alumni
Posts

  • NYFA Acting for Film Alum George Carson on the Challenges and Rewards From Creating His First Feature Film ‘GetMeLovedUp.com’

    Facebooktwitterredditpinterestlinkedinmail

    It can be tough and challenging to create any kind of film for the first time, but especially your first feature film. New York Film Academy (NYFA) Acting for Film alum George Carson caught up with NYFA to discuss what it was like to create his first feature film GetMeLovedUp.com and gave realistic insight into the challenging, but rewarding, process of filmmaking.

    NYFA Acting for Film alum George Carson

    Carson retired from the UK Fire and Rescue service in early 2015. It was then that he decided to pursue a professional career in acting and filmmaking. After studying at the Royal Conservatoire of Scotland and pursuing other workshops, Carson realized he wanted to specifically tap into Acting for Film. “I was already aware of NYFA but at that time never dreamed I would go there. I was over the moon to be accepted a year before I was due to retire and  I couldn’t wait to get away from the Fire Service and live in NYC,” shared Carson.

    While at NYFA, Carson recalls bonding with many of his classmates and how they made the short film The Evanescence while at school together. “The whole NYFA experience was just fantastic,” shared Carson. “The instructors had a wealth of real-life experience, unlike some ‘Drama’ teachers who have never been outside a classroom. The facilities were great and the interaction of the Actors course working with the Filmmaking course meant we had a whole bunch of new friends and collaborators.”

    Film poster for ‘GetMeLovedUp.com’

    Carson’s latest film and first feature, GetMeLovedUp.com, which he wrote, directed, produced, and acted in, has been submitted to various film festivals around the world and has already received several awards. The film follows lead characters Sharon and Kevin, who find themselves under pressure from friends and family to find a partner and sign up for an internet dating site. 

    “The inspiration was easy. I had been chatting to a friend in Glasgow one night and she told me about a particularly awful story that had happened to her on a date via an online dating agency,” explained Carson. “We then both shared funny stories about people we had met on these dates. I joked that I should write a film about it and a few months later the script was finished.”

    Carson shared that he had a vision for how he wanted to block the film (image below):

    But don’t let the blocking fool you. The wedding (Seen above) is not actually the lead couple. “For the film, I tried to make sure I avoided all the usual clichés,” shared Carson.

    On the challenges of making a feature film, Carson shared that it can be very different from making a short film. “The casting alone was a far bigger challenge than I imagined it would be. It took months and a considerable amount of time to cast the roles. It is an immense job,” he explained.

    George Carson blocking the scene for ‘GetMeLovedUp.com’

    The NYFA alum funded the entire film himself, so the project was working on a microbudget to produce the film and ensure the cast and crew got paid. “It meant having to do all the work ourselves. Meticulous planning and preparation were required at every step otherwise money would be wasted.” 

    Also an actor in the film, Carson shared that understanding the skills needed in front of the camera is just as important for directors to understand as well as actors. “Giving direction is all about clear communication with everyone,” shared Carson. “I don’t think a director necessarily needs a deep understanding of the actor’s craft, but there does need to be an understanding of the skill and directors need to be able to communicate clearly what they would like the actor to do performance-wise. Every word in every line can be delivered in about a million different ways.”

    “For example, the line ‘I will really miss you.’ The director has to let the actor know what they are looking for here. Will the character really miss them or is the character glad they’re leaving?

     

    An actor can say, ‘I will really miss you’ to a character on-screen with great meaning but, at the same time, the director can let the audience know that they actually hate the other character. It is this quality that a director has to tap into.”

    As for what incoming NYFA students should tap into when coming to study at NYFA, Carson says it’s all about studying, working, and learning from yourself and by others the mistakes that are made along the way. “There are very few overnight success stories. Acting and Directing are skills that can be taught and learned. Do the work and don’t worry about failing. Just get on with it. I could talk to you and show you YouTube videos about how to drive a car. But you still need to take the keys and get into that car and drive for yourself to be able to learn how to actually do it.” 

    Behind the scenes of ‘GetMeLovedUp.com’

    The NYFA alum is set to appear in a few upcoming films that have been halted due to the Coronavirus pandemic and shared that GetMeLovedUp.com is expected to be released on DVD and Blu-Ray soon. The film can currently be found on Reveel.

    New York Film Academy would like to congratulate Filmmaking alum George Carson on his outstanding achievement of first feature film GetMeLovedUp.com and encourages everyone to check out the film when it becomes available and for upcoming projects from the Filmmaking alum.

    Facebooktwitterredditpinterestlinkedinmail

    October 27, 2020 • Acting, Filmmaking, Student & Alumni Spotlights • Views: 636

  • NYFA Alum Francesco Panzieri Works as Compositing Supervisor for Netflix’s ‘Jingle Jangle’

    Facebooktwitterredditpinterestlinkedinmail

    It’s the most wonderful time of the year…well almost. Netflix has recently announced the upcoming release of the holiday musical feature film Jingle Jangle: A Christmas Journey (Jingle Jangle), starring Forest Whitaker, Keegan-Michael Key, Phylicia Rashad, Anika Noni Rose, Hugh Bonneville, and more. NYFA’s own Francesco Panzieri served as the compositing supervisor for the upcoming film, set to be released November 13, 2020, on the streaming service platform.

    Forest Whitaker in ‘Jingle Jangle’ (Netflix)

    Panzieri has had an extensive career since attending NYFA’s 3D-Animation & VFX conservatory program and has contributed to over 20 feature films and 50 television series. Some of his titles include Once Upon a Time…In Hollywood, Star Wars: The Force Awakens, The Fate of The Furious, Avengers: Infinity War, Westworld, Spiderman: Homecoming, and so much more.

    The NYFA alum’s latest work will be featured in Jingle Jangle, a holiday musical by David E. Talbert, with songs by EGOT winner and celebrated recording artist John Legend. The story follows a former toymaker (Whitaker), who is rejuvenated in his love of creativity for his craft when his curious granddaughter appears on his doorstep one day.

    Still from Netflix’s ‘Jingle Jangle’ (Netflix)

    Panzieri worked as an in-house compositing supervisor for Jingle Jangle, leading a team of artists who completed over 230 shots of post-visualization, with over 70 production shots that are in the final cut. Panzieri shared that the total VFX shot count was around 550 and is confident that the film will be welcomed warmly for all audiences over the upcoming holidays.

    New York Film Academy would like to congratulate Francesco Panzieri on his involvement on Netflix’s Jingle Jangle and encourages everyone to check out the holiday film on November 13, 2020.

    Facebooktwitterredditpinterestlinkedinmail

    October 22, 2020 • 3D Animation, Entertainment News, Student & Alumni Spotlights • Views: 604

  • NYFA Filmmaking Alum Issa Rae Hosts ‘Saturday Night Live’ in Show’s 46th Season

    Facebooktwitterredditpinterestlinkedinmail

    “Live from New York, it’s Saturday Night…with your host, Issa Rae!” In the show’s third episode of the live sketch comedy’s 46th season, NYFA Filmmaking alum Issa Rae played the iconic role of celebrity host on Saturday Night Live, performing in the comedic sketches alongside the show’s main cast and introducing this week’s musical guest, Justin Bieber.

    NYFA alum Issa Rae performs her opening monologue on ‘SNL’ (Will Heath/NBC)

    With Rae as host, shared how important the hosting gig was to her and joked that if Insecure’s fourth season was her senior year of High School, then SNL felt like the prom and the live audience were her dates. Rae also joked, “If the show goes bad tonight, just blame it on me, Mary J. Blige,” a lighthearted jab at how Black people in Hollywood often get confused for other people who look nothing like them.

    Rae’s quirky comedy enlivened many sketches throughout the evening, but her top moments seemed to shine in sketches like “First Date Exes,” where her character keeps seeing her extremely off-putting exes while on a first date, and “Canadian News Show,” in which she played an anchor always on the lookout for Canadian rapper Drake in Toronto.

    Rae recently appeared in HBO’s original film Coastal Elites and is currently in pre-production on season 5 of her critically acclaimed, Emmy-nominated series Insecure.

    New York Film Academy is proud to watch NYFA alum Issa Rae shine on stage and looks forward to what’s next from the talented writer, director, producer, and actress.

    Facebooktwitterredditpinterestlinkedinmail

    October 18, 2020 • Entertainment News, Filmmaking, Student & Alumni Spotlights • Views: 271

  • New York Film Academy Earns Tony Nominations for 74th Annual Tony Awards

    Facebooktwitterredditpinterestlinkedinmail

    In a season cut short by the Coronavirus pandemic, the Tony Awards declare the show must go on by celebrating the productions that ran before the February 19, 2020 cut-off to be considered for the 74th Annual Tony Awards.

    The nominations were revealed on October 15, 2020 by Tony Award-winner James Monroe Iglehart, who shared the nominations via video that honored Broadway shows and artists.

    ‘Jagged Little Pill’ (Photo Credit: Matthew Murphy)

    Leading the pack of nominations is the Alanis Morissette musical Jagged Little Pill with 15 nominations, earning at least one nomination in every eligible category. The heavily-nominated production was produced by NYFA Musical Theatre alumni Chase Thomas and Yael Silver.

    Moulin Rouge! earned 14 nominations, including Aaron Tveit earning the only Best Performance by an Actor in a Leading Role in a Musical nomination; making him an automatic winner of the award if 60 percent of the total ballots cast will grant an award to that category.

    Caption: ‘A Christmas Carol’ (Photo Credit: The New York Times)

    A Christmas Carol, also produced by NYFA alum Chase Thomas, received nods for Best Original Score Written for the Theatre, Best Scenic Design of a Play, Best Costume Design of a Play, Best Lighting Design of a Play, and Best Sound Design of a Play.

    At this time, The American Broadway Wing and The American Theatre Wing have not officially announced when the award ceremony, being held virtually, will take place.

    Congratulations to NYFA alum Yael Silver and Chase Thomas on their respective shows’ nominations! To watch the full list of nominations, check out the full video below:

    Facebooktwitterredditpinterestlinkedinmail

    October 16, 2020 • Entertainment News, Musical Theatre, Student & Alumni Spotlights • Views: 283

  • NYFA Welcomes Filmmaking Alum and Director Antonio Campos for ‘The Q&A-List Series’

    Facebooktwitterredditpinterestlinkedinmail

    On September 29, 2020, New York Film Academy (NYFA) had the honor of hosting a live video Q&A with writer/director and NYFA Filmmaking alum Antonio Campos to discuss his latest hit movie on Netflix’s The Devil All The Time with NYFA students and alumni. Tova Laiter, Director of the NYFA Q&A-List Series, curated and moderated the event.

    Antonio Campos’ other notable feature directing credits include the Sundance sensations Christine, starring Rebecca Hall, and Simon Killer, starring Brady Corbet. His debut feature Afterschool premiered at the Cannes Film Festival and was nominated for the Caméra d’Or and Un Certain Regard awards. In television, he directed the pilot of the USA Emmy-nominated series The Sinner and served as an Executive Producer for the first season of the anthology series. He has other credits both in Film and TV as producer.

    Tova Laiter (Left) and Antonio Campos (Right) for the NYFA Q&A-List Series

    Laiter opened the discussion with the NYFA alum by asking him about how he first got into filmmaking “I knew I wanted to be a filmmaker for a long time and it really started at New York Film Academy,” remembered Campos. He shared a humorous account of how he was too young (13!) to take classes so he posed as a 16 year old so he could take a 6-Week Filmmaking course at NYFA.

    “For six weeks I was living this other reality and my parents were comfortable with me staying up late to edit,” he joked. “My first short film I did at NYFA called Puberty and I remember this moment where I was so nervous to watch the film with an audience that I stayed in the projection room, and I didn’t know how people were reacting. Afterwards, I saw my father crying because he was so proud and it was validation and support that I could feel, so it’s one of the most important moments for me as a filmmaker.”

    Antonio Campos (Left) and Rebecca Hall at ‘Christine’ screening (Photo Credit: Variety)

    Campos then rooted himself in the indie film world, solidifying himself with hits like Martha Marcy May Marlene, which he produced, along with Afterschool and Christine, which he directed. “I made Christine and, in a lot of ways, it led me to getting The Sinner. That became a success and changed the perception of me as someone who can make things work beyond the art house. That’s just patience and letting things organically happen.” To the question of what contributed the most to the success of the movie, he attributed it to the fact that he always takes his time with the script, even if everyone else is impatient. That’s why it takes him four years between movies but ultimately, they get the response he intended them to have.

    Laiter then asked Campos to share more on the making of his hit film The Devil All The Time, which Campos adapted from the original novel and co-wrote with his brother. “The characters felt familiar, but also specific in how he [the author] was rendering the characters and getting into their heads to go to these places with awful people,” revealed Campos.

    Antonio Campos shooting ‘The Devil All The Time’ (Photo Credit: Netflix)

    “It’s an interesting movie to have gotten the wide reception it has. It’s a very disruptive film emotionally. When I talk about the movie, it should feel like you are breathless for two and a half hours until you get in the car with Arvin and then you can catch your breath,” explained Campos.

    With The Devil All The Time boasting a star-studded cast with the likes of Tom Holland, Robert Pattinson, Bill Skarsgård, and more, one audience member asked Campos how he selects actors for his projects. “I like actors that take big swings and make strong choices, along with actors with distinct faces,” he replied. “I ask myself, ‘how do I feel when I meet them,’ because I will be spending a lot of time with them.”

    Antonio Campos (Left) with Robert Pattinson (Right) on set for ‘The Devil All The Time’ (Photo Credit: Netflix)

    Campos also reminded the directors in the audience to “always make your actors feel seen and heard” and reminded the actors in the audience to communicate with other actors on what they need and that a good actor “likes to be around other actors and feed off that energy.”

    With a stacked cast of celebrity actors in his own film, Campos shared that, regardless of star power, his film is, ultimately, character-driven and was “calibrated between people who were more well-known with other character actors or people you may have never seen before.” When it came to casting his film, he shared that he “knew that this film was very different for how we were approaching characters,” and it required the balance of both known and unknown performers, all of whom shine in this ensemble film.

    In one of the last questions of the night, one student asked for tips on how NYFA students can make the jump from student to a seasoned professional in the industry. Campos had this to share with the audience:

    “Everyone’s career is different and times out differently. Always expect that things may take longer than you expect, but keep your network of friends and collaborators close. In my case, it was about being open to getting involved with other filmmakers and their processes to make their movies. Keep making short films before you make your feature. Always try and be working. Short films are such a safe place to make mistakes and learn. Put yourself out there and submit to every film festival and embrace the networking aspect of being a filmmaker. You can be the most talented filmmaker in the world, but if you cannot convey your film into concrete terms, people will not be able to understand your vision.”

    Antonio Campos (Left) with the cast of his film ‘Afterschool’ at NYFF (Photo Credit: Godlis)

    As for what’s next for Campos, the writer-director reveals that he is adapting a comedy piece, as well as a new drama series starring Hollywood heavyweight Harrison Ford. “It’s called The Staircase, based on the documentary on novelist Michael Peterson,” he shared. “I’ve been working on it in some capacity for ten years and it never quite worked as a feature, so now it is going to be a series and it’s set up with HBO Max.”

    Campos closed the conversation by thanking Laiter for the enjoyable discussion and wished NYFA’s next generation of filmmakers the best of luck for their future projects.

    New York Film Academy would like to thank director and NYFA alum Antonio Campos for sharing his time and filmmaking experience with NYFA students and alumni, and looks forward to his upcoming projects including The Staircase.

    To watch Campos’ recent film, The Devil All The Time, the film is available to stream here on Netflix.

    To hear the full conversation, click the video below our watch on our YouTube channel here.

    Facebooktwitterredditpinterestlinkedinmail

    October 1, 2020 • Acting • Views: 532

  • New York Film Academy (NYFA) Alum John Saponara Starts Portrait Series While Working to Make PPE Equipment for Healthcare Workers

    Facebooktwitterredditpinterestlinkedinmail

    From businesses to hospitals to schools to families, COVID-19 has forced people into a season of great change and uncertainty, causing people to adapt to new circumstances in the age of social distancing. For many, this has been a cause for reflection and doing their part to stay alert and distance themselves in public. For others, like NYFA Documentary alum John Saponara, this has been a time of giving back to the community and utilizing creativity to bring awareness and hope to others. 

    John Saponara grew up in Yonkers, New York, a suburb just outside of New York City and recalls, “from as young as I can remember I wanted to be a photographer.” His photos have since appeared on book covers both nationally and internationally, including the New York Times bestseller Eat Pray Love. He also founded the crowd-sourced project, Picture Black Friday, and his commercial clients include: Sony, Intel, HP, Oprah, and New York Magazine, just to name a few.

    A volunteer packing face shields in Bednark Studio (Photo courtesy of John Saponara)

    Saponara has been working at Bednark Studio and volunteering his time with other organizations, while also documenting workers and volunteers who continue to make the community safer by providing personal protective equipment (PPE) and additional supplies for individuals and families in the age of COVID-19. 

    Bednark Studio, a full service fabrication company in the Brooklyn Navy Yard, has been Saponara’s source of inspiration for documenting what is happening behind the scenes. “It’s there [Bednark Studio] that my portrait project formed,” he says. The portrait series follows the workers and volunteers who are working day and night to create PPE like face shields for medical workers or dividers for Uber/Lyft drivers.

    Portrait of a volunteer in Bednark Studio (Photo courtesy of John Saponara)

    “In the portraits, I’m there as a worker, so I do them when I can in my breaks or in a spare moment,” says Saponara. “In both cases, I don’t want to interfere; just be the proverbial fly on the wall.” The photographs are symbols of those who are working behind the scenes in NYC and all over the world, who are actively volunteering their time or working additional hours to provide PPE equipment or additional, essential supplies for others.

    Masks for Docs volunteer headed to deliver PPE (Photo courtesy of John Saponara)

    Another group Saponara has been volunteering with has been Masks for Docs, formed in the wake of the COVID-19 pandemic. “They connect PPE with doctors and medical staff that need it,”  he explains. “Motorcyclists help get where it [the supplies] needs to go.” The grassroots organization is composed of volunteers from the tech, business, arts, and members of non-profit communities, who have banded together to make a difference for healthcare workers not only in New York City, but all over the world.

    A volunteer for Brooklyn Mutual Aid buying supplies (Photo courtesy of John Saponara)

    Saponara also mentions Bushwick Ayuda Mutua, who help “get food on the table of the neediest families in Brooklyn.” In just one weekend alone, Saponara mentions that he and other volunteers were able to feed 200 people in need. “We collect donations of food and money and use those collections to buy groceries that we then deliver to families.”

    Saponara says the groups that he has been able to work with and document are “a combination of the private sectors innovation and the power of people and community to get things done to bring about change effectively and efficiently.”

    New York FIlm Academy thanks alum John Saponara for his service to the community and for sharing his portrait series, and encourages anyone who is interested in learning more about each organization to click the links above for more information on how to get involved.

    To view more images from Saponara’s portrait series and his other works, click here.

    Facebooktwitterredditpinterestlinkedinmail

    May 29, 2020 • Alumni Events, Community Highlights, Documentary Filmmaking • Views: 1495

  • New York Film Academy (NYFA) Acting for Film Alum Carlos Bolio Recording New Music

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy (NYFA) Acting for Film alum Carlos Bolio has traveled the world making music, and will soon be recording a new project in Los Angeles.

    It’s not Bolio’s first time in Hollywood—in the summer of 2013, he attended the 4-Week Acting for Film workshop at NYFA’s Burbank-based campus. There, he strengthened his skills in the craft and worked hands-on with state-of-the-art equipment, learning better techniques for interviews and producing video clips to help boost his career.

    Carlos Bolio

    Bolio originally hails from Mexico and has performed in his home country as well Spain, singing in front of thousands of people. He plays piano and guitar as well as producing and composing original music, and has worked for Warner Music Group.

    Additionally, Bolio is aspiring to act in both Hollywood and on Broadway. New York Film Academy congratulates Acting for Film alum Carlos Bolio on his success so far and looks forward to seeing where his talents take him next!

    Facebooktwitterredditpinterestlinkedinmail

    November 22, 2019 • Acting, Student & Alumni Spotlights • Views: 2273

  • New York Film Academy (NYFA) Screens Groundbreaking VR Film ‘Agent Emerson’ with Director and BFA Filmmaking alum Ilya Rozhkov and Filmmaking Team

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy (NYFA) recently hosted a screening of groundbreaking VR action film Agent Emerson, followed by a Q&A with award-winning writer, director, producer, and NYFA BFA Filmmaking alum Ilya Rozhkov; Associate Producer & VP of Development of the Rogue Initiative, Bradley Etheridge; and Line Producer and NYFA alum, Radhika Womack. The event was held on Friday, November 15 at NYFA’s Burbank-based campus, with the president of the NYFA Broadcasting Club, Derek “DJ” Johnson II, moderating.

    BFA Filmmaking alum Ilya Rozhkov has directed award-winning shorts including Wes-Andresonesque Sabre Dance, starring Olympian Greg Louganis as Salvador Dali. His films have been distributed worldwide, featured on NBC, and screened at over 50+ festivals; winning numerous awards including Best Picture and Best Director. 

    Agent Emerson Ilya Rozhkov
    As a lead development executive at Rogue Initiative, Bradley Etheridge is responsible for input for both creative and business development. Etheridge’s diverse range of duties includes working with directors, writers, and producers on film, TV, and VR projects; managing Rogue’s internal team of game developers; and interfacing with contacts in various industries for everything from investment to content distribution opportunities. 

    Radhika Womack began her career producing commercials in the Indian film industry. Since moving to the United States, she has produced a number of feature films, shorts, documentaries, and music videos. Her most recent credits include producing the feature film In This Gray Place and line-producing Agent Emerson.  

    DJ Johnson II opened the Q&A by asking how the idea of Agent Emerson came about, highlighting the fact that Rozhkov conceptualized the film’s story with Womack during their time as students at NYFA.

    The VR film allows the audience to see an action movie from the 360-degree POV of its hero. The film, starring Andrew Bowen, Lyndsy Fonseca, and Tony Denison, has toured with Samsung and Verizon Media in a series of events in several states and recently had its successful red carpet premiere with high-profile guests from major Hollywood studios, Silicon Valley, the Producers Guild, the VR industry, and several Academy Award nominees.

    Agent Emerson Ilya Rozhkov

    “It was a very long planning process; about a year of it,” Rozhkov shared. “When I thought about it for the first time, I tried to figure out what would make it unique as a storytelling medium, just like people were with movies 120 years ago. So when the script was there and the concept was there, we started looking into technology and it simply did not exist, so I sat down with engineers and we had to create technology to make this possible.” 

    Johnson continued by inquiring how you set a frame that is 360 degrees. Rozhkov joked by saying, “Just like how there is no spoon in The Matrix, there is no frame in VR.” Rozhkov continued, “It’s storytelling through location and it’s a cinematic medium for sure, but it takes a lot from theater and it takes a lot from gaming. There’s no storytelling laws, especially when we started, so we had to find what works and just like any film, figure out the storytelling language.” 

    When asked about what the biggest challenge the filmmaking team faced during production, Womack expressed, “The biggest challenge was the technology. There’s so many unknowns in filmmaking already, and here you just triple that. It’s just sitting and brainstorming all the things you need even though there’s a lot of similarity with regular productions and other narratives. You have your locations, your permits, your crew, and the camera is taken care of, but again it’s a much bigger department than you would have on a regular film. The biggest challenge was to let everyone in every department know the difference: if you can see the camera, the camera can see you.” 
    Agent Emerson Ilya Rozhkov

    The Q&A then opened up for questions from the audience. A student asked the filmmaking team, “How did you combine the digital assets with the footage from your camera while maintaining the stereoscopic effect of the film?” 

    Rozhkov answered, “Everything was carefully measured, and we had a lot of sensor data from set that helped a lot. 360 degree video has a lot of limitations, especially when it comes to 3D, so we utilized game engine to bypass some of them. The film tracks in real time where you’re looking and adjusts the 3D accordingly.” 

    New York Film Academy thanks BFA Filmmaking alum Ilya Rozhkov, as well as Bradley Etheridge, and Radhika Womack for sharing their VR film and expertise with our students. Agent Emerson will be released on Oculus Rift (Go and Quest), HTC Vive, and Cosmos on November 22. 

    Facebooktwitterredditpinterestlinkedinmail

    November 19, 2019 • Film School, Filmmaking, Guest Speakers, Virtual Reality • Views: 1523

  • New York Film Academy (NYFA) Broadcast Journalism Update

    Facebooktwitterredditpinterestlinkedinmail

    When last we encountered New York Film Academy (NYFA) Broadcast Journalism grad Bryanna “Red Carpet” Reynolds, she was quitting a paying job in Australia to follow her dream to Los Angeles. And while she has only been there a matter of months, she seems to have settled in very well! But her big break came on a “black carpet.”

    View this post on Instagram

    🎬RED CARPET REPORTING IN HOLLYWOOD! Dreams come true 😍 So happy to be reporting for @redcarpetreport I spoke to the stars of American Horror Story @ahsfx at the Hollywood Forever Cemetery on the ‘black carpet’ celebration of AHS celebrating their 💯th episode ✔️ Still can’t believe this happened 😍 A year ago I was dressed up as a bird/pumpkin being boiled in a cauldron on a Kids’ show and this year I am interviewing on red carpets in Hollywood 🤣 Believe in yourself and chase your dreams! Thank you so much to @redcarpetreport for believing in me 👏 and allowing me this opportunity 🤩 Content will be available online soon! Stay tuned for more next week 💕 Thank you to my family, friends and colleagues who also believed in me and got me this far! I couldn’t have done it without you all 💕 . . . . #producer #believe #reporter #tv #dream #achieve #broadcast #aspire #journalist #goals #la #aimhigh #media #bryannareynolds #lovemylife #hollywood #losangeles #freespirit #positivevibes #aussiesinla #beyou #australian #australiansinfilm #americanhorrorstory #fx #redcarpet #ahs #hollywoodforevercemetry

    A post shared by Welcome To The Days Of My Life (@bryannareynolds) on

    Another alum who is doing well, this time in New York, is Nicole Abebe. Nicole is back from Lagos, and getting some NYC media experience. She writes, “I’m a commerce reporter at the Daily Mail. So I write articles on fashion, beauty and lifestyle products.”

    International students who complete the 1-Year Broadcast Journalism conservatory are eligible to remain and work in the United States for one year, in order to receive Optional Practical Training (OPT).

     

    Sometimes it takes a while for news to make its way from Tokyo to New York. So I just learned about a NYFA alumni event that took place in Japan a little while ago. Ryo Matsuo was there to represent the Broadcast Journalism department. (That’s him on the right, in the picture below.) Ryo is a busy multimedia journalist in Tokyo, putting into practice the skills he learned at NYFA.

    Ryo Matsuo Broadcast Journalism Update

    And speaking of graduates, congratulations to the September 2019 4-Week Broadcast Journalism students. Here they are on Graduation Day. I will leave it up to you to pick out the two faculty members in the picture. Here’s a hint…Daniel Hernandez and Fabiola Torres.


    Finally, I am not a NYFA grad. I have been at the school for 6+ years, and I still don’t have a certificate. (Obviously I am not applying myself…) However, I know enough to be heading back to Kazakhstan in early December to co-teach a 1-Week Journalism workshop sponsored by the US State Department. (I was there at a conference in April.) 

    Given that I don’t speak either Kazakh or Russian (the second national language), I am going to be relying a lot on NYFA faculty member Evgenia Vlasova. As all of our grads know, Genia’s Russian language skills are flawless!

    Facebooktwitterredditpinterestlinkedinmail

    November 14, 2019 • Broadcast Journalism, Student & Alumni Spotlights • Views: 1137

  • New York Film Academy Australia Filmmaking Alum Leroy Button Builds Up Blockbuster Credits

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy Australia alum Leroy Button has been busy since graduating the Filmmaking program in 2018, having worked on multiple blockbusters, including Aquaman and Dora and the Lost City of Gold, as well as upcoming franchise sequels Fast & Furious 9 and James Bond film No Time to Die.

    Australian publication Daily Telegraph recently covered Button’s achievements in a profile, touching on his early start as a child playing with consumer and prosumer camera equipment. Button would shoot numerous videos and short films with his friends, presaging his future career in the filmmaking industry.

     

    leroy button

    Sense, a film he made while still in high school, went on to win seven awards in the festival circuit, and led to Button creating his own freelance company, Button Media. After taking a Panavision Master Class while studying at NYFA Australia’s Gold Coast campus, Button landed a job with Panavision, where he eventually was able to work on superhero epic Aquaman, which was partially filmed at Village Roadshow Studios.

    On set, Button worked closely with stars like Jason Momoa and Nicole Kidman, but it was the state-of-the-art technical equipment that really wowed him. “I was actually more interested in having conversations with the camera boys,” Button tells Daily Telegraph Australia.

    Sure enough, that job led to another and then another, and in just a few short years Button has built up an impressive resume with credits on huge Hollywood films in the camera and electric departments, including as the drone technician on last summer’s Dora the Explorer film.

    leroy button

    Additionally, Button has been working in television, and earning cinematography credits as well. His career is clearly only just getting started.

    “Leroy displayed passion, positivity, and a strong work ethic,” says Steve Pratt, NYFA Australia Chair of Filmmaking, “and was able to utilize the unique hands-on approach to filmmaking that makes NYFA Australia’s curriculum stand out from the rest—ensuring graduates like him are industry-ready when big studios come calling. We are extremely proud of him and look forward to his continued success in the industry.”

    Facebooktwitterredditpinterestlinkedinmail

    November 8, 2019 • Filmmaking, Student & Alumni Spotlights • Views: 2651