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  • New York Film Academy MFA Filmmaking Alum Jaco Dukes Premieres ‘El Guardia’ at Cannes Film Festival’s Marché du Film

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    New York Film Academy MFA Filmmaking Alum Jaco Dukes saw all of his hard work come to fruition last May when he premiered his film El Guardia at the Cannes Film Festival’s Marché du Film.

    Dukes originally hails from Chile and first attended NYFA in September 2011, enrolling in the MFA in Filmmaking program at our Los Angeles campus. “My first year at NYFA was one of the best years of my life,” says Dukes. “For the first time, I was able to think about filmmaking all day, every day of the week. It was paradise. My thesis film that I shot at NYFA opened the door for me to every project and work opportunity that came after. So I think that, if you have all the guidance, support and resources that NYFA can offer (like the amazing instructors; James, Ryan, Nick, Tim, Andrew, and many others), plus an obsession for film and filmmaking, then probably great things will come.”

    El Guardia Jaco Dukes

    The English-language poster for ‘El Guardia’

    Since graduating NYFA, he has written and directed the short films Silent and Mikey, as well worked several others as an editor and cinematographer. Dukes directed, wrote, and co-produced El Guardia, his first feature film. The script is based on the true story of the highly acclaimed businessman, life coach, and best-selling author Juan Rosado from Puerto Rico, and was inspired by Rosado’s empowering book Rags to Riches (El Guardia Que Compró Su Sueño).

    The story focuses on a frustrated security guard that starts a network marketing business as a second job with his mentor and veterinarian friend, which leads them into a life-changing journey that will affect the lives of everyone around them.

    The film made its grand debut at the Marché du Film in Cannes, France in May 2019. The distribution of the film is being managed by Adler & Associates Entertainment, who are submitting the film to festivals around the world as well as planning a theatrical premiere and distribution in cinemas in Puerto Rico, Miami, New York, and Los Angeles sometime in 2020.

    El Guardia Jaco Dukes

    NYFA MFA Filmmaking alum Jaco Dukes

    Dukes is currently working on his next screenplay, an indie film that he’s always wanted to make—he’s devoting all of his energy to producing it in 2020. Says Dukes, “[El Guardia] was the most challenging learning experience of my life as a film director, and thanks to all the obstacles, failures, and successes I had making this film, now I am a little more confident about directing my passion project, my own script, and kick ass with it.”

    New York Film Academy congratulates MFA Filmmaking alum Jaco Dukes on the Cannes Film Festival Marché du Film premiere of El Guardia and looks forward to seeing what he makes next! 

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    January 10, 2020 • Film Festivals, Film School, Filmmaking, Student & Alumni Spotlights • Views: 218

  • New York Film Academy (NYFA) Filmmaking Alum Li Cheng’s ‘Jośe’ Gets National Release After Winning Queer Lion Award at Venice Film Festival

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    It’s becoming more and more common for New York Film Academy (NYFA) alumni to win major festival prizes, so it wasn’t any surprise when news broke out that Filmmaking grad Li Cheng won the 2018 Queer Lion Award at the 75th Venice Film Festival, one of the world’s most prominent cinema competitions; his film José is now the first Central American film to do so. Following the prestigious award as well as premieres in 50 countries and 100 festival cities worldwide, José now has a national USA theatre release, starting in a dozen major markets, with Cheng personally be presenting the film and speaking with audiences during each of the first three days for both the New York and Los Angeles screenings.

    Li Cheng Jose

    NYFA alum LI Cheng on set of Jośe, Courtesy of YQstudio LLC

    In 2008, Cheng attended the 4-Week Filmmaking workshop at our New York campus. “My NYFA experience was wonderful,” Cheng tells NYFA, “and key to getting started right: hands-on, quickly, low-cost/high-value, with passionate film professionals, and meeting and working together with creative, energetic, inspiring faculty, staff, and student-cohorts from day one. I couldn’t have asked for more, or a better kickstart to my career in film.”

    Cheng used that kickstart to his full advantage. His feature film José is a nuanced look at the challenges and joys of gay life in Central America. The Spanish-language, English-subtitled film follows star José (Enrique Salanic), who lives at home with his mother (Ana Cecilia Mota), who makes ends meet by selling sandwiches at bus stops and who is not ready to let go of her youngest child. But when he meets Luis (Manolo Herrera), José is pushed to break down his own boundaries and take a leap of faith with this new relationship. 

    José was written and produced by Cheng, along with George F. Roberson, and was shot in Guatemala with a non-industry artist and academic crew, making it the first major LGBTQIA+ film to come from the nation. Outsider Pictures is the film’s North American distributor and world sales, while international festival sales are handled by Rediance (of Paris and Beijing).

    Li Cheng Jose

    The powerful film has resonated with audiences. Winning the Queer Lion is an incredible achievement; the Queer Lion Award is the trophy awarded, starting in 2007, to the “Best Movie with LGBT Themes & Queer Culture” among those presented during the Venice International Film Festival. Previous winners include Tom Ford’s A Single Man and Tom Hooper’s The Danish Girl. José has also won Best Film at the Boston LGBT Film Festival and was cited for its “confident visual sense…a sensitive portrait [with a] depth of feeling” by The Hollywood Reporter.

    The film will screen at the Quad Cinema in New York City from Friday, January 31 – Sunday, February 2. Tickets are available here. Other screenings for José, including at the Laemmle Royal in Los Angeles on February 7, can be found here. Q&A sessions between the audiences and Cheng will follow screenings each of the first three days for both the New York and Los Angeles releases.

    New York Film Academy congratulates Filmmaking alum Li Cheng on winning the Venice Film Festival’s Queer Lion award and looks forward to following his career as a filmmaker!

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  • Oscar-Nominated New York Film Academy Filmmaking Alum Giacun Caduff Working on New Projects

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    New York Film Academy (NYFA) Filmmaking alum Giacun Caduff, along with NYFA Acting for Film alum Stefanie Lacher, have been working nonstop across the globe as they work on films and other projects following the massive success of La femme et le TGV, the Oscar-nominated short produced by Caduff.

    Caduff attended the 8-Week Filmmaking workshop at NYFA’s New York campus in the summer of 1999. Lacher attended NYFA’s 8-Week Acting for Film workshop at our Los Angeles campus in September 2011. The pair met several years later at a party in Switzerland, Caduff’s native country.

    Giacun Caduff and Stefanie Lacher

    NYFA Alumni Giacun Caduff and Stefanie Lacher

    In 2009, Caduff founded the Gässli Film Festival in his hometown of Basel, Switzerland, a platform for young aspiring filmmakers to present their shorts and network with industry professionals. He also runs a film camp and drive-in movie theater.

    These projects haven’t stopped Caduff from working on his true passion though—making movies. He has produced such films as Etienne! (2009), 2B or Not 2B (2005), Salad Days (2011), and directorial effort 20 Regeln für Sylvie (2014).

    His biggest success to date was the 2016 short La femme et le TGV, written and directed by NYFA Filmmaking alum Timo von Gunten, which tells a touching story of a lonely woman and a TGV train driver. Among many other awards, nominations, and festival selections, La femme et le TGV was nominated for an Academy Award for Best Live Action Short Film. The film was executive produced by NYFA alum Jean de Meuron.

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    What a night!

    A post shared by Giacun Caduff (@jacquesabale) on

    “In a funny way, the nomination has helped more with other projects than with movies,” Caduff tells NYFA. “I learned that in the end it’s an interesting process where suddenly people introduce you as an Oscar nominee, which is nice, but at the same time, people will automatically expect that same level from you—which in the film world is another Oscar-nominated movie. With projects outside the film business it’s a bit easier, because the expectations are high too but there is no 1:1 comparison. So, I was happy to work with excited people to create the basis for the Gässli Film Festival that—maybe one day—will be Oscar-qualifying.”

    Those high expectations haven’t stopped Caduff though, who is working on multiple new films, and will possibly collaborate in the future with NYFA alum Stefanie Lacher, whom Caduff calls “a wonderful inspiration.” 

    la femme et le tgv giacun caduffGiacun Caduff

    He adds, “There are two scripts of my own that I’m finalizing and one that the director of La femme et le TGV is writing. This journey took me to the US and later to Russia, where I spent time in a lake house without internet to focus on the writing. With enough luck, I hope to shoot this year. Probably next year, but this year should be key in getting funding and cast attachment. Fingers crossed!”

    Making films and collaborating with fellow NYFA classmates stems from a passion Caduff found when he attended the Filmmaking workshop in New York. “Using 16mm film for the first time,” describes Caduff, “I re-discovered my love and passion for film. I knew right there that I was making movies for the wrong reasons so far and started to understand the importance of story, light, lenses—and I mean, being in New York City during that time of my life… amazing.”

    New York Film Academy congratulates NYFA alumni Giacun Caduff and Stefanie Lacher on their respective successes since graduating the Academy and looks forward to seeing what projects they work on next!

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  • Noted Film Critic Peter Rainer Discusses ‘Straight Time’ with New York Film Academy (NYFA)

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    On Thursday, December 5, New York Film Academy hosted a screening and discussion with noted film critic Peter Rainer on Straight Time, directed by Ulu Grosbard. Made in 1978, the American crime drama centers around a career criminal, Max Dembo (Dustin Hoffman), who is determined to go straight after his latest stint in prison. He takes a mindless job in a cannery, patiently endures the abuse of Earl, his pompous parole officer, and begins a romance with a sympathetic girl from the employment office. But when Earl erroneously busts Jack for drug abuse, the ex-con cracks, setting off a reckless crime spree.

    Peter Rainer Straight Time
    Peter Rainer has 30 years of professional experience as a film critic and is currently the film critic for the Christian Science Monitor and can be heard regularly on NPR’s Film Week on KPCC-FM. He was one of three finalists in 1998 for the Pulitzer Prize in Criticism and is a three-time winner of the Arts and Entertainment Journalism Award for best online film critic. He has also written and co-produced two A&E biographies—on Sidney Poitier and John Huston—as well as co-authoring the film Joyride (1977). He has served on the main juries for the Venice and Montreal film festivals.

    Rainer opened up the discussion by asking students in attendance what they thought about Straight Time in relation to Hoffman’s more popular work in more well-known hits such as The Graduate and Tootsie. One student expressed, “From what I know of Dustin Hoffman, I expected the film to be a redemption story for the protagonist trying to assimilate back into society after prison, but the film quickly took a left turn that I was not anticipating and it was a role I’ve never seen him play before.” 

    straight time peter rainer
    Rainer touched upon the fact that Straight Time was not a film that gained a lot of traction, and felt that was partly due to the fact that the role of Max Dembo was such a deviation from Hoffman’s usual beloved underdog characters. Instead, Rainer shared, the film got more attention for the events that occurred behind the scenes; citing the litigation battle between Hoffman and First Artists Production Company over the creative rights to the film after the shooting had gone 23 days over schedule and $1 million over budget.  

    Sharing his film critic expertise, Rainer advised, “A good way to look at a scene is to think about all the different ways it could have been shot, and then decipher why it is the director chose to portray it in that specific way,” specifically referring to scenes in Straight Time that contributed to the depiction of Hoffman’s character as a hardened criminal versus an individual in unfortunate circumstances. 

    Additionally, Rainer commended the film’s use of film noir techniques while also effectively humanizing the characters and removing the glitz of Los Angeles to portray a more realistic story. In turn, students in attendance were able to compare and contrast the film’s strategic use and deviation from classic film noir.       

    Peter Rainer Straight Time
    New York Film Academy thanks Peter Rainer for taking the time to share his knowledge and critical expertise with students.

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    December 12, 2019 • Acting, Film School, Filmmaking, Guest Speakers • Views: 399

  • New York Film Academy Australia’s Unprecedented Partnership with Warner Bros. Movie World for Theme Park Hot Sets

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    Warner Bros. Movie World

    Visitors to Warner Bros. Movie World now have the chance to see filmmaking in action thanks to a first-of-its-kind partnership between the iconic Gold Coast theme park and New York Film Academy Australia.

    Through the collaboration, film production hot sets will be installed on the grounds of Warner Bros. Movie World for NYFA Australia students to sharpen their skills in the various elements of film craft using state-of-the-art, industry standard equipment under the guidance of NYFA Australia faculty and staff.

    Guests visiting the park will be able to watch the magic of movie making up close and in action, which falls in line with the movie-centric attractions of the popular vacation spot. Some guests may even be asked to participate in the hot sets, and serve as on-camera performers in the scenes filmed.

    Warner Bros. Movie World

    “In addition to offering our students the invaluable opportunity to participate on set,” says NYFA Australia Director, Tasha Cooper, “this unique partnership simultaneously offers guests to the park the premium, ‘movie magic’ experience they desire.”

    Warner Bros. Movie World is one of the most popular destinations in Queensland for both locals and visitors, and is based on the characters and properties of the Warner Bros. film studio, including the iconic roster of DC Comics superheroes like Superman, Batman, and Wonder Woman. The park is operated by Village Roadshow Studios (VRS), which has a long-standing relationship with NYFA Australia. Throughout their studies, NYFA Australia students also have the opportunity to shoot films on the VRS backlot, where NYFA Australia houses its own production workshop studios. The VRS backlot has been home to some of the biggest movies of the decade, including Aquaman, Thor: Ragnarok, and San Andreas.

    Warner Bros. Movie World

    “Movie World and NYFA Australia share an affinity for the film industry on the Gold Coast and I am excited at the prospects of this unique partnership,” shares Michael Croaker, Head of Entertainment for Village Roadshow Theme Parks. “Excitingly, Movie World guests will have the opportunity to watch a real ‘hot set’ operating in the park with a few even getting the chance to get in on the action themselves.”

    The interactive hot sets can be found off the theme park’s Main Street, near Gotham City Hall. Various films and productions by the students will be shot there; recently, NYFA Australia alumni even had the opportunity to shoot a promo video for hit90.9’s Breakfast show. One lucky student was chosen based on their pitch to work with popular radio hosts Lise Carlaw, Sarah Wills, Dan Anstey, and Ben Hannant to create the promo. NYFA Australia students aren’t just getting exposure on the radio; the theme park hot sets were also recently featured in a story on 7NEWS Gold Coast.


    New York Film Academy Australia is thrilled to partner with Warner Bros. Movie Studios for this innovative approach to instructing students in the craft of filmmaking and preparing them for the bustling dynamics of professional, real world film sets.

    All programs and workshops are solely owned and operated by the New York Film Academy Australia and are not affiliated with Village Roadshow Studios.

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    November 27, 2019 • Film School, Filmmaking • Views: 684

  • New York Film Academy (NYFA) Workshops at the Bilbao Bizkaia Design Week 

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    New York Film Academy (NYFA) was honored to be included in the Bilbao Bizkaia Design Week earlier this month, held in the idyllic city of Bilbao, Spain. 

    Bilbao Bizkaia Blake Babbitt Featured
    Blake Babbitt, NYFA’s Associate Director for Recruitment, delivered a masterclass to creative Spanish students in which he outlined tools aspiring filmmakers need to have in their proverbial backpacks. The demonstration proceeded to show the delighted audience how to use these elements in their filmmaking and storytelling projects.

    The event was hosted in the magnificent Ensanche Building in the city center of Bilbao and sponsored by EIKEN – Basque Audiovisual & Digital Content and Five Lands (International Education), an official recruiting agency of NYFA.

    Bilbao Bizkaia Blake Babbitt Featured
    Babbitt’s stay in Bilbao included a visit to Ayalde School to deliver a second masterclass on visual storytelling to students coming from different educative centers in the area. The event was hosted by COAS and allowed youngsters with ages ranging from 15 to 18 to learn how to convey a story from paper to on screen.

    “Maybe there was a future storyteller in the audience,” states David Morera, CEO/President of Five Lands. “Who knows? If not, there were several students eager to enjoy a good story. At the very end, that’s one of the things that make us human.”

    Bilbao Bizkaia Blake Babbitt Featured

    (from L to R): David Morera (Five Lands), Fernando García (COAS), Blake Babbitt (NYFA) and Óscar Salazar (Five Lands)

    New York Film Academy is grateful to Five Lands International Education, COAS,a and EIKEN – Basque Audiovisual & Digital Content for hosting these events, and we look forward to returning to Bilbao in the near future!

    The live stream of NYFA’s Bilbao masterclass event is available here:

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    November 26, 2019 • Film School, International Diversity • Views: 535

  • New York Film Academy (NYFA) Production Workshop Motionlapse From Start to Finish

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    New York Film Academy (NYFA) instructor James H. Coburn had a brand new camera he was still playing around with, and thought it would be a cool idea to take a motionlapse video of one of his classes—and he was right, it was cool.

    The camera was a DJI Osmo Pocket, which can shoot in several modes including both time-lapse and motionlapse. Timelapse involves capturing an individual frame at set intervals, which helps show the passage of time over a much shorter time frame. Motionlapse involves the same concept, but with a pan or tilt in the camera movement.

    Coburn put the DJI Osmo Pocket to the test over the course of a production workshop, where students from the Fall MFA in Cinematography program shot a film in a garage on a very hot day in Burbank, California—home of NYFA-Los Angeles.

    Student director Derek Johnson filmed a process shot with a green screen and automobile over the course of several hours. All the students in the class had something to do on set and were busy throughout.

    The motionlapse, which slowly pans across the set in what results in just two minutes of footage, capture the day’s shoot, which lasted over three hours, showing the students’ hard work as if honeybees in a hive.

     

    Interested in working on a New York Film Academy production workshop one day? Check out the programs NYFA has to offer here.

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    November 25, 2019 • Cinematography • Views: 361

  • New York Film Academy (NYFA) Screens Groundbreaking VR Film ‘Agent Emerson’ with Director and BFA Filmmaking alum Ilya Rozhkov and Filmmaking Team

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    New York Film Academy (NYFA) recently hosted a screening of groundbreaking VR action film Agent Emerson, followed by a Q&A with award-winning writer, director, producer, and NYFA BFA Filmmaking alum Ilya Rozhkov; Associate Producer & VP of Development of the Rogue Initiative, Bradley Etheridge; and Line Producer and NYFA alum, Radhika Womack. The event was held on Friday, November 15 at NYFA’s Burbank-based campus, with the president of the NYFA Broadcasting Club, Derek “DJ” Johnson II, moderating.

    BFA Filmmaking alum Ilya Rozhkov has directed award-winning shorts including Wes-Andresonesque Sabre Dance, starring Olympian Greg Louganis as Salvador Dali. His films have been distributed worldwide, featured on NBC, and screened at over 50+ festivals; winning numerous awards including Best Picture and Best Director. 

    Agent Emerson Ilya Rozhkov
    As a lead development executive at Rogue Initiative, Bradley Etheridge is responsible for input for both creative and business development. Etheridge’s diverse range of duties includes working with directors, writers, and producers on film, TV, and VR projects; managing Rogue’s internal team of game developers; and interfacing with contacts in various industries for everything from investment to content distribution opportunities. 

    Radhika Womack began her career producing commercials in the Indian film industry. Since moving to the United States, she has produced a number of feature films, shorts, documentaries, and music videos. Her most recent credits include producing the feature film In This Gray Place and line-producing Agent Emerson.  

    DJ Johnson II opened the Q&A by asking how the idea of Agent Emerson came about, highlighting the fact that Rozhkov conceptualized the film’s story with Womack during their time as students at NYFA.

    The VR film allows the audience to see an action movie from the 360-degree POV of its hero. The film, starring Andrew Bowen, Lyndsy Fonseca, and Tony Denison, has toured with Samsung and Verizon Media in a series of events in several states and recently had its successful red carpet premiere with high-profile guests from major Hollywood studios, Silicon Valley, the Producers Guild, the VR industry, and several Academy Award nominees.

    Agent Emerson Ilya Rozhkov

    “It was a very long planning process; about a year of it,” Rozhkov shared. “When I thought about it for the first time, I tried to figure out what would make it unique as a storytelling medium, just like people were with movies 120 years ago. So when the script was there and the concept was there, we started looking into technology and it simply did not exist, so I sat down with engineers and we had to create technology to make this possible.” 

    Johnson continued by inquiring how you set a frame that is 360 degrees. Rozhkov joked by saying, “Just like how there is no spoon in The Matrix, there is no frame in VR.” Rozhkov continued, “It’s storytelling through location and it’s a cinematic medium for sure, but it takes a lot from theater and it takes a lot from gaming. There’s no storytelling laws, especially when we started, so we had to find what works and just like any film, figure out the storytelling language.” 

    When asked about what the biggest challenge the filmmaking team faced during production, Womack expressed, “The biggest challenge was the technology. There’s so many unknowns in filmmaking already, and here you just triple that. It’s just sitting and brainstorming all the things you need even though there’s a lot of similarity with regular productions and other narratives. You have your locations, your permits, your crew, and the camera is taken care of, but again it’s a much bigger department than you would have on a regular film. The biggest challenge was to let everyone in every department know the difference: if you can see the camera, the camera can see you.” 
    Agent Emerson Ilya Rozhkov

    The Q&A then opened up for questions from the audience. A student asked the filmmaking team, “How did you combine the digital assets with the footage from your camera while maintaining the stereoscopic effect of the film?” 

    Rozhkov answered, “Everything was carefully measured, and we had a lot of sensor data from set that helped a lot. 360 degree video has a lot of limitations, especially when it comes to 3D, so we utilized game engine to bypass some of them. The film tracks in real time where you’re looking and adjusts the 3D accordingly.” 

    New York Film Academy thanks BFA Filmmaking alum Ilya Rozhkov, as well as Bradley Etheridge, and Radhika Womack for sharing their VR film and expertise with our students. Agent Emerson will be released on Oculus Rift (Go and Quest), HTC Vive, and Cosmos on November 22. 

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    November 19, 2019 • Film School, Filmmaking, Guest Speakers, Virtual Reality • Views: 723

  • New York Film Academy Australia Filmmaking Alum Leroy Button Builds Up Blockbuster Credits

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    New York Film Academy Australia alum Leroy Button has been busy since graduating the Filmmaking program in 2018, having worked on multiple blockbusters, including Aquaman and Dora and the Lost City of Gold, as well as upcoming franchise sequels Fast & Furious 9 and James Bond film No Time to Die.

    Australian publication Daily Telegraph recently covered Button’s achievements in a profile, touching on his early start as a child playing with consumer and prosumer camera equipment. Button would shoot numerous videos and short films with his friends, presaging his future career in the filmmaking industry.

     

    leroy button

    Sense, a film he made while still in high school, went on to win seven awards in the festival circuit, and led to Button creating his own freelance company, Button Media. After taking a Panavision Master Class while studying at NYFA Australia’s Gold Coast campus, Button landed a job with Panavision, where he eventually was able to work on superhero epic Aquaman, which was partially filmed at Village Roadshow Studios.

    On set, Button worked closely with stars like Jason Momoa and Nicole Kidman, but it was the state-of-the-art technical equipment that really wowed him. “I was actually more interested in having conversations with the camera boys,” Button tells Daily Telegraph Australia.

    Sure enough, that job led to another and then another, and in just a few short years Button has built up an impressive resume with credits on huge Hollywood films in the camera and electric departments, including as the drone technician on last summer’s Dora the Explorer film.

    leroy button

    Additionally, Button has been working in television, and earning cinematography credits as well. His career is clearly only just getting started.

    “Leroy displayed passion, positivity, and a strong work ethic,” says Steve Pratt, NYFA Australia Chair of Filmmaking, “and was able to utilize the unique hands-on approach to filmmaking that makes NYFA Australia’s curriculum stand out from the rest—ensuring graduates like him are industry-ready when big studios come calling. We are extremely proud of him and look forward to his continued success in the industry.”

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    November 8, 2019 • Filmmaking, Student & Alumni Spotlights • Views: 435

  • Film Festivals Success of the New York Film Academy (NYFA) Community

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    Each year, the New York Film Academy (NYFA) community–including our students, alumni, and faculty–find a great deal of success on the film festivals circuit, including fests around the globe like the Venice Film Festival, Berlinale, and Sundance.

    Here are some of the proud achievements the NYFA community has made on the festival circuit:

    AMERICAN DOCUMENTARY FILM FESTIVAL (AmDocs)

    Julia Cheng 1-Year Documentary Filmmaking – NYC Alumni Cricket Liu 2019 Winner – Best International Short Documentary

    ARIZONA INTERNATIONAL FILM FESTIVAL

    Sara Seligman 2-Year Filmmaking – NYC Alumni Kosnin 2017 Winner – Special Jury Award

    BARCELONA FILM FESTIVAL

    Sara Seligman 2-Year Filmmaking – NYC Alumni Diego 2014 Golden Lion Award – Short Film Category
    Zi Xiang & José Val Bal MFA Filmmaking – LA Alumni A Dog Barking at the Moon 2019 Nominee – GWFF Best First Feature Award – Panorama

    DOC NYC

    Kuldeep Sah Gangola 1-Year Documentary NYC Alumni Ghost Villages of the Himalayas 2019 Official Selection
    Serena Smith 1-Year Documentary NYC Alumni My Dad Vernon 2019 Official Selection
    Lucia Florez MFA Documentary LA; 1-Year Documentary NYC Alumni Mamá 2019 Official Selection
    Nancy Dionne 1-Year Documentary; 6-Week Documentary NYC Alumni All I See Is the Future 2019 Official Selection
    Mollie Moore 1-Year Documentary NYC Alumni A Word Away 2019 Official Selection
    Joe Cleary 1-Year Documentary NYC Alumni Get It 2019 Official Selection
    Carolina Gonzales 1-Year Documentary; 6-Week Documentary NYC Alumni B-city 2019 Official Selection
    Aya Hamdan 1-Year Documentary; 1-Week Filmmaking NYC Student Baladna 2019 Official Selection
    Anna Panova 1-Year Documentary NYC Alumni Epiales 2019 Official Selection
    Nika Nikanava 1-Year Documentary NYC Alumni Unloved; The Rhythms 2019 Official Selection

    FANTASTIC FEST

    Alberto Trezza NYFA-LA Screenwriting Faculty We Summon the Darkness 2019 Official Selection

    GÄSSLI FILM FESTIVAL

    Giacun Caduff 8-Week Filmmaking NYC Alumni n/a 2009 Founder

    HEARTLAND FILM FESTIVAL

    Prarthana Mohan NYFA-Los Angeles Faculty The MisEducation of Bindu 2019 Winner – Indiana Spotlight Award for Best Director
    Ed Timpe NYFA-LA Filmmaking Faculty The MisEducation of Bindu 2019 Official Selection

    LUNAFEST

    Crickett Rumley NYFA-Los Angeles Director, Film Festivals n/a 2019 Moderator

    MANCHESTER INTERNATIONAL FILM FESTIVAL (MANIFF)

    Mark O’Connor 6-Week Filmmaking Workshop – NYC Alumni Cardboard Gangsters 2017 Winner – Best Feature Film; Film of the Festival; Best Actor; Outstanding Director; Outstanding Screenplay; Outstanding Cinematography

    MIAMI FILM FESTIVAL

    Anastasia Kochetkova BFA Acting for Film & MFA Filmmaking – South Beach Alumni Late Again Ana 2019 Official Selection – Cinemaslam
    Braulio Jatar & Anaïs Michel 6-Week Documentary Filmmaking Workshop – NYC
    1-Year Documentary Filmmaking – NYC
    Alumni Where Chaos Reigns 2019 Honorable Mention – HBO Ibero-American Award

    NEWPORT BEACH FILM FESTIVAL

    Mark O’Connor 6-Week Filmmaking Workshop – NYC Alumni Cardboard Gangsters 2017 Winner – Best Foreign Film

    NEW YORK LATINO FILM FESTIVAL

    Sara Seligman 2-Year Filmmaking – NYC Alumni Coyote Lake 2019 Official Selection

    NORDIC INTERNATIONAL FILM FESTIVAL (NIFF)

    Linnea Larsdotter & Johan Matton 2-Year Musical Theatre – NYC & Alum: 2-Year Acting for Film; 2-Day Line Producing – NYC Alumni n/a 2015 – Present Founders
    Michael Young NYFA President n/a n/a Award Presenter

    SAN FRANCISCO INTERNATIONAL FILM FESTIVAL

    Braulio Jatar & Anaïs Michel 6-Week Documentary Filmmaking Workshop – NYC
    1-Year Documentary Filmmaking – NYC
    Alumni Where Chaos Reigns 2019 Winner – Golden Gate Award for Best Short Documentary

    SUNDANCE FILM FESTIVAL

    Aya Hamdan 1-Week Filmmaking & 1-Year Documentary Filmmaking – NYC Student Dunya’s Day 2019 Winner – Short Film Jury Award for International Fiction
    Meshal Al Jaser BFA Screenwriting – LA Alumni Arabian Alien 2020 Nominated – Grand Jury Prize for Best Short Film

    UNDERSTORY FILM FESTIVAL

    Leroy Button Diploma of Screen and Media – Filmmaking Alumni Sense 2015 Best Student Film, Runner Up; Best Film; Winner – Audience Choice Award

    VENICE FILM FESTIVAL

    Craig Caton 3D Animation & VFX – Los Angeles Chair n/a 2019 Taught Master Classes as part of the fest
    Shahad Ameen 1-Year Screenwriting – New York Alumni Scales 2019 Nominated – Critics Week Luigi De Laurentiis Award for Debut Film

     

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    October 18, 2019 • Community Highlights, Film Festivals • Views: 592