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  • New York Film Academy (NYFA) BFA Acting for Film Alum Michael Johnson Receives Inaugural Elan Vega Award

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    Before he unexpectedly passed away last summer, New York Film Academy (NYFA) 1-Year Screenwriting conservatory and BFA Acting for Film alum Elan Vega lit up the lives of everyone around him, especially his NYFA classmates. His positivity, hard work, and commitment to the arts now lives on through NYFA’s Elan Vega Award, and it was no surprise that the award’s first recipient was NYFA 1-Year Filmmaking conservatory student and BFA Acting for Film grad Michael Johnson.

    Both Johnson and Vega graduated from the BFA Acting for Film program at NYFA’s Los Angeles campus. Both alumni also sought to expand their artistic talents into other avenues; in Spring 2019, Johnson enrolled in NYFA-LA’s 1-Year Filmmaking conservatory while Vega began studying in the 1-Year Screenwriting conservatory. Vega was a veteran of the United States Marine Corps who had a huge heart and who personified service, perseverance, and passion. Johnson is also a military veteran, having served in the US Army, and shares these same virtues, making him the perfect choice to receive the inaugural Elan Vega Award.

    Michael Johnson Elan Vega Award

    NYFA alum and Elan Vega Award recipient Michael Johnson

    The award will be distributed each semester by New York Film Academy in Vega’s honor to students that embody Vega’s kindness, selflessness, and thoughtfulness, students who have demonstrated the desire to help their fellow artists whenever and wherever needed, as Vega had done so many times. Vega loved the process of storytelling, our community, and the friends he made at NYFA, and elevated both his classmates and his program with his enduring attitude.

    To that end, the Elan Vega Award includes both a beautifully-crafted plaque and a financial grant to help recipients further their studies and artistic pursuits. Johnson received the award in February in a ceremony attended by, among other NYFA senior faculty, actor and NYFA Master Class instructor Matthew Modine.

    Michael Johnson Elan Vega Award

    Michael Johnson receiving the Elan Vega Award with senior NYFA faculty

    Like Vega, Johnson is beloved by his peers in the NYFA community, as well as his instructors and other faculty and administration. While the tragic passing of Vega will never be forgotten, his spirit living on through his friends and through future graduates of NYFA who embody that spirit is something to celebrate. Friends and classmates of both Vega and Johnson were glad to see Vega’s memory honored by Johnson, who gave a heartfelt acceptance speech at the award ceremony.

    New York Film Academy congratulates 1-Year Filmmaking conservatory and BFA Acting for Film grad Michael Johnson on receiving the inaugural Elan Vega Award and honoring the spirit of NYFA alum Elan Vega.

    Michael Johnson Elan Vega Award

    NYFA alum and Elan Vega Award recipient Michael Johnson

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  • Award-Winning Director & Cinematographer Liz Hinlein Joins New York Film Academy (NYFA) As Creative Director of Filmmaking & Cinematography

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    New York Film Academy (NYFA) is delighted to announce the addition of award-winning director and cinematographer Liz Hinlein to our faculty as the new Creative Director of Filmmaking & Cinematography. Over the course of her career, Hinlein has made a name for herself in a traditionally male-dominated industry as a passionate, talented filmmaker and director of photography whose work has spanned the fields of feature film, advertising, music video and VR/AR/XR.

    Born in Philadelphia and educated in the Quaker school system, Hinlein earned her MFA in Cinematography from the American Film Institute and her BFA in Film & Television from NYU’s Tisch School of the Arts. Hinlein’s debut feature film, Other People’s Children, earned several awards on the film festival circuit—including Best of the Fest at the Columbia Gorge International Film Festival and Best Director at the NYLA International Film Festival—and is currently available to stream on Amazon Prime and iTunes.

    Liz Hinlein

    NYFA Filmmaking & Cinematography Creative Director Liz Hinlein

    Hinlein’s wealth of experience and passion for innovation makes her a perfect fit for New York Film Academy, which boasts a diverse and international student body from over 120 countries. With the film industry hungrier than ever for filmmakers and visual artists from every background, Hinlein will be an invaluable asset to NYFA Filmmaking and Cinematography students looking to express the world their stories in their own ways.

    “Stepping in to my new role as Creative Director of the Film and Cinematography departments at New York Film Academy is an exciting new challenge,” says Hinlein. “My vision is to elevate the departments and expand their reach as a dynamic creative hub for creators, filmmakers, and visionary thinkers in New York. We’re building a meeting ground where students and the creative community can nurture ideas, collaborate, and learn from one another. NYFA’s Film and Cinematography departments are a refreshing win-win for students and the industry alike.”

    Hinlein has been at the forefront of a rapidly-evolving visual medium. Recently, her VR film for Byton Auto was nominated for Best Branded Entertainment/Commercial at the 2019 CES VR Fest. In 2018 she directed Accenture’s VR film, Behind the Style, winning that same award. Most recently, Hinlein spent time China writing and directing The Dream Factory, a series of seven epic branding films for the prestigious Sichuan Film and Television University, using Google Translate to navigate her way through the country. Currently Liz is in pre-production on OSAGE ’85, a groundbreaking immersive documentary experience. 

    In television, Hinlein was selected for the DGA DDI TV Directing Program, the Sony Diversity Program and the Viacom Diversity Program. Her visual expertise comes from a background of directing commercials and music videos for top brands, including Dove, Lifetime, Revlon, Gillette, Maybelline, A&E, and MAC Cosmetics. Additionally, Hinlein has created films for superstar musicians such as Mary J. Blige and Britney Spears, and has been commissioned to photograph Quincy Jones, Incubus, and Fishbone. 

    Hinlein’s success in multiple fields also reflects NYFA’s commitment to combating gender inequality in the entertainment/media industry by educating and training more women to fill important roles on film and television sets. With a student body that is nearly 50% women, one of Hinlein’s first initiatives as Creative Director will be to form a NYFA Film Femme Club, where students can come together to inspire genuine conversation, encourage self-confidence, collaborate to create healthy media, and establish platforms that empower women to generate a positive impact on the entertainment industry.

    New York Film Academy looks forward to the exciting energy and ideas filmmaker Liz Hinlein will share with our Filmmaking and Cinematography students!

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  • New York Film Academy Australia (NYFAA) Partners With Australian Production Design Guild (APDG)

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    New York Film Academy Australia (NYFAA) is excited to announce its official 2020 industry partnership with the Australian Production Design Guild (APDG).

    APDG Fiona Donovan

    NYFAA Associate Chair of Filmmaking Patrick Ryan presenting the APDG Award for Best Production Design for a TV Drama or a Web Series to winner Fiona Donovan

    The APDG welcomed NYFAA to the 9th Annual APDG Awards Ceremony last December. Patrick Ryan, Associate Chair of Filmmaking, presented the award with NYFAA naming rights for Best Production Design for a TV Drama or Web Series at the Australian Production Design Guild Awards held in Melbourne.

    The APDG Awards is an annual event organized by the Australian Production Design Guild. The event acknowledges excellence in design on Australian or International productions for feature films, short film, TV productions, webseries, and stage productions. This year, the event was held on the prestigious stage of The Melba Spiegeltent.

    Ryan spoke onstage while presenting the award, saying “On behalf of NYFA Australia, I’d like to say a thank you to all the production designers for making this world a little more beautiful one work at a time.” It was met with a round of applause from the industry guests.

    Nominees included Black Mirror: Striking Vipers, Bloom, and Tidelands. The winner was Fiona Donovan, APDG, for her work on A Place to Call Home.

    In 2020, the APDG will make further headway into Queensland, where a thriving film industry is led by leading local and international practitioners across the fields of NYFA Australia’s studies.

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    January 29, 2020 • Community Highlights, Entertainment Australia, Film School • Views: 713

  • New York Film Academy MFA Filmmaking Alum Jaco Dukes Premieres ‘El Guardia’ at Cannes Film Festival’s Marché du Film

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    New York Film Academy MFA Filmmaking Alum Jaco Dukes saw all of his hard work come to fruition last May when he premiered his film El Guardia at the Cannes Film Festival’s Marché du Film.

    Dukes originally hails from Chile and first attended NYFA in September 2011, enrolling in the MFA in Filmmaking program at our Los Angeles campus. “My first year at NYFA was one of the best years of my life,” says Dukes. “For the first time, I was able to think about filmmaking all day, every day of the week. It was paradise. My thesis film that I shot at NYFA opened the door for me to every project and work opportunity that came after. So I think that, if you have all the guidance, support and resources that NYFA can offer (like the amazing instructors; James, Ryan, Nick, Tim, Andrew, and many others), plus an obsession for film and filmmaking, then probably great things will come.”

    El Guardia Jaco Dukes

    The English-language poster for ‘El Guardia’

    Since graduating NYFA, he has written and directed the short films Silent and Mikey, as well worked several others as an editor and cinematographer. Dukes directed, wrote, and co-produced El Guardia, his first feature film. The script is based on the true story of the highly acclaimed businessman, life coach, and best-selling author Juan Rosado from Puerto Rico, and was inspired by Rosado’s empowering book Rags to Riches (El Guardia Que Compró Su Sueño).

    The story focuses on a frustrated security guard that starts a network marketing business as a second job with his mentor and veterinarian friend, which leads them into a life-changing journey that will affect the lives of everyone around them.

    The film made its grand debut at the Marché du Film in Cannes, France in May 2019. The distribution of the film is being managed by Adler & Associates Entertainment, who are submitting the film to festivals around the world as well as planning a theatrical premiere and distribution in cinemas in Puerto Rico, Miami, New York, and Los Angeles sometime in 2020.

    El Guardia Jaco Dukes

    NYFA MFA Filmmaking alum Jaco Dukes

    Dukes is currently working on his next screenplay, an indie film that he’s always wanted to make—he’s devoting all of his energy to producing it in 2020. Says Dukes, “[El Guardia] was the most challenging learning experience of my life as a film director, and thanks to all the obstacles, failures, and successes I had making this film, now I am a little more confident about directing my passion project, my own script, and kick ass with it.”

    New York Film Academy congratulates MFA Filmmaking alum Jaco Dukes on the Cannes Film Festival Marché du Film premiere of El Guardia and looks forward to seeing what he makes next! 

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    January 10, 2020 • Film Festivals, Film School, Filmmaking, Student & Alumni Spotlights • Views: 713

  • New York Film Academy (NYFA) Filmmaking Alum Li Cheng’s ‘José’ Gets National Release After Winning Queer Lion Award at Venice Film Festival

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    It’s becoming more and more common for New York Film Academy (NYFA) alumni to win major festival prizes, so it wasn’t any surprise when news broke out that Filmmaking grad Li Cheng won the 2018 Queer Lion Award at the 75th Venice Film Festival, one of the world’s most prominent cinema competitions; his film José is now the first Central American film to do so. Following the prestigious award as well as premieres in 50 countries and 100 festival cities worldwide, José now has a national USA theatre release, starting in a dozen major markets, with Cheng personally be presenting the film and speaking with audiences during each of the first three days for both the New York and Los Angeles screenings.

    Li Cheng Jose

    NYFA alum LI Cheng on set of Jośe, Courtesy of YQstudio LLC

    In 2008, Cheng attended the 4-Week Filmmaking workshop at our New York campus. “My NYFA experience was wonderful,” Cheng tells NYFA, “and key to getting started right: hands-on, quickly, low-cost/high-value, with passionate film professionals, and meeting and working together with creative, energetic, inspiring faculty, staff, and student-cohorts from day one. I couldn’t have asked for more, or a better kickstart to my career in film.”

    Cheng used that kickstart to his full advantage. His feature film José is a nuanced look at the challenges and joys of gay life in Central America. The Spanish-language, English-subtitled film follows star José (Enrique Salanic), who lives at home with his mother (Ana Cecilia Mota), who makes ends meet by selling sandwiches at bus stops and who is not ready to let go of her youngest child. But when he meets Luis (Manolo Herrera), José is pushed to break down his own boundaries and take a leap of faith with this new relationship. 

    José was written and produced by Cheng, along with George F. Roberson, and was shot in Guatemala with a non-industry artist and academic crew, making it the first major LGBTQIA+ film to come from the nation. Outsider Pictures is the film’s North American distributor and world sales, while international festival sales are handled by Rediance (of Paris and Beijing).

    Li Cheng Jose

    The powerful film has resonated with audiences. Winning the Queer Lion is an incredible achievement; the Queer Lion Award is the trophy awarded, starting in 2007, to the “Best Movie with LGBT Themes & Queer Culture” among those presented during the Venice International Film Festival. Previous winners include Tom Ford’s A Single Man and Tom Hooper’s The Danish Girl. José has also won Best Film at the Boston LGBT Film Festival and was cited for its “confident visual sense…a sensitive portrait [with a] depth of feeling” by The Hollywood Reporter.

    The film will screen at the Quad Cinema in New York City from Friday, January 31 – Sunday, February 2. Tickets are available here. Other screenings for José, including at the Laemmle Royal in Los Angeles on February 7, can be found here. Q&A sessions between the audiences and Cheng will follow screenings each of the first three days for both the New York and Los Angeles releases.

    New York Film Academy congratulates Filmmaking alum Li Cheng on winning the Venice Film Festival’s Queer Lion award and looks forward to following his career as a filmmaker!

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  • Oscar-Nominated New York Film Academy Filmmaking Alum Giacun Caduff Working on New Projects

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    New York Film Academy (NYFA) Filmmaking alum Giacun Caduff, along with NYFA Acting for Film alum Stefanie Lacher, have been working nonstop across the globe as they work on films and other projects following the massive success of La femme et le TGV, the Oscar-nominated short produced by Caduff.

    Caduff attended the 8-Week Filmmaking workshop at NYFA’s New York campus in the summer of 1999. Lacher attended NYFA’s 8-Week Acting for Film workshop at our Los Angeles campus in September 2011. The pair met several years later at a party in Switzerland, Caduff’s native country.

    Giacun Caduff and Stefanie Lacher

    NYFA Alumni Giacun Caduff and Stefanie Lacher

    In 2009, Caduff founded the Gässli Film Festival in his hometown of Basel, Switzerland, a platform for young aspiring filmmakers to present their shorts and network with industry professionals. He also runs a film camp and drive-in movie theater.

    These projects haven’t stopped Caduff from working on his true passion though—making movies. He has produced such films as Etienne! (2009), 2B or Not 2B (2005), Salad Days (2011), and directorial effort 20 Regeln für Sylvie (2014).

    His biggest success to date was the 2016 short La femme et le TGV, written and directed by NYFA Filmmaking alum Timo von Gunten, which tells a touching story of a lonely woman and a TGV train driver. Among many other awards, nominations, and festival selections, La femme et le TGV was nominated for an Academy Award for Best Live Action Short Film. The film was executive produced by NYFA alum Jean de Meuron.

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    What a night!

    A post shared by Giacun Caduff (@jacquesabale) on

    “In a funny way, the nomination has helped more with other projects than with movies,” Caduff tells NYFA. “I learned that in the end it’s an interesting process where suddenly people introduce you as an Oscar nominee, which is nice, but at the same time, people will automatically expect that same level from you—which in the film world is another Oscar-nominated movie. With projects outside the film business it’s a bit easier, because the expectations are high too but there is no 1:1 comparison. So, I was happy to work with excited people to create the basis for the Gässli Film Festival that—maybe one day—will be Oscar-qualifying.”

    Those high expectations haven’t stopped Caduff though, who is working on multiple new films, and will possibly collaborate in the future with NYFA alum Stefanie Lacher, whom Caduff calls “a wonderful inspiration.” 

    la femme et le tgv giacun caduffGiacun Caduff

    He adds, “There are two scripts of my own that I’m finalizing and one that the director of La femme et le TGV is writing. This journey took me to the US and later to Russia, where I spent time in a lake house without internet to focus on the writing. With enough luck, I hope to shoot this year. Probably next year, but this year should be key in getting funding and cast attachment. Fingers crossed!”

    Making films and collaborating with fellow NYFA classmates stems from a passion Caduff found when he attended the Filmmaking workshop in New York. “Using 16mm film for the first time,” describes Caduff, “I re-discovered my love and passion for film. I knew right there that I was making movies for the wrong reasons so far and started to understand the importance of story, light, lenses—and I mean, being in New York City during that time of my life… amazing.”

    New York Film Academy congratulates NYFA alumni Giacun Caduff and Stefanie Lacher on their respective successes since graduating the Academy and looks forward to seeing what projects they work on next!

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    January 6, 2020 • Acting, Film Festivals, Film School, Filmmaking, Student & Alumni Spotlights • Views: 1124

  • Noted Film Critic Peter Rainer Discusses ‘Straight Time’ with New York Film Academy (NYFA)

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    On Thursday, December 5, New York Film Academy hosted a screening and discussion with noted film critic Peter Rainer on Straight Time, directed by Ulu Grosbard. Made in 1978, the American crime drama centers around a career criminal, Max Dembo (Dustin Hoffman), who is determined to go straight after his latest stint in prison. He takes a mindless job in a cannery, patiently endures the abuse of Earl, his pompous parole officer, and begins a romance with a sympathetic girl from the employment office. But when Earl erroneously busts Jack for drug abuse, the ex-con cracks, setting off a reckless crime spree.

    Peter Rainer Straight Time
    Peter Rainer has 30 years of professional experience as a film critic and is currently the film critic for the Christian Science Monitor and can be heard regularly on NPR’s Film Week on KPCC-FM. He was one of three finalists in 1998 for the Pulitzer Prize in Criticism and is a three-time winner of the Arts and Entertainment Journalism Award for best online film critic. He has also written and co-produced two A&E biographies—on Sidney Poitier and John Huston—as well as co-authoring the film Joyride (1977). He has served on the main juries for the Venice and Montreal film festivals.

    Rainer opened up the discussion by asking students in attendance what they thought about Straight Time in relation to Hoffman’s more popular work in more well-known hits such as The Graduate and Tootsie. One student expressed, “From what I know of Dustin Hoffman, I expected the film to be a redemption story for the protagonist trying to assimilate back into society after prison, but the film quickly took a left turn that I was not anticipating and it was a role I’ve never seen him play before.” 

    straight time peter rainer
    Rainer touched upon the fact that Straight Time was not a film that gained a lot of traction, and felt that was partly due to the fact that the role of Max Dembo was such a deviation from Hoffman’s usual beloved underdog characters. Instead, Rainer shared, the film got more attention for the events that occurred behind the scenes; citing the litigation battle between Hoffman and First Artists Production Company over the creative rights to the film after the shooting had gone 23 days over schedule and $1 million over budget.  

    Sharing his film critic expertise, Rainer advised, “A good way to look at a scene is to think about all the different ways it could have been shot, and then decipher why it is the director chose to portray it in that specific way,” specifically referring to scenes in Straight Time that contributed to the depiction of Hoffman’s character as a hardened criminal versus an individual in unfortunate circumstances. 

    Additionally, Rainer commended the film’s use of film noir techniques while also effectively humanizing the characters and removing the glitz of Los Angeles to portray a more realistic story. In turn, students in attendance were able to compare and contrast the film’s strategic use and deviation from classic film noir.       

    Peter Rainer Straight Time
    New York Film Academy thanks Peter Rainer for taking the time to share his knowledge and critical expertise with students.

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    December 12, 2019 • Acting, Film School, Filmmaking, Guest Speakers • Views: 570

  • New York Film Academy Australia’s Unprecedented Partnership with Warner Bros. Movie World for Theme Park Hot Sets

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    Warner Bros. Movie World

    Visitors to Warner Bros. Movie World now have the chance to see filmmaking in action thanks to a first-of-its-kind partnership between the iconic Gold Coast theme park and New York Film Academy Australia.

    Through the collaboration, film production hot sets will be installed on the grounds of Warner Bros. Movie World for NYFA Australia students to sharpen their skills in the various elements of film craft using state-of-the-art, industry standard equipment under the guidance of NYFA Australia faculty and staff.

    Guests visiting the park will be able to watch the magic of movie making up close and in action, which falls in line with the movie-centric attractions of the popular vacation spot. Some guests may even be asked to participate in the hot sets, and serve as on-camera performers in the scenes filmed.

    Warner Bros. Movie World

    “In addition to offering our students the invaluable opportunity to participate on set,” says NYFA Australia Director, Tasha Cooper, “this unique partnership simultaneously offers guests to the park the premium, ‘movie magic’ experience they desire.”

    Warner Bros. Movie World is one of the most popular destinations in Queensland for both locals and visitors, and is based on the characters and properties of the Warner Bros. film studio, including the iconic roster of DC Comics superheroes like Superman, Batman, and Wonder Woman. The park is operated by Village Roadshow Studios (VRS), which has a long-standing relationship with NYFA Australia. Throughout their studies, NYFA Australia students also have the opportunity to shoot films on the VRS backlot, where NYFA Australia houses its own production workshop studios. The VRS backlot has been home to some of the biggest movies of the decade, including Aquaman, Thor: Ragnarok, and San Andreas.

    Warner Bros. Movie World

    “Movie World and NYFA Australia share an affinity for the film industry on the Gold Coast and I am excited at the prospects of this unique partnership,” shares Michael Croaker, Head of Entertainment for Village Roadshow Theme Parks. “Excitingly, Movie World guests will have the opportunity to watch a real ‘hot set’ operating in the park with a few even getting the chance to get in on the action themselves.”

    The interactive hot sets can be found off the theme park’s Main Street, near Gotham City Hall. Various films and productions by the students will be shot there; recently, NYFA Australia alumni even had the opportunity to shoot a promo video for hit90.9’s Breakfast show. One lucky student was chosen based on their pitch to work with popular radio hosts Lise Carlaw, Sarah Wills, Dan Anstey, and Ben Hannant to create the promo. NYFA Australia students aren’t just getting exposure on the radio; the theme park hot sets were also recently featured in a story on 7NEWS Gold Coast.


    New York Film Academy Australia is thrilled to partner with Warner Bros. Movie Studios for this innovative approach to instructing students in the craft of filmmaking and preparing them for the bustling dynamics of professional, real world film sets.

    All programs and workshops are solely owned and operated by the New York Film Academy Australia and are not affiliated with Village Roadshow Studios.

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    November 27, 2019 • Film School, Filmmaking • Views: 914

  • New York Film Academy (NYFA) Workshops at the Bilbao Bizkaia Design Week 

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    New York Film Academy (NYFA) was honored to be included in the Bilbao Bizkaia Design Week earlier this month, held in the idyllic city of Bilbao, Spain. 

    Bilbao Bizkaia Blake Babbitt Featured
    Blake Babbitt, NYFA’s Associate Director for Recruitment, delivered a masterclass to creative Spanish students in which he outlined tools aspiring filmmakers need to have in their proverbial backpacks. The demonstration proceeded to show the delighted audience how to use these elements in their filmmaking and storytelling projects.

    The event was hosted in the magnificent Ensanche Building in the city center of Bilbao and sponsored by EIKEN – Basque Audiovisual & Digital Content and Five Lands (International Education), an official recruiting agency of NYFA.

    Bilbao Bizkaia Blake Babbitt Featured
    Babbitt’s stay in Bilbao included a visit to Ayalde School to deliver a second masterclass on visual storytelling to students coming from different educative centers in the area. The event was hosted by COAS and allowed youngsters with ages ranging from 15 to 18 to learn how to convey a story from paper to on screen.

    “Maybe there was a future storyteller in the audience,” states David Morera, CEO/President of Five Lands. “Who knows? If not, there were several students eager to enjoy a good story. At the very end, that’s one of the things that make us human.”

    Bilbao Bizkaia Blake Babbitt Featured

    (from L to R): David Morera (Five Lands), Fernando García (COAS), Blake Babbitt (NYFA) and Óscar Salazar (Five Lands)

    New York Film Academy is grateful to Five Lands International Education, COAS,a and EIKEN – Basque Audiovisual & Digital Content for hosting these events, and we look forward to returning to Bilbao in the near future!

    The live stream of NYFA’s Bilbao masterclass event is available here:

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    November 26, 2019 • Film School, International Diversity • Views: 740

  • New York Film Academy (NYFA) Production Workshop Motionlapse From Start to Finish

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    New York Film Academy (NYFA) instructor James H. Coburn had a brand new camera he was still playing around with, and thought it would be a cool idea to take a motionlapse video of one of his classes—and he was right, it was cool.

    The camera was a DJI Osmo Pocket, which can shoot in several modes including both time-lapse and motionlapse. Timelapse involves capturing an individual frame at set intervals, which helps show the passage of time over a much shorter time frame. Motionlapse involves the same concept, but with a pan or tilt in the camera movement.

    Coburn put the DJI Osmo Pocket to the test over the course of a production workshop, where students from the Fall MFA in Cinematography program shot a film in a garage on a very hot day in Burbank, California—home of NYFA-Los Angeles.

    Student director Derek Johnson filmed a process shot with a green screen and automobile over the course of several hours. All the students in the class had something to do on set and were busy throughout.

    The motionlapse, which slowly pans across the set in what results in just two minutes of footage, capture the day’s shoot, which lasted over three hours, showing the students’ hard work as if honeybees in a hive.

     

    Interested in working on a New York Film Academy production workshop one day? Check out the programs NYFA has to offer here.

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    November 25, 2019 • Cinematography • Views: 482