Danielsen was at the Oscars representing Danish network TV2. “One of the more fun Sundays,” she said in an epic understatement. NYFA helped teach her digital production skills. Her fashion sense, however, she likely learned somewhere else.
Danielsen recently covered the tragic wildfires in California late last year, as well as covering the United Nations for TV2. In September 2018, Danielsen also reported live from the memorial service for the late Senator John McCain.
Meanwhile, down in Brazil—where it is summer—NYFA grad Daniella Gemignani did the first of two weeks of coverage leading up to the Catholic feast of Ash Wednesday. It’s better known as CARNIVAL. Daniella reports for Globo TV in São Paulo.
Meanwhile, NYFA alum Paula Menezes is reporting on Brazilian sports. (You know, things like “futbal.”) A grad of one of our 8-week Broadcast Journalism workshops, she says she is having the time of her life. She even sent along some visual evidence…
So, we started with the Oscars and that’s how we’ll end. I’d like to thank the Academy… the Beijing Film Academy… for lending me their Academy Award when I visited last September. Giving a lecture at this prestigious school was in itself an honor. But to have the opportunity to hold a genuine Oscar is priceless. Of course, I do have an independent feature film coming out later this year…
The Academy of Motion Picture Arts and Sciences (AMPAS), home of the Oscars, hosted a delegation of New York Film Academy (NYFA) students on Saturday, October 6, 2018, when they attended the 4th Annual Careers in Film Summit. With panelists such as the producer of Crazy Rich Asians, the music editor of A Quiet Place, and the production manager of Black-ish, students got insight into the wide range of careers available to them in the film industry. NYFA caught up with several members of the delegation and asked what they thought of the event:
“This was my first time going to the Oscars’ headquarters, and it was an amazing experience. The panels were very inspiring and all the professionals who spoke shared their experiences about how they got to be where they are today, which was very motivational for me as a person looking to build my name and career in the film industry. Also, it was great to see Brazil being represented by Renato dos Anjos, who is the Head of Animation at Disney Animation.” –Gabriela Ono, Fall 17 MFA Producing
“It was an inspirational experience, not only because we learned from very different departments, but also because these are people that have years of experience in the film industry and have noticed the change in the industry. The person that inspired me the most was Rachel Morrison, not only because she was on stage with her newborn baby, but also because she’s always that woman that is always leading a crew of men, which talks about equality, opportunities and, of course, female power.” –Inés de los Santos, Fall 2017 MFA Screenwriting
“I thoroughly enjoyed the Careers in Film Summit! Each panel shared some of their work and experience, which is always inspiring. I learned that there are countless paths to go down in this industry, which is encouraging! I think the point of the summit is: there’s something for everyone to do in filmmaking, and it is ultimately a collaborative effort!” –Harrison Misfeldt, Spring 2016 BFA Film 1B
“I’m so happy and honored to have been part of NYFA’s Academic Delegation. I loved hearing the panelists’ insights, and I so very much enjoyed being amongst my peers.” –Nestor Sierra, Fall 2017 BFA Acting for Film
“Being at an Academy of Motion Picture Arts & Sciences event, hearing from the speakers — each with years of experience in the movie business — really got my blood pumping to be in this industry. Getting to hear how these professionals worked their way to their positions was both informative and inspirational. Can’t wait for the next one.” –Miskar Chomse, Summer 17 MFA Acting
On Thursday, November 16, 2017, two students from the New York Film Academy’s Los Angeles campus, Alice Nicolini and Nicolo Azzaro, were invited to attend the opening night of the 13th Annual Cinema Italian Style at the Egyptian Theater. Italy’s oldest film studio, Luce Cinecittà, and the American Cinematheque presented the night, which featured a screening of “A Ciambra,” Italy’s selection for Best Foreign Language Film at next year’s Academy Awards.
The night also served as a celebration of the 80th anniversary of Luce Cinecittà under the auspices of the Italian Ministry of Cultural Heritage and Activities and Tourism, in collaboration with the Consulate General of Italy in Los Angeles, the Italian Trade Agency and the Italian Cultural Institute. Needless to say, this was quite an extravagant affair.
NYFA Students Alice Nicolini and Nicolo Azzaro attend 13th Annual Cinema Italian Style
The director of the film, Jonas Carpignano, has a youthful and unconventional approach to his filmmaking style, which can best be described as a scripted docudrama. All of the characters in the film are real people and their real names are the same as the characters they play. Likewise, their actual home is the set, and the script is inspired by the lives they lead.
The level of intimacy the director has built with his cast is immediately tangible. From the opening to the closing shot, the camera is an active component of the film, whipping around at an incredible pace. (Some audience members found it dizzying, but anyone familiar with music videos would recognize the cinematic language.) Carpignano’s fresh take on Gypsy culture in Southern Italy was warmly received.
One of the attending NYFA students, Nicolo Azzaro, had this to say about the film: “‘A Ciambra’ is a fantastic movie that perfectly showcases the strengths of Italian cinema at its finest. It digs deep into a current reality in Southern Italy, blending the almost documentary approach with a deep and emotional coming of age story.”
Alice Nicolini, the other New York Film Academy student invited to the event, added, “My favorite part of the evening was hands down the red carpet. It was all new to me. Walking down the carpet was kind of surreal. I mean, we also got our pictures taken and an Italian television station even interviewed us. That is definitely not an everyday thing.”
After the screening, the students were invited to a gala dinner at Mr. C’s in Beverly Hills. Celebrity attendees included Billy Zane, Ron Pearlman, and “Alias Grace” star Sarah Gadon, who was honored with the inaugural Cinecittà Key the day prior to the event. Students mingled with the stars and creators as they overlooked the Los Angeles skyline and enjoyed a meal curated by Michelin Star Chef Leandro Luppi.
When asked what he’d learned from the experience, Azzaro responded, “Cinema is a universal art, and no matter what language is spoken in a film, it is capable of connecting people from all around the world. Diversity is truly one of the greatest aspects of the entertainment industry.”
The New York Film Academy would like to thank Luce Cinecittà and the American Cinematheque for extending an invitation to this once-in-a-lifetime opportunity.
The New York Film Academy followed the 89th Academy Awards ever so closely last night on social media, even through the confusion. Heading into the evening, NYFA was firmly rooting for two of its alumni, Jean de Meuron and Raphaela Neihausen, both having been involved with nominated short films. Neihausen’s short documentary film, “Joe’s Violin,” which she produced, was nominated for an Academy Award for Best Documentary Short. Alumnus Jean de Meuron was executive producer on “La femme et le TGV,” which was up for Best Live Action Short. While the former students didn’t end up winning for their respective categories, their monumental achievement speaks for itself.
Of course the most talked about moment from last night’s awards event, hosted by Jimmy Kimmel, was the “Steve Harvey-like” gaffe during the Best Picture announcement. After accidentally awarding Best Picture to the movie musical, “La La Land,” the actual winner was revealed to be “Moonlight,” which iconic actor and director, Warren Beatty, clearly rectified by pointing out the winning card that was supposed to have been read.
So while that was not exactly a shining moment for the gracious team behind “La La Land,” the film still notched a record-tying 14 nominations. “Moonlight” and “Arrival” followed with a very respectable eight wins each. It should also be worth nothing that two of our teacher’s assistants from New York Film Academy South Beach, Robert Colom and Danniel Rodriguez, had the privilege of working on set of “Moonlight” as Production Assistants.
One of the more controversial topics of last year’s awards was the fact that there were no people of color nominated for an Oscar. However, this year offered the most diverse list of nominees, with a total of seven actors of color nominated — six black and one Indian. Some of the winners included Best Supporting Actor Mahershala Ali from “Moonlight,” and Best Supporting Actress Viola Davis from “Fences.”
NYFA also recognized a few of its former guest speakers like Kenneth Lonergan, who won Best Original Screenplay for his work on “Manchester by the Sea,” and Linus Sandgren, who won Best Cinematography for his capturing of “La La Land.”
Additionally, in the world of animation, “Zootopia” won Best Animated Feature Film. Last year, before the film’s release, 3D Animation students at NYFA had an inside look from “Zootopia” animator, Darrin Butters, who broke down scenes and the development process that went into the Disney film.
Finally, on a humorous note, NYFA guest speaker Seth Rogen brought us back to the future after emerging from a DeLorean with Michael J. Fox. Mr. Rogen was at NYFA Los Angeles last year to screen his R-rated animated comedy, “Sausage Party,” which was an absolute blast for those students and alumni fortunate enough to attend.
While the snafu at the end of the evening will be talked about for days to follow, the winners will always remember when they received Hollywood’s most coveted prize.
Below is a complete list of the 89th Academy Award nominees — winners are in bold:
“Hell or High Water”
“La La Land”
“Manchester by the Sea”
ACTOR IN A LEADING ROLE
Casey Affleck in “Manchester by the Sea” (WINNER)
Andrew Garfield in “Hacksaw Ridge”
Ryan Gosling in “La La Land”
Viggo Mortensen in “Captain Fantastic”
Denzel Washington in “Fences”
ACTOR IN A SUPPORTING ROLE
Jeff Bridges in “Hell or High Water”
Mahershala Ali in “Moonlight” (WINNER)
Lucas Hedges in “Manchester by the Sea”
Dev Patel in “Lion”
Michael Shannon in “Nocturnal Animals”
ACTRESS IN A LEADING ROLE
Isabelle Huppert in “Elle”
Ruth Negga in “Loving”
Natalie Portman in “Jackie”
Emma Stone in “La La Land” (WINNER)
Meryl Streep in “Florence Foster Jenkins”
ACTRESS IN A SUPPORTING ROLE
Nicole Kidman in “Lion”
Viola Davis in “Fences”
Naomie Harris in “Moonlight”
Octavia Spencer in “Hidden Figures”
Michelle Williams in “Manchester by the Sea”
ANIMATED FEATURE FILM
“Kubo and the Two Strings”
“My Life as a Zucchini”
“The Red Turtle”
“La La Land” (WINNER)
“Fantastic Beasts and Where to Find Them” (WINNER)
“Florence Foster Jenkins”
“La La Land”
“Arrival” – Denis Villeneuve
“Hacksaw Ridge” – Mel Gibson
“La La Land” – Damien Chazelle (WINNER)
“Manchester by the Sea” – Kenneth Lonergan
“Moonlight” – Barry Jenkins
“Fire at Sea”
“I Am Not Your Negro”
“O.J.: Made in America” (WINNER)
DOCUMENTARY (SHORT SUBJECT)
“Watani: My Homeland”
“The White Helmets” (WINNER)
“Hacksaw Ridge” (WINNER)
“Hell or High Water”
“La La Land”
FOREIGN LANGUAGE FILM
“Land of Mine”
“A Man Called Ove”
“The Salesman” (WINNER)
MAKEUP AND HAIRSTYLING
“A Man Called Ove”
“Star Trek Beyond”
“Suicide Squad” (WINNER)
MUSIC (ORIGINAL SCORE)
“La La Land” (WINNER)
MUSIC (ORIGINAL SONG)
“Audition (The Fools Who Dream)” from “La La Land”
“Can’t Stop The Feeling” from “Trolls”
“City Of Stars” from “La La Land” (WINNER)
“The Empty Chair” from “Jim: The James Foley Story”
Coming in with a “technical” knockout in last night’s 88th Academy Awards was Mad Max: Fury Road, winning six behind-the-scenes Oscars. The groundbreaking visuals and sound from the production paved the way for its momentous evening, which included New York Film Academy Australia, Sydney Instructor Ben Osmo, who won an Oscar for Best Sound Mixing.
The acclaimed film, shot in both Namibia and parts of Australia, is about a woman who rebels against a tyrannical ruler in post-apocalyptic Australia in search for her home-land with the help of a group of female prisoners, a psychotic worshipper, and a drifter named Max. Director George Miller put together quite an impressive cast and crew in this critically and financially successful sci-fi adventure.
Passing on that successful production experience to our students will be none other than Instructor Osmo, who teaches hands-on production and sound workshops, which take our students out of the classroom and directly onto a real set environment.
We’re so proud of Mr. Osmo and would like to congratulate him on his Oscar win!
Mary Pickford is finally getting the Hollywood treatment from the Hollywood she helped to create. Pickford, the curly-haired ingénue considered cinema’s first “America’s Sweetheart” was a huge star in the silent era and early days of Hollywood.
Pickford wasn’t just one of the first starlets of the silver screen—she was also a powerful force behind the camera. During her career, she co-founded two significant institutions. The first, with Charlie Chaplin, D.W. Griffith and her husband Douglas Fairbanks, was United Artists, a studio controlled by actors and filmmakers in an attempt to wrest power from the major studios. UA continues as a major producer to this day as part of MGM.
Pickford’s other contribution was even greater—she was one of the original 36 co-founders of the Academy of Motion Pictures Arts and Sciences, the organizations of cinema’s professionals in all fields and provider of the annual Oscars. Pickford won two Academy Awards herself, a Best Actress Oscar for 1929’s Coquette and an honorary lifetime achievement Oscar in 1976.
It’s no surprise then that her fascinating life is being made into a film, adapted from Eileen Whitfield’s biography Pickford: The Woman Who Made Hollywood. The movie is being scripted by Josh Fagin and directed by Jennifer DeLia. DeLia is producing the film with Julie Pacino, a New York Film Academy graduate who co-founded Poverty Row Entertainment with DeLia. The two also collaborated on Billy Bates, the haunting look at a tortured artist. Pacino, the daughter of Al Pacino, is the perfect choice to tell the story of a Hollywood legend.
The big story about this year’s Oscars winners may very well be what else they’ve won—namely, the Independent Spirit Awards. The ceremony, as usual, was held the day before the Academy Awards, and rewarded films with smaller budgets and not supported by Hollywood’s largest studios. The show typically has a looser, more fun vibe where its celebrities mingle and goof off, similar to the Golden Globes. This year’s show was hosted by Fred Armisen and Kristen Bell.
Like the Academy Awards, Birdman walked away with Best Feature. However, in one of the biggest differences from the Oscars, Richard Linklater was awarded Best Director for Boyhood. Julianne Moore, Patricia Arquette, and J.K. Simmons all foreshadowed their Oscar wins with acting awards, though Michael Keaton scored the win he couldn’t get Sunday for his starring role in Birdman. Citizenfour presaged its Best Documentary Oscar with a Spirit Award win in the same category. Even the Best Cinematography and Best Editing awards mirrored the Oscars, going to Birdman and Whiplash, respectively. Best Foreign Film winner Ida also got its Spirit Award equivalent for Best International Film.
With nearly every major winner of the Spirit Awards going on to win their categories at the Academy Awards this weekend, the Oscars overwhelmingly went to films not directly produced or financed by the major studios. Is this a sign of the times, a decentralization of film’s powerhouse auteurs, or just a fluke? Evidence seems to point to the former—after all, five years ago Spirit winner The Hurt Locker beat out Avatar for the Best Picture, but only time will tell. Basically, let’s start the 2016 Oscar predictions!
Here’s a full list of the winners:
BirdmanProducers: Alejandro G. Iñárritu, John Lesher, Arnon Milchan, James W. Skotchdopole
BEST MALE LEAD
Michael Keaton, Birdman
BEST FEMALE LEAD
Julianne Moore, Still Alice
Richard Linklater, Boyhood
BEST SUPPORTING FEMALE
Patricia Arquette, Boyhood
BEST SUPPORTING MALE
J.K. Simmons, Whiplash
Dan Gilroy, Nightcrawler
Citizenfour Director/Producer: Laura Poitras
Producers: Mathilde Bonnefoy, Dirk Wilutzky
BEST INTERNATIONAL FILM
Ida (Poland), Director: Pawel Pawlikowski
BEST FIRST FEATURE
NightcrawlerDirector: Dan Gilroy; Producers: Jennifer Fox, Tony Gilroy, Jake Gyllenhaal, David Lancaster, Michel Litvak
BEST FIRST SCREENPLAY
Justin Simien, Dear White People
Tom Cross, Whiplash
Emmanuel Lubezki, Birdman
JOHN CASSAVETES AWARD
Writers/Directors: Aaron Katz & Martha Stephens; Producers: Christina Jennings, Mynette Louie, Sara Murphy
LENSCRAFTERS TRUER THAN FICTION AWARD The Kill Team, Director: Dan Krauss
PIAGET PRODUCERS AWARD Chris Chison
KIEHL’S SOMEONE TO WATCH AWARD H., Directors: Rania Attieh & Daniel Garcia
Tova Laiter with screenwriters E. Max Frye and Dan Futterman
This past Tuesday, February 17th New York Film Academy Los Angeles students were admitted into a special screening of Foxcatcher — nominated for 5 Oscars, (starring Steve Carell, Channing Tatum, and Mark Ruffalo) and participated in a Q&A with screenwriters E. Max Frye and Dan Futterman who received a nomination in the upcoming Academy Awards for Best Original Screenplay. E. Max Frye won an Edgar Award from WGA for his first screenplay, Something Wild, directed by Jonathan Demme. As a writer on HBO’s Band of Brothers, he received a Christopher Award, a Peabody Award and was nominated for an Emmy.
Dan Futterman was nominated for a 2005 Academy Award, a BAFTA Film Award, as well as a Writers Guild of America Award for his screenplay for the film Capote. He also won an Independent Spirit Award and shared the USC Scripter Award with Capote biographer Gerald Clarke. Dan and his wife and frequent writing partner, Anya Epstein, were show runners for the third season of the HBO series In Treatment and are currently writing and producing a new series for Fox TV, Gracepoint. As an actor, Dan has appeared on Broadway’s Angels in America and Off-Broadway, at Lincoln Center and Manhattan Theatre Club. His film acting credits include A Mighty Heart, The Birdcage, Urbania, and the upcoming Kill the Messenger. The Q&A was moderated by producer Tova Laiter.
E. Max Frye and Dan Futterman gave invaluable advice to aspiring screenwriters and storytellers in general. Shedding light on his writing process E. Max Frye explained that he scribbles down his original drafts as quickly as possible on a legal pad. This allows him to get the story in his mind on paper in the most uncensored way possible. He doesn’t do a traditional plot outline, but rather starts from the concept of character and expands from there. He emphasized the importance of rewriting and never showing anyone of consequence the script until it is in it’s absolute final form. The reason for this is that there is no one in the industry that will read a script twice, so you have one shot only to impress.
In contrast to E. Max Frye, Dan Futterman talked how he likes to structure like crazy. The process of writing Foxcatcher took six years and the breadth of his notes over the course of that time was “insane.” It was a particularly meticulous process working with a director such as Bennett Miller for whom this screenplay was written. Bennett is not a writer himself, so Dan would have to glean what Mr. Miller wanted from the trial and error process of providing ideas and talking about what does and doesn’t work.
The information E. Max Frye and Dan Futterman provided to NYFA students, many of which were in the screenwriting program, was incredibly beneficial. We sincerely thank Max and Dan and wish them the best of luck at the upcoming Oscars!
With last night’s 72nd annual Golden Globes taking place in Los Angeles, the ceremony continued to cement its reputation as the best indicator of who will likely be taking the top awards at this year’s Academy Awards. And while co-hosts Tina Fey and Amy Poehler—hosting the awards for their third and final time—offered plenty of laughs and well-meaning digs, the winners of the night gave the best insight on how this awards season will likely play out.
To that effect, Boyhood continued to clean up the awards circuit, nabbing the Best Picture, Drama award along with a Best Supporting Actress award for front-runner Patricia Arquette and the Best Director award for Richard Linklater. While Ava DuVernay is still widely believed to be receiving a nomination for Best Director on Thursday when the Academy Award nominees are announced, making her the first African-American woman to ever receive the honor, last night’s win for Linklater seems to indicate that it is his category to lose. However, with The Grand Hotel Budapest picking up the Best Picture, Comedy or Musical category, this dark horse seems more likely than ever to earn a few nominations on Thursday and add some intrigue to an increasingly predictable awards season.
While Boyhood was widely believed to be a lock for those three awards, the other likely Oscar front runners also got their due last night with Julianne Moore winning the award for Best Actress, Drama for her turn in Still Alice while Michael Keaton picked up his award for Best Actor, Musical or Comedy. However, as the Globes breaks up the best picture and actor categories into Drama and Musical or Comedy, both Keaton’s and Moore’s main competitors also walked away with awards, with Amy Adams winning for Big Eyes and Eddie Redmayne picking up a Best Actor, Drama for his turn as Stephen Hawking in The Theory of Everything. However, both the Best Actor and Actress categories remain highly competitive with actors like Jennifer Anniston, Reese Witherspoon, Jake Gyllenhall, and David Oyelowo making these categories the least predictable.
The same cannot be said of the Best Supporting Actor category, with JK Simmons accepting the award for his terrifying turn in Whiplash. Simply put, at this point it seems hard to imagine any actors other than Arquette and Simmons cleaning up the Supporting categories when the Oscars air on February 22nd.
What did you think of last night’s telecast and who would you like to see walking away with nominations on Thursday? What films do you think might end up giving Boyhood a run for its money?
A full list of last night’s winners can be viewed here.
The Academy Award nomination of Director of Photography and Co-Producer Muhammed Hamdy‘s (’12) The Square is just the tip of the iceberg of Documentary Dept. Alumni success stories.
Two more noteworthy graduates are giving back to their alma mater by investigating how their fellow alumni are making use of their New York Film Academy educations. So far, the resulting online series by award-winning Producer/Director, Maria Stanisheva (’12) and globetrotting Cinematographer, Marco Vitale (’11) features stories about Louis Mole (ʼ12), who produced and shot the television series, “Serial Swindlers,” a year after graduating; Todd Leatherman (ʼ12) who worked on two of this yearʼs Sundance selections; Susanne Dollnig (ʼ12) of Austria, who was promoted to Editor at The House of Trim only seven months after graduating and Louisa Merino (ʼ11) currently Senior Editor and Director at David Lynch Foundation.
Note: By clicking on the students’ names above you can watch short interview pieces (like the one below) created by Maria Stanisheva.