The Eddie award is the highest honor American documentary editors can win. Last Friday night, New York Film Academy (NYFA) Documentary Department editing instructor Bob Eisenhardt, ACE, won it.
If you’ve seen Free Solo, you’ll immediately know why. The 2018 film focuses on rock climber Alex Honnold as he attempts to climb El Capitan, the vertical rock formation in Yosemite National Park, without ropes, or “free solo.” El Capitan is so dangerous, no one has ever tried before, and Honnold is the only person to have ever accomplished the feat. The documentary has been praised for its unparalleled look at such an intense climbing experience.
His fellow editors in the American Cinema Editors (ACE) guild voted Eisenhardt’s work on Free Solo, National Geographic’s current Academy Award nominee, Outstanding Editing on a Documentary (Feature). Filmmaker Spike Lee presented him with the Eddie and his Free Solo directors, Elizabeth Chai Vasarhelyi and Jimmy Chin, saw to it that he was properly feted.
Eisenhardt’s NYFA Docs students acknowledge his Jedi master editing skills on pretty much a daily basis, but it’s nice to see the big guns officially shouting him out too.
This is Eisenhardt’s second Eddie Award. He was previously acknowledged for his Outstanding Editing on HBO’s feature doc, Everything Is Copy. Since the Academy Awards does not present an award for documentary editing, the Eddie is documentary filmmaking’s uncontested top honor. Free Solo is the fourth film Eisenhardt has cut to be nominated for an Academy Award, which also just won the BAFTA. Additionally, Eisenhardt was previously nominated for an Oscar as a director, and has won three Emmys and been nominated for several more. Films he’s cut have been awarded multiple Emmys and nominated several more times. One even earned a Grammy nomination!
The New York Film Academy congratulates instructor Bob Eisenhardt on his prestigious win at the Eddie Awards and wishes him and the crew of Free Solo the best of luck at this years Academy Awards!
The New York Film Academy (NYFA) Documentary Filmmaking department is happy to announce the winter season of Pure Nonfiction at IFC Center, featuring ten documentaries playing from February 5 to March 26.
The season opens with UNITED SKATES (Feb 5), winner of the Tribeca Audience Award, about roller skating in black communities across the United States. Two films will appear as sneak previews fresh off their Sundance premieres: Alex Gibney’s THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY (Mar 14), and THE BRINK (Mar 26, closing night of the winter season) about the former Trump strategist Steve Bannon spreading his nationalist ideas in Europe. Each screening features the filmmakers or other special guests in person. New York Film Academy students receive a discount at the door.
Called “a vital outpost for award-winning documentaries” by The New York Times, the beloved docs series Stranger Than Fiction is being retitled to share a name with the popular podcast Pure Nonfiction, now in its fourth year. Both were created by Thom Powers, renowned Documentary Programmer of the Toronto International Film Festival and Artistic Director of DOC NYC, and Raphaela Neihausen, Academy Award-nominated producer and NYFA graduate. “Pure Nonfiction as a screening series at IFC Center shares the same mission as the podcast to illuminate the art of documentary making, so it makes sense for them to share the same name,” says Powers.
Andrea Swift, Chair of NYFA’s Documentary Department, says, “It is an honor for the NYFA Documentary Department to continue our sponsorship of Pure Nonfiction in its new incarnation. The series has been a crucial pillar of the documentary community for fourteen years. It provides our students with the unique opportunity to see great films curated by a legend like Thom Powers, and to hear from their creators via the insightful discussions he always elicits. Going out after to rub elbows and continue the conversation, students also get a chance to begin to know their new community.”
Pure Nonfiction‘s winter season also includes a sneak preview of the new series THE CASE AGAINST ADNAN SYED (Feb 26) based on the case made famous by the Serial podcast. Director Amy Berg will present its first episode prior to its debut on HBO. Other sneak previews include IT’S A HARD TRUTH, AIN’T IT (Feb 12) about prisoners learning to make films; and ONE NATION UNDER STRESS (Mar 19) with Dr. Sanjay Gupta, which looks to uncover why American life expectancy is falling.
Classic revivals are a key part of the screening series. The season includes a double bill (Feb 19) with D.A. Pennebaker’s ORIGINAL CAST ALBUM: COMPANY (1970) about a studio recording of the Stephen Sondheim musical; joined with a new parody of the film from the series DOCUMENTARY NOW! titled ORIGINAL CAST ALBUM: CO-OP. (In a happy coincidence, DOCUMENTARY NOW! features NYFA grad, Bill Hader along with Fred Armisen.) Pennebaker will present the films with other colleagues who were part of the original.
Other classics include the 20th anniversary of Doug Block’s HOME PAGE (Feb 21) about the emergence of a confessional culture on the internet; THE TRIALS OF MUHAMMAD ALI (Mar 5) that will memorialize director Bill Siegel who passed away last December; and THAT RHYTHM…THOSE BLUES (Mar 12) in a new restoration of the 1988 film that explored rhythm and blues music in the 1940s and 1950s.
The Pure Nonfiction winter season takes place at the IFC Center every Tuesday night at 7:30 pm for eight weeks, plus special Thursday screenings on Feb 21 and Mar 14. Each event includes a discussion with the filmmakers, followed by a gathering at a nearby bar. Season passes are now on sale for $99 for ten films, though NYFA students are offered a discount. The full season schedule appears below. For more information, visit here.
Pure Nonfiction at IFC Center: Winter 2019 Season
7:30pm Tuesdays at IFC Center, Feb 5 – Mar 26
Each show features a Q&A with the director or other special guests:
Feb 5: Opening Night – UNITED SKATES (2018, Q&A w/ dir. Tina Brown & subject Reggie)
Feb 12: IT’S A HARD TRUTH, AIN’T IT (2018, Q&A w/ dir. Madeleine Sackler)
Feb 19: Double bill: ORIGINAL CAST ALBUM: COMPANY (1970, Q&A w/ dir. D.A. Pennebaker & others) and DOCUMENTARY NOW! presents ORIGINAL CAST ALBUM CO-OP (2019)
Feb 21: Thursday special – HOME PAGE – 20th anniv. (1999, Q&A w/ dir. Doug Block & others)
Feb 26: THE CASE AGAINST ADNAN SYED – episode one (2019, Q&A w/ dir. Amy Berg)
Mar 5: THE TRIALS OF MUHAMMAD ALI (2014, Q&A in memory of dir. Bill Siegel w/ his colleagues)
Mar 12: THAT RHYTHM…THOSE BLUES – newly restored (1988, Q&A w/ dir. George T. Nierenberg)
Mar 14: Thursday Special – THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY (2019, Q&A w/ dir. Alex Gibney)
Mar 19: ONE NATION UNDER STRESS (2019, Q&A w/ dir. Marc Levin)
Mar 26: Closing Night – THE BRINK (2019, Q&A w/ dir. Alison Klayman)
Tickets for Pure Nonfiction screenings are $17 for the general public and $14 for IFC Center members and NYFA students. A Season Pass covers admission to all ten evenings and provides free popcorn at all screenings. It is available for $99 ($80 for IFC members and NYFA students).
With 2017 the third hottest year on record, climate change and environmental conservation have become trending topics. Yet for conservationists like biologist and New York Film Academy (NYFA) Documentary Filmmaking alum Valentine Rosado, the important work to protect the planet is an ongoing, lifelong commitment.
After returning from his studies at NYFA New York City through a Professional Development Grant from World Wildlife Fund’s (WWF) Russell E. Train Education for Nature Program (EFN), Rosado recently launched environmental consulting firm Grassroots Belize with his wife Angie in his home country of Belize.
Now, Rosado and his work are featured in WWF’s Russell E. Train Education for Nature Annual Report.
“Guadalupe Valentine Rosado, a biologist from Belize, received a Professional Development Grant to attend a six-week documentary filmmaking workshop at the New York Film Academy,” the WWF Report states. “He is using the skills learned in the workshop to create impactful and educational films about environmental issues facing Belize, such as mangrove reforestation and restoration.”
With the WWF’s annual membership reaching upwards of 5 million, it’s exciting to see that news of Rosado’s incredible conservation work for Belize has reached such a wide audience, and that what he’s learned at New York Film Academy’s Documentary School has contributed to his important work in Belize.
“Conservation endures as a living discipline because it is inhabited by a magnificent collection of people,” WWF President & CEO Carter Roberts states on their website. “Only by working together can we create solutions to the most vexing problems we face.”
We couldn’t agree more. Congratulations, Valentine! We look forward to seeing what’s next for Grassroots Belize. You can learn by connecting with Valentine and following Grassroots Belize on Facebook.
Director Tiffany Rhynard had been filming for two years already. Rhynard met the film’s subject, Moises Serrano, by chance when collaborating with a friend, and instantly felt a connection.
Serrano’s harrowing story as an undocumented immigrant was one that needed to be shared with the rest of the world. The fact that Serrano was also queer and DOMA was still in effect helped bring an eye to the intersectionality many undocumented people have to face daily.
When Mathews heard about Serrano, she instantly knew she wanted to be a part of telling his story and signed on to edit the project. Her first task was to try and figure out the best format to tell the story, but the decision to do a feature or a television show wasn’t clear immediately.”We didn’t know what it would be until I was deep into watching footage,” Mathews explained, “About two months, when I realized it would make a feature.”
“We picture-locked just in time for Outfest,” Mathews began. “Right before Tiffany arrived I had lunch with David Michael Barrett, a really good queer filmmaker. We were trying to remain positive and stay out of the [political] fray, but he sat me down and had a real heart-to-heart with me.”
Mathews pitched an idea to Rhynard and the powerful intro to the film, of a recent anti-immigration, rally was born.
To watch the NYFA Hour tune into Popcorn Talk on YouTube every Thursday at 4 p.m. PST. You can catch up on previous episodes with amazing guests like film critic Peter Rainer, who discussed the legacy of Marlon Brando. Catch “Forbidden: Undocumented and Queer in Rural America” on LOGO, August 3, 9 p.m. EST/PST.
We’re glad to see NYFA 1-Year Documentary Filmmaking alum Frederik Boll keeps popping up on our radar! You may remember Frederik from his work documenting adventures in grassroots politics on the BamaBus in 2008. He and fellow Documentary Filmmaking alumnus Annie Woods took a road trip across the country generating support for the future President of the United States and filming the American experience during election season.
Well, we got wind that Fred’s been up to some other fantastic projects. After getting in touch, Fred was kind enough to give us a little summary of his adventures since NYFA and how he ended up at the New York Film Academy in the first place.
My Life changed after my experience as a NATO soldier in Kosovo for the Danish Royal Guard. It was a very peaceful mission where we mostly did humanitarian work. Kosovo is the poorest country in Europe, and it made a huge impression on me. I quickly found that I felt a tremendous sense of satisfaction from helping others.
When I returned to Denmark, my good friend who works as a videographer offered me a room, which I gratefully accepted. I started tagging along on a couple of the productions he was working on and found out that I really enjoyed it. I started contacting various production companies and found work as a production assistant. I had found my calling. I wanted to make pro social documentary films, a media where I can challenge people’s view of the world by telling a story on a creative and entertaining way.
I knew that I would need to learn my craft. I applied to several Danish schools, but I needed one with a film department. I had a better idea: I was going to move to America. I was accepted into NYFA’s Documentary Conservatory Program and moved to New York less than a month after I had turned down school in Denmark.
It is one of the greatest learning experience I’ve ever had. It culminated with my thesis film where I followed a group of Latino immigrants’ struggle against NYC to keep their artisan food stands in Brooklyn.
Straight after school, I was given the opportunity of a lifetime. It was election year, and the US was brimming with excitement. A couple of my friends had decided to buy an old VW bus, stencil it with Obama’s picture and drive it through all the battleground states in hopes of engaging young people in the political debate. I was invited along to film the entire trip. We paid for the trip by selling spray painted political t-shirts that Obama supporters painted themselves. It meant a lot to me that I got to experience that election.
When I finally returned to New york, it didn’t take long before I was called up by one of the guys I traveled with, asking me to become involved with a start-up company where he’d just begun working. The company has the same sense of social responsibility that I strive to live my life by – it’s a place where I feel I can make a difference.
Along with his work on the BamaBus, Frederik Boll has worked with Volunteers of America, an organization that goes out to the most violent urban areas in America to help the homeless into shelters. In Camden, New Jersey, he accompanied VoA’s Hal Miller helping people out of tent cities and into save houses. Boll also filmed a video for the Jon Bon Jovi Soul Foundation, the COP15 summit in Copenhagen and, most recently, the China Digital Media Summit, amongst other projects.