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  • Q&A with New York Film Academy (NYFA) Alum Mey Novak

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    New York Film Academy (NYFA) alum Mey Novak was always meant to be an actress. She’s always been a huge movie buff, especially action movies, but she’s acted in plays from a young age. 

    Originally hailing from Brazil, Novak first attended New York Film Academy (NYFA) in 2012, taking the 4-week Musical Theatre workshop at NYFA’s Professional Conservatory of Musical Theatre. She followed that with more advanced studies in NYFA’s 1-year Musical Theatre conservatory

    After graduating, Novak worked as an admissions specialist at NYFA’s New York campus, helping fellow aspiring artists from Brazil enroll at the Academy. She’s acted in commercials, short films, and most recently, the feature film River Runs Red.

    River Runs Red is a thriller/drama written and directed by Wes Miller and starring Taye Diggs, John Cusack, George Lopez, Luke Hemsworth, and RJ Mitte. Miller previously directed Prayer Never Fails and Atone, and is completing production of Hell on the Border, starring Ron Perlman and Frank Grillo.

    New York Film Academy recently spoke with Mey Novak about River Runs Red, her passion for acting, and what she learned at NYFA that she still applies to her work to this day:

    New York Film Academy (NYFA): First, can you tell us what drew you to acting? What brought you to the New York Film Academy?

    Mey Novak (MN): Acting has always been inside me. I was in all the school plays, performing for my family during Christmastime, I always watched movies… it was kind of my happy place growing up. I always knew I wanted to be an actress. I remember being around seven years old watching movies and saying I wanted to do that one day. 

    When I got my theatre degree in Brazil I knew it was time to go to the US to study my craft further, and I saw that the New York Film Academy was auditioning in Brazil and that it was my time.

    Mey Novak Mey Ferdinand

    NYFA: Is there anything about your Brazilian background that you apply to acting in the United States? 

    MN: Yes, I was very versatile because of my Brazilian background. We are a very culturally rich country, so I realized I could play all sorts of foreign roles the industry requires all the time. My first commercial in the US I played a Russian girl. I hadn’t even thought about it before, then I noticed there was a whole thing for foreign accents and types in the US.

    NYFA: Can you tell us about River Runs Red?

    MN:River Runs Red tells the story of an African American judge whose son is murdered by the police. It’s a very strong and currently relevant plot—it’s necessary because it talks about the racism that still exists nowadays in the US, in Brazil, and the whole world.

    NYFA: What did you learn at NYFA that you applied directly to your work on River Runs Red,or your work in general?

    MN: So many things!! NYFA was a stepping stone in my career! 

    First, I have learned with the best teachers—I’ve found mentors for life that even after school was over I had supporting me. I’ve also learned how to be a professional—it was more than just going to class, learn a method, and go home—I learned about the real world of acting and the industry. And I had the chance to practice while I was in school. This is very important. I was in touch with the filmmaking students, I was auditioning, shooting with them, also with the photography students, etc. 

    So when my first big job arrived, I was ready. It was very important. For my acting specifically, I’ve learned my favorite method, the “Meisner technique” at NYFA, it’s necessary to me on set.

    NYFA: What other projects are you working on or do you plan to work on?

    MN: I’m currently in Brazil shooting a show in Portuguese called Os 3 Irmaos (The 3 Brothers). It’s my first time acting in Portuguese after such a long time working in the US. After this I have plans to work in Europe for a while.

    NYFA: What’s your dream role? 

    MN: I love action movies, I’m obsessed with them!!! I practice martial arts and have studied Stage Combat since my NYFA days, and my dream is definitely a strong female role in an action movie with amazing choreography, like in John Wick.

    NYFA: What advice would you give to students just starting out at NYFA?

    MN: I’d say enjoy your time there and listen to every single thing your teacher has to say—they really know about the industry. Be the first one to arrive and the last one to leave, it really pays off!

    NYFA: Anything I missed you’d like to speak on?

    MN: I want to say to all the aspiring actors to follow their dreams! Sounds cliché but there will be doubts, there will be moments you just want to give up, but you just need that one person to believe in you and that one “Yes” that changes everything. Be grateful and embrace every step of the journey!

    The New York Film Academy thanks actress and NYFA alum Mey Novak for taking the time to answer our questions and wishes her the best of luck as her career continues to grow!

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    February 20, 2019 • Acting, Musical Theatre, Student & Alumni Spotlights • Views: 310

  • New York Film Academy (NYFA) Acting for Film Alum and Marine Corps Veteran Tyler Williams Featured in Netflix’s ‘Medal of Honor’

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    New York Film Academy (NYFA) Alum Tyler Williams can be seen in the new Netflix series, Medal of Honor, a docudrama anthology series based on real life servicemen who have earned the military’s highest award for valor. It’s perfect casting for the Robert Zemeckis-produced series, as Williams isn’t just a graduate of NYFA’s Bachelor of Fine Arts in Acting for Film program, but a military veteran as well. 

    Tyler Williams

    Shortly after 9/11, Williams joined the Marine Corps, where he was eventually assigned to a top secret joint task force. After four years, Williams received an Honorable Discharge and attended business school full time in New Mexico.

    After trying out for a local production starring Val Kilmer and Gary Cole for a small part as a Marine, Williams was asked to be the military technical consultant for the film, as well as a stand-in for Val Kilmer. It was his first film role and first time on a movie set. He tells NYFA, “I remember looking for the director like, ‘Who’s the General around here?’ I had no idea who did what on the set.” By the end of the shoot, Williams had fallen in love with acting for film.

    The background casting director of Medal of Honor, looking to use actual veterans, had contacted New York Film Academy, knowing the school has enrolled nearly 2000 veteran students and military dependents since 2009. This was how Williams found himself on the set of the Netflix series as a background actor.

    After one of the featured actors, Paul Wesley, was injured on set by a ricochet special effect, Williams was called over to double for him. After impressing the crew with his expertise around military weapons, he was invited to sit with the “stunt table” at lunch. By the end of that day’s shoot, Williams had been asked to do more stunts the following day. One complicated stunt Williams performed for the crew involved being yanked back while in a “jerk vest” to simulate being thrown back by an RPG explosion. “It looked amazing on camera!” Williams tells NYFA.

    Tyler Williams Medal of Honor
    Tyler Williams in ‘Medal of Honor’

    Williams credits not just his stunt classes at NYFA but also the school’s instruction in camerawork with helping him tailor his stunts to the specific scenes and set-ups.  

    Other film credits for Williams include the films Gamer, The Spirit, and MacGruber. Currently, Williams is working as a stunt coordinator on an MFA Thesis film, as well as auditioning for roles on major television series. He is also developing content for his YouTube channel, and advises fellow NYFA students and alumni to make their own content to help break into the industry.

    “NO EXCUSES!” Williams exclaims. “Make that short film, write your own feature films, produce your own IG videos, make a YouTube channel — just get out there and use the editing and filmmaking knowledge we learned in school.”

    The New York Film Academy congratulates Acting for Film alum Tyler Williams on his latest role in Netflix’s Medal of Honor and looks forward to watching his career develop!

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    January 17, 2019 • Acting, Student & Alumni Spotlights • Views: 648

  • Netflix’s ‘Bird Box’ Features New York Film Academy (NYFA) Acting Instructor Happy Anderson

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    Just as 2018 was wrapping up, Netflix managed to squeeze one more buzzworthy hit movie into the zeitgeist with Bird Box, a post-apocalyptic thriller starring Sandra Bullock and featuring a haunting, memorable scene with New York Film Academy (NYFA) Acting for Film instructor, Happy Anderson. 

    Bird Box was an instant hit, dominating social media with both high praise and viral memes. According to Netflix, it was the media company’s biggest opening to date, having been streamed by over 45 million accounts in its first week alone.

    The film, directed by Susanne Bier and written by Eric Heisserer based on the novel of the same name by Josh Malerman, is a story about survivors who must keep themselves blindfolded to stay alive from mysterious creatures who drive people insane once they look at them. 

    Some of the infected victims are compelled to force survivors to open their eyes and look at the creatures. As Sandra Bullock’s protagonist rows down a river blindfolded while protecting two children, a mysterious River Man comes out of the fog and attacks them. The scene is moody and tense before coming to a violent, thrilling, and frightful conclusion. The River Man is played by actor and NYFA instructor Happy Anderson.

    Anderson had a blast shooting the scene, posting photos to his social media of the complicated rig needed to shoot in waist-deep water. “Bird Box time was a very fun time!” he wrote, included with a production still. 

    View this post on Instagram

    Birdbox time was a very fun time! #birdboxmovie

    A post shared by Happy Anderson (@happyanderson2183) on

    Bird Box is the latest in a string of impressive credits for Anderson, including another Netflix original film, Bright, starring Will Smith, and Mindhunter, the drama series from David Fincher that was also produced and distributed by Netflix.

    Other credits include Gotham, The Blacklist, The Tick, and The Knick, co-starring Clive Owen and NYFA alum Eve Hewson. Upcoming projects include the X-Men horror film The New Mutants and the highly-anticipated television adaptation of Snowpiercer

    Anderson teaches Acting for Film at NYFA’s New York campus, along with many other working professionals who teach at the acting school. The Academy prides itself on its faculty, who share with students their experience and expertise from working in a dynamic, competitive, labor-intensive industry.  

    The New York Film Academy congratulates Acting for Film instructor Happy Anderson on his latest role and encourages everyone who hasn’t to check out the mysterious and haunting thriller, Bird Box

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    January 2, 2019 • Acting, Entertainment News, Faculty Highlights • Views: 1186

  • New York Film Academy (NYFA) Acting for Film Alum Ioanna Meli Stars in “Isabel”

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    Isabel, a short film starring New York Film Academy (NYFA) Acting for Film alum Ioanna Meli, is now available on Amazon Prime Video, allowing millions of the streaming service’s subscribers to check out the haunting drama. 

    Ioanna Meli
    Ioanna Meli

    Ioanna Meli originally hails from Greece, and studied for her Master of Fine Arts in Acting for Film from NYFA’s Los Angeles campus, where she was trained and taught by a faculty of working professionals from Hollywood, Broadway, and the independent film industry.

    NYFA’s MFA in Acting for Film program is an intense commitment — students learn two years’ worth of education in only sixteen months, and are often rehearsing and studying on weekends, in evenings, and wherever they can find those extra minutes to devote to their craft. Meli was more than up for the task however, and her work in Isabel shows off her talent and the skills she picked up while at the Academy.

    Written and directed by Alex Knudsen based on a story by Charlotte Zang, Isabel tells the story of an elderly woman named Isabel Dove at the very end of her life. However, when she seemingly passes away, she wakes up hours later as her younger self. The mystery grows deeper from there as Isabel searches for answers and reflects on the life she thought she was leaving behind. The film stars Jamie Donnelly and Lauren Elyse Buckley as old and young Isabel, respectively; Meli co-stars as Meredith. 

    About her experience filming the short, Meli tells New York Film Academy, “Working with Alex on set was a fantastic, collaborative experience. The film’s dialogue was composed to express only what was necessary to move the story forward, creating a sense of mystery that’s powerful in this film.”

    Meli continued, “The scene we did with Lauren was challenging; our energies and objectives in the story are very different and in the scene, we meet under circumstances that both of our characters are uncertain about. Working through that together was an interesting process.”

    The New York Film Academy congratulates Acting for Film alum Ioanna Meli on her stellar work in Isabel, and encourages everyone who can to check it out on Amazon Prime Video

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    December 17, 2018 • Acting, Student & Alumni Spotlights • Views: 688

  • Q&A with Emmy Award-winning editor, actor, writer, and director, Steven Sprung

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    On Wednesday, December 5th, New York Film Academy (NYFA) hosted a Q&A session with Emmy Award-winning editor, actor, writer, and director, Steven Sprung, following an episode of Community which Sprung directed. Sprung is best known for his editing work on Star Trek Beyond, Entourage, and Arrested Development.

    Steven Sprung

    The Q&A began with a student who inquired about Sprung’s time at Syracuse University. Sprung shared that in college, he and his friends were very enthusiastic about filmmaking and worked together to produce numerous short films. During this time, Sprung got the chance to write, direct, edit, and act as these short films had very small production teams and needed many roles filled by very few people. He discovered that he had a special talent for editing and was nominated for an A.C.E. Eddie Award for outstanding achievement in editing while still an undergraduate at Syracuse.

    Another student asked what advice Sprung had for actors trying to perform comedic material. “Do a lot of live productions ‘cause you can get instant feedback on whether people are finding things funny,” answered Sprung, “…and… don’t try to be funny; that’s the biggest killer of all.” Sprung suggested that actors “really get invested in the drama of a scene” because a character’s investment and reactions in the moment heighten the humor.

    One student in the audience asked if Sprung felt that the entertainment industry was progressing in terms of the number of roles available for actors of color and international actors. Sprung said that, in his experience, most mainstream television shows and movies have mostly white and American production teams and actors. However, he added that there are increasing roles for actors of color and international actors because there is “so much content” available to consumers: cable TV, streaming services, web series etc.

    Steven Sprung

    Another student asked Sprung what makes actors stand out in auditions, inspiring casting directors to choose them as opposed to their peers. Sprung discussed how he cast one of the actors in the episode of Community that the students had just watched; he ultimately chose this actor because he “lit up the room” in auditions — Sprung liked his energy and his delivery. He informed students that casting is not an exact science or necessarily predictable; casting is based on a number of factors including industry relationships, whether casting directors are looking for known or unknown actors, personal opinion, etc.

    One student asked Sprung how to become a known actor. Sprung said that he believes that that type of motivation to be unsustainable in the long run. He added, “If your primary motivation is to entertain people, or to engage creatively with others… if you have a vision for your life, then you can do that no matter who’s paying you, no matter who’s validating you, or hiring you or not hiring you.”

    The New York Film Academy would like to thank Emmy Award-winning editor, actor, writer, and director, Steven Sprung for sharing his industry experiences and wisdom with our students!


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    December 11, 2018 • Acting, Digital Editing, Filmmaking, Guest Speakers, Screenwriting • Views: 505

  • New York Film Academy (NYFA) Los Angeles Holds Q&A with “Affairs of State” Director and Cast

    Facebooktwittergoogle_plusredditpinterestlinkedinmailOn Monday, December 3rd, the New York Film Academy (NYFA) hosted a screening of Affairs of State followed by a Q&A with director and NYFA instructor, Eric Bross, producer, Stephen Israel, and actors, David Corenswet and Nate Walker, moderated by NYFA Producing Chair, Roberta Colangelo. Affairs of State explores the extent to which one man is willing to take risks to progress his career in Washington D.C.

    Director and NYFA instructor, Eric Bross, is known for directing A Country Christmas Story (2013), Traffic (2004) and Stranger Than Fiction (2000). Producer, Stephen Israel, is a former VP of New Business Development at TBS, worked in strategic planning at Warner Brothers and spent four years as a management consultant with Booz, Allen & Hamilton. He is known for producing Blood, Sand and Gold (2017), G.B.F. (2013) and I Do (2012). Actor, David Corenswet, is a Julliard graduate known for his roles in House of Cards, The Tap and Elementary. Actor, Nate Walker, is known for his roles in Homeland, Bottom of the Barrel and The Maladjusted.

    Colangelo opened up the Q&A by inquiring about Bross’ inspiration for the film. Bross shared that he and Todd Cudworth, the film’s writer, were inspired by the ruthlessness of the “game” of politics; the original script, written in the early 2000s, was based on the tactics used by the Republican party to discredit President Bill Clinton– and the Democratic party as a whole– in the public eye in the late 90s. Bross said that Cudworth asked himself, “What if the Democrats got really ruthless, just matched the tactics of the Republicans who seemed to be pretty much willing to do whatever it [took]?” However, as America moved closer to the Trump presidency, the script evolved.

    Ultimately, Bross and Cudworth wanted to bring attention to the world of politics rather than make an argument about a specific political party as contemporary politics is so consumed by polarity. Producer Stephen Israel assisted with the blurring of the political binary in through the characterization of the protagonist’s boss, a political candidate named John Baines, “We took a lot of trouble to play…Baines’ politics down the middle,” said Israel, “We tried to make him a conservative who could appeal to liberals.”

    Colangelo noted that sex is used by the main character of the film, Michael Lawson, to gain power in the political sphere and asked how Bross navigated the sex scenes from a storytelling perspective. “I never like to shoot anything gratuitous,” said Bross, “Every scene in every movie should have a purpose…and this movie, ultimately to me, is about the exchange of power, sex for power.” Bross discussed how the sex scenes in which Michael is with Mrs. Baines, his boss’ wife, and the sex scenes in which Michael is with Darcy Baines, his boss’ daughter, were shot and edited differently to give different effects; Michael’s scenes with Mrs. Baines are focused on the exchange of sex for power whereas Michael’s scenes with Darcy are more romantic and idealized.

    The New York Film Academy would like to thank Eric Bross, Stephen Israel, David Corenswet and Nate Walker for sharing their perspectives on storytelling and working in the entertainment industry with our students.Facebooktwittergoogle_plusredditpinterestlinkedinmail

    December 7, 2018 • Acting, Faculty Highlights, Filmmaking, Guest Speakers • Views: 620

  • New York Film Academy (NYFA) Alum Gonzalo Martin Stars in “Life is Strange 2”

    Facebooktwittergoogle_plusredditpinterestlinkedinmailgonzalo martinNew York Film Academy (NYFA) Alum Gonzalo Martin might agree that “life is strange,” especially since he nabbed the lead role in Square Enix’s highly-anticipated video game, Life is Strange 2. Square Enix is the Japanese developer and publisher of wildly popular games Final Fantasy, Kingdom Hearts, and Dragon Quest, among others. 

    The episodic graphic adventure video game, available on nearly all major platforms (including Xbox One, Playstation 4, PC and macOS), is the sequel to the smash hit and critically-acclaimed Life is Strange, originally released in 2015. That title has sold over 3 million copies to date.

    The newest entry released its first episode in September 2018, with the last of five episodes set to come out in 2019. Life is Strange 2 was developed by Dontnod Entertainment (Vampyr, Twin Mirror) and has already been nominated for several gaming awards and won the Special Jury Prize at the 2018 Ping Awards.

    Life is Strange 2 tells the story of young brothers Sean and Daniel Diaz, who are on the run from the police. The game is a third-person story adventure, with dialogue trees and gaming decisions
    affecting the story and future episodes.

    Gonzalo Martin stars as lead protagonist Sean Diaz, who the player controls throughout the game. Martin is an Acting for Film alum from the New York Film Academy, having attended the AFA program in 2015, and has previously been a part of the Academy’s admissions team. At NYFA’s acting school, Martin was given both practical experience and a hands-on education to develop his skills as an actor, with training from a faculty of experienced actors currently working in the industry.

    Previous acting roles of Martin include BuzzFeed Murder Mystery Stories, and the films I’ll Be Next Door for Christmas and When It Rings.

    The New York Film Academy congratulates Gonzalo Martin on landing the lead role in Square Enix’s Life is Strange 2! Facebooktwittergoogle_plusredditpinterestlinkedinmail

    November 28, 2018 • Acting, Student & Alumni Spotlights • Views: 800

  • “One Night in Miami” Stars New York Film Academy (NYFA) Acting Alum Kieron Anthony As Cassius Clay

    Facebooktwittergoogle_plusredditpinterestlinkedinmailLast October, One Night in Miami premiered as a Miami New Drama production at Miami Beach’s Colony Theatre, starring New York Film Academy (NYFA) Acting Alum Kieron Anthony as legendary fighter Cassius Clay.

    The play was written by Kemp Powers and staged by Miami native Carl Cofield, associate artistic director of the Classical Theatre of Harlem. It imagines the events of February 25, 1964, after Clay had defeated Sonny Liston and won the World Heavyweight Crown. After the fight, Clay was joined at the Hampton House Motel Room by three other famous men of color — Sam Cooke, Jim Brown, and Malcolm X. 

    Kieron Anthony as Cassius Clay

    Leon Thomas III, Esau Pritchett and Jason Delane listen as Kieron Anthony’s Cassius Clay (standing on bed) recounts his victory over Sonny Liston in “One Night in Miami.” Photo by STIAN ROENNING

    While only the surviving member of the foursome, Jim Brown, knows what the men really discussed that night, One Night in Miami postulates what could have been happened when four such prominent personalities are confined in a small room after such an incredible evening. The play, which takes place during Segregation, also incorporates important themes of race and religion in the 1960s.

    Kieron Anthony plays the pivotal role of Cassius Clay, who the day after the night depicted in the play would announce his conversion to the Nation of Islam. He would change his name and be known by for the rest of his life as Muhammad Ali. Of his performance, Christine Dolen wrote in the Miami Herald that Anthony “conveys the young champ’s joyous confidence as he reenacts moments of his life-changing fight for his famous friends. He dials up the rhetoric and swagger when he goes outside to speak with the reporters who finally track him down, but with his friends he’s willing to show he’s still grappling with embracing and declaring his faith.”

    Anthony graduated from New York Film Academy South Beach’s 1-year acting conservatory in 2015. As part of an extremely diverse student body with classmates from around the world, Anthony received an educational experience unique from other acting schools in Florida, focusing on hands-on experience from faculty members currently working in the Miami acting scene.

    Yves Arispe, NYFA South Beach’s Director of Housing and Student Services, called Anthony’s performance “natural, believable, relatable as he delivered on every beat,” and that, “Kieron’s performance makes NYFA South Beach proud!”

    The New York Film Academy congratulates Acting alum Kieron Anthony on his stellar performance as Cassius Clay in One Night in Miami!Facebooktwittergoogle_plusredditpinterestlinkedinmail

    November 27, 2018 • Academic Programs, Acting, South Beach, Student & Alumni Spotlights • Views: 656

  • Q&A with Star and Filmmakers of IFC’s “DriverX”

    Facebooktwittergoogle_plusredditpinterestlinkedinmailOn Friday, November 18, New York Film Academy (NYFA) hosted a screening of IFC’s DriverX (2018), followed by a Q&A with director/writer and NYFA instructor, Henry Barrial; producer, Mark Stolaroff; and star, Patrick Fabian; featuring and moderated by NYFA Acting Dept. Associate Chair, Anne Moore. 

    DriverX ScreeningBarrial is a writer, director, and filmmaking/acting instructor at New York Film Academy’s Los Angeles campus. DriverX marks Barrial’s fifth feature. His previous credits include The House That Jack Built, Pig, and Some Body, which premiered at the Sundance Film Festival. Stolaroff is a producer with 25+ years in the business, and is considered to be an expert in micro-budget filmmaking. He has produced all five of Barrial’s features.

    Fabian has been a working actor for over 25 years, with 115+ credits to his name. He currently stars as Howard Hamlin on AMC’s Emmy-nominated Better Call Saul. His other credits include  Friends, Grey’s Anatomy, The Newsroom, Criminal Minds, and Will & Grace, to name a few.  Film audiences may know him best as Reverend Cotton Marcus in The Last Exorcism, and he is also fondly remember as “Professor Lasky” in Saved by the Bell: The College Years. Fabian has also starred in NYFA alum Aymen Khoja’s Arabian Warrior, the first ever Saudi-American feature.

    Moderator Anne Moore opened up the Q&A by asking Barrial about the collaboration between Fabian and himself on the script, as Barrial wrote the part of Leonard Moore specifically for Fabian. “I had the outline of the script worked out before I brought it to Patrick, and from there we worked on the character development,” says Barrial. He added, “In terms of the actual writing of the script, that was all me.” DriverX Screening

    Barrial went on to discuss the importance of collaboration and community in this business, with Fabian chiming in by asking, “Who on this stage has been playing beach volleyball for the past 15 years together?” Barrial, Fabian, and Moore all raised their hands and it was revealed they have been friends and colleagues for a very long time.

    Barrial went on to talk about the personal nature of this project and his collaboration with producer Mark Stolaroff. “Most producers won’t tell you what their budget was, but I will!” exclaimed Stolaroff.  Immediately a Filmmaking student asked what the budget was, with Stolaroff answering, “We started with a budget of $100,000 which got us through production. From there we did a Kickstarter campaign to raise the funds we needed for Post, so all in the budget is $140,000.”  

    Obviously the movie is a labor of love as many of the cast and crew have worked on Barrial/Stolaroff films before.

    When asked about how Fabian worked around his Better Call Saul shooting schedule, Fabian replied, “First off, I have to say how happy I am that I have a job that needs to be worked around. Henry and Mark were great about my schedule, but that’s what you do, you make it work.”

    DriverX ScreeningFabian went on to talk about his longevity in the business, and the importance of being prepared: “You need to show up, be ready, and be early. And take care of yourselves when you don’t get the part. Go hiking, drink juice, do whatever you need to get you through the tough times, because if you stay focused and committed, things will go your way.”

    The New York Film Academy thanks Patrick Fabian, Mark Stolaroff, and Henry Barrial for sharing their insights about making an independent film on a micro budget with a challenging schedule.

    DriverX opens November 30th in theaters and on demand.Facebooktwittergoogle_plusredditpinterestlinkedinmail

    November 21, 2018 • Acting, Filmmaking, Guest Speakers, Producing • Views: 731

  • New York Film Academy (NYFA) Hosts Q&A with Cast & Crew of “Killer Under the Bed”

    Facebooktwittergoogle_plusredditpinterestlinkedinmailKiller Under the BedOn Friday, October 26, New York Film Academy (NYFA) hosted a screening of Lifetime’s Killer Under the Bed (2018), followed by a Q&A with director and NYFA instructor, Jeff Hare; producer, Ken Sanders; director of photography, Brad Rushing; and stars, Brec Bassinger and Madison Lawlor. The event was moderated by NYFA instructor, David Newman.

    Hare is a writer, director, and filmmaking instructor at New York Film Academy’s Los Angeles campus, and has been working as a director of thrillers for the Lifetime channel for the last few years (A Lover Betrayed, Psycho In-Law, Nanny Killer).

    Sanders is a prolific producer for the Lifetime channel who has accumulated over 60 movie credits in the last 30 years (Accused at 17, Double Daddy, Stalked by My Doctor).

    Rushing’s career as a director of photography began with some small features in the 1990s then expanded into the music industry with music videos for Eminem, Mariah Carey, Britney Spears, Blink-182 and more. Rushing then moved back to film and television, and ultimately made his way to the Lifetime channel where he now works as a DP on many of its thrillers.

    Bassinger is an actress known for her roles in ABC’s The Goldbergs and Nickelodeon’s Bella and the Bulldogs and School of Rock. Lawlor is an actress known for her roles on TNT’s Franklin and Bash, Netlfix’s Dear White People, and the film, Daddy Issues (2018). The film also stars Kristy Swanson, eponymous star of the original Buffy the Vampire Slayer.

    Moderator David Newman opened up the Q&A by asking about the inspiration for the film. Producer Ken Sanders explained that he was approached by the film’s writer about producing a movie about a voodoo doll; Sanders knew that there would have to be more meat to the story to get executive producers interested, so he began thinking about the topic. 

    Sanders then remembered a TV movie from his childhood that “terrified a generation” called Trilogy of Terror; in this film, the protagonist struggles to escape from an evil doll she purchases at an antique shop. Sanders decided to combine the voodoo concept and the evil doll concept into one, and, in a sense, remake Trilogy of Terror for a modern audience. It was important to him, though, that this film appeal to “multiple markets” and not just a “hardcore horror audience.”

    Newman went on to ask the panel about how they handled their tight shooting schedule — the Killer Under the Bed production team only had 14 days to shoot a feature-length film, which is less than half the time that most features take to shoot. DP Brad Rushing advised, “Be prepared… Meticulously know what you’re doing… [Have] contingency plans… and good communication with the producer and the director.” Killer Under the Bed

    Rushing added that he and director Jeff Hare had worked together before, and were largely on the same page aesthetically when it came to the look of the film.

    Newman inquired about how the team made the voodoo doll come to life onscreen. “Most of the doll’s motion was actual[ly] mechanical,” said director Jeff Hare, “it’s trying to keep that aesthetic of that 70s stuff [that] scared us… we tried to keep as many effects as we could practical and we also stole the whole Jaws thing of trying to keep it hidden for as long as we possibly could.”

    “I think oftentimes what you don’t see is a lot more frightening,” added Brad Rushing, “because the audience fills it in with their own imagination and personalizes it as their own boogeyman.”

    The New York Film Academy thanks Jeff Hare, Ken Sanders, Brad Rushing, Brec Bassinger, and Madison Lawlor for sharing their insights about making an independent thriller on a tight budget and in a short timeframe!

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    November 14, 2018 • Filmmaking, Guest Speakers • Views: 820