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  • Forbes Interviews New York Film Academy (NYFA) Broadcast Journalism Alum Alana Blaylock

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    New York Film Academy (NYFA) Alum Alana Blaylock has had a productive career since finishing the 8-week Broadcast Journalism workshop at NYFA’s New York City campus in the summer of 2011. It’s no surprise then that many in the indAlana Blaylockustry have taken notice of the Emmy Award winner, including Forbes Magazine, which recently published a profile on and interview with the up-and-coming producer.

    Blaylock has amassed an inspiring roster of credits since finishing her workshop at NYFA’s Broadcast Journalism school, which teaches aspiring reporters a well-rounded understanding of all aspects of the production process, including researching, writing, shooting, producing, and editing. This is important in the modern digital landscape as contemporary broadcast journalists are expected to be multimedia journalists, marrying their technical skills with their creative ones. 

    This is exactly what Blaylock has excelled at, and why she has already won an Emmy and why her career is taking off even as her path winds between both traditional roads and outside-the-box ones. Her credits include work on CNN, HBO, NBC News, National Geographic, and the ID Channel, including popular programs Deadline and United Shades of America. However, her work on newer streaming models like Amazon and YouTube is what has been generating a lot of buzz. 

    One of her latest projects is producing for Best Shot, a YouTube Originals docuseries executive produced by Lebron James and Maverick Carter for the NBA. The show follows the student basketball players of Newark Central High School as well as chronicling the life and career of their mentor, former NBA player and sports television personality Jay Williams.

    In addition to working in both traditional and digital media, Blaylock curates a strong online presence on social media, further highlighting her smart instincts in an ever-changing media landscape.

    “I love the visual storytelling that happens on Instagram,” Blaylock tells Forbes. “That’s the platform I probably use the most [in my personal life]. And I am inspired by movies, set design, museums, exhibits and artists.”

    She continues, “I try to take in as much new culture as possible and then decide what I want to do with it or how it fits into my process as a creative.”

    What lies ahead for Blaylock remains to be seen, but it’s clear whatever she does next will be insightful and successful due to the work she puts in and the philosophy that keeps her driven. When asked about keeping her own personal voice while working on other parties’ projects, Blaylock tells Forbes, “My brand evolves as I attain more world experience. I have to remain authentically Alana, and the projects that I take on are continuations of my career journey.

    “I can adapt to the demands of a project and still be the best version of myself. I remain steadfast in my goals while producing every show, documentary or collaboration. As a result of working on many projects, there’s always new information and experiences. It keeps me well-rounded.”

    The New York Film Academy congratulates Alana Blaylock on her career and looks forward to her future successes sure to come!

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  • New York Film Academy (NYFA) Documentary Alum Kendall Ciesemier Talks Activism, Social Causes

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    Chicago native, New York-based producer, writer, and social entrepreneur Kendall Ciesemier has been making waves with breaking news stories and interviews about social causes ever since she was 11 years old. At that young age, she formed Kids Caring 4 Kids to empower young people to help provide basic human needs to children living in sub-Saharan Africa. While she was at Georgetown University, Kendall co-founded OWN IT, a women’s leadership initiative to empower college-aged women to engage with women leaders. And at New York Film Academy (NYFA), Ciesemier completed the 6-week Documentary program in 2017.

    Ciesemier’s personal history of health issues inspired her humanitarian work. Expounding upon that, she says, “My own health struggles entirely formed the lens through which I look at the world.” In lieu of gifts and flowers during her recovery, she humbly requested well-wishers donate to the village of Musele, Zambia — the most highly affected area by the AIDS epidemic at the time. “I found my purpose in founding Kids Caring 4 Kids,” added Ciesemier. Since 2004, 8,000 individuals in five different African countries have been assisted via the construction of dormitories, orphan care centers, a clinic, classrooms, computer labs, bicycles, indoor plumbing, meals, and clean water.

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    LINK IN BIO: My interview with #MeToo founder @taranajaneen just dropped on @mic’s FB watch show: #MicDispatch. Go watch and learn and wow! Tarana really brings it. We discuss Kavanaugh, the one year anniversary of the Harvey Weinstein allegations and the state of the #MeToo movement. . Here’s her message for survivors which I found so comforting: “I want us to lay our burdens down. This should be laid at the feet of the Senate. This should be laid at the feet of your local politicians. It should be laid at the feet of the school or institution or whoever that didn't protect you. It's not our burden to bear.” #survivors #believesurvivors #metoo #believewomen #metoomovement

    A post shared by Kendall Ciesemier (@kendallciesemier) on

    Now a producer at Mic, Ciesemier recently found herself helping out with an interview of rising political star Alexandria Ocasio-Cortez, who was elected to the House in 2018 as the youngest woman in Congressional history. The Democratic Socialists of America-endorsed 29-year old recently stunned the country after defeating longtime incumbent Joe Crowley in New York’s 14th District. Ocasio-Cortez was interviewed alongside fellow DSA-supported Cynthia Nixon, who lost her bid to defeat incumbent governor Andrew Cuomo.

    At Mic, her topics range from criminal justice reform, racial justice, the #MeToo movement, and more. Her recent interview with Alice Marie Johnson, a woman serving life without parole for a first-time nonviolent drug offense, helped lead to Johnson’s clemency as is arguably the highlight of Ciesemier’s career.

    Speaking of the experience, Ciesemier said, “We actually drove down alongside her family, three hours from Memphis to Alabama. We were racing to get there in time to pick up Alice and watching her walk across the street and see her family across from the prison was pretty powerful.” She continued, “I think, as a journalist, you’re taught to just do your job — but you’re also a human being. I don’t think I processed all of that experience until a good four days after. This is a story I’ll never forget.”

    Ciesemier tweeted her emotional reaction to the release:

    Activists also showed their support of Alice Marie Johnson’s release, including Reese Witherspoon, who thanked Ciesemeier on Twitter for her efforts:

    The New York Film Academy would like to thank Kendall Ciesemier for her time and, more importantly, her community service, philanthropy, and activism. We wish her the best of luck with all her future endeavors.

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  • New York Film Academy (NYFA) Broadcast Journalism Update: NBC News Edition

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    There is an old saying about how “the only constant is change.” That is certainly true of Broadcast Journalism. Whether you are a major TV network, an up-and-coming producer, or a student just learning the basics, you can’t stand still. 

    The latest case in point comes from NBC News, which is launching a new streaming service called NBC News Signal. Aimed at folks far younger than me, who use media in far different ways than my generation, it will have its own “nightly news” hosted by Simone Boyce.

    The major networks have long posted stories — and even full programs — on their websites. But the majority of you reading this don’t “watch” TV in conventional fashion. If someone wants to reach you, they are going to have to do it through your phone, in a way that stylistically mirrors other digital information services.

    It’s a crowded field… CBS, Fox, ABC, Cheddar… they are all out there competing for the digital audience. Then there is streaming media app Flex, which went into the news business through its acquisition of Watchup. Flex started as a way to organize your digital content. Now they want to provide content.

    Whatever happens regarding distribution platforms, there will always be a need for something to distribute, for content. Learn the skills essential to being a content creator — in the New York Film Academy (NYFA) Broadcast Journalism school, for instance — and there is a place for you out there.

    Last week saw a return visit to the Academy by CNBC reporter Leslie Picker. Leslie is so generous with her time, coming in to teach a Master Class for our students. She shared with them insights into how things work “in the real world,” using the arc of her own career as a starting point. She also discussed how stories evolve as they are being reported, and the resulting debates in the newsroom on the best way(s) to cover them.

    After class, all the students had the opportunity to chat with Leslie. For all of her kindness, she left with the highly coveted (and somewhat rare) black NYFA baseball cap…

    Leslie Picker

    Leslie Picker

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    October 29, 2018 • Broadcast Journalism • Views: 28

  • New York Film Academy (NYFA) Broadcast Journalism Update – October 23, 2018

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    Last week, my long time friend and former colleague Grace Wong (currently of ABC News) contacted me about the New York Press Club Foundation’s Annual Conference on Journalism, asking if any New York Film Academy (NYFA) Broadcast Journalism students would like to attend.

    Broadcast Journalism

    Well it didn’t take long to find out that a number of students did indeed want to go. So, under the leadership of faculty member Evgenia Vlasova, early on Saturday, October 13 they made their way to the NYC conference site. 

    Besides getting to meet practicing national and New York area journalists, they had an opportunity to chat with the guest speakers as well. That included Jill Colvin, who is White House correspondent for the Associated Press. You can only imagine the stories she had to tell, given that she started covering Donald Trump when he was just one of many candidates seeking to be the Republican nominee for President.

    That’s Jill, third from the right, with Genia and some of the NYFA students:

    Broadcast Journalism

    Students also met Kathryn Dill, who is an editor at CNBC Digital, where she oversees coverage of careers, the workforce, and women in business, for what is primarily a millennial audience.

    That’s Kathryn in the middle:
    Broadcast Journalism

    These days, some journalists work in the so-called “gig economy” not out of necessity, but by choice. Creating content for a wide range of outlets sometimes offers more income security than being tied to a single platform. (Just ask newspaper reporters…)

    Lisa Armstrong is an award-winning journalist with credits from The New York Times, The Daily Beast, Rolling Stone, and other publications and websites. She has reported from several counties, including Haiti from 2010-2014. She is on the left in the picture below:
    Broadcast Journalism

    This is why it is so important to study in New York. There are opportunities here you just can’t find anywhere else…

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    October 23, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 25

  • New York Film Academy (NYFA) Broadcast Journalism Update – October 17, 2018

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    Everyone knows how much I enjoy writing about New York Film Academy (NYFA) Broadcast Journalism graduates. But usually I only “talk” with them via email and Facebook. Recently, however, two of them were actually able to stop by!

    Ibtisam (“Tisam”) Karaasian had already graduated from the Broadcast Journalism 1-year Conservatory Program when I arrived at NYFA in September 2013. But she was still “here” as a TA. Much of what I initially learned about the “student’s perspective” of the program I first heard from Tisam. Later she returned home to Germany, and has worked on a number of different things including a long-term project for the United Nations. And she shared all of this with the current students… and instructor Evgenia Vlasova.

    Broadcast Journalism
    As all current and former NYFA Broadcast Journalism students know, we have a “skills-based” curriculum. And while those skills are essential to the practice of conventional journalism, they can be used in a wide range of media genres and forms.

    I say that because last week I saw someone else who I first met when I arrived at NYFA, Ljubica (“Lubi”) Popovic. She was part of the very first class I taught at NYFA, the 12-week Evening workshop. Currently she is working at the production unit of the City University of New York (CUNY), but that’s just the start. For Fashion Week New York she was a casting director assistant and worked on all the runway preparations for Tadashi Shoji and Bosideng. That meant working with top models, and A-List Hollywood celebrities like Jeremy Renner and Anne Hathaway.

    Next up she is producing a Comedy Special for Sasha Srbulj, which will be filmed in mid-November at the BRIC theatre in Brooklyn.

    ###

    So, did I ever tell you how I studied French for four years… three years in high school, one year in college? Probably not, since almost everything I learned was long ago forgotten. But I am glad to know that NYFA grad Delphine Darmency is still contributing to francophone culture. She recently posted a nice multimedia piece about the Women’s March in New York for French media giant TV5Monde.

    Fabulous work, Delphine…

    Finally, the two great “secrets” behind incredible human interest stories aren’t secrets at all. Everybody knows them… little kids and animals, neither of whom will do what you want them to do, when you want them to do it.

    NYFA alum Livia Fernanda creates online video content at Somar Meteorologia in Brazil. Last week she posted a gem of a story about little kids, climate, and TV weathercasting. I don’t even understand what the children are saying — my Portuguese language skills being worse than my French — but it is still cute. Take a look for yourself… (BTW, that’s the green screen effect that every 1-year NYFA Broadcast Journalism student learns about.)

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    October 17, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 431

  • New York Film Academy (NYFA) Broadcast Journalism Update – October 12, 2018

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    Last week, we featured the new class of New York Film Academy (NYFA) Broadcast Journalism students learning the fine points of video editing. This week, it is camera class. Graduates will recognize Classroom #505, where many of our students first learned how to shoot with a Canon C300 camera. And as the pictures show, at first it was a lot of fun.

    Broadcast Journalism Update


    But out in the field, shooting your first story (30-second Voiceover) is always challenging. However, things seemed to work out pretty well in the end. (How many of you shot on Stone Street for that project?) I don’t remember the “lion” ever being interviewed before. And with a reflector to even out the light!

    Broadcast Journalism Update

    Broadcast Journalism Update

    The big news last week was New York Film Academy grad Sergei Ivonin winning a Primetime News & Documentary Emmy Award. (That is the highest honor in American television.) Sergei was a member of one of the first NYFA Broadcast Journalism classes, and after graduation he went to work at NBC News. For many years he was an MMJ (multimedia journalist) for the magazine show Dateline NBC. That meant lots of travel. He also played an important role in NBC’s coverage of the 2014 Sochi Winter Olympics. In fact, his Russian language skills made him irreplaceable.That meant he didn’t get very much sleep, as stories had to be generated around the clock for various NBC programs.   

    Sergei is now a producer on the Today show, working on the 9am hour with Megyn Kelly. But it was as a field producer on the Dateline NBC team that he won his Emmy, for a segment in which former U.S. President Barack Obama was interviewed.

    Congratulations, Sergei!sergei ivonin

    Also last week, 2011 Broadcast Journalism graduate Alana Blaylock was profiled in Forbes magazine. Alana used the skills she gained at NYFA as the basis for her development as an innovative content creator. She also has some insightful things to say about the arc of her career, as well as the creative process. Underlying it all is a belief in hard work, adapting to the demands of a project while retaining your integrity, and the enduring value of curiosity and an open mind…

    Alana Blaylock

    Finally, Summer Workshop graduate Varvara Makarevich is still working in Russian language television… Only here in the United States! She is working with Voice of America (VOA), which is a U.S. government-funded broadcast service that distributes journalistically balanced programing in a variety of languages around the world. I know it sounds like a contradiction — a government agency providing unbiased programming — but it’s true. A long-time friend and former colleague in Tokyo is now head of the VOA White House bureau. I think he has one of the toughest jobs in the world. (But that’s just my opinion…)

    Great work, Varvara!

    You can find more information on classes offered at the New York Film Academy Broadcast Journalism School here.

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    October 12, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 449

  • New York Film Academy (NYFA) Broadcast Journalism Update: October 2, 2018

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    Last week was the first week for the new class of students attending the New York Film Academy (NYFA) Broadcast Journalism school. On their third day of classes they were introduced to nonlinear video editing software. Yes, it was time to meet Avid Media Composer 8. And the first reactions were… positive. The credit goes to our fabulous Editing instructor Christine Schottanes, and equally stellar TA (and NYFA grad) Catherine Kobayashi, for making complicated software understandable.

    Broadcast Journalism Update

    The class has students from Zambia, New York City, Ukraine, Connecticut, England, China, Louisiana, Spain, and Brazil.

    Broadcast Journalism Update

    When I posted this on Facebook, I heard from NYFA grad Laura Isern. She was chosen from among more than a thousand applicants for a prestigious journalism training program run by Brazilian media giant Globo.

    She wrote: “I’m using Avid in my internship a lot. Classes were really helpful.”

    And speaking (again) of Catherine Kobayashi, the two of us were part of a Virtual Open House last Wednesday. It was great to get questions from people everywhere, including some folks for whom it was the middle of the night. (Now that’s dedication…) If you were one of the participants, thanks for spending time with us. And if you have any additional questions, we’d be happy to answer them…
    Broadcast Journalism Update

    So the Broadcast Journalism camera classes Celina Liv Danielsen took as a student at NYFA came in handy last week. That’s her in the picture below, shooting (and producing) a story at the United Nations for Denmark TV 2.

    Broadcast Journalism Update
    And here is some of what she wrote to me…

    “…my new job title is journalist and producer for our US correspondent who is based in Washington DC. Together we are going to cover all US news for the people of Denmark. My job is to find all stories that we are going to produce for our newscast. I’m calling and finding all the sources, writing the manuscripts and articles, I’m the photographer when we are covering events where we are not making stories for our newscast but only covering it live. If my boss is on vacation or is doing other things then I’m reporting live to Danish national television. So I’m pretty busy and have a lot on my plate but it is so much fun. Since I got here I have only been in my apartment four times.  

    The first week was very hectic. I reported live from John McCain’s memorial in DC, then the Danish photographer and I flew to Boston to meet my boss (the US correspondent) to do a story there, then on to Toronto Film Festival and then San Francisco to cover the world’s first try to send out a machine in the ocean that can pick up all the plastic. Three days later we were in North Carolina covering the hurricane and this week was all about the UN. Next up is the midterm elections where we move out in “Trump land” to do many stories and then on election night a lot of live reporting. 

    I’m living in another city and get to travel all over America – it is so perfect. And I work with a very famous journalist from Denmark over here so people back home are starting to know my name in a bigger scale then before. Feel very lucky and blessed. But it took a lot of hard work

    WOW!

    Viviane Faver was a member of my very first class of 1-year Broadcast Journalism students in Fall 2013, after I had arrived at NYFA just a little more than a year earlier. Well I am still in New York, and so is Viviane. Last week she was doing what we in the business call a “cross-platform” story. It will appear in a Brazilian newspaper, a magazine, and on a website. Here is how she summed up the experience on Facebook:

    “I just had the pleasure of interviewing the CEO of @Climategroup, Helen Clarkson. ‘As countries step up to drive down emissions it’s important not to leave others behind. We need to ensure a fair and just transition to a clean economy that benefits us all.’”

    That’s Viviane on the right, in the picture below…
    Broadcast Journalism Update

    Thanks to LinkedIn, each morning I get to see the latest edition of GeekWire, hosted by NYFA grad Starla Sampaco. (Not “Sanpan,” as the autocorrect on my email keeps changing it to.) Last week she was reporting on how the cofounders of Instagram were leaving the company. But with all the talk about “fake news,” I have some questions, Starla… That’s a whole lot of blue sky behind you. I thought it rained in Washington State every day…

    Broadcast Journalism Update

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    October 2, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 434

  • Broadcast Journalism Update: Pizza and Goodbyes

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    The big news at New York Film Academy (NYFA) last week was the graduation of the Spring 2018 1-year Broadcast Journalism students. That’s them below, with members of the NYFA faculty. Congratulations to Clyde (third from left), Sharath (fourth from left), Idris (fifth from left), Braddany (sixth from left) and Hartnell (eighth from left). (Graduates reading this can identify the other photogenic folks in the picture.)

    Broadcast Journalism Update - September 17, 2018

    Afterwards, it was pizza and goodbyes… A bittersweet ending to an eventful nine months.

    Broadcast Journalism Update - September 17, 2018

    Before they left, the Spring students had one final surprise. They got the opportunity to work with NYFA camera instructor Daniel Hernandez on a New York Fashion Week shoot. How’s that for a “going away” gift? This is why it is important to study in New York. Opportunities like this just don’t present themselves in Madison, Wisconsin. (I still love you, Madison! I spent two years there. But it’s just not NYC.)

    And who should be at the same New York Fashion Week event? NYFA Broadcast Journalism grad, model, and multimedia journalist Amanda Salvato. She posted on Facebook:

    “Look who I met in the middle of #NYFA craziness!!! The person who taught me how to use a camera, lights and audio. If I am confident in what I do backstage it is because of all of his patience…”

    Broadcast Journalism Update - September 17, 2018

    If you ever wondered what it looks like when a killer storm is about to descend on a community, NYFA grad Marta Dhanis can tell you. A field producer with Fox News Channel, she was dispatched to North Carolina last week to await the arrival of Hurricane Florence. The only way you can accurately report a story is to be on the ground. Hurricane, tornado, and earthquake stories are probably the closest thing to war reporting. Stay safe, Marta…

     

    Broadcast Journalism Update - September 17, 2018

     

    On a completely different note, GloboNews in Brazil recently sent former Broadcast Journalism student Daniella Gemignani to cover a story on a bicycle. Now, bike riding is not a skill Daniella learned at NYFA. (Well, maybe she rented a bike at the stand across West Street from the school.) Here is how she put it:

    “Live on GloboNews for the first time…there were three cameras, five minutes of link and a mad prayer not to hit on the floor. What a delicious challenge! What a wonderful team and how lucky for me to only have wild and generous people around! Ah, and most importantly, it was to call an amazing program that brought a more than necessary subject: bicycles as part of the solution for urban mobility.”

    Broadcast Journalism Update - September 17, 2018

    Then there is Genevieve Beyleveld, a grad who uses the skills she learned at NYFA to document what she terms “an absolutely ridiculous life.” As someone else has observed, “she’s one of those people who have turned an incredible gift for gab into a masterful marketing tool… 

    Her blog reads like a TV sitcom.” In other words, she figured out how to monetize her thoughts (including a new podcast). Now that’s an accomplishment! As Genevieve herself writes:

    “What started almost two years ago as a silly idea, turned out to be the biggest challenge of my career. From not earning a cent to finally being able to support myself, is the most surreal feeling.”

    She is also South African Foreign Correspondent for See My Africa – a television series which aims to dispel myths about Africa to the rest of the world. Cheers, Genevieve!

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    September 17, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 398

  • Broadcast Journalism Update: Visit to Beijing

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    So, I am just back from a week in Beijing. It turned out to be very productive, from a number of different perspectives. In my role as Chair of the Broadcast Journalism department, I think it was definitely a success. As usual, I was “multitasking,” with three different projects in play…

    Broadcast Journalism Beijing Update

    It was great to be on the campus of the Beijing Film Academy again. I met with about 60 freshmen, who had just arrived the previous week. It was the first time many of them had heard about the New York Film Academy (NYFA), so I spoke in general terms about the school, its philosophy, facilities, and locations. However, I did play for them videos produced by current and former NYFA Broadcast Journalism students. (That includes Lara Gato’s Resume Reel; a recent “live shot” by Alyssia Taglia; and My NYFA Experience by Sara Quintana.)

    The students were a receptive audience, asking lots of good questions. Afterwards, about a dozen of them chatted with me and/or Christina He, of NYFA’s Beijing office. BFA also gave me the opportunity to contemplate what it might be like to win an Oscar…

    Broadcast Journalism Beijing Update

    Later I ran a workshop at the China Film Group. This audience was very different. It was made up of media professionals who wanted to improve and expand their skill set. Surprisingly, a number of them are interested in non-fiction film and video production.

    In addition to my standard PPT presentation, we had an extended Q&A session. Frankly, I think it was the high point of the afternoon. The participants had a chance to ask some very specific questions, about both video production as well as NYFA.

    Broadcast Journalism Beijing Update

    None of this would have been possible without Dr. Joy Zhu, NYFA’s Executive Vice President for the China Region, who did all of the preliminary work. And given my extremely limited Mandarin, without Christina I would have been left awkwardly smiling at the front of two very crowded rooms…

    As for my production work in Beijing, the schedule was — as usual — hectic. We shot at multiple locations around town, as well as spending a day in the studio. Fortunately I was working with friends, so everything was done amazingly fast. (And since the scene below was a waist shot, no one saw my wrinkled pants. It was one hot, humid day in Beijing…)

    Broadcast Journalism Beijing Update

    I ended my trip ended being interviewed by a reporter from China Daily. While the focus was on Century Masters, I talked about my new documentary Shanghai 1937 into the conversation as well. (There is going to be big news about that program very soon…)

    Now, all I have to do is get my body back on New York time…

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    September 12, 2018 • Academic Programs, Broadcast Journalism, China • Views: 318

  • End of August Update from the New York Film Academy (NYFA) Broadcast Journalism School

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    It is no secret that viewership of legacy media — like network TV — is down, while audiences for digital services — like Mic — are skyrocketing. The problem is that digital program producers are still searching for a way to actually make money. At the end of the day, a business has to be just that — a business.

    According to Digiday, Mic attracted a huge number of viewers with fast, short-form non-fiction videos. But they didn’t attract enough sponsorship dollars. So Mic is shifting to “long-form” (around 15 minutes) programs that incorporate both studio and field elements. (Their premiere series is called Mic Dispatch.) Sound familiar? It’s a case of “everything old is new again,” as I produced program segments like this for 20 years. Of course, the content here is a lot edgier. Now digital outlets are looking to license content produced by others (why not you?) and many of the deals they are making are for a full year.

    Mic publisher Cory Haik says a greater percentage of people are choosing to watch Mic Dispatch beyond the three-second view mark than for the type of short-form news-feed videos his platform used to crank out.

    People say that things slow down for the summer. But that doesn’t seem to be true for some NYFA Broadcast Journalism grads, or myself for that matter…

    The biggest news of the week is the graduation on Friday of the Summer 8-week workshop. An outstanding class, with people from everywhere. They are inventive, hardworking, collaborative, and talented. We will be hearing more from them…

    Broadcast Journalism August 2018

    Congratulations! 

    Friday evening saw NYFA alum Elizabeth Wilson hard at work at NBC Sports, where she works in the marketing department. And she got to spend Sunday there too! It’s a reminder that our profession isn’t a typical 9-5 job…

    Broadcast Journalism August 2018

    But, whatever the sacrifices, there are times in which we actually influence history. As regular readers of this Update know, Broadcast Journalism grad Antia Efraim works at Radio Globo in Brazil. The network is doing a series of interviews with presidential candidates, and Anita is right in the middle of it. And she’s not just behind the scenes, but on air as well. And in cyberspace too, as the program is digitally streamed. Which is how I know about it. (And yes, it isn’t summer in Brazil…)

    Broadcast Journalism August 2018

    Myself, I am back to Beijing next week. I’m the host of the international version of a CCTV cultural documentary series called Century Masters. Each program tells the story of a 20th century composer, performer, writer, or musician who transformed their field, and in doing so changed China. (This is my second season with the program, which means the first season must have been successful. They don’t bring you back if a series is a flop!) 

    While I am in Beijing, I will be making two presentations for NYFA. The first will be at the Beijing Film Academy, where NYFA has its China office. (NYFA is the only international school invited to locate on the BFA campus.) I will be speaking to potential students about NYFA, and its various programs. Including, of course, Broadcast Journalism.

    I will also be speaking at the China Film Group. It is the largest film distribution company in China, and a major player on the entertainment scene. Part of what I will be discussing is my soon-to-be-broadcast documentary Shanghai 1937: Where World War II Began, which in part mirrors the story told in the Chinese feature film The Flowers of War. (I’ll have some big news for you about my doc in the next Broadcast Journalism Update.) Also on the agenda will be a discussion of post-production in New York. or “every dream has its budget.”

    Broadcast Journalism August 2018

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    September 4, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 323