jeremy harris
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  • NYFA LA Chair Tony Richmond Interviewed by Cineaste

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    New York Film Academy Los Angeles Cinematography Chair Tony Richmond recently discussed his long-standing career as well as the new 4k digital restoration of “The Man Who Fell to Earth” with Cineaste, a leading magazine on the art and politics of cinema.

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    Beginning with his first gig as a news runner on London’s Wardour Street, Richmond chronicles his rise in the business. Early in his career, Richmond had the extraordinary opportunity to work with Jean-Luc Godard on “One Plus One” (“Sympathy for the Devil”), followed by three groundbreaking films for Nicholas Roeg, including “Don’t Look Now,” “The Man Who Fell to Earth,” and “Bad Timing,” among many other films.

    “The greatest thing about Godard, for me, and this has resonated throughout my career, is that, as he once said, movies have a beginning, a middle, and an end, but not necessarily in that order,” said Richmond about his work with Godard. “I think that’s fantastic…bloody fantastic!”

    As to his work with director Nicholas Roeg, Richmond said, “The cinematographer’s job is to put the director’s vision on the screen and maybe enhance it. But Nic has a very strong vision for the movie. What I’ve always found is that as a cameraman, or as a cinematographer as we’re called, we want to learn from the director exactly how he wants his movie to look, feel, and smell. Some of them know what they want, but they can’t put those feelings into works, whereas Nic can.”

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    To date, Richmond has worked as a cinematographer on more than ninety films from all genres, including “Men of Honor,” “Candyman,” Legally Blonde,” “Dumb and Dumberer,” and recently completed “Diary of a Wimpy Kid: The Long Haul,” with NYFA alumnus Jeremy Harris working as his personal assistant on the film.

    Having worked on a variety of genres, Richmond says he has now reached a point in his career where he will only work with friends. He’s currently working on a movie a year while serving as the Chair of NYFA LA Cinematography.

    “It’s wonderful watching these new kids coming up,” said Richmond in his interview with Cineaste.“

    Richmond will be heading east to NYFA’s New York location for an exclusive Cinematography Master Class on June 16, 2017.

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    May 30, 2017 • Cinematography, Faculty Highlights • Views: 3840

  • MFA Cinematography Grad Wraps As Assistant to Director of Photography on “Diary of a Wimpy Kid”

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    We’ve had many instances of students not only collaborating with their peers, but also students and alumni reconnecting and working with their former instructors. As many of the New York Film Academy instructors are working professionals outside of the classroom, Cinematography School alumnus Jeremy Harris was able to capitalize on this through his relationship with Cinematography Chair Tony Richmond.

    Richmond, who has an extensive career as a professional cinematographer, was recently brought on board as Director of Photography for the upcoming Twentieth Century Fox sequel, “Diary of a Wimpy Kid: The Long Haul.” The film, which stars Alicia Silverstone, Tom Everett Scott and Jason Drucker, revolves around the character of Greg (played by Drucker), who convinces his family to take a road trip to attend his great grandmother’s 90th birthday as a cover for what he really wants: to attend a nearby gamer convention.

    harris and richmond

    Jeremy Harris with Tony Richmond on set of “Diary of a Wimpy Kid”

    “It was great having Jeremy on set with me on ‘Wimpy Kid “The Long Haul,'” said Richmond. “I am convinced, having seen Jeremy work on the set, that he is now well on his way to a long and successful career as a cinematographer.”

    As Assistant to the Director of Photography, Harris was able to see first-hand the working relationship between the Director and the Director of Photography. He was able to work with Richmond’s three camera crews and the three Alexa cameras, as well as two sets of old Taylor Hopson Cooke Speed Pancro Lenses, which were used from the 1950’s. Even more exciting for the young cinematographer, he had access to multiple techno cranes and stabilized heads.

    diary of wimpy kid

    Some other valuable experiences that Richmond noted for Harris were him being able to be in the DIT tent with not only Richmond, but also his Digital Imaging Technician — to see how the team was using the Technicolor LUT and the color and contrast decisions they were making. He gained working experience with both the electrical and grip crews as well as the rigging crews. Harris also worked with both the 2nd Unit and Stunt Unit of the film.

    “I think the most exciting and fulfilling part of this endeavor was just waking up knowing that every day I would get a chance to not only learn, but be around some of the most lovely, hard-working people I’ve ever met, as well as just having quality time with Tony,” said Harris. “NYFA helped me a lot when it comes to understanding each aspect of being a crew member, as well as being a DP. I didn’t always feel like a fish out of water on set.”

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    As for where this position could lead him in the future, Harris says he still can’t quite put a finger on the exact direction, adding, “I think that’s a good thing. I do know that anything, any opportunity that comes my way from now on, I feel as though I am definitely more prepared, more skillful, clever, and creative.”

    This role also allowed Harris to join the International Alliance of Theatrical Stage Employees (IATSE) Union, which supports Moving Picture Technicians, Artists and Allied Crafts. Being a member of the IATSE gives Harris a huge leg up in his career pursuits.

    “Diary of a Wimpy Kid: The Long Haul” is currently in post-production and will be in theaters May 19, 2017.

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    January 6, 2017 • Cinematography, Student & Alumni Spotlights • Views: 5454

  • Cinematography Grad Hired by DP Tony Richmond for “Diary of Wimpy Kid”

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    It’s often a difficult and stressful process finding your first job out of college — no matter what line of work you’re in. That’s why it is essential to network and ask around to the people you know best. With one of the New York Film Academy Cinematography program’s recent graduates, Jeremy Harris, he was able to parlay his relationship with the program’s chair, Tony Richmond, into an Assistant to the Director of Photography position on a major motion picture.

    Jeremy Harris

    Jeremy Harris (on right)

    Richmond has an extensive background in cinematography, having worked on major productions like “The Sandlot,” “Legally Blonde,” “Men of Honor” and countless others. While serving as chair of the program, Richmond continues to work in the field. His upcoming Director of Photography work will be on the film “Diary of a Wimpy Kid: The Long Haul,” with his former student at his side.

    We caught up with Jeremy Harris to find out how he landed the role with Mr. Richmond and what his plans are while on set and in the future.

    jeremy harris

    Jeremy Harris on set of “Diary of a Wimpy Kid: The Long Haul”

    How did this position come about?

    This position came about a month or so before graduation. Our class was with Tony on a production workshop. We were on lunch break, if I can recall, and Tony asked me if I had family in Atlanta, which I do. Then he mentioned he may be working on a film there and wondered if it went through would I want to go with him. Obviously I couldn’t refuse, especially seeing that it’s another opportunity to learn even more from one of the best, and someone who unconsciously shaped my childhood with “The Sandlot.”

    Can you tell me a little bit about the role you have with Tony and on-set?

    My position on set is Assistant to the Director of Photography. I assume it will be something similar to a Camera PA but whatever the job calls for, I am overly excited and willing to take part in this production.

    Jeremy Harris with Tony Richmond

    Jeremy Harris with Tony Richmond

    What do you expect to achieve / learn from this position?

    This will be my first feature set I’m taking part in, so I know there will be a lot of learning coming with the territory. Being with Tony every step of the way will definitely allow for some needed new knowledge and skills as an aspiring cinematographer; but I love operating and gripping as well, so I will definitely be keeping a watchful eye on those positions on set and ready with plenty of questions. I will be surrounded by nothing but experienced professionals on set, so I plan on soaking in all the information I can — especially set etiquette and procedures — because I take pride in not wasting time or money on set.

    Is your goal to be the main cinematographer on feature films? Is there any style or genre that you prefer?

    Yes, my goal is to be the main cinematographer on feature films. I started out as a news and documentary camera operator, which helped me transition into film and I still have a love and passion for operating, but cinematographer is the main objective. Outside of feature films I’ve had a growing interest in creating art installations.

    1 chance

    still from “1 Chance”

    How would you describe your overall experience in the NYFA Cinematography program?

    Honestly, I loved every minute of my time in the cinematography program. I’ve learned so much over the course of these two years that I would have never thought I could possibly retain. I think NYFA has the best group of cinematographers to not only instruct us but prepare each and every person that comes through that program for life, in general. This has been the best decision I’ve made in my life.

    Are you working on any films of your own that you’d like to share with us?

    I recently DP’d a close friend’s thesis that I would love for people to see. I think the story is amazing and very touching. The title is “1 Chance” and I think it is a great representation of the times, and really gives the audience hope in the world we live in today. Other than that, I am really focusing on learning a lot from this upcoming experience with Tony Richmond and coming back to Los Angeles — or wherever I may land — and applying my knowledge and skills to all endeavors to come.

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    September 14, 2016 • Cinematography, Student & Alumni Spotlights • Views: 7132