We seem to be beating industry’s 50-50 in 2020 goal, and docsters are killin’ it across the board.
In January alone…
October Films promoted Louis Mole (’13) to Head of Development
Sundance gave Documentary Cinematography Instructor Claudia Raschke some serious love, lauding her work as director of photography of the acclaimed, RBG, featuring her on the celebrated “Women Who Shoot” panel. You’ll find Claudia-centric articles include American Cinematographer, Filmmaker, Indiewire, etc.
With a two-minute micro-doc, alum Gary Bencheghib (’14) moved the President of Indonesia to launch a massive cleanup of the most polluted river in the world. The initiative will employ 7,000 people for seven years, stopping millions of tons of plastics from reaching the ocean each year, and radically improving the lives of 20 million people along the river.
And then came February…
A Sniper’s War, the first feature doc from director Olga Schechter (‘14) premiered to rave reviews at two top festivals, Santa Barbara International Film Festival and Big Sky Documentary Film Festival.
“Powerful and disturbing.” – Hollywood Reporter
“Superb cinematography.” – Hollywood Reporter
“Stunning.” – Counter Punch
“The most chillingly frightening killer imaginable.” – Film Threat
“A 9 out of 10.” – Film Threat
Schechter scored these key reviews despite the lack of a release date, a publicist, or even a production company. A good, old-fashioned bidding war immediately broke out and it looks like Journeyman Pictures has won worldwide rights with a promise of theatrical release. A Sniper’s War has since gone on to win multiple festivals including Best Foreign Documentary at the Academy Award Qualifying, Arizona Film Festival. (With the new eligibility rules, the Arizona win almost certainly qualifies the film for the Oscar race. The Academy will confirm their new list of qualifying festivals later this spring, so we’ll know for sure then.)
In other February news, Netflix premiered doc series First Team: Juventus, edited by Andrea “Fuma” Fumagalli (‘09), which “is produced with elegance and cinematic finesse,” and “ultimately reminds us of the simple beauty of the beautiful game.” – Sports Illustrated
Documentary Producing Instructor Dorottya Mathe also premiered her feature, The Independents, at SBFF. The Hollywood Reporter likes it too, especially, “the way in which it subverts all the clichés of the star-is-born story,” and pronounces it, “an extremely engaging film.” Graduate Erica Wong (’14) assisted Dorottya on the production, and fellow NYFA Instructor Piero Basso served as DP. Documentary Instructor Jessica Wolfson’s feature, Hot Grease followed its Discovery premiere with VOD roll out on Discovery Go.
March didn’t miss a beat either…
Furlough, the second 2018 fiction film from NYFA Documentary Instructor Dorottya Mathe (Production Supervisor) opened in theaters. The female-driven comedy starred Academy Award winners Melissa Leo, Whoopi Goldberg and Anna Paquin.
Francesca Pagani produced The Italian Mafia’s Young Foot Soldiers and associate produced Inside The Two-Decade Fight to Bring Down a Confederate Monument, both for VICE.
Weighing in for the 6-Weekers, Kendall Ciesemier (6-Week ’17), now a Mic staff producer, has created a series of pivotal social media micro-docs around the Parkland students’ anti-gun violence campaign, including Should This Responsible Gun Owner Surrender his AR-15? and Parkland Teen vs. NRA Member.
Mariko Ide (’16) edited her first piece for Google.
Kristen Nutile edited Weed The People (directed by Ricki Lake and Abby Epstein), which premiered at SXSW — where Indiewire and Interview magazine both pronounced it a “must-see” film. And even People magazine gave it a write-up.
The Stolen River, directed by Krisztina Danka (6-Week ’17), won Best Environmental Film at the Calcutta International Film Festival. That was after taking Best in Show at Cinema Verde International Environmental Film Festival, as well as awards at Independent Shorts Awards, Impact DOCS Award, LiFFT Filmotsav and others.
The Second quarter of 2018 is off to a great start as well. More on that shortly.
One spoiler, though…
Two documentaries nominated for Peabody Awards this year have NYFA Documentary School bloodlines: Heroin(e), edited by prof, Kristen Nutile and Newtown, Associate Produced/Associate Post Produced by Laura Snow (’13).