Digiday posted a fascinating article last week about storytelling in the digital age. The premise was that “publishers” (the online sort) are treating Instagram stories like episodic television. It’s really a brilliant innovation. The way people process information is changing (or should that be “has changed?”). People react less to words and more to images. So how do you take what would otherwise be disjointed arrays of pixels and give them staying power? You tell a story — and episodic television has been telling stories since the dawn of the TV era. By creating basic storylines, that carry over from “episode” to “episode,” you create anticipation, tension, interest and (most importantly) audiences!
The same is true in nonfiction video too.
NYFA grad Melissa Aleman is back in the Weekly Update again, this time with Col. Jack Jacobs, the chair of the NYFA Veterans Advancement Program. Melissa was the videographer at a special veterans event that NYFA held in Austin, Texas. It is wonderful to see how Melissa is using the skills she learned as a Broadcast Journalism student not just to build a career, but to “give back” as well. Meanwhile, Col. Jack Jacoba is the heart and soul of our veterans’ activities here at NYFA.
So how do you produce news stories in the digital era? Well, you can learn a lot from NYFA grad Celina Liv Danielsen. She works in the news department at TV2, in Copenhagen, Denmark. Look carefully at the picture below — Liv is using three microphones. Two are wireless lavalier mics (see the antennae on the back of the camera?), and one is a mini-shotgun mounted on the front of the camera. Just like she learned to do here at NYFA!
This is a PR Agency for techlology startups, and I am a press agent for some companies in this area … There is one TV production called Floresta Produções which is a joint venture with Sony Entertainment. They make one of the most famous reality shows here like Lady Night at Multishow, and also UFC, Shark Tank, and shows like Who Wants To Be A Millionaire. They called out our help because they want to expand their productions for branded content and TV premium. It’s been cool but tough!
Here is a screen grab from one of Karina’s student projects. I know for a fact she misses New York … if not the winter weather.
Long before the final school bell rings every year, kids and teens around the world are dreaming of a camp where they can do what they love all day, every day. At the New York Film Academy, camp means storytelling in the visual and performing arts. Since 1996, the visual and performing arts stars of tomorrow have found their way to NYFA, where we’ve welcomed thousands of young artists, performers, filmmakers, and designers from all over the world at our many international locations. Our campers collaborate with working industry professionals while creating their own original art, and the creative excitement can last a lifetime.
Even after summer ends and our campers go home, many take their passion for the visual and performing arts to the next level as they forge their own pathways as rising artists. Check out these incredibly inspiring stories from some of our NYFA summer camp alums.
Made famous by her breakout performance as April Ludgate on Parks and Recreation with Amy Poehler, Aubrey Plaza, attended film camp at NYFA — and even returned to the school as a Guest Speaker in 2015. Since then, she has skyrocketed from success to success, going on to astound audiences with her riveting performance as Legion to winning an Independent Spirit Award for Best First Feature for Ingrid Goes West in 2018.
Eve Hewson may come from a famous family, but the daughter of U2 rock star Bono has carved out her own space in the entertainment industry through hard work and talent — which she honed in NYFA’s summer camps for acting! Since her studies, Eve has acted opposite Sean Penn and Frances McDormand in This Must Be the Place, opposite James Gandolfini in Enough Said, and opposite Clive Owen in Steven Soderbergh critically acclaimed series The Knick.
New York Film Academy summer camp grad Michael Gallagher started out making hundreds of shorts on YouTube channel TotallySketch before going on to realize his dreams as a director. His directing credits include TV mini-series Interns, How to Survive High School and The Station. He’s also produced films Smiley, The Thinning, and Internet Famous. Despite being so busy, Gallagher found the time to return to NYFA as a Guest Speaker for a special screening of his film The Thinning in 2016.
An alum of NYFA’s filmmaking camps, Bex Taylor-Klaus now stars in the hit MTV TV series Scream — though savvy viewers may also recognize her from her appearances in popular shows like House of Lies, The Killing, and Arrow. And if you listen closely, you’ll be able to tell that Bex also voiced the character of Katie “Pidge” Holt in Netflix’s Voltron: Legendary Defender.
Jonathan Morgan Heit
After attending NYFA camps both as a kid and a teen, Jonathan Morgan Heit has gone on to great fun as the voice of Disney Junior’s Cubby and in commercials for Comcast, Zales, Dodge, Wal-Mart, Publix and Barilla Pasta. But you’ll also recognize him from TV smash hits including How I Met Your Mother, ER, and Close to Home, as well as films films Disney feature In Search of Santa Paws, Date Night, and Valentine’s Day.
After wrapping up NYFA’s musical theatre camp in 2010, Pati Amoroso starred as Sophie in Brazil’s production of the Broadway smash hit Mamma Mia! And in 2018, she is expanding her work from stage to screen, with production of first pilot, Don’t Dig.
Learn more about NYFA’s many summer and youth camp offerings here.
Not many aspiring actors get to spend childhood performing alongside Russell Crowe and Roberto Benigni in international megahits like The Gladiator and Life is Beautiful, but New York Film Academy alum Giorgio Cantarini did.
You may recognize Cantarini as the spontaneous, cherubic child actor who not only held his own but represented the emotional heart of each of those acclaimed films, but Cantarini has grown quite a bit since then — including in his acting technique. Wrapping up his studies at the NYFA New York Acting Conservatory, Cantarini sat down to share some of his insights with the NYFA Blog. Check out his incredible story.*
*This interview has been edited for clarity and length.
NYFA: You’ve been acting since you were 5 years old in Life is Beautiful, can just tell us a little bit about how you came to that film?
GC: There was an article in the newspaper with casting description of the kids that they were looking for, and my uncle saw the description and was like, “Giorgio it’s the same as you, you have to go to the audition,” and so we went.
… At the auditions I never acted. Roberto Benigni just wanted to talk with me and see how I reacted. And then of course on the set they explained to me the scene, what was happening.
NYFA: From the time that you were working on Life is Beautiful through school, did you do any kind of school work involving acting?
GC: After Life is Beautiful, after The Gladiator, growing up I didn’t want to be an actor because my role in Life is Beautiful was really attached to me … but then after high school everyone told me how talented I was, so I said to myself, okay, let’s see if really I have this talent. I went to Rome to enter a very selective school. Every year like 700 people try to get in and they choose 12: six girls and six guys. So when I was admitted I was really happy.
I started acting because someone choose it for me, but now it was my choice, and this was a very big step for me to continue, and to discover that I’m good, and now I could study to be a professional, complete actor.
NYFA: How was your time studying with the New York Film Academy?
GC: I had a really great month at NYFA, one of the best experience in my life — for the city, for everything, for New York, for the people.
The standard is very different than the teaching approach in Italy. It is very different. It’s smart to direct small groups, and just do it, don’t think about it — do it, just do it!
I really like NYFA a lot because of the action, and the professors too. The energy! I think that they have a lot of students every month, every year, a lot of different students — but every day they come in the class with the with a great energy, to work with you and do the best for you every single day. Seeing teachers every time have good energy, positive energy, and smiling, was inspiring.
NYFA: When you’re looking back at your experience at NYFA, is there anything you learned that you feel you’re going to take with you in your future career?
GC: The technique from NYFA instructors Blanche Baker, Peter Allen Stone, and Victor Verhaeghe, and the scene analysis — truly, the class most important for me was Alison Hodge’s technique.
NYFA: What inspires your work? Is there a specific film or actor that you always go to?
GC: For me, Dustin Hoffman. Dustin Hoffman is ideal. When I watched The Graduate, I thought, “What a movie! What an actor.” I was impressed with Dustin Hoffman, he is my idol now and before. He’s a special actor…
NYFA: Can you tell me a little bit about your film Il Dottore del Pesci (The Fish Doctor)?
GC: The story is about a guy that has a fish shop, but he doesn’t sell the fish; he takes care of the fish. If someone goes out of town, the people can leave the fish with him and he’ll take care of them. His life is with the fishes. One day an American person from a TV network meets him and thinks he is perfect for a show about the the weirdest jobs in the world, like a freak show. My character’s English isn’t great, so he confuses the question and says yes without realizing what he’s signing up for.
Life changes for him. He used to talk to a lot of people in a really, really small city, with a lot of old people. He has no family. And suddenly he’s in the U.S. and he’s really emotional. And I can’t tell you the finale but it’s so lovely.
NYFA: Overall is there any advice that you would give to people that are interested in going into acting?
GC: If you want to be an actor, you have to study a lot. Especially now, because with Netflix and YouTube and the web, a lot of people want to be an actor. Anyone can put his work on on the web, but that’s not a real actor. You bring the art with you.
It takes a lot of study to understand and know who you are. To be a great actor, you have to know who you are. That’s the main reason that I am here in New York — I want to see when I leave home, and speak in another language with other people, who am I?
It really was different here. I was different. I don’t know why, but this city or this situation with the school and the feeling with the classmates really gave me a new energy. New perspective, you know? New experiences. To be open and always beautiful. I love it.
NYFA: What’s next for you?
GC: I’m returning to Italy to start the second part of my scholarship, a theatre production that works with the people that were in prison, to be an actor and assistant director.
Then, my next project will be to move to New York after the summer. I’m starting the process. I want to come here now because, while I have an agent in France and Switzerland, I’d like to start a new journey in New York.
There is no better source of information regarding trends in American journalism than the Knight Foundation. The foundation is funded by the proceeds of the sale of the national Knight-Ridder newspaper chain, which took place just before the business model for local newspapers collapsed.
Strictly nonpartisan, and rooted in the realities of journalism today, the foundation just posted a report on the impact of new media on local TV news. The summary is well-worth reading, as it explains how local TV news has — so far — avoided the dramatic decline in viewership seen by network news programs. It also exams the strategies stations are using to become cross-platform distributors of news.
Ongoing trade tensions between the United States and China have meant some very long days for NYFA Broadcast Journalism grad Grace Shao. Here is her summary of one of those days, reporting for CGTN from Beijing:
What a day! Woke up at 0500 to the White House’s announcement of a proposed tariff on 100 bln dollars worth of Chinese goods … then proceeded to do a live cross with DC at 0800, 0900, 0930 and live cross with Beijing at 1400 while waiting for the Chinese MFA & MOFCOM’s official response … at 1700 I aired a pkg summarizing the U.S.-China trade tension which was aired again at 1900 … at 2030 MOFCOM held a press briefing and I finally got to wrap up the day with the official response, finishing a final package at 2300….and now sitting on my couch, I’ve never felt more satisfied eating a tub of ice cream!
Closer to home, alum Melissa Aleman has moved from New York City to the heart of Texas — Dallas, to be precise. And after doing some freelance work, she is about to start working at CW 33.
I wanted to fill you in on the CW 33 journey. I got the job as AP for NewsFix! I’m very excited for this opportunity. I will be starting April 18! Thank you for everything you and the instructors taught me in NYFA!
BTW, you may have seen Melissa’s picture in the current NYFA Viewbook. That’s Melissa on the right … Her classmate with the camera, Lara Gato, is now an Associate Producer at CBS News.
As for myself, I am just back from Vietnam where I was working on a joint China/Vietnam/U.S. project. It’s something of an understatement to say it was a “challenge” working in three languages, but it was a great experience. I ended up spending a good deal of time in the countryside, including up in the Central Highlands, which saw far too much fighting during what is known there as “The American War.” Da Nang, which used to be more of a small town than a city, has grown exponentially…
“What I’ve mainly learned from NYFA is to be able to tell stories. Of course, I’ve learned about image and sound, which are also important, but being able to include some kind of drama in a story stands out above the rest. As a matter of fact, during the final editing process of Soul, I would call the director while he was editing the film and, after watching the cuts together, he applied what I was discovering at NYFA. I think is has helped the film.”
Already a successful journalist in Egypt, Abdallah came to NYFA to study filmmaking and enhance his storytelling skills. He is keenly aware of the impact movies can have on people and his thesis film, Doors of Mercy, seeks to shed light on the plight an Egyptian woman can face when giving birth to a child out of wedlock.
Monika is a portrait and fashion photographer whose work has been published in IKONA, L’Officiel, Elegant Magazine, Promo Magazine, Shuba Magazine, Eden Magazine, Fayn Magazine, Stilius Magazine, Zurda Magazine (online), The Wrap (online), and Luxure Magazine. Her work was also featured at the 2017 edition of Photoville, one of New York’s premier photography festivals.
A New York Film Academy MFA Screenwriting alum, Melarissa wants to help grow the film industry in her native Indonesia and empower women by telling their stories. She has said that being a Fulbright scholar and being able to make personal and professional connections throughout the course of her studies has been a life-changing experience. Of her time at NYFA she’s said:
“I learned a lot about structure, dialogue, character. I feel like I now have the skills that are expected of me. That’s why I want to use my voice to speak for those who can’t.”
Already a founder of a production company in his homeland of Angola, Hugo earned his Master of Fine Arts in Filmmaking at NYFA’s Los Angeles Campus. Even though he was encouraged to pursue medicine and engineering, of which Angola is in dire need, he replied, “To me, culture is just as important as those other things.”
Few people have the grit and the determination to become a Navy SEAL, but New York Film Academy alum Kenny Sheard has shown that no matter what he sets his mind to, he brings in the full force of his incredible work ethic, talent, and stamina. After honorably serving in the Navy for 12 years and attaining a place with the world famous, elite Navy SEALS, Sheard has managed to forge an entirely new and challenging path for himself in the civilian world as an actor and stunt performer in some of Hollywood’s biggest blockbusters and series.
Sheard booked his first stunt job in the Transformers franchise while still actively serving in the reserves, and from there, came to NYFA to master new skills in Filmmaking. Since then, his creative career has skyrocketed, with stunt credits in Agents of S.H.I.E.L.D, Fear of the Walking Dead, Logan, and the upcoming Avatar 2, among many many more. His acting credits continue to build up as well, with his most recent appearance alongside Chris Hemsworth in 12 Strong, now available to stream on Amazon.
NYFA alum Kenny Sheard via IMDB
Through it all, Sheard has worked hard to keep learning, stay humble, and encourage fellow veterans as they transition to civilian life. Here, he shares his best advice and some of his story with the NYFA Blog. Check out what he has to say:
NYFA: First, can you tell us a bit about your journey and what brought you to NYFA?
KS: I’m originally from Miami, FL, and attended College in Newburg, NY, for a few years, but didn’t finish. I moved home, joined the military in May of 2001, and served on active duty until May 2013. In 2010, while assigned to a training command, I was given an opportunity to use my saved up leave (vacation time) to play a minor stunt/acting role on Transformers 3. That experience and a multitude of things that followed are what ultimately lead me to the Filmmaking course at NYFA.
NYFA: Why filmmaking? What inspires you most about film? What stories are you most passionate to tell?
KS: Films have entertained and inspired me as far back as I can recall. I enjoy reading; however, films have had a more substantial impact on me. In my experience, I’m able to feel and perceive the world through this visual medium in ways that I might not ever have had the chance to, like through a mother’s loving eyes or a tormented serial killer. Personally, I prefer fiction over reality-based stories. That said, some of the most influential films I’ve seen have also been “based on true story” movies. The stories I’m passionate to tell lean on the darker and grittier side.
NYFA: Do you have any favorite NYFA moments from your time studying with us?
KS: I don’t have any favorite standout moments, but I got a ton out of the experience. The teachers were knowledgeable and went above and beyond.
NYFA: As a veteran, what is your best advice to fellow veterans and active service members interested in transitioning into the visual and performing arts?
KS: My advice would be to stay focused on your goals/dreams, be true to who you are always, and destroy the ego. Use the discipline, structure, and attention to detail you’ve acquired from your time of service and apply it to your new creative ventures in life.
Have a work hard, hustle attitude, with a positive and open mind. Don’t ever hang your choice to serve over anyone’s head, ever.
Sounds like a cheesy poster, but hey, get after it!
NFYA: You launched your career in the Transformers franchise while still serving in the reserves. What was that experience like?
KS: Being a part of Transformers was awesome. I met Michael Bay and Harry Humphries through a friend, Echy.
I can’t say enough great things about Bay and being exposed to a film set like that. I enjoyed every moment, and it came at a time when I had no idea what to do next in life. If I tried to put words to the whole experience and what it’s meant to me, it would degrade it.
NYFA: You’ve worked in some incredibly successful, major films — from John Wick to 13 Hours and Transformers: Age of Extinction. What is your best advice to our students to prepare for the transition from school to a large-scale blockbuster set?
KS: That’s a tough one. I think some people get it, and some don’t. I can’t imagine anything I write here might shatter any glass for readers. See my advice to veterans; it applies to all.
NYFA: Acting and stunts — how does your preparation process change depending on your work?
KS: These are two very different worlds, which I’m on the bottom of the barrel in both. When it comes to acting, I’m just playing myself. Other than knowing my lines, which have yet to be extensive, there’s not a ton of prep for me.
Stunts, on the other hand, require a ton of prep. I think I need to point out here that I’m relatively green in the stunt world. The pool of talent I’ve had the honor of working with in the stunt world is insane, and I’m far from being considered anyone of a high caliber. My tactical background has helped me out tremendously, but I’m still learning a ton every project I’m on.
NYFA: What is your favorite part of working in stunts? Have there been any surprises and challenges along the way, and how do you overcome them?
KS: My favorite part of working in the stunt community has been the people. Every project I’m on, I’m always impressed with the talent and comradery. I can’t say that I’ve ever been surprised, but it’s always challenging and fun.
NYFA: Can you tell us a bit about 12 Strong? What was that filming experience like?
KS: 12 Strong was an outstanding experience. From meeting the guys whom the story was about, to working with all the talented actors and stunt team, it was awesome. I wouldn’t know where to start, the director and producers were solid to work for as well.
It’s a hard thing telling a true story, and I think Nicolai Fuglsig did an exceptional job. The men who the story is about were very pleased with it, and you can’t ask for anything better than that. I was deeply honored to play Bill Bennett, a medic who later lost his life overseas in Iraq in 2003.
The New York Film Academy would like to thank Kenny Sheard for taking the time to share his story with the NYFA community. 12 Strong is available to stream on Amazon.
The New York Film Academy (NYFA) is proud to be a promotional partner of the Indian Film Festival of Los Angeles (IFFLA), the premiere showcase of groundbreaking Indian cinema. Screening from April 11-15 at Regal LA Live, this year’s lineup features award-winning new work from Indian filmmakers around the world, and NYFA alumni, students, faculty, and staff will be on hand to experience it from beginning to end.
“I’ve been attending the Indian Film Festival since 2004, when I introduced and moderated a shorts program and Q&A,” said directing instructor Nick Sivakumaran. “The window it presents into the diversity and quality of Indian cinema never ceases to amaze me.”
IFFLA 2018 Opening Night Film In The Shadows stars Manoj Bajpayee, Ranvir Shorey, and Neeraj Kabi, in a drama about surveillance and memory.
IFFLA has graciously invited NYFA students to two programs of short films on April 13 and 14, and provided the NYFA student community a discount code for $2 off tickets.
Filmmaking Department Coordinator Prarthana Joshi noted that she had already watched several of the short films, and was excited to see the features — particularly Bornila Chatterjee’s The Hungry, an adaptation of Shakespeare’s Titus Andronicus, that was screened at the Toronto Film Festival last September.
“Bornila Chatterjee is a young female filmmaker working outside of the traditional Bollywood system,” said Prarthana. “I’m really looking forward to seeing her film and learning more about how she is making her career happen.”
Rima Das’s “Village Rocksters” features a powerful female-led narrative and will be the Closing Night film of IFFLA 2018. The screening will be preceded by an Awards Ceremony featuring a prestigious jury: Reza Aslan, Saudi filmmaker Haifaa Al-Mansour, and Sundance breakout Aneesh Chaganty.
Acting for film student Pauline Yang (Fall 2017 1 Year Acting for Film) will be volunteering for the Festival. “I really like being a part of film festivals because it brings a community together,” she said. “Everyone is always so excited to be a part of it, and the audience seems to always have a great time.”
In addition, NYFA alumni Rukmani Jones (Jan 2009 MFA Producing) and Ruchi Kishore (Sep 2012 MFA Filmmaking) both work for the Festival, with Rukmani serving as Filmmaker Liaison and Ruchi as Volunteer Manager.
“This is my fourth year being involved with the Indian Film Festival of Los Angeles,” said Ruchi, “And with every year my love and appreciation for the IFFLA community grows deeper.”
To see the full line-up of films, please visitwww.indianfilmfestival.org. The NYFA community can use the promotion code NYFA2018PP for a $2 discount off all tickets.
HBO’s Women in Comedy Festival (WICF) is an inclusive event focused on smashing gender inequality in comedy, where they flip the usual gender ratio in comedy: 80% of WICF performers are women.
The ninth annual WICF will be held April 19-22 in Boston. Along with HBO, this year’s event is sponsored by NBC, ImprovBoston, and Le Chevalier. Major stars are headlining, including Wanda Sykes and Tig Notaro, with additional performances by Kat Radley, Gina Yashere, Emma Willman, and Kelly McFarland.
Although Wynona Barbera studied documentary filmmaking at NYFA, El Cat is a fiction film — which just goes to show how NYFA students can apply their skill set in so many ways as they forge their own paths as storytellers.
“Congratulations to Wynona,” said NYFA New York Chair of Documentary Filmmaking Andrea Swift. “HBO’s Women in Comedy Festival is a major player in launching the next generation of leaders and innovators in comedy. It just goes to show the skills NYFA Documentary Filmmaking students develop here can be applied to all kinds of content, especially fiction films. Can’t wait to see what’s next!”
El Cat will be competing in the The HBO Insider Comedy Short Challenge and WICF Comedy Short Contest with Paul Feig on Saturday, April 21, in Cambridge, MA. #WomeninFilm #WomenOfNYFA
Every year, thousands from the art industry attend ArtExpo New York in search of trendsetting art and artists that will be shown in galleries worldwide. Hosting more than 35,000 avid art enthusiasts annually, ArtExpo is the largest international gathering of qualified trade buyers — including gallery owners and managers, art dealers, interior designers, architects, corporate art buyers, and art and framing retailers.
Kingi Kingibe’s photography
There will be 400+ innovative exhibiting artists, galleries, and publishers from across the globe, showcasing exciting original artwork, prints, paintings, drawings, sculpture, photography, ceramics, giclee, lithographs, glass works and more — all under one roof at Pier 94.
New York Film Academy artist/alumni featured at ArtExpo 2018 include:
Kingi Kingibe: From Nigeria, Kingibe has explored the devastating effects of cotton; from its role in the enslavement of African American people to its damaging effects on the planet. In a recent exhibit, the artist framed cotton plants in gold and transfers stunning portraits of Black women in vintage cotton clothing onto actual raw cotton. The exhibit juxtaposes the ubiquity of cotton with its barbaric origins.
Photos by NYFA alum Jon Henry
Jon Henry: Henry graduated from the New York Film Academy Photography School’s 1-Year Conservatory and is a teaching assistant at the New York City campus. In his visual artwork, he focuses primarily on the black family and the community at large. He also explores the representation of athletes in fine art. His Stranger Fruit in Smack Mellon’s Hot Picks 2017 and you can read about him on the NYFA blog.
NYFA alum Ana Paula Tizzi
Ana Paula Tizzi: The work she will be showing is entitled Dear Fubá, which illustrates her father’s advice via letters from Brazil. She uses photographs and cinemagraphs (photos with certain features that are animated). The artist says, “Among these are how to achieve self- acceptance, the importance of moderation and the need for persistence in work and life.”
Alejandro Ibarra: LGBTQ+ families are often labeled “non-traditional,” and NYFA MFA grad Ibarra photographs both straight and LGBTQ+ family portraits in his series Piece by Piece, and addresses the irrelevancy of sexual orientation as it pertains to how families are classified.
Photography by NYFA Alum Alejandro Ibarra
Natasha Rudenko: Bodily Confessions examines “femininity, national identity, and gender politics as a Russian born, white woman living in the United States.” Rudenko comes from a conservative background in Russia so her viewpoint is a unique one. The artist says, “This project is about my journey of recognizing and interpreting my whiteness, my body, my power, my presence and place through photography.
Did you know that April is World Autism Month? This week kicked off with World Autism Day, an event where, as Autism Speaks explained, “hundreds of thousands of landmarks, buildings, homes and communities around the world, light blue in recognition of people living with autism.”
With the world coming together in blue light for World Autism Day, New York Film Academy BFA Filmmaking grad Shivalik Shankar went a step further to promote awareness and advocacy for autism yesterday, with his film Let Me Be.
Shankar directed and co-wrote the short film, which follows an autistic teenager who asserts his independence and expresses his needs by escaping from a day care program to visit the beach. It’s a touching story that depicts many perspectives, including the struggles of the teenager’s parents to manage his care as well as the teen’s struggle for autonomy and acceptance
The themes of acceptance and awareness run deep in Shivalik Shankar’s filmography, with numerous mental health and disability topics depicted in his work.
The rising filmmaker told Chandigarh’s Daily Pioneer, “I like a strong storyline, a message to spread across, and autism is one issue which needs to be understood better and across all societies.”
Bravo! It’s always inspiring to see our alums putting their storytelling skills to work for a purpose. If you’d like to become involved in World Autism Month, visit Autism Speaks.