IFC
Posts

  • Q&A with Star and Filmmakers of IFC’s “DriverX”

    Facebooktwitterredditpinterestlinkedinmail

    On Friday, November 18, New York Film Academy (NYFA) hosted a screening of IFC’s DriverX (2018), followed by a Q&A with director/writer and NYFA instructor, Henry Barrial; producer, Mark Stolaroff; and star, Patrick Fabian; featuring and moderated by NYFA Acting Dept. Associate Chair, Anne Moore. 

    DriverX ScreeningBarrial is a writer, director, and filmmaking/acting instructor at New York Film Academy’s Los Angeles campus. DriverX marks Barrial’s fifth feature. His previous credits include The House That Jack Built, Pig, and Some Body, which premiered at the Sundance Film Festival. Stolaroff is a producer with 25+ years in the business, and is considered to be an expert in micro-budget filmmaking. He has produced all five of Barrial’s features.

    Fabian has been a working actor for over 25 years, with 115+ credits to his name. He currently stars as Howard Hamlin on AMC’s Emmy-nominated Better Call Saul. His other credits include  Friends, Grey’s Anatomy, The Newsroom, Criminal Minds, and Will & Grace, to name a few.  Film audiences may know him best as Reverend Cotton Marcus in The Last Exorcism, and he is also fondly remember as “Professor Lasky” in Saved by the Bell: The College Years. Fabian has also starred in NYFA alum Aymen Khoja’s Arabian Warrior, the first ever Saudi-American feature.

    Moderator Anne Moore opened up the Q&A by asking Barrial about the collaboration between Fabian and himself on the script, as Barrial wrote the part of Leonard Moore specifically for Fabian. “I had the outline of the script worked out before I brought it to Patrick, and from there we worked on the character development,” says Barrial. He added, “In terms of the actual writing of the script, that was all me.” DriverX Screening

    Barrial went on to discuss the importance of collaboration and community in this business, with Fabian chiming in by asking, “Who on this stage has been playing beach volleyball for the past 15 years together?” Barrial, Fabian, and Moore all raised their hands and it was revealed they have been friends and colleagues for a very long time.

    Barrial went on to talk about the personal nature of this project and his collaboration with producer Mark Stolaroff. “Most producers won’t tell you what their budget was, but I will!” exclaimed Stolaroff.  Immediately a Filmmaking student asked what the budget was, with Stolaroff answering, “We started with a budget of $100,000 which got us through production. From there we did a Kickstarter campaign to raise the funds we needed for Post, so all in the budget is $140,000.”  

    Obviously the movie is a labor of love as many of the cast and crew have worked on Barrial/Stolaroff films before.

    When asked about how Fabian worked around his Better Call Saul shooting schedule, Fabian replied, “First off, I have to say how happy I am that I have a job that needs to be worked around. Henry and Mark were great about my schedule, but that’s what you do, you make it work.”

    DriverX ScreeningFabian went on to talk about his longevity in the business, and the importance of being prepared: “You need to show up, be ready, and be early. And take care of yourselves when you don’t get the part. Go hiking, drink juice, do whatever you need to get you through the tough times, because if you stay focused and committed, things will go your way.”

    The New York Film Academy thanks Patrick Fabian, Mark Stolaroff, and Henry Barrial for sharing their insights about making an independent film on a micro budget with a challenging schedule.

    DriverX opens November 30th in theaters and on demand.

    Facebooktwitterredditpinterestlinkedinmail

    November 21, 2018 • Acting, Filmmaking, Guest Speakers, Producing • Views: 1429

  • NYFA Professor’s ‘Elena’ in Top 3 for Box Office Per Screen Average

    Facebooktwitterredditpinterestlinkedinmail
    Elena
    Elena, directed by New York Film Academy professor, Petra Costa, won big at the box office opening weekend! In fact, it even out earned X-Men: Days of Future Past on per screen average.

    NYFA is proud to have kicked off this incredible success with a SOLD OUT opening night screening that we hosted with Oscar-winner Tim Robbins and Cinema Tropical.

    If you haven’t caught it yet, get to the IFC Center in New York City immediately. Tonight is the final night of the special New York Film Academy discount. Be sure to bring your ID and enjoy!

    ELENA “launched surprisingly well in New York … This start should find niche bookings around the country.” – indieWIRE

    Facebooktwitterredditpinterestlinkedinmail

    June 5, 2014 • Community Highlights • Views: 3779

  • Philip Dorling Screens “Why Stop Now”

    Facebooktwitterredditpinterestlinkedinmail

    This Monday evening, the New York Film Academy welcomed back former 1-Year filmmaking graduate, Philip Dorling. Philip’s last visit came back in 2011 when he screened his thesis film, “Predisposed.” Since then, Philip raised funds to shoot the feature with Melissa Leo, Jesse Eisenberg, and Tracy Morgan. The film was accepted at Sundance and picked up for distruction by IFC. Along the way, the title was changed to Why Stop Now, which Philip says was the producers’ idea. Though, Eisenberg eventually came up with the wording for the title. This being one of several compromises Philip had to make in order to successfully finish his feature film. As the evening’s host, NYFA Instructor Tassos Rigopoulus puts it, “Filmmaking is all about compromises.”

    Philip suggests young filmmakers take the independent route, as opposed to writing a script and trying to get it in front of a big agent or producer. “If you want to make independent films, you should try to relate to someone who can raise money,” says Philip. Ultimately, Philip was able to convince three major actors to believe in his vision and after three years of planning, the financing eventually came from BCDF Pictures. With NYFA’s intense training and busy schedule under his belt, Philip was able to pull off a twenty day shoot on a relatively small budget, especially for feature standards. And from the words of renowned film critic Roger Ebert, “Why Stop Now is a bright screwball comedy about one fraught day in the life of a piano prodigy, his crackhead mother and her drug dealers.” Not a bad critic to have on your side.

    The young director is currently in the middle of raising finances for his next project, Eat My Love, which he began writing two days after Why Stop Now was completed. Not only that, Philip extended an open invitation to NYFA filmmakers and actors to be a part of his next film. He hopes to have more details in the near future.

     

    Facebooktwitterredditpinterestlinkedinmail

    February 12, 2013 • Film School, Filmmaking, Guest Speakers, Student & Alumni Spotlights • Views: 5231

  • Sarah Louise Wilson’s Feature to Air on PBS This Weekend!

    Facebooktwitterredditpinterestlinkedinmail

    Actor Steve Talley in ‘The Accidental Death of Joey by Sue’

    New York Film Academy MFA Film student Sarah Louise Wilson is riding a wave of success. Her films have played at 30 festivals worldwide. Her first short film, which premiered 3 years ago at Frameline, continues to make the rounds on the festival circuit, and is used as an educational tool in classrooms. She wrote, produced, and starred in her first feature film, Jelly, alongside Natasha Lyonne (Slums of Beverly Hills, But I’m a Cheerleader), and Ed McMahon in his last film role. Shot on 35mm, the film was sold to Sundance Independent and IFC. Her second feature length film, The Accidental Death of Joey by Sue, was bought by PBS, and will make its television premiere this weekend. Variety called it “Stylish and strange enough to mark Sarah Louise Wilson and [co-writer/producer] Neal Thibedeau as helmers to watch.”

    Continue Reading

    Facebooktwitterredditpinterestlinkedinmail