New York Film Academy’s (NYFA) own Phyllis Tam, who recently graduated with her MFA in Filmmaking from NYFA’s Los Angeles campus, has beennamed a finalist in the 47th Annual Student Academy Awards for her narrative short film Fragile Moon.
Still from Student Academy Award finalist film ‘Fragile Moon’ (Photo Courtesy of Phyllis Tam)
“I could not be more excited that Fragile Moon made it to the semifinals for the Student Academy Awards,” shares NYFA’s Director of Film Festivals, Crickett Rumley. “Phyllis worked so diligently to perfect every single detail of her film — down to the placement of subtitles — that it’s no wonder her dedication paid off. It is such a timely story about the impact that immigrating to the U.S and pursuing the American dream has on families. The themes of memory, loss, and the healing power of art resonate long after the film is over.”
Still from ‘Fragile Moon’ (Photo Courtesy of Phyllis Tam)
“We are proud to see Phyllis Tam’s creativity and hard work pay off with her film Fragile Moon as she continues to advance in this prestigious competition for student filmmakers worldwide,” says NYFA President Michael Young. “Like Phyllis’ honorary achievement with the Student Academy Awards, we are excited to see NYFA students go on to achieve their dreams with their outstanding work.”
Finalists for the Student Academy Awards were announced on August 13, 2020, with the ceremony confirmed for Thursday, October 15, 2020.
The winners of the Student Academy Awards will be eligible to compete for the 2020 Oscars in the following categories: Animated Short Film, Live Action Short Film, or Documentary Short Subject category. Previous Student Academy Award winners have gone on to win 11 Oscars, and receive 63 Oscar nominations, among them include: Cary Fukunaga, Spike Lee, Trey Parker, and Robert Zemeckis.
When shooting abroad, a solid production team is essential for shooting projects in an area you may be unfamiliar with. New York Film Academy (NYFA) MFA Filmmaking alum, Valéria Costa, makes it her job to ensure that foreign companies have everything they need, which is exactly what she recently did for the Netflix productions of Sergio and Street Food: Latin America.
Originally from São Paulo, Brazil, Costa came to NYFA after wanting to learn the practical side of filmmaking. “I also wanted to study abroad and improve my English,” she tells NYFA, “so I decided to apply to the MFA Filmmaking program at NYFA and kill two birds with one stone.”
Valéria Costa (Left) on set
Costa has since worked her way up through the ranks at production house Brazil Production Services, becoming a as a Production Manager. She has worked on multiple projects both in Brazil and in the United States including Netflix’s Hyperdrive and 90 Day Fiancé: The Other Way. Costa also worked on the NYC unit for the Brazilian feature filmMinha Vida em Marte and on the set of the shoot for the Get to Know Me music video with Brazil’s biggest popstar, Anitta.
Costa’s recent projects as a production manager have been with big name titles like the Netflix film Sergio, which premiered at this year’s Sundance Film Festival, starring Ana de Armas and famous Brazilian actor Wagner Moura. “It was a great experience,” shares Costa. “We had several weeks of pre-production and the challenge to build a 100+ local Rio de Janeiro crew, and served as the main members of the crews (being bilingual) to communicate between the Brazilian crew and American crew that flew to Brazil for this shoot.”
Film poster for ‘Sergio’
As with any production, Sergio posed many challenges for Costa and the crew. Some of those challenges included finding the right person for a certain type of shoot and transforming a whole set to resemble an entirely different decade.
“We had an underwater scene being filmed in the Rio de Janeiro that meant we needed to bring in the best underwater camera operator in Brazil to ensure we had the best footage possible,” reveals Costa. “We also needed to make sure all scene components were true to the time period, with many written as Sergio’s flashbacks from the 70’s; everything from street signs, cars, beach wear, people’s wardrobe, accessories, and more needed to be thought through.”
Poster for ‘Street Food: Latin America’
Another exciting project helmed by Costa and her team was Netflix docuseries Street Food: Latin America. Costa managed the Brazil Unit for the streaming series and reveals it was a “fulfilling experience” but also challenging overall.
“The city of Salvador [where the shoot was taking place] is not as developed as São Paulo or Rio de Janeiro, so, at some point during production, we had an issue with the equipment and we had to act very fast and put somebody on a plane to bring equipment from São Paulo for us ASAP so our schedule wasn’t affected. Everything worked out in the end and I’m very happy that people from all over the world get to know some of the best Brazilian and Latin American food.”
Valéria Costa (Second from left) with the production crew behind the scenes of a shoot
Costa’s job is certainly never quiet. Besides having the usual responsibilities of a Film Production Manager, she is also in charge with advising her clients on the local filming requirements of the country that they are looking to film in, while also seeking to align their expectations based on the limitations of that location.
“There’s a Brazilian saying that I believe summarizes working in the film industry for me: ‘A rapadura é doce, mas não é mole não.’ That translates to something like, “The candy is sweet, but it’s not easy to bite. What we do is definitely not easy. You work long hours, deal with extremely tight deadlines and budget limitations, but I really love making movies and dealing with all the moving parts of a set and once you can see the final product I can guarantee that it’s worth it.”
New York Film Academy would like to congratulate MFA Filmmaking alum Valéria Costa on her recent successes for the two Netflix productions, and is excited to see what’s in store for Costa as she continues to manage productions in two different global hemispheres of the world.
Phillip Noyce, the acclaimed and award-winning director, screenwriter, and producer of film and television, has joined the New York Film Academy (NYFA) faculty and this week taught his first master class to MFA Filmmaking students at our Los Angeles campus.
Throughout his prolific career, Noyce has worked with such celebrated luminaries performers as Harrison Ford, Nicole Kidman, Denzel Washington, Michael Caine, Meryl Streep, Val Kilmer, James Earl Jones, Rutger Hauer, Kenneth Branagh, Angelina Jolie, Chiwetel Ejiofor, Jeff Bridges, Willem Dafoe, Liev Schreiber, and Renée Zellweger.
Noyce began his first NYFA master class by showing behind-the-scenes footage from his award-winning film, Rabbit-Proof Fence, before going into the early beginnings of his filmmaking career. Noyce was born in New South Wales, Australia, and moved to Sydney at a young age. Before he was twenty years old, he started running the Filmmaker’s Cinema along with Jan Chapman, where for three years he screened the short films of directors who would go on to develop the Australian New Wave, such as Gillian Armstrong, Peter Weir, Bruce Beresford, Paul Cox, and George Miller.
After working in television and directing a few feature productions, Noyce made his breakout film, Dead Calm, which launched the career of Nicole Kidman. Soon after that, he was living in Los Angeles directing major Hollywood studio films, including the Jack Ryan films Patriot Games and Clear and Present Danger, starring Harrison Ford.
Since then Noyce has written, directed, and produced numerous commercially and critically successful films like The Saint, The Bone Collector, Salt, The Giver, The Quiet American, and Rabbit-Proof Fence, as well as various TV pilots, episodes, and miniseries like Vietnam, Tru Calling, Luck, Roots (2016), and the recent Netflix original What/If.
Noyce has been recognized for his outstanding contributions as a filmmaker, earning multiple nominations and awards for his work. These include a National Board of Review award for Best Director, a London Critics Circle Film Award for Director of the Year, several awards from film festivals like the Edinburgh International Film Festival and Bangkok International Film Festival, and numerous awards from Australian institutions including Australian Academy of Cinema and Television Arts (AACTA) Awards for Best Film, Best Director, and a special Lifetime Achievement Award.
In his new role on New York Film Academy’s faculty, Noyce instructed MFA Filmmaking students on several aspects of the craft, using scenes from his films Dead Calm and Rabbit-Proof Fence to illustrate many of his talking points, using his decades of experience as a director, writer, and producer. He described how “having a hard back and soft front” was vital for directors–a strong vision and determination that cohabitates with a willingness to listen and accept new ideas.
On directing the right screenplays, Noyce expressed that the most important thing for a good script is that you have to love it–to have an emotional connection to it and be passionate about the story. He proved his own point by relating to the class how he passed on a huge offer to direct the next Jack Ryan movie so that he could focus on the indie film Rabbit-Proof Fence.
Additionally, Noyce covered everything from artistic voice and vision to the practicalities of directing stunts and action scenes, such as the famous truck sequence from the Angelina Jolie vehicle, Salt. The master class even included a trust exercise where students took turns guiding other students whose eyes were shut around the room without using dialogue, forcing them to connect and place trust in one another.
After covering several aspects of filmmaking in detail, the master class concluded with a lecture on television, including a video of a TV series pitch that a writer had recorded for Noyce. He contrasted it with a written pitch that he distributed to the class, who then discussed which pitches they preferred and why. Phillip finished the night by taking suggestions from students for other subjects they’d next like to learn more about, promising to focus on these and more in upcoming master classes he’ll be teaching at the Academy.
New York Film Academy MFA Filmmaking Alum Jaco Dukes saw all of his hard work come to fruition last May when he premiered his film El Guardia at the Cannes Film Festival’s Marché du Film.
Dukes originally hails from Chile and first attended NYFA in September 2011, enrolling in the MFA in Filmmaking program at our Los Angeles campus. “My first year at NYFA was one of the best years of my life,” says Dukes. “For the first time, I was able to think about filmmaking all day, every day of the week. It was paradise. My thesis film that I shot at NYFA opened the door for me to every project and work opportunity that came after. So I think that, if you have all the guidance, support and resources that NYFA can offer (like the amazing instructors; James, Ryan, Nick, Tim, Andrew, and many others), plus an obsession for film and filmmaking, then probably great things will come.”
The English-language poster for ‘El Guardia’
Since graduating NYFA, he has written and directed the short films Silent and Mikey, as well worked several others as an editor and cinematographer. Dukes directed, wrote, and co-produced El Guardia, his first feature film. The script is based on the true story of the highly acclaimed businessman, life coach, and best-selling author Juan Rosado from Puerto Rico, and was inspired by Rosado’s empowering book Rags to Riches (El Guardia Que Compró Su Sueño).
The story focuses on a frustrated security guard that starts a network marketing business as a second job with his mentor and veterinarian friend, which leads them into a life-changing journey that will affect the lives of everyone around them.
The film made its grand debut at the Marché du Film in Cannes, France in May 2019. The distribution of the film is being managed by Adler & Associates Entertainment, who are submitting the film to festivals around the world as well as planning a theatrical premiere and distribution in cinemas in Puerto Rico, Miami, New York, and Los Angeles sometime in 2020.
NYFA MFA Filmmaking alum Jaco Dukes
Dukes is currently working on his next screenplay, an indie film that he’s always wanted to make—he’s devoting all of his energy to producing it in 2020. Says Dukes, “[El Guardia] was the most challenging learning experience of my life as a film director, and thanks to all the obstacles, failures, and successes I had making this film, now I am a little more confident about directing my passion project, my own script, and kick ass with it.”
New York Film Academy congratulates MFA Filmmaking alum Jaco Dukes on the Cannes Film Festival Marché du Film premiere of El Guardia and looks forward to seeing what he makes next!
Necromurder, the film by New York Film Academy (NYFA) alum Pablo C. Vergara, won the Award for Best International Fictional Film at 2019’s International Film and Metal Festival (FICIME.)
The festival, which began this year in Colombia, aims to visualize and support the metal music and film industry not just in Colombia but around the world, generating a forum for artistic expression from a genre that has influenced a search for identity for many generations, and which has been influenced by many artistic sources.
FICIME received over 500+ submissions from across the globe. Sixty-eight audiovisual projects were selected for the fest, in eight categories, including films from Syria, Croatia, Burkina Faso, Africa, Russia, and Scandinavia.
Necromurder is a music-oriented movie with strong visuals and design—written, directed, and starring Vergara, who was inspired by films like The Crow and The Doors. The film, based on real events, revolves around two musicians fighting for the title of King of Evil, where their own demons and lifestyles will lead them down a spiral of destruction that culminates in murder. For more details on the film its sources, check out our interview with Vergara here.
Vergara hails from Mexico City and works as a cinematographer, actor, and filmmaker, among other roles, and enrolled in New York Film Academy’s Filmmaking program in New York in Fall 2016, before moving to Hollywood to work on completing his MFA at NYFA’s Los Angeles campus.
Vergara will be returning to NYFA on October 15, screening his film along with other NYFA filmmakers by invitation of Chair of Filmmaking Claude Kerven. The event will be held at NYFA’s New York campus at 7 p.m.
New York Film Academy congratulates Filmmaking alum Pablo C. Vergara on his festival win and encourages everyone to check out the film when it screens at NYFA’s New York campus on October 15, 2019.
UPDATE – OCTOBER 22, 2020:
Vergara’s film Necromurder got a special poster to reveal in Times Square as part of NYC’s Shockfest. Vergara’s director showreel will be shown ahead of screenings throughout the festival, where Rob Zombie, himself, will be in attendance as the festival’s guest of honor.
Students from the New York Film Academy (NYFA) 2018 Master of Fine Arts in Filmmaking program had the opportunity to tour Buzzfeed’s LA Lexland campus on Thursday, Sept. 12, 2019. The MFA Filmmaking students, who study at NYFA’s Los Angeles campus, were joined by producer and on-camera talent Rie McClenny for their field trip.
The visit included a chance to tour the studios, offices, prop room, and canteen, as well as the Buzzfeed Tasty Studio where McClenny whips up all manner of desserts for the Tasty Channel. The students enjoyed seeing the new media campus and learned a great deal about how the company operates.
“Huge thanks to Rie and Buzzfeed for having the class!” says NYFA instructor Rebecca Louisell.
From the left, front row: Rie McClenny (Buzzfeed), Rebecca Louisell (Instructor), Mahmoud Abul Burghul, Adilet Zhumabek, Kritika Chawla, Agnes Shinozaki, Veronica Badell, Haining “Carl” Gu, Shiran Wang. Back row: Ryan Mechling, Nick Sivakumaran (Instructor), Chin-Wei Chang, Lan-Chi Chien, Ether Tian Jin
On July 25, the LA Shorts International Film Festival held its final awards ceremony, where alumni from New York Film Academy (NYFA) swept the entire “Chinese New Wave” film category.
Alumni Shi Tanxuan and Jin Lingxi were awarded “The Best Chinese New Wave Filmmaker” award and “Special Mention in the Chinese New Wave,” respectively. The films of both alumni beat out several highly competitive films from other prominent and respectable film and art universities.
Shi Tanxuan started the MFA in Filmmaking program at New York Film Academy in Summer 2017 at NYFA’s Los Angeles campus. His film, Lip Reader: Game of Detective, which he wrote and directed, has a cast and crew of several other Chinese students and alumni from NYFA, including:
General Executive Producer
2017 Fall MFA Producing
Second Unit Director
2017 Fall MFA Filmmaking
1st & 2nd Assistant Director
2018 Fall BFA Filmmaking
2015 Fall MFA Filmmaking
Post Production Coordinator
2016 Fall MFA Filmmaking
2016 Spring MFA Filmmaking
2015 Spring MFA Acting for Film
2018 Summer MFA Acting for Film
2016 Fall BFA Acting for Film
2017 Fall BFA Acting for Film
Shi’s previous work has earned several awards and accolades, including from the Beijing University Student Film Festival, the Guangzhou University Student Film Festival, and other domestic and international film festivals.
Jin won for his film, The Outlying Islands, which was also produced and shot by a group of NYFA alumni. Production took place at the gorgeous Shengsi Islands in Zhejiang province, China. The film perfectly showcased the specific vision and style of Jin, who recently graduated from New York Film Academy with a BFA degree in Filmmaking. The crew of The Outlying Islands included multiple NYFA alumni:
2015 Spring MA Film and Media
Screenwriter & Assistant Director
2016 Spring MFA Filmmaking
2013 Fall MFA Cinematography
2013 Spring MFA Cinematography
The film has received several awards and accolades at various film festivals, including the Singapore International Short Film Festival, Shanghai Pride Film Festival, and other domestic and international film festivals.
The Los Angeles International Short Film Festival (LA Shorts) is one of the world’s largest international short film festivals. It was founded in 1997 and has been successfully held 23 times, with more than 300 films per year. LA Shorts is hailed as the largest international short film festival on the West Coast and not only has a high degree of recognition in the American film industry, but also is accredited by the Academy of Motion Pictures Arts & Sciences (AMPAS) and the Academy of Canadian Cinema and Television. LA Shorts is an official qualifying event for the British Academy of Film and Television Arts (BAFTA) short film awards.
New York Film Academy congratulates NYFA alumni Shi Tanxuan and Jin Lingxi on their awards at the Los Angeles International Short Film Festival!
New York Film Academy (NYFA) South Beach student Bruklyn Miller hasn’t completed her MFA in Filmmaking yet, but she’s already making waves in the festival circuit with her film, Celestial. The project was recently selected to receive the Wolfson CinemaSlam Works in Progress Award from the Miami Film Festival’s CinemaSlam section.
Miller is currently enrolled in the MFA in Filmmaking program at NYFA’s South Beach campus in Miami, Florida. As part of her studies, the young filmmaker will receive 2,000 hours of hands-on instruction and production experience on a variety of high-end digital and analog film cameras.
Celestial is Miller’s intermediate film. The social thriller focuses on Nola Dubois, an intentionally standoffish girl gifted with the ability of touch sensitivity. As she begins to unravel mysterious secrets about her parents’ church, Dubois finds herself haunted by tragic and disturbing events.
“As a filmmaker, you are often put in positions of struggling to make it closer to your dreams,” says Miller. “Celestial is the reason I applied to New York Film Academy. Working with the cast and crew for Celestial allows this to feel real. Everyone is so committed to creating something that goes beyond a typical horror film. We want to create something that haunts our audience even when it isn’t making them jump; something that is hushed and character driven—the real terror goes beyond the central purpose and more so with the byproduct of a ruthlessly specific agenda and the effects it has on our main character.”
The film was selected to receive a $2500 Wolfson CinemaSlam Works in Progress Award. As part of the grant, the film will be enrolled at no cost in next year’s Lynn and Louis Wolfson II Family Foundation CinemaSlam Competition. The prestigious section of Miami Film Festival’s CinemaSlam aims to support Miami-area student filmmakers and help them navigate the film festival circuit, as well as encouraging students to use archival materials in film and video production, specifically material housed at the Lynn and Louis Wolfson II Media Center.
Bruklyn Miller nabbed the top prize at the Wolfson CinemaSlam Production Grant Competition during the Miami Film Festival in March 2020.
When asked about incorporating the archival footage in her film for the competition, Miller remarked, “I knew how I wanted to use the archival footage the moment the opportunity was presented to us, however, I never planned on highlighting it as much as I did in the finished product.”
Miller, who is in her second year at New York Film Academy’s South Beach campus working toward her MFA in Filmmaking, says that Celestial is the reason she applied to New York Film Academy in the first place. “I found myself with, what I believed at the time, was a good script, but no idea on how to bring it to life,” she says. “New York Film Academy and CinemaSlam helped me do exactly that.” Celestial, Miller’s narrative short film, follows the uneasiness that stems from the stigma surrounding mental illness in the African American community.
Bruklyn Miller with her top prize at the Wolfson CinemaSlam Competition during Miami Film Festival (March 2020)
New York Film Academy congratulates MFA in Filmmaking student Bruklyn Miller on big win at the Wolfson CinemaSlam Production Grant Competition.
After finishing the film Tempting Fate, New York Film Academy (NYFA) MFA Filmmaking alum Kevin Nwankwor didn’t take a break—he immediately got to work on his next film, Muna. Earlier this month, the trailer for Muna was released.
Muna is an action-drama directed by Nwankwor and written by Nwankwor, Joe Leone, and Liam Parry based on a story by award-winning author Unoma Nwankwor. The film was executive produced by Emmanuel Ojeah and Unoma Nwankwor.
Shot in both the US and Nigeria, Muna tells the story of an assassin who falls in love while getting tangled in the global sex trafficking crisis. The cast includes Adam Huss, Robert Miano, Massi Furlan, Mayling Ng, and stars Adesua Etomi-Wellington, wife of musician and NYFA alum Banky Wellington.
“Human trafficking has become a great menace in our world today—the most troublesome part is the impact it has on the victims, turning them into something they would never have dreamt of becoming,” says Nwankwor. “Listening to the stories of these victims and knowing about those who go missing is heartbreaking. This is what motivated me to make Muna.”
After earning his MFA in Filmmaking from Burbank-based NYFA-Los Angeles, Nwankwor became CEO of family-owned production company KevStel, based in Atlanta, Georgia with an office in Abuja, Nigeria. KevStel produced both Tempting Fate and the upcoming Muna.
“I came into NYFA with a goal and a desire to succeed,” adds Nwankwor. “I hear people say there’s no need for film school, but after the drilling and hands-on training while acquiring my Master’s degree in Filmmaking from New York Film Academy, I was able to make my first feature,Tempting Fate,which received some nominations and awards even while I was still a NYFA student. And now in the new feature film Muna, you will see the traces of a Master’s touch.”
New York Film Academy congratulates MFA Filmmaking alum Kevin Nwankwor on his latest film Muna and looks forward to its release!
New York Film Academy (NYFA) Filmmaking alum Pablo C. Vergara has shot and is in the process of finishing the feature film metal horror, Necromurder. Vergara hails from Mexico City and works as a cinematographer, actor, and filmmaker, among other roles.
He enrolled at the New York Film Academy’s Filmmaking program in New York in Fall 2016, before moving to Hollywood to work on completing his MFA at NYFA’s Los Angeles campus. In Los Angeles, he has worked on several projects, including Adverse, starring Lou Diamond Phillips and Thomas Ian Nicholas.
New York Film Academy recently spoke with Vergara about his film and how the NYFA community can support it, as well as about his passions and his ambitious plans for the future of his career and his artistic output:
New York Film Academy (NYFA): First, can you tell us a bit about yourself, where you’re from, and what brought you to New York Film Academy?
Pablo C. Vergara (PCV): Hi! My name is Pablo C. Vergara. I was born in Mexico City. I am a musician and a filmmaker and have travelled the world for most my adult life and lived everywhere! This quest for adventure led me to discover the New York Film Academy when in 2016, I was invited to join them in NYC after applying for their consideration. Best decision I’ve made in my entire life!
NYFA: Why have you decided to focus on filmmaking?
PCV: This is a rather personal question but to narrow it down, I became a father and was struggling in a failing music career where basically I was stuck and being ripped off left and right and was going nowhere. So I decided to make a drastic decision, and that was to change careers and move into film, another of my main passions! I shot many, many music videos and some music documentaries while being a pro musician, so it was just underlying for me. Film it is!
NYFA: Can you tell us about your film Necromurder?
PCV: This film is going to be HOT real soon, because a new movie called Lords of Chaos has been released and it’s creating quite an impact. This movie is basically what I based my story upon. Some real crimes committed by some young crazy musicians back in the 90s. I used the same story and added some fiction and biographical elements into it.
I wrote, directed, and acted as the lead, so it was quite a challenging thing for me. And yes, I am very, very tired, but also very satisfied with the end result!
People can support the film in three ways: first, by buying into our Perks (which will be very rewarding at the end, as we are giving generous perks). Secondly, by sharing on their social media and with their email contacts, family and friends. And lastly, by working with us! This one’s the special one. If you’re in NYFA and want to be part of this project, we will be casting for actors and doing interviews for crew around the fall of this year (subject to change).
So just keep in touch, and eventually you’ll hear news about it and you just have to email me your headshot and resume and we’ll go from there! Just keep in mind it’s a heavy metal horror movie! Yes, we have zombies, too, and a scene in Limbo. In conclusion, you could support by doing all of those things, too, which wow, would definitely make you our heroes… for real!
NYFA: What inspired you to make Necromurder?
PCV: Coming from the Metal music background myself and being a musician professionally for 15 years, I got as far as getting a record deal, getting management and offers for full European tours. Two of my favorite movies are The Crow and The Doors, so basically I wanted to pay tribute to these films by making a very music-oriented movie along with strong visuals and cool dialogue and character design.
Of course, a horror too, which is my favorite genre and I’ve written four other horror screenplays. Basically, being part of the Metal world and a musician I knew about the story that I mentioned before—The Lords of Chaos—and I wanted to make a film about it. It had been documented and in countless articles and books so I thought, why not make a film about it?
But that happened right when Jonas Akerlund got the rights to do the story of the book, so I had to recreate a new story, but still based on those real events. Kind of a fictional biopic of some sorts! Plus, we shot in NYC throughout all four seasons so it’s visually striking!
NYFA: What are your plans for Necromurder after it’s completed?
PCV: I haven’t got that far yet, but definitely move it to the festival circuit a bit to see where that takes us and definitely make it a franchise! If you invest in us and this becomes a hit, I can guarantee you we’ll have Necromurder II, III, IV and maybe a Space 3D version too! Why not?!
NYFA: What other projects are you working on or do you plan to work on?
PCV: When I am through with Necromurder (and it might take a while) I will definitely want to shoot my other screenplays, real cool sci-fi and serial killer stories that I wrote. Those movies would look so cool if ever made. My plan I guess is just to consolidate as a serious filmmaker and keep bringing good quality films and stories into the world!
I would love to act more, too. I love acting, but it’s hard when you are on both sides of the camera, so I would welcome acting gigs more! If anyone needs an actor, hey, I’m here!!!
NYFA: What did you learn at NYFA that you applied directly to your work?
PCV: I learned a lot, especially by having to multitask the way I did. I would definitely never do it that same way ever again. But that being said, it was like a “baptism by fire” and it was purely coincidental since my lead actor dropped out 12 hours prior to rolling cameras and I had to step up and take the role! A friend, trying to calm my nerves, said to me, “Just do it! You wrote it, you know the story better than anyone, and you’re a real musician! Just do it, dude!”
And so I did, but it was very hard. I know how I would want to do things differently when a new project arises. That, and having a solid screenplay! Luckily as part of acing the course, I had to have a screenplay approved and it got reviewed by three professionals and drafted to it’s eighth or ninth version!
So yes, this story kicks serious ass and it’s real solid! I also learned a lot about all that it entails to produce a film. NYFA has been pivotal in my film career and the pinnacle of it as well!
NYFA: What advice would you give to students just starting out at NYFA?
PCV: Enjoy it! As hard as it gets and as tired as you may get, don’t quit! Trust me, you will regret it in the end, and I’ve seen it happen. If you stay, you will cherish those memories for the rest of your life because we’re fortunate to be part of such a great film institution—the best!
NYFA: Anything I missed you’d like to speak on?
PCV: Just to remind people that even if your budget is tight to buy perks, sharing our link is another way of also helping the project. When big movie studios check us out (and they will!), they’ll want to see numbers! This is test-proven, too… So we need all the “Likes” you can give us!