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  • Q&A with New York Film Academy (NYFA) Alum Mey Novak

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    New York Film Academy (NYFA) alum Mey Novak was always meant to be an actress. She’s always been a huge movie buff, especially action movies, but she’s acted in plays from a young age. 

    Originally hailing from Brazil, Novak first attended New York Film Academy (NYFA) in 2012, taking the 4-week Musical Theatre workshop at NYFA’s Professional Conservatory of Musical Theatre. She followed that with more advanced studies in NYFA’s 1-year Musical Theatre conservatory

    After graduating, Novak worked as an admissions specialist at NYFA’s New York campus, helping fellow aspiring artists from Brazil enroll at the Academy. She’s acted in commercials, short films, and most recently, the feature film River Runs Red.

    River Runs Red is a thriller/drama written and directed by Wes Miller and starring Taye Diggs, John Cusack, George Lopez, Luke Hemsworth, and RJ Mitte. Miller previously directed Prayer Never Fails and Atone, and is completing production of Hell on the Border, starring Ron Perlman and Frank Grillo.

    New York Film Academy recently spoke with Mey Novak about River Runs Red, her passion for acting, and what she learned at NYFA that she still applies to her work to this day:

    New York Film Academy (NYFA): First, can you tell us what drew you to acting? What brought you to the New York Film Academy?

    Mey Novak (MN): Acting has always been inside me. I was in all the school plays, performing for my family during Christmastime, I always watched movies… it was kind of my happy place growing up. I always knew I wanted to be an actress. I remember being around seven years old watching movies and saying I wanted to do that one day. 

    When I got my theatre degree in Brazil I knew it was time to go to the US to study my craft further, and I saw that the New York Film Academy was auditioning in Brazil and that it was my time.

    Mey Novak Mey Ferdinand

    NYFA: Is there anything about your Brazilian background that you apply to acting in the United States? 

    MN: Yes, I was very versatile because of my Brazilian background. We are a very culturally rich country, so I realized I could play all sorts of foreign roles the industry requires all the time. My first commercial in the US I played a Russian girl. I hadn’t even thought about it before, then I noticed there was a whole thing for foreign accents and types in the US.

    NYFA: Can you tell us about River Runs Red?

    MN:River Runs Red tells the story of an African American judge whose son is murdered by the police. It’s a very strong and currently relevant plot—it’s necessary because it talks about the racism that still exists nowadays in the US, in Brazil, and the whole world.

    NYFA: What did you learn at NYFA that you applied directly to your work on River Runs Red,or your work in general?

    MN: So many things!! NYFA was a stepping stone in my career! 

    First, I have learned with the best teachers—I’ve found mentors for life that even after school was over I had supporting me. I’ve also learned how to be a professional—it was more than just going to class, learn a method, and go home—I learned about the real world of acting and the industry. And I had the chance to practice while I was in school. This is very important. I was in touch with the filmmaking students, I was auditioning, shooting with them, also with the photography students, etc. 

    So when my first big job arrived, I was ready. It was very important. For my acting specifically, I’ve learned my favorite method, the “Meisner technique” at NYFA, it’s necessary to me on set.

    NYFA: What other projects are you working on or do you plan to work on?

    MN: I’m currently in Brazil shooting a show in Portuguese called Os 3 Irmaos (The 3 Brothers). It’s my first time acting in Portuguese after such a long time working in the US. After this I have plans to work in Europe for a while.

    NYFA: What’s your dream role? 

    MN: I love action movies, I’m obsessed with them!!! I practice martial arts and have studied Stage Combat since my NYFA days, and my dream is definitely a strong female role in an action movie with amazing choreography, like in John Wick.

    NYFA: What advice would you give to students just starting out at NYFA?

    MN: I’d say enjoy your time there and listen to every single thing your teacher has to say—they really know about the industry. Be the first one to arrive and the last one to leave, it really pays off!

    NYFA: Anything I missed you’d like to speak on?

    MN: I want to say to all the aspiring actors to follow their dreams! Sounds cliché but there will be doubts, there will be moments you just want to give up, but you just need that one person to believe in you and that one “Yes” that changes everything. Be grateful and embrace every step of the journey!

    The New York Film Academy thanks actress and NYFA alum Mey Novak for taking the time to answer our questions and wishes her the best of luck as her career continues to grow!

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    February 20, 2019 • Acting, Musical Theatre, Student & Alumni Spotlights • Views: 310

  • 2019 BAFTA Nominations Include Documentaries Worked On By New York Film Academy (NYFA) Faculty

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    UPDATE: The winners were announced last night, February 11. The list includes Free Solo, which won Best Documentary, and which was edited by New York Film Academy (NYFA) instructor Bob Eisenhardt.

    The full list of winners for this year’s BAFTA Film Awards are named below.

    –February 12, 2019

    Nominations for the 2019 BAFTA Film Awards were announced earlier today, as this year’s awards season continues towards its crescendo.

    The BAFTA Awards are given out by the British Academy of Film and Television Arts, and celebrates cinematic achievements by both British artists and those around the world. The Academy was formed from the combination of the Guild of Television Producers and Directors, founded in 1953, and the British Film Academy, started in 1947. The first BAFTA Award went to silent film star and filmmaking legend Charlie Chaplin.

    Many of this year’s BAFTA nominees should seem familiar, as they have already been recognized by various industry guilds as well as this year’s Golden Globes. Historical comedy The Favourite dominated the nominations with a total of 12 following star Olivia Colman’s win for Best Actress at the Globes.

    Spike Lee picked up his first BAFTA nom for directing Best Film nominee BlackKklansman. Bradley Cooper broke BAFTA records by earning five nominations from five different disciplines for his film A Star is Born, which received seven total, including Best Film. 

    Two previous guest speakers of New York Film Academy (NYFA) also received BAFTA nominations. Adam Driver, who spoke with NYFA students at our New York campus last year, received a nod for Best Supporting Actor for his work in BlackKklansman. Glenn Close, who also spoke with NYFA students, picked up a Best Actress nomination for her starring role in The Wife. Close won earlier this week at the Golden Globe Awards for the same performance.

    Three films that were worked on by New York Film Academy faculty and alumni also received BAFTA nominations. Avengers: Infinity War received a nod for Best Special Visual Effects. NYFA 3D Animation and VFX alum Francesco Panzieri worked on the visual effects team for the epic blockbuster. 

    Additionally, two of this year’s Best Documentary nominees feature work by faculty members of the NYFA Documentary school. RBG, the hit documentary about Supreme Court Justice Ruth Bader Ginsberg, was shot by director of photography and cinematography instructor Claudia Raschke. Free Solo, the critically-acclaimed film about Alex Honnold as he attempts to free climb El Capitan, was edited by instructor Bob Eisenhardt. 

    Both films are also shortlisted for the Academy Awards, whose nominations will be announced later this month. New York Film Academy wishes them the best of luck!

    Here is a full list of this year’s BAFTA nominees. The WINNERS are listed in bold.

    Best Film
    BlacKkKlansman
    The Favourite
    Green Book
    Roma
    A Star Is Born

    Outstanding British Film
    Beast
    Bohemian Rhapsody
    The Favourite
    McQueen
    Stan & Ollie
    You Were Never Really Here

    Outstanding Debut by a British Writer, Director or Producer
    Apostasy — Daniel Kokotajlo
    Beast — Michael Pearce, Lauren Dark
    A Cambodian Spring — Chris Kelly
    Pili — Leanne Welham, Sophie Harman
    Ray & Liz — Richard Billingham, Jacqui Davies

    Film Not in the English Language
    Capernaum
    Cold War
    Dogman
    Roma
    Shoplifters

    Documentary
    Free Solo
    McQueen
    RBG
    They Shall Not Grow Old
    Three Identical Strangers

    Animated Film
    Incredibles 2
    Isle of Dogs
    Spider-man: Into the Spider-verse

    Director
    BlacKkKlansman — Spike Lee
    Cold War — Paweł Pawlikowski
    The Favourite — Yorgos Lanthimos
    Roma — Alfonso Cuarón
    A Star Is Born — Bradley Cooper

    Original Screenplay
    Cold War
    The Favourite
    Green Book
    Roma
    Vice

    Adapted Screenplay
    BlacKkKlansman

    Can You Ever Forgive Me?
    First Man
    If Beale Street Could Talk
    A Star Is Born

    Leading Actress
    Glenn Close — The Wife
    Lady Gaga — A Star Is Born
    Melissa McCarthy — Can You Ever Forgive Me?
    Olivia Colman — The Favourite
    Viola Davis — Widows

    Leading Actor
    Bradley Cooper — A Star Is Born
    Christian Bale — Vice
    Rami Malek — Bohemian Rhapsody
    Steve Coogan — Stan & Ollie
    Viggo Mortensen — Green Book

    Supporting Actress
    Amy Adams — Vice
    Claire Foy — First Man
    Emma Stone — The Favourite
    Margot Robbie — Mary Queen of Scots
    Rachel Weisz — The Favourite

    Supporting Actor
    Adam Driver — BlacKkKlansman
    Mahershala Ali — Green Book
    Richard E. Grant — Can You Ever Forgive Me?
    Sam Rockwell — Vice
    Timothée Chalamet — Beautiful Boy

    Original Music
    BlacKkKlansman
    If Beale Street Could Talk
    Isle of Dogs
    Mary Poppins Returns
    A Star Is Born

    Cinematography
    Bohemian Rhapsody
    Cold War
    The Favourite
    First Man
    Roma

    Editing
    Bohemian Rhapsody
    The Favourite
    First Man
    Roma
    Vice

    Production Design
    Fantastic Beasts: The Crimes of Grindelwald
    The Favourite
    First Man
    Mary Poppins Returns
    Roma

    Costume Design
    The Ballad of Buster Scruggs
    Bohemian Rhapsody
    The Favourite
    Mary Poppins Returns
    Mary Queen of Scots

    Makeup & Hair
    Bohemian Rhapsody
    The Favourite
    Mary Queen of Scots
    Stan & Ollie
    Vice

    Sound
    Bohemian Rhapsody
    First Man
    Mission: Impossible — Fallout
    A Quiet Place
    A Star Is Born

    Special Visual Effects
    Avengers: Infinity War
    Black Panther
    Fantastic Beasts: The Crimes of Grindelwald
    First Man
    Ready Player One

    British Short Animation
    I’m OK
    Marfa
    Roughhouse

    British Short Film
    73 Cows
    Bachelor, 38
    The Blue Door
    The Field
    Wale

    EE Rising Star Award
    Barry Keoghan
    Cynthia Erivo
    Jessie Buckley
    Lakeith Stanfield
    Letitia Wright

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    February 11, 2019 • 3D Animation, Documentary Filmmaking, Entertainment News, Film School • Views: 1150

  • New York Film Academy (NYFA) Alum Kane Senes Makes Micro-Budget Film ‘For Now’

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    New York Film Academy (NYFA) Filmmaking alum Kane Senes’ first feature, Echoes of War, is a period Western featuring high-end production value and a name cast. Where does one go from there? In Kane’s case, he went back to his DIY film-school roots. Armed with a $25,000 Kickstarter campaign and only the outline of a script, writer/director Kane Senes and fellow NYFA alum and director of photography Anton DuPreez hit the road (literally) and made For Now

    According to its official website, For Now is a “look at twenty-somethings adrift in the limbo between adolescence and adulthood, grappling with the superficial connections that define their generation.” The film was “shot on the road over seven days on a shoestring budget and with entirely improvised performances.” 

    Kane Senes For Now

    As if this wasn’t enough of a challenge, Senes and his fellow writers (Hannah Barlow and Katharine DuBois) were playing variation of themselves. And the tight schedule and budget meant they had no time for second takes or traditional coverage. 

    The result? A poignant coming of age/road movie akin to Diner, Noah Baumbach’s Kicking & Screaming, and the improvisatory works of John Cassavetes. Senes, DuPreez, Barlow, and DuBois had their official LA premiere of For Now at NYFA and talked about how they made their feature with little money and even less time.

    After attending a Q&A with low-budget maestros The Duplass Brothers (The Puffy Chair, The MisEducation of Bindu), Barlow was inspired to create a film loosely centered on her relationship with her dancer Hannah Connor. An incredibly short four months and one Kickstarter campaign later, principal photography on the film was complete! 

    Kane Senes For Now

    Though initially hesitant to perform as the somewhat unsympathetic character “KANE SENES,” co-director Kane Senes realized that he needed to throw all aspects of himself into the project. This included some personal moments from his relationship with girlfriend/co-director/co-star  Hannah Barlow. The filmmakers soon discovered that the more personal they went with their story, the more relatable it became. However, DuBois (who is flat-out hysterical in the film) did stress that her character’s more “friendly” characteristics were pure fiction. 

    While a traditional narrative film might have a 10-to-1 raw-footage-to-final-edit shooting ratio, the For Now team’s approach meant they only had a few hours of footage to use. As an editor, Senes spent an extended amount of time in post-production and one lone day of reshoots to shape the improvisatory tale into a more cinematic story. Completing the film then led the team to their next big hurdle: distribution. Barlow and Kane connected with fellow NYFA alum Claudia Pickering, whose micro-budget film Frisky received international distribution and is currently being adapted for television. 

    Pickering’s sales agent watched For Now and fully committed to finding the movie distribution. And now, For Now has transformed from a improvisatory, crowd-funded project to a feature available to buy or rent on iTunes, Amazon, and countless other video platforms. 

    The New York Film Academy congratulates the filmmakers for taking their passion project all the way to the finish line!

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    February 5, 2019 • Film School, Filmmaking, Student & Alumni Spotlights • Views: 305

  • The Latest New York Film Academy (NYFA) Documentary Filmmaking Alumni & Faculty News

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    New York Film Academy (NYFA) takes a quick look at some recent achievements of the NYFA Documentary Filmmaking alumni, faculty, and students:

    Alumni:

    Victoria Bergqvist (Fall 2017 1-Year) crewed as a production coordinator on the documentary Stieg Larsson: The Man Who Played With Fire, which is competing at Sundance this year (she did this just prior to coming to NYFA). Now based in Los Angeles after graduating from NYFA’s 1-Year Documentary program, she currently works for George Media creating branded content as a director. Here’s what she had to say about her experience at NYFA and how it serves her in the professional world: 

    “I can honestly say that the 1-year documentary program at NYFA in Los Angeles gave me very well-rounded skills. Although it was an intense program, I learned how to do literally pretty much everything myself. Meaning: writing, producing, directing, filming, editing, and sound mixing. And also how to make completed films during a short amount of time.

    “It turned out that this was exactly what George Media in Venice was looking for. The official job title of the position is ‘Young Director,’ but we are expected to do almost all the things mentioned above ourselves, except we get to work with a DP. The job entails making 12 short videos [in] six months, so having learned to make films under time pressure was incredibly helpful. Also, since the documentary program at NYFA is so hands-on and we make six films [in] one year, it gave me the confidence to keep doing what I had already done at school multiple times in the professional world.”

    Producer Julia Cheng (18) launched production of two feature documentaries in Beijing: The Invisible Shore, a feature doc directed by Qi Zhao, who produced both Last Train Home, The Chinese Mayor, and The City Dream, directed by Weijun Chen who previously directed Please Vote for Me.

    Guy Yang (Fall 2016 MFA) Right after graduating with his MFA in Documentary Filmmaking, Guy Yang was hired by Radio Free Asia, based in Washington D.C. as a broadcaster. The station has also asked him to develop three documentary series that focus on social issues in Eastern Asia. He will work with a team, researching and producing episodes and also filming, editing, mixing and, delivering packages to the station. Yang says, given his experience at NYFA of working on multiple projects quickly, he will continue to produce and direct his own documentary projects as well.

    Ashley Harris (Fall 2015 MFA) is served in the U.S. Navy as a Second Class Petty Officer. She came to NYFA in Fall 2015 and graduated with an MFA in Documentary in September 2017. In November of that same year, she interviewed with and was hired by Participant Media as Assistant to the Senior Vice President, Documentary Film and TV. She said that she loves the work and continues to grow with the company.

    Paul Gallasch’s (‘11) new feature documentary, Love in the Time of Antidepressant, produced with grants from both Screen Australia and the South Australian Film Corporation, premiered to great enthusiasm at the 2018 Adelaide Film Festival. Paul was also a 2018 Points West Fellow at the 2018 Camden Film Festival.

    Dikeos Foudeas (Spring 2015 1-Year) was hired for A/V production at the Alaska Airlines Center in Anchorage, Alaska for the University of Alaska Anchorage. Kay (as we affectionately refer to him) has said “I strongly believe my employment was influenced by the training I received at NYFA.” He also continues to work freelance as a videographer in Anchorage, Alaska.

    Dade Shields (Fall 2014 1-Year) is a native to Southern California and was always interested in outdoor cinematography. In 2018, Shields produced and shot several branded content mini documentaries for TravisMathew (a sportswear clothing line) as part of their Life on Tour series. Shields continues to shoot sports-themed documentary footage and recently partnered with professional skimboarder Blair Conklin to create YouTube channel Skid Kids, which quickly amassed over 2,000 subscribers.

    Rachael Pelzer (Fall 2014 1-Year) is originally from the Midwest and began working as a logger for Herzog & Co right out of graduating NYFA’s Documentary program. She’s been at Herzog for four years and is now their Post Production Coordinator. Her credits include: 1968: The Year that Changed America and The History of Comedy—both series aired on CNN. Rachael continues to credit NYFA for training her in production and this past year revived her 1-year film to develop it into a feature documentary with the help of fellow alum, William Nestlehutt. The two continue production on Rachael’s Hip Hop Ohana.

    Marie Vanderrusten (’16) signed on as editor of Ma Ville, Notre Idéal (My City, Our Ideal), airing daily on France 3. The series focuses on young people inventing new apps and industries to take on problems including climate change, overpopulation, poverty, overconsumption, and pollution.

    Executive producer Yusaku Kanagawa (’15) hired Mariko Ide (’16) as a story consultant on his Creators Program platform at Yahoo Japan.

    NYFA Alumni Yusaku Kanagawa & Mariko Ide
    NYFA Alumni Yusaku Kanagawa & Mariko Ide

    Peabody Award-winning production companyTransform Films staffed Nancy Dionne (‘18) as Associate Producer. Her semester one film, All I See Is the Future, will also premiere this month at Winter Film Awards International Film Festival, screening on Feb 19 and Feb 20.

    In a unique trifecta, NYFA Docs grads became chief filmmakers for three of the foremost arts institutions, The Metropolitan Museum of Art (Alex Guns (‘10), Joe’s Pub at The Public Theater (JR Cronheim (’12), and New York City Ballet (Laura Snow ’11).

    Santiago Machado (’18) began a gig with the United Nations Department of Public Information (UN DPI) for the television section of the News and Content Branch, News and Media Division.

    Francesca Pagani (’11) shot, produced, and/or associate produced several new VICE pieces including: Fighting in Drag with LGBTQ Wrestlers,Inside the FBI’s Hunt for “Black Political Extremists, Fighting the Use of Electric Shocks on People with Disabilities, and Inside the Gambling Scandal That Rocked The NBA. Her photos were also featured on the front cover of Politiken as part of a profile of gun violence survivor Jaqueline and her family who arrived in Tijuana with 3,200 others from the migrant “caravan.”

    Colorist, Susi Dollnig (’12) has been invited to present a seminar at this year’s Berlinale (Berlin International Film Festival).

    Many 6-week Workshop grads also made their way into the limelight in 2018:

    David Diaz won the Southern Exposure Film Fellowship, for If They Build It, What Will Come, which he premiered at Wild & Scenic Environmental Film Festival.

    Hannah Currie was awarded Best Director at Under Wire Film Festival, for We Are All Here which is now also an Official Selection for both DOCfeed 2019 Film Festival and Glasgow Short Film Festival.

    Krisztina Danka’s Final Film, Violet and the Wildman, will make its North American premiere February 16 at the Cinema Verde Environmental Film Festival after winning the Golden Fox Award for the Best Educational Film in Kolkata, India.  

    Edwige Pezzulli Stępniewska and Maria Giulia Mancuso Prizzitano‘s final film project for NYFA, Embodiment, is now an official selection of Corvallis Queer Film Festival, the Prisma Independent Film Awards and Ivelisecinefestival.

    Faculty:

    Academy Award nominations were recently announced for Free Solo, edited by Bob Eisenhardt and RBGwhosedirector of photography is instructor Claudia Raschke.

    Director/instructor, Maxine Trump, premiered her new film, To Kid or Not to Kid at DOC NYC, published The Documentary Filmmaker’s Roadmapfor Focal Press, delivered a pilot for an ITVS series, and started production on The Tongass Legacy in Alaska.

    Editor/instructor, João Queiroga, also Chair of Post-Production, directed Our Skin, which screened at IDFA, Hot Docs, BFI, and DocLisboa, and was nominated for the Iris Prize and received the Lili Award. He produced the feature film I Can Only Be Mary Lane premiering at Doc’n Roll Film Festival in the UK, and is in production on both Digging For Life and Behind the Sun

    Producer/instructor Tracie Holder’s film Grit, directed by Academy Award-winner Cynthia Wade, premiered at Hot Docs and will air on PBS/POV later this year. A film she is currently producing, The Quiet Zone, received Sundance, NYS Council for the Arts, and IFP/HBO funding, while A Place of Absence, the other film she’s producing, was awarded a prestigious grant Tribeca Gucci grant.

    Producer/instructor Dorottya Mathe finished post-production of Impossible Monsters a psychological thriller starring Santino Fontana that will be premiering at Cinequest on March 9, line produced the recreation segment of the documentary A Cops and Robbers Story that will be released in 2020, finished and produced The Independents, a modern folk ’n roll comedy that will soon be screened across the US after a successful festival run, and began production of The Tongass Legacy directed by fellow instructor, Maxine Trump.

    Chair of Documentary Filmmaking Andrea Swift taught a special workshop facilitating some of the kids from Newtown, CT in making micro-docs as well as a different micro-docs workshop for over 400 Fulbrightersat their annual conference.

    Students:

    And finally, Dunya’s Day, associate produced by NYFA Documentary student, Aya Hamdan, won Sundance Film Festival’s Short Film Jury Award for International Fiction this January.

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  • New Years Update from New York Film Academy (NYFA) Broadcast Journalism

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    It’s the start of a new year, and graduates of the New York Film Academy (NYFA) Broadcast Journalism school are right in the middle of many of the exciting things that are taking place. 

    NYFA alum George Colli — now with WTNH in New Haven, Connecticut — was back in Washington, DC to document history in the making, speaking with Representative-elect Jahana Hayes the day before she was sworn into office. Rep. Hayes is the first African American woman and first African American Democrat to represent Connecticut in Congress.

    NYFA Broadcast Journalism Alum George Colli Interviewing Rep. Jahana Hayes

    Broadcast Journalism grad Suzane de Oliveira, whoworks for Agence France-Presse (AFP) in Rio de Janeiro, put together a wonderful story about New Year fireworks over the legendary Copacabana Beach. (You can’t get more visual than fireworks!) Her story was likely distributed globally, as AFP serves news organizations around the world. 

    The end of the year is also a time when production teams take group pictures. Gabriela Matte is a graduate of one of our short-term Broadcast Journalism workshop. She works for media giant Globo, on the first 24-hour news cable channel in Brazil. It’s called, not surprisingly, GloboNews. I often say that TV news is a “team sport,” and Gabriela wrote: “Yes, teamwork with a lot of passion.” 

    Here’s what she wrote when she first started at GloboNews. “One of the reasons I got the job was my experience abroad, and NYFA is part of it.” 

    Delphine Dormancy attended the 1-year Broadcast Journalism program. Right now, I think she is working in Beruit, Lebanon. But here in New York she produced a lovely story for the digital outlet Labneh&Facts“What do Hummus, refugees, New York City and a pair of Lebanese siblings have in common? Well, a passion for good, home-made food and doing good, of course!” 

    BTW, how many of you reading this have eaten lebneh? Trust me, it’s wonderful. What regular yogurt yearns to become… 

    Finally, short-term Broadcast Journalism workshop graduate Alexandra Salandy is working in the news department of FOX5 New York. She tells us, “I am a production assistant here. I help cut the teases and VOs and I also help the assignment desk, and assign reporters to editors.”


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    January 7, 2019 • Broadcast Journalism, Student & Alumni Spotlights • Views: 625

  • Q&A with ‘Ruth’ Director and New York Film Academy (NYFA) alum António Botelho

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    New York Film Academy (NYFA) alum António Botelho hails from Lisbon, Portugal and has acted, produced, written, shot, and crewed on several projects both in his home country and aboard. 

    Botelho attended NYFA’s 2-year Filmmaking program in 2008 at our New York City campus, where he gained invaluable experience directing and shooting his own films as well as serving as an integral crewmember on other students’ films.

    His education and professional experience culminated this year in the release of Ruth, the Portuguese feature film directed by Botelho. Ruth is set in the early 1960s and tells the story of Eusébio, an immigrant from Mozambique and football (soccer) superstar who finds himself in a heated sports rivalry amidst political turmoil during the country’s fascist regime. 

    Ruth - António Botelho


    The New York Film Academy spoke with Botelho about his film and career earlier this year:

    New York Film Academy (NYFA): Can you talk a bit about the process involved in getting Ruth subsidized by Portugal?

    António Botelho (AB): In Portugal there are hardly any private companies (film or other) that finance their own movies. There isn’t a studio system. There are film companies who produce movies mostly by grants and state competitions with many categories (short films, first features, feature films, documentaries, documentaries short, animation, etc.). 

    It was through one of these state competitions that Ruth was subsidized. The film company in charge of the production had to present a budget and all sorts of documents boosting the film’s value and whatnot. 

    My part, in that competition entry, was to write a director’s view kind of document, with my own personal approach on how the movie would be made. It’s a matter of luck. It’s one in a billion.

    NYFA: How do you approach the filmmaking process?

    AB: I’m a very practical filmmaker. I consider myself a film buff first, then a filmmaker. Great movies are made every year, some of them share the same story, and so I know the movie that I’m making is probably not going to be a Citizen Kane… movies shouldn’t impose on themselves or their filmmakers. 

    I try to make a movie that makes sense. I put the script and the actors first, then I adapt to several circumstances… as all filmmakers do. 

    As [NYFA’s founder] Jerry Sherlock put it: “Story, story, story.”

    NYFA: How did NYFA help prepare you to be on set for your feature film debut?

    AB: NYFA helped me prepare in a sense that it taught me to having the most done — as a director — before entering the set. I prepare myself so that each day I know what I’m shooting, but also how it’s going to cut together. Having a big sense in all film areas, provided by the faculty, helps the filmmaking process and teaches you to respect your fellow colleagues. Filmmaking isn’t a solo thing. 

    Also, it taught me to act quickly in the face of adversity, because most times you’ll have to adapt.

    NYFA: Will Ruth be available online or in other countries?

    AB: Eventually it will be online in some of the screening platforms. What I can say for now is that there’s a possibility of it premiering in France in January 2019, and maybe also Germany.

    The New York Film Academy thanks António Botelho for his time and thoughtful responses and wishes him the best of luck in his promising career! 

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    December 26, 2018 • Filmmaking, International Diversity, Student & Alumni Spotlights • Views: 469

  • New York Film Academy (NYFA) Acting for Film Alum Ioanna Meli Stars in “Isabel”

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    Isabel, a short film starring New York Film Academy (NYFA) Acting for Film alum Ioanna Meli, is now available on Amazon Prime Video, allowing millions of the streaming service’s subscribers to check out the haunting drama. 

    Ioanna Meli
    Ioanna Meli

    Ioanna Meli originally hails from Greece, and studied for her Master of Fine Arts in Acting for Film from NYFA’s Los Angeles campus, where she was trained and taught by a faculty of working professionals from Hollywood, Broadway, and the independent film industry.

    NYFA’s MFA in Acting for Film program is an intense commitment — students learn two years’ worth of education in only sixteen months, and are often rehearsing and studying on weekends, in evenings, and wherever they can find those extra minutes to devote to their craft. Meli was more than up for the task however, and her work in Isabel shows off her talent and the skills she picked up while at the Academy.

    Written and directed by Alex Knudsen based on a story by Charlotte Zang, Isabel tells the story of an elderly woman named Isabel Dove at the very end of her life. However, when she seemingly passes away, she wakes up hours later as her younger self. The mystery grows deeper from there as Isabel searches for answers and reflects on the life she thought she was leaving behind. The film stars Jamie Donnelly and Lauren Elyse Buckley as old and young Isabel, respectively; Meli co-stars as Meredith. 

    About her experience filming the short, Meli tells New York Film Academy, “Working with Alex on set was a fantastic, collaborative experience. The film’s dialogue was composed to express only what was necessary to move the story forward, creating a sense of mystery that’s powerful in this film.”

    Meli continued, “The scene we did with Lauren was challenging; our energies and objectives in the story are very different and in the scene, we meet under circumstances that both of our characters are uncertain about. Working through that together was an interesting process.”

    The New York Film Academy congratulates Acting for Film alum Ioanna Meli on her stellar work in Isabel, and encourages everyone who can to check it out on Amazon Prime Video

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    December 17, 2018 • Acting, Student & Alumni Spotlights • Views: 688

  • New York Film Academy (NYFA) Holds Meet and Greet for Alumni

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    On Thursday, December 6, New York Film Academy (NYFA) hosted a TALENT MEET AND GREET at its Los Angeles Campus. NYFA invited talent agents and managers from around Hollywood to meet with Acting for Film alumni in an informal setting. 

    Agents and managers that attended the event were: Guy Kochlani (Across the Board Talent Agency), Laura Bowman (Brady, Brannon & Rick Talent), Ryan Hayden (Ideal Talent Agency), Denise Barrett (BBA Talent), Jean-Marc Carre & Vincent Carre (Central Artists), Sandy Oroumieh & Lucia Chiao (Rothman / Andrés Entertainment), Christopher Montgomery-Bender (Prodigy Talent), and Tyler Kahl (Allegory Creative Talent).  

    December 2018 NYFA Alumni Meet & Greet

    The talent agents and managers set up their own desks and booths and NYFA alumni went from table to table handing out headshots and spending a few minutes with each representative. For the aspiring actors this was a unique opportunity to meet many talent representatives — all in one evening!

    The NYFA alumni were given time to pitch themselves and ask the agents and managers advice on careers, the entertainment industry, and how to succeed. Hearing real-world critiques from a variety of industry professionals helped them better prepare for their future as they continue to network and pursue their acting careers.  

    Barbara Weintraub, Chair of Industry Outreach and Professional Development, organized the event and was thrilled with the turnout and positive feedback from both the alumni and agencies. She heard back from students the next day who were contacted by the companies.  

    Here is just some of what the alumni had to say following the meet and greet:

    This experience has been nothing short of amazing. It’s one thing to email your headshot and resume to an agent and hope to hear back, but now not only do you get to hand them a physical copy — you get to sell your personality to them.
    —Jack

    I love this. It’s a great opportunity to meet with agents and managers!
    —Belle Guillory

    It’s great to see agents in real life instead of just submitting your headshot.
    —Laura Van Yck

    This event is so great, and I am so happy that the school is doing this and giving us the opportunity to get in touch with people in the industry and to get to know new people and talk to them.
    —Anna Salles

    New York Film Academy thanks the industry representatives for their time and looks forward to having more of these events in the future!

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    December 14, 2018 • Acting, Alumni Events, Community Highlights • Views: 492

  • Q&A with New York Film Academy (NYFA) Filmmaking Alum Lujein Ashi

    Facebooktwittergoogle_plusredditpinterestlinkedinmailLujein Ashi is a filmmaker, graphic designer, and storyteller who works for Saudi Arabia’s leading oil company, Saudi Aramco. In August, Lujein completed the 4-week Filmmaking workshop at New York Film Academy’s Los Angeles campus after winning a scholarship with a 1-minute video. 

    New York Film Academy (NYFA) met up with Lujein to find out what her experience was like with the program, and what her plans for the future include.Lujein Ashi

    New York Film Academy (NYFA): So, how did your interest in coming here start? 

    Lujein Ashi (LA): I’ve always loved filmmaking stories since I was a child. I told stories to my sisters before we’d go to sleep, stuff I’d make up. I remember there was one moment that really stood out to me in my life. I went to watch Lord of the Rings in the cinema. I was with my friends. When we left everybody was so happy, but I felt sad. I didn’t understand it then. I understand it now. I felt like I was on the wrong side of the screen, like I was the one who was supposed to be giving people that feeling, not people giving that feeling to me. So, stories have always been a part of my life. 

    When it came time to choose what I wanted to study in college, I had to choose something that was practical. In the Gulf, we don’t have many opportunities for film, but then the New York Film Academy came to Bahrain to do a promo. I went and I just sat there and listened to [Dean of Enrollment Services] Tami Alexander do the presentation. She was really sweet. 

    I told her one day I’m going to come — hopefully, if it’s meant for me — and I signed up to their newsletter. I think it was like a month or two later, I get an email saying there was an opportunity for two scholarships for Saudi students. They want to encourage Saudi filmmakers because they’re opening cinemas in Saudi. 

    I saw the email late. I had two days to come up with my 1-minute video. I’ve never done a film before, but I knew I could write. So I wrote a script really fast and I did a very little video. I must have done something right, because she contacted me and told me I was one of the two students that got the scholarship. I was really, really happy. I cried hysterically.

    So I came here. It’s been a crazy four weeks. It’s just so amazing, the collaboration that you have with people… people that were strangers to me on Day One are like really close friends. There’s nothing like it, really. It’s everything I thought it would be, and even more.

    NYFA: Why did you choose the city of Los Angeles?

    LA: I think there’s no place better to learn filmmaking than in Los Angeles because it’s the hub of worldwide, excellent movies. It’s where the Hollywood industry is. Universal, Warner Brothers… all of these places, they’re all here. So there’s no place better to learn filmmaking.Lujein Ashi

    NYFA: What did you learn about filmmaking?

    LA: It’s all about story, that’s for sure. If your story is weak, then it doesn’t matter what you’re going to do. It’s not going to be something that touches people. Also technically the camera is your eye. You need to be one with the camera. You have to look through it, and if you don’t like what you see then you’re not going to like your movie. 

    I mean, it’s not like people can imagine what you meant, you know? So you have to be aware of the technical stuff. Which [at first] was very hard for me, because I’ve never touched a camera before, but Charlie did a really good job teaching us.

    NYFA: Is this something you want to continue doing? What’s your plan after this?

    LA: I found my heart here. I really did. It’s an amazing thing to find. People live their whole lives trying to find that thing they love. I think that’s the key to a happy life. I really feel like I found it here. I’m really going to try and do my master’s in this. Hopefully, then I could just do this for as long as I can. 

    NYFA: Do you see opportunities opening up in Saudi Arabia or Bahrain? 

    LA: Yes, for sure! Especially with the opening of cinemas, the government has been opening different entertainment entities trying to open things up to the people. I think there’s definitely going to be a demand for that. It’s going to be an exciting time for Saudi.

    NYFA: As Saudi opens up, is there a place there for you? Do you see yourself working there?

    Lujein AshiLA: I don’t know. I mean, sure, if there’s a place for me in Saudi to make great movies. I would love to. I mean, it’s my country. But to me, my geographic location was never something that was important. I’m very multicultural. My father is from Saudi, my mom’s from Lebanon, I lived in Baghdad, and I’m married to a Palestinian. I come from very different places, so I never felt like I belonged somewhere. Sometimes it’s a disadvantage, but sometimes it’s an advantage. Wherever you are, you feel like you can just connect with people because you’re from everywhere, basically. 

    So yeah, I mean, I could be — for example— in LA or in New York or anywhere with like-minded people, trying to do the same thing, just doing what we love; ultimately making somebody feel something. That’s why we go to the movies, right? Because we want to feel something! I could make somebody feel like Lord Of The Rings made me feel or Game of Thrones or any of these shows that have changed me so profoundly. It just amazes me how somebody could get that feeling out of you. It’s so satisfying. 

    NYFA: You mentioned two high-fantasy titles — is that kind of your thing?

    LA: I love fantasy, yeah. I mean, I love getting out of the real boring world and leaping into somebody’s imagination. That’s something out of this world! 

    NYFA: Why do you think stories are important?Lujein Ashi

    LA: I think they make people feel empathy for one another and understand each other on a level that maybe we don’t. In real life, there are a lot of issues that, when a film sheds light on them, could actually bring people closer together. You know, I think arts and filmmaking have the capacity to change people’s lives, to change societies and to open people up.

    Truthfully, it’s fundamental for our growth. It’s fundamental for us to connect and to see the point-of-view of other people. If I saw it from your perspective, which is what film lets you do, maybe I’ll be able to connect with you and understand you.

    The New York Film Academy wishes Lujein Ashi the best of success with her future endeavors, and hopes to see more of her amazing and beautiful stories in the near future!

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    December 5, 2018 • Filmmaking, Student & Alumni Spotlights • Views: 561

  • New York Film Academy (NYFA) Alum Jameelah Rose del Prado Lineses Wins Best Cinematography Award

    Facebooktwittergoogle_plusredditpinterestlinkedinmailJameelah Rose del Prado Lineses has won several awards for her various film projects since attending New York Film Academy (NYFA), and last October, she added another. At the 8th Annual International Film Festival Manhattan, Lineses earned the Best Cinematography Award for her music video, Atareek.Jameelah Rose Lineses

    The 2018 International Film Festival Manhattan (IFFM 2018) opened on October 17 and ran until October 21, with its awards ceremony held on October 18 at the Philippine Consulate in New York City. Lineses screened Atareek at the Producers Club Theaters, just a few blocks from Times Square. Saudi Vice Consul of the Saudi Arabian Consulate, Mazin AlMouallimi, was in attendance at the event.

    Atareek is “a journey to the colorful streets of Old Balad” that explores “the beautiful history of the city’s rich culture and heritage.” It was the only film representing Saudi Arabia at this year’s festival, and was shot, directed, edited, and produced by Lineses, who was assisted by her mother throughout the shoot.  

    Lineses picked up a lot of the skills necessary for filmmaking, from pre-production through post-production, at the New York Film Academy, which she first attended in June 2011 when she enrolled in the 8-Week Filmmaking workshop. Two months after that, she deepened her studies and attended the 1-Year Filmmaking program at NYFA’s New York City campus.

    Atareek was filmed in 2017 entirely in Jeddah during the Atareek festival and is the third production Lineses has made that features Historic Jeddah. Her previous films, Historic Jeddah and Our Journey to Hijaz, have garnered significant praise from multiple festivals in the last several years. 

    In addition to Atareek, Lineses worked on two other films that were Official Selections at IFFM 2018. She was Associate Producer on Reunion as well as Assistant Director, Editor, cast member, and one of the producers of Mindanao. 

    The New York Film Academy congratulates Jameelah Rose del Prado Lineses on her film Atareek and her latest award win!  

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    November 30, 2018 • Cinematography, Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 812