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  • President Meets and Greets With New York Film Academy Australia Students

    President Michael J. Young visits NYFA Australia

    NYFA President Michael J. Young addresses NYFA Australia students

     

    In early February, New York Film Academy (NYFA) President Michael J. Young visited the Gold Coast campus at New York Film Academy Australia along with the NYFA Australia Board of Directors. Attending the meet and greet were many of NYFA Australia’s current students, including the January 2018 class just getting underway.

    Far from a quiet, staid succession of speeches, the event buzzed with an energy of enthusiasm and good cheer that started with the excited student body loudly cheering and ended with an impromptu dance party.

    Tasha Cooper, Director of NYFA Australia, Gold Coast, introduced President Young, who had come from the Academy’s New York City campus, where he is based. Young, who has been with the New York Film Academy since it was founded in 1992, talked about the history of the school, as well as its future. After speaking briefly, he then let students pick his brain with a myriad of questions, both thoughtful and fun, while also using the opportunity to get to better know the aspiring artists.

    President Michael J. Young visits NYFA Australia

    President Michael J. Young and NYFA Australia students

    Of meeting the NYFA Australia student body, President Young said, “I was honored and delighted to meet the many aspiring filmmaking, acting, and screenwriting students studying with us at the Gold Coast campus. Their enthusiasm was awe-inspiring, and I expect we will see their talent to be equally so.”

    The New York Film Academy expanded to Australia in 2011, and boasts a state-of-the-art facility co-located in Southport, the Gold Coast’s leading educational and creative arts precinct. Attending NYFA Australia’s programs — including camps, workshops, Diplomas, and Advanced Diplomas — affords students the opportunity to shoot and act on NYFA’s exclusive backlot facilities at Village Roadshow Studios, the location of many Hollywood films including Thor: Ragnarok and Pirates of the Caribbean: Dead Men Tell No Tales. By working within this professional, Hollywood environment, NYFA Australia students gain a unique experience that prepares them for real-world work in the filmmaking industry.

    Director, Tasha Cooper introducing President Michael J Young

    Director, Tasha Cooper introducing President Michael J. Young

    The diverse, vibrant environment of the Gold Coast suits the artistic, zestful personalities of NYFA Australia’s student body. While President Young didn’t expect his casual but informative talk with the students to erupt into a dance party, the festive, exuberant atmosphere made it clearly inevitable. A barista was even on hand, providing students with speciality coffee.

    It’s hard to say who had more fun during the visit — President Young or the students. Likely, everyone equally had a great time. After the event, Tasha Cooper remarked, “As part of a global institution, NYFA Australia students were excited to partake in a tradition where NYFA President, Michael Young, learns more about their story and what they hope to achieve from our interactive and intensive programs.”

    Cooper added, “It was a fantastic event that filled our school with laughter, spirit, and even some spontaneous dancing!”

    February 20, 2018 • Community Highlights, Entertainment Australia • Views: 574

  • New York Film Academy Alum Made Head of Development at October Films

    New York Film Academy alum Louis Mole has been promoted to Head of Development US at production company October Films, along with colleague Matt Dewar, who’s been made Head of Development UK.

    Mole enrolled in NYFA’s 1-Year Documentary Program, chaired by Andrea Swift, in September 2011 at our New York City campus. In the program, Mole learned to conceive, pitch, produce, direct, and edit various types of documentary shorts, as well as gain experience as cinematographer, sound recordist and assistant camera.

    Of his time at NYFA, Mole said in 2013: “You come out of the program with the fundamental expertise of every single aspect of making a film – which is so unique.”

    Mole put the education to good use, heading to Singapore after graduation and writing three episodes for the docuseries Asian Swindlers. He then joined October Films in 2014 within their London development team, and later came back to the Big Apple when he transferred to the New York office of October Films.

    October Films is an award-winning, fast-growing production company based in the US and UK that focuses on independent content from a variety of genres — including documentaries, dramas, and entertainment and reality programs.

    Some of their recent projects include Eight Days That Made Rome, Dangerous Borders, Annie: Out of the Ashes, Motorheads, and From Russia To Iran: Crossing The Wild Frontier. October Films also has series in production for the BBC, Investigation Discovery, Lifetime, the Science Channel, and Channel 4.

    Before his promotion to Head of Development, Mole worked on multiple projects for October Films, including Mygrations for the National Geographic Channel, Trailblazers for Discover Channel, and a seven-part series for Lifetime.

    Louis Mole has also paid it forward to newer students at the New York Film Academy, speaking with them as a guest lecturer, and offering his solid expertise.

    The New York Film Academy congratulates Louis Mole on his well-earned success, and looks forward to seeing where his career heads next!

    February 9, 2018 • Documentary Filmmaking, Student and Alumni Spotlights • Views: 508

  • Egyptian Star’s Music Video Directed by New York Film Academy Alum Moe Khalil

    Whether you’re a Spongebob Squarepants fan or your tastes run more towards the vein of A-list celebrities, fast cars, and epic pop music, chances are Egyptian superstar Hamada Helal has a hit for you. Right now the internet is buzzing for Helal’s newest music video Helm El Seneen, which dropped today on Youtube, a glamorous production directed by New York Film Academy (NYFA) filmmaking alum Moe Khalil.

    Singer Hamada Helal is much loved in Egypt not only for his songs and performances in hit films like Hamati Bithibbeni and Mr and Mrs Oweis, but also for his reputation as a great guy: he’s rumored to be a good Samaritan who saved a girl from an assault in Cairo, and his hit “Spongebob” endeared him to a generation of children and Spongebob Squarepants of all ages.

    Helm El Seneen is no doubt his next great achievement in Egyptian popular culture. Fans can also see the full music video on Valentine’s Day, when it will be broadcast on TV in Egypt and the Middle East. In the meantime, check out these behind-the-scenes pics from the shoot.

    This is not the first music video venture for NYFA alum Moe Khalil, whose rise to prominence as a music video director began with Egyptian songstress Shahinaz’s music video for Asal Asal. The beautiful video was filmed in the historic and iconic King Mohamed Ali Palace along the banks of the Nile in Shubra, near Cairo.

    Congratulations, Khalil! Looking forward to our next behind-the-scenes sneak peek into movie video magic.

  • New York Film Academy Alum Writes For Military Blog We Are The Mighty

    Orientation with Jack Jacobs

    NYFA Veteran Students with Col. Jack Jacobs (NYFA Chair of Veteran Advancement Program)

    Everybody knows by now that the Internet is filled with countless blogs, from globally famous media companies to ones covering even the tiniest of niches. But there’s at least one blog that’s doing great work serving an often overlooked yet large and vitally important demographic—the United States military community.

    The blog, We Are The Mighty, is for veterans, servicemen and women, and their families, and covers everything from military news to pop culture, with both thoughtfully penned articles and silly, amusing listicles. Overall, WATM’s mission statement is “Celebrating military service with stories that inspire,” but in doing so, it’s also provided a way for the community to congregate, communicate, and share their ideas and views through its site and social media.

    NYFA BFA Filmmaking and MFA Screenwriting Alum Tim Kirkpatrick

    Tim Kirkpatrick is one of the writers for We Are The Mighty, and has already built an impressive portfolio of articles. Kirkpatrick is a Navy veteran, having entered as a Hospital Corpsman in 2007. In the fall of 2010, he was deployed to Afghanistan with the 3rd Battalion 5th Marines.

    After coming back stateside, Kirkpatrick enrolled at the New York Film Academy and earned his AFA degree in filmmaking from our Los Angeles campus. Honing his skills even further, Kirkpatrick followed his filmmaking education with NYFA’s 8-Week Screenwriting workshop.

    Putting those writing skills to good use, Kirkpatrick has written multiple blog pieces for We Are The Mighty, including “6 of the Funniest Comedic Military Sketches Ranked” and “5 Things You Didn’t Know About the Navy Medal of Honor.”

    One of his most recent pieces is about the New York Film Academy itself, highlighting the Academy’s relationship to the Military and veteran community. As Kirkpatrick mentions in his article, “At any given time, NYFA caters to over 200 veterans in the student body and the school takes pride in putting a camera in their hands on the first day of class,” while also adding that NYFA has enrolled over 1500 veterans and dependents of veterans in total.

    The Military and veteran community is an important part of the NYFA family. Kirkpatrick mentions in his article the Academy’s V.S.A., or Veteran Student Association, where vets from different branches of the armed forces come together over their shared love of film and the visual arts.

    Kirkpatrick also shouts out the venerable Colonel Jack Jacobs, who in addition to being a Medal of Honor recipient and on-air military strategist for NBC/MSNBC, is the Chair of the NYFA Veterans Advancement Program.

    The Military and the film industry are a more natural pairing than some may suspect. Kirkpatrick writes, “As in the Military, the film industry uses a precise chain of command for its operational purposes, so vets feel right at home on set — hierarchy and order (and yes, even paperwork) have been branded into their solid work ethic.”

    You can check out Tim Kirkpatrick and the other writers at We Are The Mighty here.

    January 26, 2018 • Community Highlights, Veterans • Views: 1323

  • New York Film Academy Alum Receives International Film Festival Manhattan Award

    Jameelah Rose del Prado Lineses

    Jameelah Rose del Prado Lineses

    New York Film Academy (NYFA) alum Jameelah Rose del Prado Lineses knows first-hand how much hard work goes into making a film—which makes her Honorable Mention at 2017’s International Film Festival Manhattan all the more rewarding. In October, after screening her documentary “The Lifestyles of Expats in Jeddah,” Jameelah was the proud recipient of the IFFM’s Film Festival Director Louie Award Honorable Mention.

    This isn’t Jameelah’s first award, either. Her previous documentaries, “Historic Jeddah” and “Our Journey to Hijaz” have also garnered significant praise from multiple festivals in the last several years.

    2017’s International Film Festival Manhattan

    2017’s International Film Festival Manhattan

    A recurring theme in her work is the challenge women face while living in Saudi Arabia. The uphill battle women face, especially in filmmaking, has helped focus her vision and strengthen her voice.

    Jameelah first attended the New York Film Academy’s 8-Week Filmmaking Workshop in June 2011, before enrolling two months later in the 1-Year Filmmaking program at the New York City campus. There, Jameelah was given hands-on training with state-of-the-art film equipment and taught the skills necessary for pre-production through post-production.

    This intensive education prepared Jameelah for a career in filmmaking.“My instructors at NYFA ensured their students after graduation are already well-rounded and equipped to work in any film department,” stated Jameelah.

    Even after making several documentaries and garnering numerous honors, Jameelah still applies the training she received at NYFA. “I made sure that I took down notes for every class,” said Jameelah, adding, “I still have all my notes until now, and I review it at times when I need a refresher.”

    The New York Film Academy congratulates Jameelah on her Honorable Mention for “The Lifestyles of Expats in Jeddah,” and looks forward to the important stories she will tell in the future!

    The Lifestyles of Expats in Jeddah

    The Lifestyles of Expats in Jeddah

    January 18, 2018 • Filmmaking, Student and Alumni Spotlights • Views: 2517

  • Packed House For New York Film Academy Gold Coast Screening

    NYFA May 2017 Diploma of Filmmaking End of Year Screening & Graduation

    For New York Film Academy Gold Coast’s May 2017 Diploma Filmmaking students, the holidays didn’t just represent the end of 2017, but the end of a year of learning, training and artistry. On the 21st of December, the group held their graduation at Event Cinema Pacific Fair, along with the End of Year Screening of their final films.

    With a packed house of friends and family, the group of talented, passionate filmmaking students were able to share their achievements in a tangible way, by showcasing the films their vision and hard work made manifest. By having a full theatre audience and seeing their final films up on a big screen, the students got a taste of what their future careers could look like. Being inspired and surrounded by loved ones, the filmmakers were able to celebrate the holidays and their accomplishments of 2017 all at once.

    In addition to gaining vital filmmaking skills, learning by doing, and applying them to their work, the students’ time at NYFA was valuable in other ways. Filmmaking lecturer Trevor Hawkins elaborated, “What is apparent—apart from learning the art and craft of filmmaking, after spending the year working on each others’ films—the students have formed bonds and connections that will continue on into their professional filmmaking careers.”

    NYFA May 2017 Diploma of Filmmaking End of Year Screening & Graduation

    NYFA May 2017 Diploma of Filmmaking End of Year Screening & Graduation

    Indeed, forming relationships with colleagues is just as important to the collaborative art of making movies as the practical skills needed to bring them to life. While this is just the beginning of their careers, the students were already showing off their distinct talents. Each of their final films portrayed their own unique voice, and demonstrated just how much they’ve grown since starting the program in May.

    Hawkins added, “We wish them all the best and look forward to all their future projects.” The New York Film Academy congratulates the students on their films and a job well done!

  • Time’s Up and #MeToo Dominate the 2018 Golden Globes

    Oprah

    Oprah Winfrey at the 75th Golden Globe Awards. (Paul Drinkwater/NBC)

    This year’s Golden Globe Awards was clearly different from years past, and not because it was the 75th anniversary ceremony. Nearly all women in attendance, and many of the men, wore all black in a sign of solidarity for the Time’s Up initiative — a response to the gender inequality and sexual harassment prevalent in both the film industry and society as a whole.

    A very public groundswell of support for the movement started after initial reports of sexual harassment came out against megaproducer Harvey Weinstein last year. Since then, more and more women and victims of sexual assault are coming forward and being heard after decades of an institutional culture that allowed sexual assault and discrimination to flourish. In addition to accusations against numerous prominent figures in the media, politics, and elsewhere, additional gender inequalities are also being placed front and center — including a sizable gender wage gap and the disproportionately small number of women represented both in Hollywood and political positions of power.

    Tarana Burke and Michelle Williams

    Tarana Burke and Michelle Williams

    After #MeToo made clear just how many women are affected by these injustices, Time’s Up was started to take specific actions to work towards finally reversing this trend. Along with the call for women to wear black on the Golden Globes red carpet, Time’s Up is advocating for laws that will punish businesses tolerating harassment, working to balance gender parity in the industry, and starting a legal defense fund to support lower-income women seeking justice for sexual harassment and assault in the workplace.

    The Red Carpet at this year's Golden Globes

    The Red Carpet at this year’s Golden Globes
    (Getty)

    Wearing black wasn’t a fashion statement. It quickly became apparent to everyone watching the televised Golden Globes on Jan. 7 that the conversation and tone of the night would be dominated by a cause too important to be sidelined, even in the height of Hollywood’s yearly awards season. Several individual moments stuck out from the night that revealed just how deeply both gender inequality and the urgency to correct it run in the entertainment industry’s most powerful circles. Some of these moments include:

    • Talk show host and this year’s emcee Seth Meyers delivered a straightforward opening monologue in support of Time’s Up and the women of Hollywood, while also acknowledging that as a straight white man, his voice wasn’t the most important in the room.
    • While live during an E! Network red carpet interview, “Will & Grace” star Debra Messing pointed out that E! was also guilty of a significant wage gap between men and women.
    • When presenting the Best Director award, Natalie Portman made sure to add in the short but poignant adjective “all-male” before listing this year’s nominees. This is especially noteworthy considering Greta Gerwig — who wasn’t nominated — directed the evening’s Best Motion Picture (Musical or Comedy) award winner, “Lady Bird.” (Gerwig was nominated for Best Screenplay, however, and the film picked up two acting nominations and a Best Actress win for Saoirse Ronan.)

     

    Natalie Portman and Ron Howard

    Natalie Portman and Ron Howard

    • Many women invited social activists as their guests to the ceremony, including #MeToo founder Tarana Burke, eschewing the typical tradition of bringing a significant other or relative — which has sparked its own controversy:
    • In addition to wearing black, many of the attendees and presenters displayed Time’s Up pins in support of the movement.
    • The HBO drama “Big Little Lies” dominated the television categories with a cast of mostly women playing complex female characters with nuanced storylines — something that shouldn’t be all that rare, but sadly is.
    • Entertainment icon and living legend Oprah Winfrey was presented with the Cecil B. DeMille Award — the Globes’ version of a Lifetime Achievement Award — becoming the first woman of color to receive the honor. Winfrey’s acceptance speech roused the room and was a powerful moment in a night of powerful moments, sparking a flurry of trending hashtags and fan speculation about a 2020 presidential run. Winfrey was clearly aware of her platform and influence and focused many of her words on speaking truth to power, the vital importance of a free press, and the significant role diverse role models play for children growing up in a world dominated by faces that do not resemble their own. As an example, she used her own personal experience seeing Sidney Poitier win the Academy Award for “Lillies of the Field.”

     

    These are just some specific instances of a much broader mood and drive dominating the culture right now. As an institution that prepares students for careers in Hollywood and the entertainment industry, the New York Film Academy is especially receptive to Time’s Up and the #MeToo movement. Many of the Golden Globes viewers — and even some nominees, like Issa Rae — were students, alumni, and faculty members.

    In 2013, the New York Film Academy researched gender inequality in the film industry and presented its data with an infographic that plainly showed just how serious the problem is. In the intervening years since that infographic was first published, gender inequality has not improved in the film industry. In 2017, Forbes released their annual list of highest-paid actors and actresses. The top 14 were all men, with Emma Stone ranked as the highest-paid actress at #15. A 2016 study found that women — roughly half the population — comprised only 28.7% of all speaking roles in films. Additionally, only 18% of films represented a balanced cast (half the speaking characters being female).

    The New York Film Academy prides itself on its diverse body of students, encouraging artists from any number of backgrounds to collaborate and bring together their distinct, personal visions in order to create even stronger, more meaningful stories. Indeed, in 2017 more than half of NYFA’s students were women — a hopeful sign of the industry’s future.

    It goes without saying that there is still a lot of work to be done, and a lot of changes that need to be made to both the entertainment industry and the contemporary culture it inhabits. As Oprah Winfrey said in her acceptance speech, telling stories and speaking truth to power is one important way to help bring about these changes. The New York Film Academy encourages those who were previously afraid to use their voice to tell their stories, and to be loud as possible — the time is now.

    • "Big Little Lies" at the Golden Globes

      “Big Little Lies” at the Golden Globes (Photo by @Ramona_Rosales)

    January 10, 2018 • Entertainment News • Views: 562

  • Harper’s Bazaar Profiles New York Film Academy Alum Khadijah Kudsi

    Khadijah Kudsi

    Copyright © Harper’s Bazaar Arabia 2017

    With the 14th Annual Dubai International Film Festival coming to a close this December, Harper’s Bazaar Arabia profiled six pioneering female filmmakers from the Middle East, including New York Film Academy (NYFA) alum Khadijah Kudsi. The in-depth piece about the six directors not only celebrates their hard work and achievements, but highlights the cultural shift taking place in the 21st Century Middle East, and subsequent progress women have made in playing a larger role in society—including the arts.

    NYFA alum Khadijah Kudsi grew up in Saudi Arabia and was always artistic and interested in storytelling. She told Harper’s Bazaar, “I went to New York Film Academy in Abu Dhabi in 2014. I only meant to go for four weeks, but that turned into eight, which led into a year and then into a whole career. I did a diploma in filmmaking and then I started working on short films and writing.”

    After graduating from the Academy, Kudsi quickly found work for a Chinese television channel. As her career has progressed, Kudsi likes to focus on stories from Abu Dhabi and the Middle East, including one film that’s premiered at the Cannes Film Festival and another currently in production focusing on Dana Al Ali—the first Emirati woman to climb Mt. Everest.

    Kudsi continued, “I think it’s important to have ties to this region and highlight positive stories coming out of it. But it’s not always easy—the funding is hard. As is finding the right producer and managing your time being a mother and a working woman.”

    Festivals in the Middle East have grown in importance as more and more voices from the region are making themselves heard. The Dubai International Film Festival (DIFF) first launched in 2004 with 76 films and 13,000 attendees. During its initial six-day run, acting legend Omar Sharif was presented with a Lifetime Achievement Award. The festival has steadily grown since then, with over 60,000 admissions to its 2016 event. This year marked the 14th Annual Dubai International Film Festival and presented Lifetime Achievement Awards to Irrfan Khan and Sir Patrick Stewart.

    As the region modernizes and women are being given more and more freedom, their roles in society are becoming more prominent as well. For Middle Eastern women working in the arts, that uphill struggle feels all the more real, considering the industry has been historically unequal not just in the region but around the world. Kudsi told Harper’s Bazaar, “I have four children, whereas most of the crew you work with on set are single or have no kids. They don’t understand when you say you need to wrap by a certain time because I need to go see my kids.”

    The New York Film Academy strives to give filmmakers and artists of all kinds a voice, and prides itself on its diverse student body. By learning and working hands-on together, students find their differences are a strength—learning and sharing experiences not just from the school but from one another. If you’re interested in filmmaking or the visual arts, you can find more information about NYFA’s programs here.

    NYFA has committed itself to giving aspiring storytellers in the Middle East an education they can build their careers on. The New York Film Academy is thrilled to see Khadijah Kudsi recognized for her inspiring work and career, and looks forward to the stories she will tell in the years to come. “I love the rawness in the stories here,” professed Kudsi, “and we have so much to talk about.”

    December 27, 2017 • Abu Dhabi, Film Festivals, Filmmaking, Student and Alumni Spotlights • Views: 1180

  • New York Film Academy Alum & Associate Director of Recruitment Screens Powerful Documentary “I Heart Jenny”

    "I Heart Jenny"

    “I Heart Jenny” at the New York Film Academy’s New York City Theatre

    “I Heart Jenny,” a heart-wrenching and beautiful documentary by producer and director Blake Babbitt, had a special screening this December at the New York Film Academy’s recently opened New York City Theatre. The film follows Babbitt’s close friend Jenny Rie Vanderlinden as she struggled with and eventually succumbed to a rare form of ovarian cancer. More importantly, the documentary focuses on the powerful positive spirit Jenny embodied, inspiring her friends, family, and eventually total strangers with her optimism and zestful love of life.

    In a piece written about Jenny, the Huffington Post wrote, “Jenny doesn’t seem terrified of this thing that is so far beyond us, this thing that none of us can now see… Instead, she’s investing her unconquerable energy in living the spectacular life she’s always lived—skiing, canyoneering, rafting, traveling and raising four amazing children—with a bit more urgency.”

    “I Heart Jenny” started documenting Jenny’s journey over a year after her diagnosis, and followed her right up until her untimely end, a death she refused to allow to shadow her life. Babbitt was inspired to make the documentary after seeing the “I Heart Jenny” stickers their mutual friends began posting frequently as badges of support.

    "I Heart Jenny"

    “I Heart Jenny”

    The initial idea of the documentary came to Babbitt during a pitch session that was part of his curriculum while attending the New York Film Academy’s Evening Producing workshop. From there, he started a years long journey, utilizing the skills, resources, and colleagues he met while at NYFA. “I had never made a film before,” said Babbitt, “but I was able to use the resources at NYFA to get my feet underneath me. At NYFA I was surrounded by people who really knew what they were doing. I felt supported by NYFA the entire way.”

    Shooting the film took two years, and was in post-production for another three—a long, laborious process that is not uncommon for documentaries, especially works of passion and as personal as “I Heart Jenny.” During this time, Babbitt not only applied the skills he learned at NYFA, but also used the connections made there to help his film see the light of day. In addition to being a distinguished alumnus, Babbitt is also currently the school’s Associate Director of Recruitment. With this notable position, he is able to guide incoming students as they look to grow as artists and filmmakers in their own right.

    Blake Babbitt

    Producer & Director Blake Babbitt

    As a result of the relationships formed at the New York Film Academy, Babbitt was able to recruit a strong, talented crew for “I Heart Jenny”—many alumni and staff from the school—including:

    Kathleen Harris – DP/Producer
    Brad Gallant – Lead Editor/Producer
    Zena Wood – Associate Producer
    Mike Diaz – Editor/Story Producer
    Chris Hayes – Editor
    Mike Walls – Camera Operator
    Shani Patel – Sound recordist/2nd Camera Operator
    Lexi Phillips – Colorist

    It was only fitting then that “I Heart Jenny” had its initial preview at the New York Film Academy. Babbitt continued, “It was an honor to be able to host my first screening in our stunning new screening room.”

    Andrea Swift, New York Film Academy’s Chair of Documentary Filmmaking, was in attendance, and was very impressed with Babbitt’s debut film. “It takes extraordinary passion, commitment, and talent to make a film like this.” She added, “This film can do real good in the world.”

    The specific cancer that took Jenny’s life was related to the BRCA gene, a sequence of DNA that has become more and more noted in recent years for its ominous relationship to many types of cancer. While making “I Heart Jenny,” Babbitt linked up with Jonathan and Mindy Gray, founders of the Basser Center for BRCA at the Abramson Cancer Center at Penn Medicine. The Basser Center is the first of its kind to focus specifically on BRCA-related cancers, and Babbitt has tied his film to their worthy cause, helping to raise donations for further research (click here if you’d like to support the Basser Center as well.)

    While it’s been a long, winding road for Babbitt and “I Heart Jenny,” their journey is far from over. Babbitt’s goal is to get the documentary into the Telluride Film Festival, based in Colorado where Babbitt is from and where he first met Jenny. According to Babbitt, “If it gets in, she wants me to bring a cardboard cutout of her—LOL!”

    In addition to submitting the film to as many festivals as possible, Babbitt is also hoping to get distribution, hoping the more people who see the film, the more they will take home its poignant message and look to support the fight against BRCA-related cancers. Babbitt continued, “We’ve had so many supporters along the way, and anytime I felt dejected or lost in the process, I would just think about our supporters and Jenny. I knew I couldn’t let her or them down.”

    Supporters of the film can follow updates on Facebook as well as on Twitter. You can also follow Babbitt’s filmmaking exploits on Instagram.

    The New York Film Academy is proud of Blake Babbitt and “I Heart Jenny,” and wishes him the best of luck as he continues the legacy of Jenny Rie Vanderlinden and her powerful story.

    I Heart Jenny Promo- Extended Version from Blake Babbitt on Vimeo.

  • New York Film Academy Alum Wins Big With “Dancing Wheels”

    Credit: PRLog

    Lucia Barata wanted to support the Dancing Wheels Company & School, an organization dedicated to teaching and showcasing dancers both with and without disabilities. Lucia decided to put the filmmaking skills she had learned over the years toward this goal to bring more exposure to Dancing Wheels and help them find more support and sponsors. Her efforts are paying off as her documentary, “Dancing Wheels,” is quickly collecting both awards and acclaim, including Best Film at the International Student, Newcomer, and Woman Movie Awards (ISENMA) 2017.

    Since 1980, Dancing Wheels has dedicated itself to providing “a unifying expression of movement for all,” exhibiting dance as an essential illustration of the human spirit, including from people of all abilities. Since adding a school to its company in 1990, Dancing Wheels has become one of the foremost arts and disabilities organizations in the country.

    By using the medium of film to showcase both the incredible dancing of the company’s members, as well as the passion and heart behind these beautiful physical movements, Lucia Barata was able to bring Dancing Wheels’s mission statement to a larger audience, including those outside the United States.

    The International Student, Newcomer, and Woman Movie Awards are held in Indonesia and were founded in 2015, collaborating with the Film Festivals Alliance. Creating a platform and opportunities for both Indonesian and International filmmakers, the festival accepts narrative and documentary submissions from film students, newcomers (non-student, professional, recreational, or amateur filmmakers) and female filmmakers from around the world.

    Out of a selection of 350 films, “Dancing Wheels,” was nominated for Best Film alongside three other films. Despite the competition, the documentary was an audience favorite and took home the big prize. The award ceremony was held in Bali and attended by an illustrious crowd, including Indonesian royals. Barata accepted the Best Film award from His Majesty the King of Bonea Selayar, H. Andi Mahyuddin.

    While ISENMA presented “Dancing Wheels” with its first Best Film award, the documentary has already picked up several other accolades, including the Diamond Award in Short Documentary and Platinum Award for Editor of the Year at the Directors Awards, the Medal of the Year and Platinum Award for Director of the Year from the Filmmakers of the Year Film Festival, and the Royal High Achievement Award from Royal World Prize & Records.

    “This film is the one I’m very proud of,” remarked Barata, adding, “there are no boundaries to dance.” Barata was born in Brazil and already had an impressive education in art and architecture before enrolling at the New York Film Academy in 2012. Taking the 1-Year Filmmaking program in New York City, Barata learned the skills necessary to telling a story—fictional or nonfictional—through a visual medium.

    The New York Film Academy congratulates alumna Lucia Barata on “Dancing Wheels” and its awards, and looks forward to seeing what further accolades her career will bring!

    November 30, 2017 • Documentary Filmmaking, Film Festivals • Views: 852