3d animation class
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  • The Simpsons Director Mike Polcino Shares Special Master Class at New York Film Academy

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    The New York Film Academy (NYFA) 3D Animation & VFX and Filmmaking students packed the Riverside Theater at NYFA’s Los Angeles campus for a storyboarding master class from veteran The Simpsons director, Mike Polcino.

    The Simpsons just surpassed Gunsmoke to become the longest-running scripted show in television history, and Mike Polcino has been with the Simpsons from the very beginning, directing 31 episodes in addition to episodes from the first season of Family Guy.

    Polcino started his career in animation doing all of the tedious work that goes into a massive production such as The Simpsons, such as animation timing and quality control.

    “Occasionally, we’d get the final animations back and Bart’s eyes would be looking in two different directions,” Polcino reminisced. “You’d be surprised what people miss.”

    His talent was unmistakable and, after a few short years, he moved up to become a director. Since then, Polcino has been a staple at Fox Television Animation, whose office is next door to the New York Film Academy’s Los Angeles campus in Burbank, California.

    Polcino took the students through his process of breaking down an Emmy-winning script to put it on screen. Episode #593, Fland Canyon featured some of The Simpsons most cinematic sequences, such as great sweeping shots of the Grand Canyon. Polcino took the enraptured audience through a visualization process to find the key shots.

    “Part of the fun,” he said, “is coming up with shots that would be impossible without the animation.”

    He then melded the material for both the Animation and Filmmaking students by sharing his process for storyboarding The Simpsons and how it is more directing than animating. The students loved the class, asking for autographs and even taking selfies with the Homer Simpson drawing Polcino left on the whiteboard.

    The New York Film Academy would like to thank Mike Polcino for taking time out of his busy schedule to speak with our students.

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  • NYFA 3D Animation Instructor Craig Caton Creates Animservo for Maya

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    New York Film Academy Instructor Craig Caton has created a new plug-in on Autodesk Maya that may revolutionize the way digital puppetry in both independent productions and major motion pictures.

    The new software is called Animservo. It is non-real time facial recognition software that allows a single puppeteer to craft and save a performance before ever arriving on set. The software records a performer using a go pro. Facial recognition software captures the performance, and it is then uploaded into the puppet. With Animservo, the nuances of facial recognition performance by the puppeteer are recorded and then uploaded to Maya. The performance is refined and then downloaded into the puppet.

    Utilizing a GoPro and marker-less facial recognition software, the puppeteer does not even have to be in the same state as the production. A recent test allowed a puppeteer to give a performance in Texas for a puppet in Los Angeles.

    Usually, crafting a performance with a puppet requires quite a few performers. For example, the T-Rex in “Jurassic Park” utilized five union performers: one controlled the eyebrows, another the mouth, a third the neck, and so on.

    Animservo can save productions a ton of money on performers and allows directors to have a picture-ready performance with less rehearsal time. If a director changes his or her mind about the way a performance looks it will take the puppeteer just a few minutes to make adjustments and the puppet will be ready for the next take.

    As great as this invention is both financially and on a time crunch Caton says he has “something even better on the horizon.” In the mean time, Caton will be previewing Animservo at SIGGRAPH, or the Special Interest Group on Computer GRAPHics and Interactive Techniques in Los Angeles.

    In order to get this new plug-in sign up for the training class here. The software comes free with the class.

     

     

     

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