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  • Bruce Willis Making Broadway Debut in Misery Adaptation

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    Bruce WillisContinuing the adaptation trend of bringing big movies to Broadway, Warner Bros. Theatre Ventures has announced plans to bring Stephen King’s famous book and film, Misery, to Broadway this fall, with Bruce Willis making his Broadway debut.

    The play is an adaptation of Stephen King’s popular novel, which was turned into a successful film in 1990 for which Kathy Bates won an Oscar for her turn as Annie Wilkes.

    King’s novel chronicles the travails of romance novelist Paul Sheldon who is imprisoned by his number one fan, Wilkes, following a car accident when she learns that he intends to kill off her favorite character from his books. Wilkes will be played by theatre veteran Elizabeth Marvel who recently had a major role in the third season of Netflix‘s House of Cards playing the character of Heather Dunbar.

    Will Frears, who directed Omnium Gatherum, has been hired to direct the play when it makes its limited run later this year.

    While this will be Willis’ official Broadway debut, he was Ed Harris’ understudy in the off-Broadway production of Sam Shepard’s Fool for Love in 1983. For students enrolling in our Two-Year Musical Theatre Conservatory, this will certainly be a staging worth checking out.

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    March 5, 2015 • Entertainment News • Views: 4478

  • Joel Silver on the State of Hollywood

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    “Joel has never been afraid of color,” said producer/moderator Tova Laiter.

    Mega-producer Joel Silver recently visited New York Film Academy for a Q&A and special screening of his 1988 classic, Die Hard. “We were kind of crafting a new genre,” said Silver. “Summers weren’t full of action films then.” He said he had originally wanted Richard Gere to play the lead, who turned down the role. They took a risk with Bruce Willis, an actor best known at the time for his starring role on TV’s Moonlighting. It paid off, becoming an international hit that would go on to spawn 3 hit sequels. The fourth sequel, A Good Day to Die Hard, is slated for release in February 2013.

    Silver has produced more than 60 films, earning more than $13 billion worldwide. His credits include the Academy Award-winning The Matrix trilogy, the blockbuster Lethal Weapon franchise, and the sci-fi thriller, Predator. More recently, he launched the Sherlock Holmes franchise for Warner Bros. He is co-founder of Dark Castle Entertainment and owner of Silver Pictures. His newly-launched division, Silver Pictures Entertainment, announced a five-year distribution deal with Universal Pictures. Silver said the new division plans to make movies in various genres with mid-sized budgets of $40-60 million. He joked, “There’s always going to be artistic films out there, but I want to make the movies people actually see.”

    Answering questions from New York Film Academy students, Silver commented on the state of the industry, saying, “The Hollywood system is better than it has ever been. People are going to the movies more than ever, and all over the world. It’s a great time.” He continued, “People are making movies for 20 bucks … We’re living in a golden age of Hollywood.”

    Speaking to the young filmmakers and actors, he said, “You have to be passionate about movies. I’m excited every day. I love the process. I know the process. I live crisis. Crisis is a part of my life … If you bang your head against enough walls, eventually you’re going to break through.”

    He also put to rest rumors about revisiting the Lethal Weapon franchise, saying, “I’d rather be dead,” eliciting a roar of laughter from the crowd.

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    July 5, 2012 • Guest Speakers • Views: 6503

  • Whatever Happened to Francis Ford Coppola?

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    Francis Ford CoppolaLast week was the 40th Anniversary of The Godfather. I don’t know if you saw it but the AMC channel aired it repeatedly during the week. Watching those films again, it made me wonder…

    Whatever happened to Francis Ford Coppola?

    The Godfather was a huge influence. I mean everyone went to see it. I remember I had a friend who was ushering at the movie theater and would sneak me in. It didn’t even matter what part of the movie you came in at, you’d just watch it from there to the end. Sometimes I’d even stay to watch the beginning of the next show. We used to refer to the film as, “the Beast.” That’s how much respect we had for it. A few years later, as a film student, Scorsese became my guy (he was the filmmaker that made me want to be a filmmaker.) The Godfather was still the benchmark and with all due respect and deference to good ol’ Marty, he never made “The Beast”.

    Coppola followed up with Apocalypse Now. The stories about making that film are legendary—the enormous amounts of money, equipment, and insanity that went on in the jungles. But whether you like the film or not, you can’t help but be impressed by the enormity of the undertaking and the execution. It is unquestionably the work of a master filmmaker. And then… What? What happened? He never again fulfilled the promise of his early films. It makes me sad. What went wrong? Where did Francis Ford Coppola jump the shark?

    It started with a film called One From the Heart. You’ve probably never seen it. Few people have. It was a musical fantasy set in Vegas, and even though it pioneered some video-editing techniques, it was a disaster with audiences. Then there were The Outsiders and Rumble Fish. It seemed to us as young directors as the work of a desperate filmmaker who lost one audience and was trying everything he could to connect with a new one. Next he tried a Godfather knockoff, The Cotton Club. An epic crime drama, it even had the same sort of violent montage at the end. A pale imitation and another box office disaster. And finally, Godfather 3, the last ditch effort to recapture past glory. I don’t even have to tell you what a disappointment that film was.

    How did such a great filmmaker lose his way? Was it the disappointing loss of Zoetrope Studios? In 1969, Coppola decided to buck the studio system, which he felt had stifled his artistic vision. He created Zoetrope to fund off-beat films by first time directors. It didn’t work. Was it the pressure of paying off the huge financial debt in which he found himself? Coppola has declared bankruptcy three times. It’s not easy holding onto a personal vision while digging yourself out of a financial hole. Or was it the tragic death of his son? Personal tragedy has a way of putting ambitions of glory in perspective. In the end, perhaps it was just the unimaginable pressure of having to equal something as great as The Godfather.

    The Godfather

    It’s hard not to reflect on the somewhat tragic trajectory of his life. Early success does have its pitfalls. Compare the careers of directors like Spielberg and Scorsese. They all started out at the same time. They were part of an avant-garde group of filmmakers that were revolutionizing Hollywood. But where Spielberg and Scorsese are viable, influential, Academy Award nominated filmmakers to this day, Francis Ford Coppola has sadly vanished from the scene. I can easily imagine him filled with deep satisfaction and appreciation of what he’s accomplished. I can also imagine him with deep regret at what could’ve been. Ultimately, I’d like to think that with age comes perspective, if not wisdom, and maybe even acceptance. What do you think? Every filmmaker has to come to grips at some point with this issue of art and commerce. How have you handled it? Or how do you envision handling it? I’d like to know.

    Click here to learn more about the filmmaking program.

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    March 16, 2012 • Filmmaking • Views: 13094