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  • New York Film Academy Hosts Q&A with Executive Producer and UPM Nathan Kelly

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    On Tuesday, August 13, the New York Film Academy hosted a Q&A with Executive Producer, Producer, and UPM, Nathan Kelly. Kelly was joined by a creative executive for Working Title Films, Dana Himmelstein, and the event was moderated by NYFA instructor Denise Carlson.

    Kelly’s line producing credits include Destroyer, Certain Women, Short Term 12, and he just finished production on Covers for Working Title / Focus Features. Recently, Nathan served as the Unit Production Manager on Once Upon a Time in… Hollywood and White Boy Rick.

    Carlson began the Q&A by asking Kelly and Himmelstein to share how they got started in the industry. Kelly shared his journey through film school in which he took part in many different aspects of the film industry before deciding he wanted to become a producer. “I thought I wanted to script supervise then quickly realized I wanted to be more on the producing side of things,” Kelly stated, adding, “So I found my way into becoming an assistant to producers and I worked for a music manager, television producer, celebrity manager in LA for a bit and just learned the general details on how to get things done and navigate problems.”

    When asked to share his experiences in performing multiple aspects of production, from executive producing to serving as a unit production manager, Kelly shared, “Each role has a lot of overlap. It’s really unique to the movie and it’s unique to the people you’re working with. It all kind of filters into this idea of being kind of like a team leader and overseeing, helping to manage the budget, the logistics, and the overall methodology of the production and how you’re gonna shoot the movie.”

    Working as collaborators on Working Title / Focus Features’ latest project, Covers, a film about the music industry, Kelly and Himmelstein were asked to share what the development process was like. Nathan began by saying, “This script had an unusually high amount of rewriting  for a production which had nothing to do with the script. The challenges were related to production, and when the movie gets cast a lot of times you may rewrite the roles to fit these different actors that you never anticipated coming on.” Dana added, “There’s a difference in what makes a really good script and what makes a really good movie. Once you’re in production mode, the goal post just moves.”

    Carlson then inquired about Kelly’s biggest project and the summer blockbuster hit, Once Upon a Time in… Hollywood, asking him about the environment on set and working with the points of views of well-known filmmakers and acclaimed actors. Kelly stated, “It taught me so much about different ways of thinking about filmmaking. The way that the set functioned was as a big movie, but it also had an intimate energy to it as if it were an independent film. Everybody cared so deeply about what they were doing and the level of dedication that was there was not just from the crew, but also on the cast side as well. Everybody was just insanely dedicated, on time, and available. It was really easy to adopt that same attitude throughout the process.”

    Kelly’s shared some wisdom on what encompasses a great producer, asserting, “You have to protect the movie from every aspect. It’s basically a really careful process of communicating with everybody and allowing the ideas to be out on the table, but making sure to squash all the ones that take away from the film.”

    The New York Film Academy would like to thank Kelly and Himmelstein for sharing their experiences and entertainment industry advice with students.

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    August 26, 2019 • Film School, Guest Speakers, Producing • Views: 1512

  • A Woman’s Place is in the Industry: A Women’s History Month Discussion at New York Film Academy Los Angeles

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    On International Women’s Day, March 8, the New York Film Academy (NYFA) Los Angeles campus welcomed 10 outstanding panelists for a dynamic and informative discussion entitled, A Woman’s Place is in the Industry

    The event was organized by NYFA Los Angeles Acting for Film Chair Lynda Goodfriend, and co-moderated by Head of MFA Feature Production Lydia Cedrone and Dean of Academic Advising Mike Civille.

    Panelists discussed the industry’s current climate, and offered their advice to students embarking on their careers. In a lively discussion, they shared both personal and professional reflections on their respective careers. 

    Each guest expressed her support of the New York Film Academy’s efforts to offer such a progressive and meaningful forum for women. 

    The evening ended with a lively Q&A with the audience. Several students asked pertinent questions about the direction the industry is heading, and learned from the panelists how the industry culture and women’s roles are changing — and how women can share an equal position in the industry.

    One student asked, “What is the most important thing that needs to change for women in the Entertainment Industry?”

    Actress Barbara Bain’s answer was to the point. “We need to pay women the same as men for the same work.”

    Dea Lawrence added, “We also need more women in positions of power … in the boardrooms, that’s where the decisions really get made.”

    The panelists suggested to our students that a greater emphasis on diversity in front of the camera, behind the camera, and in the content that is written and released, would lead to richer creative output without affecting the bottom line.

    The all-female panel included:

    Barbara Bain

    Three-time Emmy award-winning actress Barbara Bain is perhaps most recognized for portraying Cinnamon Carter in the popular Mission Impossible television series. Also well known for her philanthropy work, Barbara is the founder of the Screen Actors Guild “BookPals” Program, which promotes reading to children in schools throughout Los Angeles.

    Kelly Gilmore

    Former Senior Vice President of Global Toys at Warner Bros Consumer Products, Kelly Gilmore is responsible for licensing intellectual properties such as DC Comics, Harry Potter, Scooby Doo and Looney Tunes to major global toy companies, including Mattel, Hasbro, Spin Master and Funko. When Kelly retired in 2016, her team had the biggest financial year of her career, winning a total of nine awards. 

    Ronnie Yeskel

    Casting Director Ronnie Yeskel’s numerous high-profile film and television credits include such iconic films as Reservoir Dogs and Pulp Fiction for director/writer Quentin Tarantino. In television, her credits include Curb Your Enthusiasm for Larry David. 

    Lisa Guerriero

    Camera operator Lisa Guerriero has worked on numerous films and television series as an operator and member of the camera crew. A trailblazer in this predominantly male-driven department, her credits include Suicide Squad, Mission Impossible and Fight Club, as well as the widely popular TV series Mad Men

    Elvi Cano

    Elvi Cano is the executive director at Egeda U.S. Elvi and her team in Los Angeles and Miami provide assistance to Spanish and Latin American filmmakers, and serve as a liaison between the U.S. film industry and those of Spain and Latin America. She is actively involved in the annual Platino Awards of Iberoamerican Cinema in Panama, Spain and Uruguay.  

    Jeanette Collins

    Veteran writer and producer Jeanette Collins began her writing career with partner Mimi Friedman on In Living Color, where they were nominated for an Emmy. Their many credits include A Different World, Suddenly Susan, Will and Grace, two seasons on HBO’s acclaimed Big Love, and Dirt. They are currently developing a mini-series for HBO about the wars in Afghanistan and Iraq. 

    Winship Cook

    Film, television and theater producer Winship Cook’s Paramount TV series credits include Down Home and Fired Up. She co-executive produced the Hallmark Channel movie The Family Plan.  Winship’s film credits include 102 Dalmatians starring Glenn Close and K-19: The Widowmaker directed by Kathryn Bigelow. She also developed and produced its off-Broad incarnation RFK, an award-winning show directed by Larry Moss. 

    Dea Lawrence

    As the Chief Marketing Officer for Variety, Dea Lawrence is responsible for driving Variety’s global branding and communications strategy — including overseeing the marketing and production of their 70 annual events and summits, and the Variety Content Studio, which creates storytelling for brands. 

    Valorie Massalas

    Casting director and producer Valorie Massalas’ numerous credits include such blockbuster films as Back to the Future 2 & 3 directed by Robert Zemeckis, Indiana Jones, and Total Recall, starring Arnold Schwarzenegger and Sharon Stone. 

    Jana Winternitz

    Award-winning producer and actress Jana Winternitz has worked with Legendary, 20th Century Fox, Disney and Focus Features. Jana enjoys generating strong and complex female roles for the screen. 

    We thank each guest for her participation!

     

     

     

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    March 20, 2018 • Acting • Views: 1852