mollie moore
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  • NYFA Documentary Filmmaking Alum, Mollie Moore, on Her Journey as a Documentary Filmmaker and the Importance of Storytelling

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    New York Film Academy (NYFA) Documentary Filmmaking alum Mollie Moore is a filmmaker and cinematographer from South London, who is currently based in London and New York City. She has worked for renowned production companies such as the BBC, PBS, ITVS, Human Love LTD and DNA Films on various projects. Her films have gone on to be screened at festivals all over the world, with her work taking her to multiple continents. With her background in cinematography, Moore’s work pushes the limits of visual poetry through non-fiction storytelling, while also weaving in important themes that highlight the LGBTQ community and forced migration.

    From a young age, Moore was always involved with the theatre world and, when it was time to go to college, she travelled instead to South East Asia, India, South America and many other places while working as a crew member on fictional film sets. “I realized the vast possibilities of storytelling and the importance of capturing the beauty of the world we live in and the stories within it,” shares Moore. “Documentary felt like a natural marriage with my background in theatre, storytelling and my passion for exploration and the people I met along the way.”

    This realization brought Moore to New York, where she studied in NYFA’s 1-Year Conservatory Program for Documentary Filmmaking. “It was a course that I could give all of my attention to, whilst getting maximum in-person time to learn in a creative and hands-on way,” she explains. 

    Film Poster for ‘A Word Away’ (Dir. Mollie Moore)

    Her thesis film, A Word Away, premiered at the Camden International Film Festival. A Word Away centers around a young man named Cosmo, who is from South Sudan and now resides in the U.S, who share his journey of migration through the medium of poetry. For Moore, it was important for her to find “a new way of telling a story of migration, through a more intimate and personal lens.” At the film’s premier, Moore recalls that having Cosmo and his family present was a very important moment for her as it was their stories being told and seen. “Documentary filmmaking should always be seen a collaborative process between the filmmaker and the people sharing their stories.”

    After graduating NYFA, Moore also worked on festival favorite Paper Thin, a documentary about a young transgender womxn starting a new life in New York City after having to flee the persecution of LGBTQ+ persons in Russia. Not long after, Moore worked as the cinematographer for the short film, Mama, a personal story between a mother and daughter (dir. NYFA alum Lucia Florez), who look into their past to try and reconcile their relationship after years of difficult conversations and opinions about sexuality.

    Mollie shooting in Peru on set of the film ‘Mama’ (Dir. Lucia Florez)

    These films, and others with similar themes, are ones that Moore says she holds “very close to my heart and with a lot of passion.” While Moore identifies with these topics on a personal level, as a filmmaker, she explains that these stories are crucial to share. “I think shedding light on topics and communities that have often been massively misconstrued and discriminated against through violent acts of oppression and injustice is of huge importance.” For those that have a platform to shed light on subjects and real world issues in an objective, honest way, it can be a privilege. Moore says, “we must share it [the stories of others] and give voices to those whose realities have often been silenced throughout history.”

    Moore is currently working as a filmmaker on the artist Marc Quinn’s public art project, Our Blood; a multi media public artwork that focuses on the refugee crisis all over the world. The art piece will premiere outside of the New York Public Library in 2021, but for now, Moore and others involved on the project are continuing their filming in London and New York City. 

    New York Film Academy (NYFA) would like to thank NYFA Documentary alum Mollie Moore for sharing more about her work as a documentary filmmaker and encourages everyone to check out her work and keep an eye out for the Our Blood project, once it has been unveiled in 2021.

    To keep up with Mollie Moore, check out her website here or follow her on Instagram.

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    June 17, 2020 • Documentary Filmmaking, Student & Alumni Spotlights • Views: 1004

  • DOC NYC Screens Exclusive Lineup of New York Film Academy (NYFA) Documentary Filmmaking Department Shorts

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    DOC NYC, which runs from November 6 – 15, showcased the work of the New York Film Academy (NYFA) Documentary Filmmaking department in an exclusive lineup of NYFA short films on Thursday, November 7.

    DOC NYC is celebrating its tenth year, after bursting onto the scene in 2010 that the Village Voice called “selective but eclectic.” With a mission statement to guide audiences toward the work of various artists—filmmakers, photographers, and more—and to help documentarians make the most of emerging technologies and the networking opportunities one can only find in New York.

    DOC NYC 2019

    The festival spans ten days at theaters across Manhattan, with an impressive multitude of special guests. Past guests have included Hillary Clinton, Emma Watson, Jim Carrey, Thandie Newton, Susan Sarandon, Martin Scorsese, Itzhak Perlman, Michael Moore, Chris Rock, Michel Gondry, Errol Morris, Oliver Stone, Jonathan Franzen, and Al Sharpton, among others. DOC NYC is overseen by Executive Director Raphaela Neihausen and Artistic Director Thom Powers.

    NYFA has collaborated with DOC NYC in the past, with the fest screening the work of several distinguished students and alumni at the precipices of their careers. This year’s DOC NYC U: NYFA lineup was held on Thursday, November 7, at 1:00 p.m. at the IFC Center in Manhattan’s West Village, running for 68 minutes.

    Here is the 2019 DOC NYC U: NYFA lineup:

    Ghost Villages of the Himalayas | Director: Kuldeep Sah Gangola
    Despite encroaching leopards and relentless isolation, 89-year-old Ammaji refuses to leave her home.
    (USA, 16 MIN)

    My Dad Vernon | Director: Serena Smith
    Vernon teaches Serena creative life-hacks while she tries to understand why he lives in his car.
    (USA, 3 MIN, excerpt)

    Mamá | Director: Lucia Florez
    Chia joins her mother to research motherhood in the Andes, where they confront their own relationship.
    (USA, 6 MIN, excerpt)

    All I See Is the Future | Director: Nancy Dionne
    A former drug dealer becomes a successful optician—until a mistake threatens his dream.
    (USA, 14 MIN)

    A Word Away | Director: Mollie Moore
    For 18 years, selective mutism has kept Cosmo silent about escaping South Sudan—until now.
    (USA, 20 MIN)

    Get It | Director: Joe Cleary
    Reem hustles to parlay street-dancing fame into a rap career.
    (USA, 3 MIN, excerpt)

    B-city | Director: Carolina Gonzales
    Bhustak creates a makeshift hip-hop studio to help neighborhood kids escape violence in Bogotá.
    (USA, 3 MIN)

    Baladna | Director: Aya Hamdan
    A Syrian baker navigates economic instability and immigration status to bring his family to Bahrain.
    (USA, 3 MIN)

    Epiales | Director: Anna Panova
    Follow a photographer into the frightening universe of sleep paralysis.
    (USA, 3 MIN, excerpt)

    Unloved | Director: Nika Nikanava
    The story of three women coming to terms with having fathers who abandoned them.
    (USA, 11 MIN)

    The Rhythms | Director: Nika Nikanava
    In memoriam to a promising and well-loved filmmaker.
    (USA, 2 MIN)

    New York Film Academy congratulates the documentary filmmakers representing NYFA at this year’s DOC NYC and is elated to see their important work being appreciated!

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    November 7, 2019 • Documentary Filmmaking, Student & Alumni Spotlights • Views: 1417