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  • New York Film Academy (NYFA) Filmmaking & Cinematography Alum Jean de Meuron’s Short ‘Megan’ Wins at the 2019 Telly Awards

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    Megan Jean de MeuronNew York Film Academy (NYFA) Filmmaking and Cinematography alum Jean de Meuron can add another award to his mantle—his short film Megan was a Silver Winner at the 40th Annual Telly Awards.

    de Meuron hails from Switzerland and first enrolled at NYFA in 2009, taking several workshops, including in Filmmaking, before following his short-term studies with NYFA’s 1-year Conservatory in Cinematography. Since then, he’s been hard at work making award-winning projects. In 2017, he executive-produced the short film La femme et le TGV, which earned an Academy Award nomination. 

    Megan, a short film that also serves as a proof of concept for a feature science fiction epic in the vein of J.J. Abrams’s popular Cloverfield series, was a Silver Winner in the General – Online category. The proof of concept features breathtaking action bolstered by perfectly executed special effects, including a harrowing helicopter crash and the appearance of a colossal, ominous spaceship.

    The short was directed by Greg Strasz and produced by de Meuron, along with Giuseppe Mercadante and Olcun Tan. Megan previously won four awards at the 2018 Pitch to Screen Film Awards: Best Proof of Concept, Best Director, Best Cinematographer, and Best Editor, as well as Best International Sci-Fi Short at the 2018 London International Short Film Festival.

    “I am deeply honored, proud, and humbled that my team and I won a Telly Award,” de Meuron says of Megan’s Silver trophy. “This came as a complete surprise since companies like Disney, Lucasfilm, Netflix, Paramount, Viacom, CBS, DC Entertainment, and so forth were also honored for their work in various categories. We share the Silver Winner Award with CBS in the category 2019 Online: General Viral.”

    The Telly Awards were founded in 1979 to recognize achievements in local, regional, and cable television commercials with non-broadcast video and television programming included shortly after. The Telly Awards have kept up with the times and now embraces media content that can be seen on all screens—from the theater to your smartphone. This also includes awards for VR, television commercials, web series and branded content. This year’s event had a record-breaking amount 12,000 entries, of entries, from from all 50 states and five continents.

    New York Film Academy (NYFA) congratulates Filmmaking & Cinematography alum Jean de Meuron on the success of Megan and its Silver Winner Award at the 40th Annual Telly Awards!

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    June 21, 2019 • Cinematography, Filmmaking, Student & Alumni Spotlights • Views: 102

  • New York Film Academy (NYFA) Cinematography Alum Olga Vazquez Puertas Keeps Busy Behind the Camera

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    New York Film Academy (NYFA) Cinematography alum Olga Vazquez Puertas is keeping busy behind the camera, getting steady work in the camera department and as a director of photographer on numerous projects.

    Puertas hails from Spain and graduated from the 1-year Cinematography program at NYFA’s New York campus in 2011. “Since childhood, filmmaking has been my passion,” Puertas says on her website’s bio. “Early on, I discovered that what I really love is to speak through visual storytelling. I like to solve challenges collaboratively; controlling the light, composition and frame, achieving the look, mood and tone needed for each project.”Olga Vazquez Puertas

    Recently, Puertas has worked for automaker Audi, and filmed an ad with Kevin Hart for his game, Gold Ambush. She has served in the camera department on such films as Thoreau (2018), Night and Day (2015), On Golden Years (2014), Taste of Honey (2013), and The Therapy (2013).

    Additionally, she has worked as director of photography on Hooked (2019), Vedic Nights (2018), Love and Bullets (2017), A Lonely Woman (2018), Pinsky (2017) and the upcoming projects Asking for It, Treasure Trouble, and A Cute & a Button.

    New York Film Academy congratulates NYFA Cinematography alum on her busy resume and looks forward to seeing what she works on next!

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    June 12, 2019 • Cinematography, Student & Alumni Spotlights • Views: 123

  • New York Film Academy (NYFA) Cinematography Students Shoot LGBTQIA+ Themed Alexa Workshop

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    New York Film Academy (NYFA) Cinematography Students recently shot a workshop with the Alexa camera rig that was—appropriately for Pride Month, LGBTQIA+ themed.

    The Arri Alexa is a high-end camera that was introduced in 2010 and was camera manufacturer Arri’s first major digital cinematography apparatus. The Alexa is the camera of choice by many professional Hollywood filmmakers, and is used in high-budget feature films, television shows, and commercials throughout the industry.

    NYFA’s Cinematography students are taught with these major rigs, including the Alexa, the RED, and 35mm film. For their most recent Alexa workshop, the students filmed a short with an LGBTQIA+ theme. 

    The film told the story of a young woman named Allison, coming from her father’s funeral with what seems to be her boyfriend. It is soon revealed that he is not actually her boyfriend, but a platonic male friend Allison is using to hide her lesbian relationship with another woman—Rachel—from her family.

    LGBTQIA+ Alexa Workshop
    Allison and Rachel have a confrontation, with Allison storming out of the house to avoid a fight. They eventually reunite on a pier by the harbor, where Rachel tells a story about how she sought revenge toward an aunt that made her life impossible after her coming out, but then decided it was not worth it and that it was her aunt living the miserable life, not her. The film ends with Allison revealing she came out to her sister and, somewhat unexpectedly, her reaction was that she wanted to meet Rachel. 

    The two actresses playing the leads are both NYFA alumni. “They delivered quite a strong performance, and the cinematography work is quite interesting,” says NYFA Chair of Cinematography Piero Basso.

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    June 11, 2019 • Cinematography • Views: 125

  • New York Film Academy (NYFA) MFA Alum Bob Nguyen Wins Cinematographer of the Year & Best Feature Film at the Australian Cinematographers Society Awards

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    Song Lang, the highly lauded Vietnamese feature film, picked up two major prizes at the Australian Cinematographers Society (ACS) Awards—Best Feature Film and 2019 Cinematographer of the Year—adding two more major awards to the growing list of accolades for New York Film Academy (NYFA) MFA Cinematography Alum Bob Nguyen.

    The film was shot by Nguyen, directed by Leon Le, and co-written by Le and Minh Ngoc Nguyen. It tells the story of an underground debt collector and a “reformed theatre” opera performer (known in Vietnam as cải lương) who form an unlikely bond in 1990s Saigon. 

    Nguyen enrolled at New York Film Academy’s Burbank-based campus in January 2013, where he earned his MFA and quickly networked with other students and served as director of photography on several short films. Using this network after graduation, Nguyen continued to find work around the world, including Italy, Australia, and Vietnam.

    For his work on the feature film Sut, Nguyen won the 2016 Golden Kite Award for Best Cinematography, the highest award for cinema in Vietnam, equivalent to an Academy Award.

    Bob Nguyen
    The Australian Cinematographers Society Awards are the highest honors for cinematography in Australia. The ACS was established in Sydney in 1958 to further the advancement of cinematography in all fields and to keep its members informed about new camera and lighting equipment and technology as well as provide a forum—through meetings, demos, and seminars, etc.—for its members to exchange ideas and network.

    “It is a major honor to be named Cinematographer of the Year by the Australian Cinematographers Society, and it is impressive that Bob has received this award so early in his career,” says Mike Williamson, NYFA-Los Angeles Associate Chair of Cinematography. “The ACS is a prestigious organization that counts many great cinematographers among its ranks, and it’s a significant achievement to receive this level of recognition from his peers.”

    New York Film Academy congratulates MFA Cinematography Alum Bob Nguyen on winning the Best Feature Film and 2019 Cinematographer of the Year ACS Awards and looks forward to seeing what he works on next!

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    June 10, 2019 • Cinematography, Student & Alumni Spotlights • Views: 187

  • New York Film Academy (NYFA) MFA Cinematography Alum Tian Liu Builds Impressive Portfolio

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    Since graduating from the New York Film Academy (NYFA) MFA in Cinematography program, alum Tian Liu (Fall 2015) has been keeping very busy. Liu has been steadily growing her career as a filmmaker and building her portfolio with credits as a photographer, producer, and cinematographer on several professional projects.

    Tian Liu
    Liu was born in China, where she studied sports journalism. While teaching orphans math as a volunteer in Kenya, Liu felt inspired to photograph their experience. After those images were professionally published, Liu realized she wanted to become a filmmaker. “I realized that images have power,” Liu tells NYFA. “It can tell others a story, it also can help people and give people a better life. I love telling stories and I want to be a visual artist.”

    Following her dream, Liu opened a photo studio and enrolled at New York Film Academy. At NYFA, Liu earned her MFA in Cinematography while studying under Chair of Cinematography Tony Richmond, ASC, BSC (Don’t Look Now, The Man Who Fell to Earth, The Sandlot, Legally Blonde).

    Tian Liu
    “Without NYFA,” Liu says, I would not have been able to become a female Chinese cinematographer and do the kind of work I find so fulfilling.”

    The Piano, Liu’s thesis film completed at NYFA, has screened at over 35 film festivals, and has picked up an impressive 28 awards for Best Cinematography. Additionally, she has worked on over 40 film projects that used 16mm and 35mm film, and has shot several films as director of photography. Recently, Liu worked on a feature film in Louisiana, as well as a camera operator for Oscar-nominated cinematographer Dean Cundey, ASC (Jurassic Park, Who Framed Roger Rabbit?) on the feature documentary Motionless. Liu has also worked in New York City for the United Nations and an esteemed advertisement firm.

    Liu has also found success as a photographer publishing her work in high-profile magazines and newspapers, including China Daily. Over 40 images she’s shot have been featured in Vogue Italia.

    In addition to her work behind the camera, Liu has been a strong voice for female cinematographers, and recently gave a talk at USC about working in the industry as a female, Chinese cinematographer. While the film industry works to course correct issues of gender inequality, women still make up a distressingly small proportion of working professional cinematographers.

    New York Film Academy congratulates MFA in Cinematography alum Tian Liu on her continued success in the industry and thanks her sharing her experiences with the filmmaking community.

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    May 9, 2019 • Cinematography, Student & Alumni Spotlights • Views: 363

  • ‘Broad City’ and ‘Russian Doll’ Both Feature Work from New York Film Academy (NYFA) Cinematography Alum Rebecca Rajadnya

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    What do Comedy Central’s smash hit Broad City and Netflix’s bloody comedy-drama Russian Doll have in common? Both feature camerawork from Rebecca Rajadnya, New York Film Academy (NYFA) Cinematography alum. Since completing the NYFA program in 2009, Rajadnya has worked on a staggering number of productions, with more than 50 credits to date.

    After working on a number of shorts and feature films, Rajadnya joined the crew of Broad City in 2017 as first assistant camera for 11 episodes. The show, which was executive produced by Amy Poehler, was nominated for five Critics’ Choice Television Awards and one MTV Movie & TV Award. The show was praised for its focus on two female leads, with Vulture saying it was “heartening to watch an entire series devoted to female friendship.”

    Following her work on the comedy, Rajadnya worked as first assistant camera on Netflix’s comedy-drama series Russian Doll for the full run. The show has received top marks from critics, with Time calling it “2019’s best new show to date” and Vox raving that both the show and the lead actress are “terrific.”  

    Piero Basso, NYFA Chair of Cinematography, spoke about Rajadnya’s talent, saying “Rebecca is a wonderful camera assistant. A perfect example for equality in the field. She is within the best focus puller I have met in my career. She is attentive, effective, professional above all, while keeping a pleasant and lovely attitude on set. With her on the side of the camera, you know your back is covered and you can concentrate on being creative.”

    Next up on her roster is Hustlers, an upcoming drama with a full roster of A-list stars including Constance Wu, Julia Stiles, and Lili Reinhart. The film was inspired by a New York Magazine article about a group of former strip club employees who join forces to turn on their former clients. Stiles went on record to ET about her enthusiasm for the project, saying, “I was dying to be a part of this movie. I told Lorene Scafaria, the director, when we met, ‘I will do anything. I will do craft service, I will make coffee for the crew, I don’t care. I just want to be a part of it, because it’s such an interesting story.'”

    The New York Film Academy congratulates Rebecca Rajadnya on her continued success, and looks forward to seeing her future projects!

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    May 7, 2019 • Cinematography, Student & Alumni Spotlights • Views: 408

  • New York Film Academy (NYFA) MFA Cinematography Alum Daniela Rodriguez Martinez Racks Up Multiple Awards

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    New York Film Academy (NYFA) Alum Daniela Rodriguez Martinez has kept busy since earning her MFA in Cinematography. With over seven years of experience based in Los Angeles, Martinez has worked on live television, music videos, interviews, documentaries, short films, feature films, and television series, and has picked up multiple awards and nominations along the way.

    Daniela Rodriguez Martinez

    Martinez is originally from Bogota, Colombia and enrolled in NYFA’s MFA in Cinematography program in Fall 2016. While studying at our Los Angeles campus, Martinez was able to work hands-on with advanced professional filmmaking gear used by the industry under the tutelage of Tony Richmond, BSC, ASC—director of photography of films including The Man Who Fell to Earth, The Sandlot, Legally Blonde, and Don’t Look Now.

    “My time at the New York Film Academy gave me the concepts, knowledge, and network to start working in the industry,” Martinez tells NYFA. “I am very grateful to have been able to study there.”

    Daniela Rodriguez Martinez

    Martinez’s films have been shown both domestically and around the world, including Nigeria. She has had the opportunity to work with several high profile actors including Sharon Stone, Marta Kristen, and Simon Miller. Her awards climb into the double digits, including honors from the European Cinematography Awards, Berlin Flash Film Festival, Miami Independent Film Festival, and Los Angeles Independent Film Festival, among many others. Martinez most recently won Best Action Film at the 2019 Festigious International Film Festival in Los Angeles.

    Martinez’s success is all the more notable considering the enormous gender gap in cinematography. Currently, only three percent of directors of photography in Hollywood are women. It wasn’t until last year that a woman was even nominated at the Academy Awards for Cinematography; this year, no women were recognized.

    Daniela Rodriguez Martinez

    I have found that as a woman I must prove to be two or three times more qualified than a man to be considered as a director of photography on a project,” Martinez says. “Nonetheless, so far it has been a quite an adventure and …  I hope to remain a director of photography here in Los Angeles for many years and continue to grow in the industry and contributing to this change that is happening.”

    Currently, Martinez is working on multiple projects, including a television series about vegan food, a web series, and several short films.

    The New York Film Academy congratulates MFA alum Daniela Rodriguez Martinez on her numerous awards and festival appearances and looks forward to following her career in cinematography as it continues to progress!

    Daniela Rodriguez Martinez


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    April 9, 2019 • Acting • Views: 575

  • New York Film Academy (NYFA) Alum Jameelah Rose del Prado Lineses Wins Best Cinematography Award

    Facebooktwittergoogle_plusredditpinterestlinkedinmailJameelah Rose del Prado Lineses has won several awards for her various film projects since attending New York Film Academy (NYFA), and last October, she added another. At the 8th Annual International Film Festival Manhattan, Lineses earned the Best Cinematography Award for her music video, Atareek.Jameelah Rose Lineses

    The 2018 International Film Festival Manhattan (IFFM 2018) opened on October 17 and ran until October 21, with its awards ceremony held on October 18 at the Philippine Consulate in New York City. Lineses screened Atareek at the Producers Club Theaters, just a few blocks from Times Square. Saudi Vice Consul of the Saudi Arabian Consulate, Mazin AlMouallimi, was in attendance at the event.

    Atareek is “a journey to the colorful streets of Old Balad” that explores “the beautiful history of the city’s rich culture and heritage.” It was the only film representing Saudi Arabia at this year’s festival, and was shot, directed, edited, and produced by Lineses, who was assisted by her mother throughout the shoot.  

    Lineses picked up a lot of the skills necessary for filmmaking, from pre-production through post-production, at the New York Film Academy, which she first attended in June 2011 when she enrolled in the 8-Week Filmmaking workshop. Two months after that, she deepened her studies and attended the 1-Year Filmmaking program at NYFA’s New York City campus.

    Atareek was filmed in 2017 entirely in Jeddah during the Atareek festival and is the third production Lineses has made that features Historic Jeddah. Her previous films, Historic Jeddah and Our Journey to Hijaz, have garnered significant praise from multiple festivals in the last several years. 

    In addition to Atareek, Lineses worked on two other films that were Official Selections at IFFM 2018. She was Associate Producer on Reunion as well as Assistant Director, Editor, cast member, and one of the producers of Mindanao. 

    New York Film Academy congratulates Jameelah Rose del Prado Lineses on her film Atareek and her latest award win!  

    UPDATE (June 21, 2019):

    New York Film Academy is proud to announce that Jameelah Rose del Prado Lineses’s Atareek is now an Official Selection at the 15th Annual Houston Asian American and Pacific Islander Film Festival in Houston, Texas (HAAPIFEST), where it will compete in the music video category. HAAPIFEST runs from June 20 – June 28, 2019, and this is the first time the Houston Asian American and Pacific Islander Film Festival will have a music video category. Atareek will be screened on June 28, which is the closing ceremony and Arts Night of HAAPIFEST. You can find tickets here. The June 28 HAAPIFEST screening will be held at:

    Chinese Community Center
    9800 Town Park Dr.
    Houston, TX 77036

    Congrats again Jameelah!

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    November 30, 2018 • Cinematography, Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 1130

  • New York Film Academy (NYFA) Hosts Q&A with Cast & Crew of “Killer Under the Bed”

    Facebooktwittergoogle_plusredditpinterestlinkedinmailKiller Under the BedOn Friday, October 26, New York Film Academy (NYFA) hosted a screening of Lifetime’s Killer Under the Bed (2018), followed by a Q&A with director and NYFA instructor, Jeff Hare; producer, Ken Sanders; director of photography, Brad Rushing; and stars, Brec Bassinger and Madison Lawlor. The event was moderated by NYFA instructor, David Newman.

    Hare is a writer, director, and filmmaking instructor at New York Film Academy’s Los Angeles campus, and has been working as a director of thrillers for the Lifetime channel for the last few years (A Lover Betrayed, Psycho In-Law, Nanny Killer).

    Sanders is a prolific producer for the Lifetime channel who has accumulated over 60 movie credits in the last 30 years (Accused at 17, Double Daddy, Stalked by My Doctor).

    Rushing’s career as a director of photography began with some small features in the 1990s then expanded into the music industry with music videos for Eminem, Mariah Carey, Britney Spears, Blink-182 and more. Rushing then moved back to film and television, and ultimately made his way to the Lifetime channel where he now works as a DP on many of its thrillers.

    Bassinger is an actress known for her roles in ABC’s The Goldbergs and Nickelodeon’s Bella and the Bulldogs and School of Rock. Lawlor is an actress known for her roles on TNT’s Franklin and Bash, Netlfix’s Dear White People, and the film, Daddy Issues (2018). The film also stars Kristy Swanson, eponymous star of the original Buffy the Vampire Slayer.

    Moderator David Newman opened up the Q&A by asking about the inspiration for the film. Producer Ken Sanders explained that he was approached by the film’s writer about producing a movie about a voodoo doll; Sanders knew that there would have to be more meat to the story to get executive producers interested, so he began thinking about the topic. 

    Sanders then remembered a TV movie from his childhood that “terrified a generation” called Trilogy of Terror; in this film, the protagonist struggles to escape from an evil doll she purchases at an antique shop. Sanders decided to combine the voodoo concept and the evil doll concept into one, and, in a sense, remake Trilogy of Terror for a modern audience. It was important to him, though, that this film appeal to “multiple markets” and not just a “hardcore horror audience.”

    Newman went on to ask the panel about how they handled their tight shooting schedule — the Killer Under the Bed production team only had 14 days to shoot a feature-length film, which is less than half the time that most features take to shoot. DP Brad Rushing advised, “Be prepared… Meticulously know what you’re doing… [Have] contingency plans… and good communication with the producer and the director.” Killer Under the Bed

    Rushing added that he and director Jeff Hare had worked together before, and were largely on the same page aesthetically when it came to the look of the film.

    Newman inquired about how the team made the voodoo doll come to life onscreen. “Most of the doll’s motion was actual[ly] mechanical,” said director Jeff Hare, “it’s trying to keep that aesthetic of that 70s stuff [that] scared us… we tried to keep as many effects as we could practical and we also stole the whole Jaws thing of trying to keep it hidden for as long as we possibly could.”

    “I think oftentimes what you don’t see is a lot more frightening,” added Brad Rushing, “because the audience fills it in with their own imagination and personalizes it as their own boogeyman.”

    The New York Film Academy thanks Jeff Hare, Ken Sanders, Brad Rushing, Brec Bassinger, and Madison Lawlor for sharing their insights about making an independent thriller on a tight budget and in a short timeframe!

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    November 14, 2018 • Filmmaking, Guest Speakers • Views: 1139

  • New York Film Academy (NYFA) MFA Cinematography Alum Jude Abadi Wins Best Student Cinematography Award

    Facebooktwittergoogle_plusredditpinterestlinkedinmailThis summer, New York Film Academy (NYFA) MFA Cinematography alum Jude Abadi added a very important accolade to her resume when she won the Best Student Cinematography Award at the European Cinematography Awards. The award was for her work as director of photography on the short film The End of the World.

    The European Cinematography Awards are a film competition for filmmakers worldwide. According to their mission statement, the ECA supports “new and student filmmakers, who are just beginning their careers with a supportive and enthusiastic audience for their creative efforts,” as well as gives filmmakers “access to film industry professionals who can offer guidance and other forms of career assistance.”

    Best Student Cinematography Award

    Of the award, Abadi told NYFA that she was “ecstatic.” Abadi enrolled in the MFA program at NYFA’s cinematography school in Fall 2016, an accelerated, conservatory-based graduate program designed to instruct gifted and hardworking prospective directors of photography in a hands-on, professional environment. The cinematography school is chaired by Tony Richmond, A.S.C., B.S.C., who has shot many well-known films including Sympathy for the Devil, The Man Who Fell to Earth, and Legally Blonde.

    “Jude did a great job shooting this film, and putting it together,” said Mike Williamson, a NYFA instructor and one of Abadi’s thesis advisors, who worked with her as she shot the film. He continued, “It can be difficult to maintain a consistent look when you’re shooting a long scene in a practical location, but her work over several shooting days matches very nicely. Her team made a strong film, and this award is well-deserved.”

    The End of the World was filmed in Los Angeles and tells the story of a married couple taken hostage by a crazed stranger, and their attempts to defuse their captor and his inane ramblings. It was written by Nabil Chowdhary and directed by NYFA alum Joshua M.G. Thomas. The film co-stars Buffy Milner, another NYFA alum who has recently written, directed, and acted in the film Type.

    The New York Film Academy congratulates Jude Abadi on her prestigious award and wishes her the best of luck as her career continues forward!Facebooktwittergoogle_plusredditpinterestlinkedinmail

    October 22, 2018 • #WomenOfNYFA, Cinematography, Student & Alumni Spotlights • Views: 158