Catherine Kobayashi, for making complicated software understandable.

    Broadcast Journalism Update

    The class has students from Zambia, New York City, Ukraine, Connecticut, England, China, Louisiana, Spain, and Brazil.

    Broadcast Journalism Update

    When I posted this on Facebook, I heard from NYFA grad Laura Isern. She was chosen from among more than a thousand applicants for a prestigious journalism training program run by Brazilian media giant Globo.

    She wrote: “I’m using Avid in my internship a lot. Classes were really helpful.”

    And speaking (again) of Catherine Kobayashi, the two of us were part of a Virtual Open House last Wednesday. It was great to get questions from people everywhere, including some folks for whom it was the middle of the night. (Now that’s dedication…) If you were one of the participants, thanks for spending time with us. And if you have any additional questions, we’d be happy to answer them…
    Broadcast Journalism Update

    So the Broadcast Journalism camera classes Celina Liv Danielsen took as a student at NYFA came in handy last week. That’s her in the picture below, shooting (and producing) a story at the United Nations for Denmark TV 2.

    Broadcast Journalism Update
    And here is some of what she wrote to me…

    “…my new job title is journalist and producer for our US correspondent who is based in Washington DC. Together we are going to cover all US news for the people of Denmark. My job is to find all stories that we are going to produce for our newscast. I’m calling and finding all the sources, writing the manuscripts and articles, I’m the photographer when we are covering events where we are not making stories for our newscast but only covering it live. If my boss is on vacation or is doing other things then I’m reporting live to Danish national television. So I’m pretty busy and have a lot on my plate but it is so much fun. Since I got here I have only been in my apartment four times.  

    The first week was very hectic. I reported live from John McCain’s memorial in DC, then the Danish photographer and I flew to Boston to meet my boss (the US correspondent) to do a story there, then on to Toronto Film Festival and then San Francisco to cover the world’s first try to send out a machine in the ocean that can pick up all the plastic. Three days later we were in North Carolina covering the hurricane and this week was all about the UN. Next up is the midterm elections where we move out in “Trump land” to do many stories and then on election night a lot of live reporting. 

    I’m living in another city and get to travel all over America – it is so perfect. And I work with a very famous journalist from Denmark over here so people back home are starting to know my name in a bigger scale then before. Feel very lucky and blessed. But it took a lot of hard work

    WOW!

    Viviane Faver was a member of my very first class of 1-year Broadcast Journalism students in Fall 2013, after I had arrived at NYFA just a little more than a year earlier. Well I am still in New York, and so is Viviane. Last week she was doing what we in the business call a “cross-platform” story. It will appear in a Brazilian newspaper, a magazine, and on a website. Here is how she summed up the experience on Facebook:

    “I just had the pleasure of interviewing the CEO of @Climategroup, Helen Clarkson. ‘As countries step up to drive down emissions it’s important not to leave others behind. We need to ensure a fair and just transition to a clean economy that benefits us all.’”

    That’s Viviane on the right, in the picture below…
    Broadcast Journalism Update

    Thanks to LinkedIn, each morning I get to see the latest edition of GeekWire, hosted by NYFA grad Starla Sampaco. (Not “Sanpan,” as the autocorrect on my email keeps changing it to.) Last week she was reporting on how the cofounders of Instagram were leaving the company. But with all the talk about “fake news,” I have some questions, Starla… That’s a whole lot of blue sky behind you. I thought it rained in Washington State every day…

    Broadcast Journalism Update

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    October 2, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 394

  • New York Film Academy (NYFA) Alum Ilaria Polsonetti Nominated for News & Documentary Emmy

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    New York Film Academy (NYFA) Documentary school alum Ilaria Polsonetti’s film has been nominated for multiple awards at the 39th Annual News & Documentary Emmys. Made for VICE News Tonight on HBO, “Libya: Intercepting Migrants” is nominated for Outstanding Editor News and for Outstanding Continuing Coverage of a News Story. Winners are announced on the first of October in New York City.

    Ilaria Polsonetti

    Ilaria Polsonetti

    Polsonetti graduated from NYFA’s 1-Year Documentary program in 2011. She is also a graduate of the 3-Month Screenwriting program, which she finished in 2013. Over the course of her career, the editor has melded her knowledge gleaned at NYFA with her M.S. in Sociology (London School of Economics). After graduating, she worked for Market Road Films, Singer Street Films, and as a freelance editor.

    A screenshot from "Dirty Oil in Nigeria"

    A screenshot from “Dirty Oil”

    Since 2015, Polsonetti has worked for VICE in Brooklyn. With the expansive and ever-growing global media brand, she has had the chance to work on urgent and political topics such as Libya’s migrant crisis and Venezuela’s anti-government protests. VICE’s increasingly diverse and critically-acclaimed documentary series’ have been an ideal place for the multicultural filmmaker to hone her skills. In 2017 alone, Polsonetti worked on “German Hotelier turns Hotel into a Migrant Center,” “Dirty Oil,” and “The Politics of Terror” in addition to the aforementioned Libya piece. Along with her work for VICE, Polsonetti has worked on “The Notorious Mr. Bout” and “First to Fall.” She was also recently editor on VICE’s Raised in the System” starring Michael K. Williams (aka Omar on “The Wire”).

    Documentary Chair Andrea Swift says of Polsonetti’s work,”These nominations don’t surprise me in the least. Ilaria has always been an insightful and diligent editor who demonstrated a unique sensitivity to the human experience. She developed a strong sense of story that is equally evident in this piece.”

    The New York Film Academy congratulates Ilaria Polsonetti on her recent success and looks forward to seeing what she works on next! You can watch VICE on HBO’s documentary on migrants in the Mediterranean below:

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  • New York Film Academy (NYFA) Alum A.J. Rivera Joins All-Star Cast of Netflix’s “Another Life”

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    New York Film Academy (NYFA) Acting for Film alum A.J. Rivera is following up several high-profile guest roles on television with a starring role in Netflix’s highly-anticipated new sci-fi drama, Another Life. 

    The 10-episode series is getting a lot of buzz since being picked up by Netflix last April, in part because of a veteran television cast. The cast includes Battlestar Galactica star Katee Sackhoff, as well as Alex Ozerov (The Americans), Jessica Camacho (The Flash), Barbara Williams (Mayans MC) and Lisa Renna (The 100). Also starring are film stars Selma Blair (Hellboy, Cruel Intentions) and Justin Chatin (Dragonball Evolution, War of the Worlds.) 

    The show is part of a continued campaign by Netflix COO Ted Sarandos — who spoke earlier this year with NYFA — to produce original content and dominate the longform storytelling market. It tells the story of a team of astronauts and scientists on a mission to search for intelligent life. It was created by Aaron Martin (DeGrassi: The Next Generation).A.J. Rivera

    A.J. Rivera plays Bernie Martinez, a microbiologist on the spaceship who also serves as part-time chef. He is part of the show’s comic relief, where his character uses jokes as a form of currency. Rivera is no stranger to comedy — his previous regular role on a TV series was with the John Stamos vehicle Grandfathered, as Victor.

    Rivera has also appeared on numerous other television shows, including Goliath, Jane the Virgin, Lethal Weapon, Shameless, 2 Broke Girls, Baskets, and This is Us. He attended New York Film Academy’s MFA Acting for Film program in September 2011, at NYFA’s Los Angeles campus. There, he was able to train with talented faculty members currently working in the industry, and collaborate with film school students on the backlot of Universal Studios.

    The New York Film Academy congratulates A.J. Rivera on his latest success, and looks forward to seeing him on Netflix’s Another Life in 2019!

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    September 28, 2018 • Acting, Student & Alumni Spotlights • Views: 506

  • Soap Hub Celebrates New York Film Academy (NYFA) Acting for Film Alum Chad Duell

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    New York Film Academy (NYFA) Acting for Film alum Chad Duell has been a soap opera mainstay for some time now and has amassed quite a few fans, but it’s still nice to be spotlighted once in a while. That’s what happened earlier this month when major soap opera publication Soap Hub wished Duell a happy birthday and invited its readers to do the same.

    Duell is best known for his work on popular soap opera General Hospital as prominent character Michael Corinthos. General Hospital is the longest-running American soap opera in production, and second longest-running worldwide, having premiered way back in 1963. It is also the longest-running entertainment show in ABC history, and, with 13 total wins, holds the record for most Daytime Emmy Awards for Outstanding Drama Series.

    Duell is also an Emmy-winner, having won the Daytime Emmy Award for Outstanding Supporting Actor for his work on General Hospital. Before his critically-acclaimed work on the show, Duell also had recurring roles on the hit Disney show sitcoms Wizards of Waverly Place and The Suite Life on Deck.Chad Duell

    Duell, who just turned 31, was born in Chicago and raised in Scottsdale, Arizona. He’d been passionate about acting from a young age, and attended theatre class in high school while also playing football. 

    In 2007, he took the 1-Year Acting for Film program at New York Film Academy’s Los Angeles campus. The acting school teaches students the craft of acting with a professional, working faculty and with hands-on experience that allowed Duell to act in front of a camera within the first week of his classes. Located in the heart of Hollywood, where students could shoot their projects on the famed Universal Studios backlot, Duell achieved his dream of making it to LA. 

    The New York Film Academy wishes Chad Duell a happy birthday and congratulates him on his continued success as an award-winning television star!

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    September 27, 2018 • Acting, Student & Alumni Spotlights • Views: 335

  • New York Film Academy (NYFA) Documentary Alum Releases Chilling Doc “A Sniper’s War”

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    New York Film Academy (NYFA) alum Olya Schechter recently released her film, A Sniper’s War, to rave reviews. The harrowing documentary focuses on a Serbian sniper named Deki, whose anti-US views caused them to join pro-Russian rebels in the Ukrainian conflict.

    The film’s official website summarizes the documentary as “[exploring] the ambiguous morality of war when social media becomes a communication platform for two rival snipers to schedule duels in hope to kill one another between the shadows of rival superpowers.” The filmmakers were given an unbelievable level of access to the conflict’s front lines and the military bases of those involved.

    A screencap from "A Sniper's War"

    “A Sniper’s War”

    The Hollywood Reporter called the film “powerful and disturbing” with “superb cinematography.” Despite positive reviews, however, the film has generated controversy online from those who have misinterpreted the film’s message as “pro-Russian propaganda.” Its rating on audience-driven sites such as IMDB has been torpedoed with 1-star ratings. As a positive review on Film Threat points out, “Schechter tried to keep politics out of it, telling the story of a man, not the story of a war.” She gives a comprehensive (and often tragic) background to her protagonist, who could otherwise be difficult for the average audience member to empathize with. “There is a fine line between a soldier and a killer,” Deki explains.

    The pro-Russian, anti-United States sentiment of the protagonist makes for bold subject matter. The film was released by Journeyman Pictures and joins a lineup of daring, diverse pictures such as I Love My Muslim (concerning a 62-year old Muslim marrying a 33-year old Libyan freedom fighter), Pani: Women, Drugs and Kathmandu (about opioid addiction in Nepal), and Take Light (concerning Nigeria’s electricity crisis).

    In July 2018, Schechter returned to NYFA’s Battery Park campus to screen her film for students and alumni in the Academy’s 1st Floor Theatre. Chair of NYFA’s Documentary school Andrea Swift joined the audience to support her former student.

    The New York Film Academy congratulates alum Olya Schechter on a breathtaking work of filmmaking and looks forward to following her already impressive career. You can watch the trailer to A Sniper’s War below, or buy it on Amazon here.

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    September 25, 2018 • #WomenOfNYFA, Documentary Filmmaking, Student & Alumni Spotlights • Views: 2487