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  • NYFA Grad Directs “Hands of Stone” with Robert De Niro

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    Screen Shot 2016-06-16 at 11.34.48 AM

    Jonathan Jakubowicz

    Over the years, boxing films have provided the cinema with many dramatic elements that make for an award-winning film. Directors like Martin Scorsese, Clint Eastwood, and David O’ Russell have showcased their remarkable behind-the-camera magic through the story of a troubled or underdog boxer that often undergoes a significant character arc. In New York Film Academy graduate Jonathan Jakubowicz’s most recent film, Hands of Stone, the Venezuelan-born director tackles the story of boxer, Roberto Duran (played by Edgar Ramirez) and his legendary trainer, Ray Arcel (played by Oscar Winning actor Robert De Niro). Coming off its impressive premiere at the 2016 Cannes Film Festival, Hands of Stone will see its US wide release on August 26, 2016.

    After graduating from the Academy nearly 20 years ago, it was a pleasure to catch up with the director who has certainly come a long way since his film school days.

    Congratulations on your most recent film, Hands of Stone! Can you tell us a little bit about your film? In your own words, what is the film about?

    It’s the story of how Roberto Duran and his trainer Ray Arcel changed each other’s life. Two legends at the heart of the golden era of boxing, and what they went through to get to Duran’s battles with Sugar Ray Leonard.

    Why do you think Roberto Duran’s story is so important to tell?

    It’s an inspiring story that shows how Duran came from nothing and became a hero for his nation. The son of a US marine, Duran grows up dreaming to take revenge against the Americans who are occupying his land, and his American trainer enables him to become the best version of himself. It’s a movie about a Latin hero, and Hollywood usually only shows Latinos as drug dealers.

    How did this film come about and how did Robert De Niro become involved?

    It was a process of many years. From convincing Duran to trust us with his life rights, to writing the script and sending it to De Niro. Then working with De Niro on the script for half a year until he decided to play the part. Then raising the money outside of the system, because no studio would make a movie about a Latin boxer. And then the best part: making the movie.

     

    Would you say NYFA’s training was useful in terms of being prepared to direct films such as this and the others you’ve worked on?

    I went to the University in Venezuela and graduated with a major in journalism, but NYFA was the first exposure I got to any kind of formal education in filmmaking. It was my “ABC’s,” the first steps I took to make movies professionally. That was twenty years ago. There’s no doubt that what I learned at NYFA helped. It was very emotional for me to shoot a scene with De Niro and Ellen Barkin, two legendary New Yorkers, a few blocks from the school. It definitely felt like those two moments in my life, being a film student and directing my dream movie, were connected.

    What advice do you have for filmmakers looking to break into this industry?

    I would tell them to tell stories they are convinced they can tell better than anyone. Duran is Latino; Arcel, his trainer, is Jewish. I’m a Latin Jew. I knew both worlds. Not many filmmakers know both worlds better than me. And that allowed me to make the movie with confidence, and confidence is the only tool a filmmaker can trust. Breaking into the industry is the consequence of achieving a goal. The goal is making a good movie. Focus on that goal. Make a movie that shows you can do stuff others can’t. High quality consumer cameras and computers give you an opportunity no other generation has ever had. There are no excuses why you haven’t made your first film. If you feel you are ready, do it. And do a feature. You will learn more from a feature than from 30 shorts.

    Congratulations once again on this film and all of your success in this industry thus far. We’re looking forward to seeing Hands of Stone in theaters when it comes out this August 26, 2016.

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    June 17, 2016 • Student & Alumni Spotlights • Views: 5809

  • Photography Grad’s Photo Series Selected by Photo District News

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    Photography graduate Nicky Wanzi came to the New York Film Academy from Singapore, an island city-state southern Malaysia. She believed if she was going to pursue photography it should be in New York City and NYFA would provide the education and location that she was looking for.

    “From theory to the practical lessons, the training at NYFA pushed my skill set to another level — the professional level.”

    nicky wanzi

    photo by Nicky Wanzi

    One of her projects, which was for her NYFA mid-term, was selected by PDN (Photo District News), Student Annual. The PDN Photo Annual is an esteemed accolade for established photographers and a jumping-point for student and emerging photographers breaking into the field. The series of photos focused on her personal life story of coming to New York and chasing the dream of becoming a successful photographer. It documents the snippets of her daily life as an international student living in a shared apartment, and the little things that make her who she is — from the food she eats to the activities she partakes in. However, she executed the series from a different perspective and added another dimension to this otherwise ordinary documentary-style shoot.

    “The three young men in the photos represent the strong bonds I share with my good friends from back home in Singapore,” said Wanzi. “Back home we usually operated as a unit, almost like triplets hanging out all the time. Whether it’s having a meal or a game of basketball, we were almost inseparable and had each other’s backs no matter.”

    nicky wanzi

    “Transition” photo by Nicky Wanzi

    While attending NYFA, Wanzi also worked on a photo series called “Transition,” where she celebrates her newfound love for nature and explores her connectedness with it, gradually becoming more in sync with her surroundings as she captures what’s around her.

    Wanzi is currently in the middle of planning another personal project before she heads back to Singapore.

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  • Broadcast Journalism Fall 2015 Graduation

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    broadcast journalism graduates
    Without a doubt, last week’s highlight was the graduation of the Fall 2015 1-Year Broadcast Journalism students. The weather was perfect, and so was the event. It was a great way to celebrate the hard work and determination of the graduates, as well as reflect on the fun they had while at NYFA.

    Friday we screened their resume reels, along with one story from the numerous reports each student produced while here at NYFA. The goal was to pick a story that best reflected what they learned at NYFA. The graduates were then awarded their certificates. Finally, the grads, faculty and staff went off-campus to celebrate the occasion.

    Congratulations to all of our recent grads. We wish them the best of luck as they begin their careers in broadcast journalism!

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    May 30, 2016 • Broadcast Journalism, Student & Alumni Spotlights • Views: 3970

  • Acting Alumni Meet with Talent Agents & Managers at Inaugural Industry Showcase

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    nyfa alumni
    On Thursday, April 28th, New York Film Academy Los Angeles campus proudly presented their inaugural Alumni Industry Showcase at NYFA Theater. This showcase represented the very best from the AFA, BFA and MFA programs who graduated from January 2015 through January 2016. The evening was filled with short live scenes, a short film, songs and improv.

    “Our goal is to showcase our students to be competitive with all the top schools in the country. What sets NYFA apart is our focused Acting for Film training and international diversity,” said Anne Moore, director of the showcase and Associate Chair of Acting/Departmental Programming.

    “This showcase is right on par with any other showcase we’ve seen this season. We found a lot of talent here,” said a rep from ABC casting.

    Overall, the evening was a success with reps attending from ABC, NBC, and CBS casting as well as managers and agents from such agencies as UTA. Alumni have all ready been contacted from casting at CBS for meetings.

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    May 2, 2016 • Acting, Student & Alumni Spotlights • Views: 5563

  • NYFA Welcomes Acclaimed Photographer and Cinematographer Carter Smith

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    On February 17, the fashion and celebrity photographer, and NYFA Alumnus, Carter Smith, provided the New York Film Academy Photography Department’s latest guest lecture at NYFA’s New York Campus at 17 Battery Place.

    carter smith

    Carter is an award-winning film director and fashion photographer who has been working in the industry for over 15 years. His fashion images have appeared in magazines all over the world, including Vogue, GQ, Elle, W, i-D, Allure, Visionaire and The New York Times Magazine. He has worked with commercial clients such as Vera Wang, Louis Vuitton, Tommy Hilfiger, Lancôme, DKNY, Lacoste, Banana Republic, and Hermes – often shooting both stills and directing commercials.

    Smith’s first short film “BUGCRUSH,” adapted from a short story by Scott Treleaven, won the Grand Jury Prize in Short Filmmaking at the 2006 Sundance Film Festival. In 2008, “BUGCRUSH” caught the attention of Steven Spielberg, who handpicked Smith to direct the feature film “The Ruins” for DreamWorks Entertainment. In addition to the film’s commercial success, “The Ruins” received critical acclaim and was chosen as one of Stephen King’s top ten movies of the year.

    smith nyfa

    Carter walked NYFA photography students through his childhood in Maine and his early interest in fashion and photography. He spoke passionately about his early career decisions, including his reasons for choosing attending NYFA over New York University and the Fashion Institute of Technology, so that he could obtain a hands-on education. He talked about the importance of learning how to instantly build a rapport with your subjects, and the need to network all the time and maintain those relationships. Students walked away with a great message from Carter; never stop working, testing, and exploring your own vision. “Show the work you love to create, and it will find a niche,” Carter told the NYFA students.

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    February 19, 2016 • Filmmaking, Photography, Student & Alumni Spotlights • Views: 9788

  • NYFA Grad’s “Ore Ru” Premieres in Paraguayan Theaters

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    On December 25th, 2015, the documentary Ore Ru premiered in Paraguay at theaters nationwide. The film, from up and coming director Armando Aquino, captures Pope Francis’ latest visit to Paraguay in July of 2015. Ore Ru was produced by the production company Maneglia Schembori, where New York Film Academy graduate Mariana Pineda was put in charge of production.

    ore ru

    The 75-minute film recounts the wait for the Pope’s arrival in Paraguay from the prospective of four different Paraguayans:

    1. Gaby, a 13-year-old girl from one of the poorest neighborhoods in Asuncion
    2. Mafe, a 16-year-old girl who fights a terminal disease
    3. Margarita, a 53-year-old indian native from the Ache community who fights for the survival of her culture
    4. Tati, an 18-year-old survivor from one of the greatest tragedies in Paraguayan history, Ycuá Bolaños


    “The film presents these four very different viewpoints that portray how we are and how we feel as Paraguayans,” said Pineda. “And, above all, it shows how far are we willing to go for what we believe. Because this film is more about the four stories that are recounted here than about the Pope itself, we were very involved in these women’s lives. We were very touched because they all fight their own battles and still, they have so much hope and they fight every single day. It really was an amazing, touching and humbling experience. And even though it has the Pope as the main focus, it’s not just a religious movie — people from all backgrounds and beliefs can watch it and not feel as if we are trying to send a religious message.”

    As a producer at the production company, Maneglia Schembori, which includes Paraguayan film directors Tana Schembori and Juan Carlos Maneglia, Pindea is currently developing the comedy-adventure film Los buscadores (Seekers), their follow-up to 2012’s box office and festival hit action thriller 7 Boxes.

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  • ‘Midnight Delight’ Wins Top Honors at the Oregon Film Awards 2015

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    Midnight Delight, the latest feature from New York Film Academy graduate Rohit Gupta has been honored with the prestigious Platinum award for Best Experimental Film at the 2015 Oregon International Film Awards. “We are highly delighted about such an encouraging honor,” said Gupta, whose third film in a row continues to enthrall audiences around the world. Gupta’s earlier feature Life! Camera Action… picked up the Grand Jury Choice Award, the highest recognition at the same event in 2011.

    Tag-lined “Say hi to high…” and “Couch. Conversations. Clarity,” the 85-minute unique comedy film, Midnight Delight, produced by Gupta and Saumin Mehta under the banner of production company Dot and Feather Entertainment, is a composition of nine vignettes of characters at a smoking lounge and their hilarious antics with people they’ve never met before. Gupta shot the entire film over two-nights with a multi-camera set up. Mehta also post-produced the film, including an animated sequence, in only three months. The ensemble cast includes award winning actor Shaheed Woods, Michele Suttile, Alexandra Hellquist, award winning actress Dipti Mehta, John Crann, Maggie Alexander, Bill McCrea, Rachel Myers, Michael Laguerre, Adit Dileep, Sofia Sivan and Michael Lester who is also credited as co-editor. The theme song is I get high by Filo.

    When asked Gupta about the significance of the title, Gupta replied, “Midnight Delight has been my all time favorite ice-cream cake from Cold Stone Creamery.” Fair enough.

    The Oregon International Film Awards (OIFA) recognizes the very best in contemporary international independent cinema and screenwriting. OIFA presents awards annually to unique and compelling films from around the world. Awards are presented each year in four top recognition levels: Platinum, Gold, Silver and Bronze and only to those films and filmmakers that demonstrate a superior level of craftsmanship and quality.

    midnight delight

    Gupta and his team have another reason to celebrate this festival season as Midnight Delight has also been announced as an Official Selection at the Blow-up Chicago International Art House Film Festival 2015, which takes place towards the end of December. The Festival, named after the Michelangelo Antonioni’s iconic film Blow-Up, brings original storytellers together with adventurous audiences for its annual program.

    Earlier in 2015, Midnight Delight won the Judges Choice Film of the Festival award at the Cannabis Film Festival in Humboldt County, California, where the jury stated, “Midnight Delight is like smoking a cinematic joint.” At the film’s Washington state premiere at the 2015 Hempapalooza Music and Film Festival, it was said, “Midnight Delight is a pure cinematic aphrodisiac that brings a completely new and unique take on cannabis based movies and culture.”

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    December 17, 2015 • Filmmaking, Student & Alumni Spotlights • Views: 7496

  • Former Student Cody Broadway Directs ‘She Rides Bulls’

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    At a gala sponsored by the San Angelo Library, former New York Film Academy student Cody Broadway, director of the film She Rides Bulls, pulled back the curtains on his new dramatic short film, to a crowd of over 200 well wishers, crew members and public. The film was produced in and around San Angelo with a cast and crew from all over Texas, including seasoned professionals and amateurs all drawn to the project by its unique, thrilling story and the dynamic will power of its director.

    cody broadway

    The project began back in 2008, when the writer, Greg Mcgee, was a commercial producer at a San Angelo TV station (not coincidentally, where he met Cody Broadway).

    “I had always been a fan of the rodeo — especially the bull riding competitions,” said Mr. McGee. “I’d been looking for a script idea to sink my teeth into, and for some crazy reason I came up with the idea of a girl going toe to toe against all those macho cowboys in the PBRA. It was just outlandish enough…but not something I figured any sane woman would actually DO anytime soon. I sat down one Friday night and started writing. The words were leaping on to the page. I knew I was onto something, because the script was virtually writing itself.”

    The first person Greg showed it to was Cody. Greg was something of a mentor to Cody at the time, as this was Cody’s first industry job, and it was a “late career” job for Greg. “When I read the script, I literally BEGGED Greg to let me direct it,” said Cody. “It was such a great story. As a country boy from San Angelo, the rodeo setting and the strong family values in the story had a strong impact on me. It was something I knew I could do better than anybody else in the world, if I was given the chance.”

    “I couldn’t pass up commitment like that,” said Greg. “Of course I promised him he could direct it, with one caveat. He’d have to raise the money to get it done, because I was a writer, not a producer.” It took a few years, but Cody never forgot that promise, and never forgot the script She Rides Bulls. Flash forward to 2015. Cody was a producer at the CBS affiliate in San Antonio with all his ducks in a row to make a short promotional film for She Rides Bulls. He called in favors from cameramen and lighting professionals, make up artists, designers and props people. Everybody in San Angelo wanted go get involved, so before you knew it, Cody had a herd of bulls, some stunt cowboys and wranglers, horses, locations — everything fell into place perfectly.

    cody broadway nyfa

    “I have a fantastic amount of support from my friends and family. It was sort of like a snowball effect. First, they read the script. Then, they saw my determination in my eyes. And then, they were on board.”

    The film was shot over a long weekend in and around San Angelo, Texas. Working from a 20-page script provided by Greg McGee, based on the original screenplay, Cody used up to 4 simultaneous cameras to capture all the bull riding sequences. “We had some really talented riders from the local rodeo circuit. They were willing to do just about anything to get the shots we needed. It was really exciting to work with these guys,” said Broadway.

    Mr. Shawn Berryhill, who raises bulls and runs a bull riding school in San Angelo, furnished the bulls. “These weren’t amateur bulls,” says Mr. Berryhill. “They’re the same bulls I supply to rodeos all over Texas. They’re professionals, with over 100 years of breeding for one thing: to hate having a man on their back.

    The star of the movie is Melina Lyon, playing the role of Darlene, our bull riding diva. Melina is an accomplished horsewomen as well as a talented actress, but she’d never ridden a bull before. “This was a great role for me. Working with Cody and Michael (Lukaszewskyj, the Director of Photography) and the rest of the crew was an awesome experience. But, in real life, I think I’m going to stick to riding horses. Bulls are just too freakin’ crazy!”

    Cody was not only the director and the producer; he was also the movie’s editor. In less than 30 days, Cody had it finished and ready for the big screen. “We shot most of it on 4K video, which is a huge frame,” says Cody. “It gave me a lot of options in the editing room, such as cropping in on various parts of the picture to get the composition just right, and not sacrificing image quality. There was a lot of footage from multiple cameras, so it was a complicated editing job. It helped a lot to be the guy who shot it as well. I didn’t have to waste time figuring out where all the shots were. I already knew.”

    After a very successful first screening in San Angelo and San Antonio, Cody has entered the short movie in numerous festivals in the U.S. and Europe. “We’re hot on the trail of funding for the full feature film. There’s a lot of interest. I can’t say any more or I’d have to lock you in the stall with my favorite bull. Just kidding.”

    Announcements are forthcoming about major talent being attached to the project!

    She Rides Bulls Trailer #1 from MUSE studio + gallery on Vimeo.

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    June 22, 2015 • Film School, Filmmaking, Student & Alumni Spotlights • Views: 7070

  • BFA Filmmaking Grad Finalist in CineGear 2015 Film Series at Paramount Studios

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    medley

    When our filmmaking students graduate from the New York Film Academy, they bring with them a thesis film that they can be proud of. Often the short film will be his or her calling card to the professional world. But before that happens, we encourage our graduates to enter his or her thesis film into as many film festivals as possible, giving him or her and the film the proper exposure needed.

    One of our recent BFA Filmmaking graduates, Diego Andres Londono, has followed this advice, and has already seen success at the festivals with his thesis film, Medley. He’s won awards at two film festivals, California International Shorts and LAArthouse Filmfest, both as Best Experimental Film. Medley has also been selected into the biggest University level Film Festival in Colombia and was a part of the Cannes Short Film Corner.

    “There is a sweet and twisted bliss in Diego’s talents as he sees things with a creative eye that understands both art and commerce,” said NYFA Instructor Saga Elmoraseb. “He is detailed without being demanding and is sensitive about the filmmaking process. These (and many more) are reasons why I feel Diego is a cut above the rest. His film Medley is proof.”

    Now, Diego’s film is a finalist in the CineGear 2015 Film Series, which will take place at the famous Paramount Studios. Diego is competing for $5,000 in equipment for his next project against two other student thesis films from AFI and USC.

    We had a chance to ask Diego a few questions about his film and his young career before his upcoming GineGear screening on June 4th.

    Congrats on the success of your thesis film! Can you tell us what the film is about?

    It wasn’t the first idea that I had and it was born kind of in the middle of turmoil, as I didn’t know if I was going to be able to shoot a thesis film at all. Nevertheless, one night of May 2014, Matías Piegari, a very good friend and composer, whom I met at NYFA, showed me an amazing piano recital experiment called: “4’33.”

    The experiment was conducted by John Cage, and in it, Cage brought a world-renowned piano player and made the audience believe that he was about to play a sonata. The curiosity would build up as the piano player sat down in front of the big audience, but when the time to perform came in, the player would start his metronome and remain motionless until the metronome hit an entire movement. It is what’s called a symphony composed of silence.

    To me, it challenged the very definition of art because it shows that art is not just this thing that is created by a human being for others to judge, it exists on its own. And in the context of Medley, it exists in nature. I went back home and began writing with extreme passion about a piano concert in which the piano didn’t produce the sounds that it was expected to produce, but sounds of nature. Nature for me is what drives my creativity — as I see it — it is in nature where art resides in its pure form and in its universal state.

    medley

    Can you tell us a little bit of how this film came together?

    I got an amazing support from Asaph Polonsky and Tony Schwartz, my directing and producing instructors. They knew of the effort I put on my first thesis idea and the reasons why it didn’t come through. At that time, they put a word in with Mike Civille, who was the head of the filmmaking department at that time. I was asking for an extra semester to be able to shoot my thesis, but Mike gave me an extra month; and he was right: an extra month was enough for me to conceive the idea and shoot it. I had to resource to my own creativity, the producing and directing tools that I had acquired with years and to my friends — the people who I spent three years of my life battling side by side in the sea of projects that is the BFA program.

    I will be eternally grateful to Melissa Inzunza, our Producer, and Yana Surits, our AD: they are not only just classmates, they are my true friends. After the initial struggle, we managed to get Jordan Black on board, an amazing Director of Photography and an equally talented Production Designer, Kalise Wallace (Star Trek: Renegades, Bound). And just like that, we rented a small studio in Glendale and began dressing up the atemporary world where the concert had to take place. A lot of friends came forward and helped in the dressing of the place. To help in the construction, Kalise brought a master threader who works with ‘Cirque du Soleil’ to build their tents and scenery in Vegas. (Only in LA do you get to meet people like that.) He congratulated us for the amazing production value that we were capable of generating with a minimal budget.

    A month after principal photography was completed, we shot the nature sequence. I wanted to contrast the arranged concert as an art form with the pure art that exists in nature. But I knew that I had to choose a place equally beautiful to what we had created artificially. This is why we chose Big Sur as our location for the nature shots. This magical place on Earth is one where Ansel Adams decided to inspire himself and represent his work. At Big Sur, the majestic sequoia trees die by the sea. I’ve never seen that spectacle elsewhere. We hiked for two days with a skeletal crew of five. We captured mesmerizing imagery that, in the words of many photographers, rival those of the National Geographic.

    What do you hope to achieve with this film?

    I wanted to try new approaches to filmmaking by conveying emotions through the creative use of sound and image. I learned heaps in the process; and most likely will affect my future films. As for our audience, I would like to generate questions about what is art, and where does the concept comes from. I would like for them to feel and experience an experimental journey that hopefully will trigger their creativity.

    on set medley

    Would you say your training and education at NYFA was useful in terms of directing this film?

    I am grateful for the education and hands-on training that I received at NYFA. I learned from working on all of my friend’s projects and also from great instructors who taught me to strive for greatness and to stand behind my vision and get my collaborators involved in it. Throughout the time that I spent at the school, we constantly changed and evolved and towards the end of my BFA program I was able to put together all of the directing lessons that I received and implement them in the natural way that I imprinted in Medley’s actors.

    NYFA is a young school but it has an international quality to it that gives you a sense of global perspective that other schools might not give you. This helped me in writing Medley out of a traditional way, and go for an avant-garde style. All for all, I had awesome experiences that allowed me to see the world through other scopes. Being surrounded by different cultures allowed me not only to receive an ‘American Education’ but also to share my cinematic experience with people from around the world. I am proud to say that my film is the first NYFA film to compete in the ‘2015 Cinegear Film Series’ at Paramount Studios, alongside of AFI and USC thesis films, because my school is at that level.

    Are you currently working on another project?

    Currently, I am working on developing a feature film about a murder case in Pleasanton, California, in which authorities work in a crooked way because of the victim being an African American and because of the sense of ‘small town’ that NorCal communities have. We can use all the help that we can get and of course we where planning on coming to NYFA, as we know of the good relationship that the school has with its alumni. I also have projects in development in Colombia and México, which I’m already in conversations with production companies back home to produce in the upcoming years. I say ‘years’ because it seems like feature filmmaking is a marathon and not just a sprinting race, but I’m enjoying the ride.

    Medley has been selected to compete in the Student Film Category for the ‘CineGear film series’ at Paramount Studios on June 4th of 2015. For more information visit: http://www.cinegearexpo.com/

    Have a look at Diego’s trailer for Medley below!

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    June 3, 2015 • Filmmaking, Student & Alumni Spotlights • Views: 5940

  • NYFA Alum brings 3D Animation to the Stage

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    bob marley

    On Wednesday, May 13, New York Film Academy 3D Animation alumnus and instructor Mark Reynolds stormed Baltimore’s prestigious Center Stage Theater — not as an actor or musician, but as a 3D animator.

    As a member of the animation team for Center Stage’s production of the new musical Marley, a biography of reggae legend Bob Marley, Mark provided 3D models and animation of numerous locations in the play, from Jamaica’s Trench Town slums to the mountains of Ethiopia, and some very specific locations such as Bob Marley’s house and the breathtaking Bet Giyorgis church in Lalibela, Ethiopia. Under the direction of Projections Designer Alex Koch, the team created a stylized look that combines the earthiness of hand-drawn lines and textures with the bold camera movements and dramatic lighting at which computer graphics excel.

    “What we accomplished is pretty remarkable,” Mark says. “The projections and animation run pretty much throughout the play. We essentially made a two-hour animated feature in ten weeks.”

    Mark, who himself completed NYFA’s one-year 3D Animation program in 2013, now teaches at the school, in addition to working as a freelancer. Most recently, his work was seen projected on the H&M tent ceiling at Coachella. “I spent a week making cartoons of cats shooting lasers out of their eyes. It was ridiculous. This is the kind of gig where you can leave work at the end of the day and say, ‘That was so silly. I love my job!'”

    Marley was written and directed by Kwame Kwei-Armah, and runs through June 14.

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    May 14, 2015 • 3D Animation • Views: 5506