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  • Nova Fest Awards Best Musical & Best LGBT Film to New York Film Academy’s Plus One

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    The New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT) has snagged two film festival wins for its original movie musical Plus One. The epic short film utilizes original music as it follows three generations of women, two unexpected pregnancies, and a time-traveling secretary with the key to their futures.

    After a successful run at the NOVA Fest, Plus One went home with the top trophies for Best Musical and Best LGBT Film.

    Plus One’s trophies will be proudly displayed in the Musical Theatre office at the NYFA New York City campus. Stop by and check them out, and learn more about PCMT’s work!

    PLUS ONE – trailer from SEAN ROBINSON on Vimeo.

    Two-Year Conservatory students at PCMT have had the opportunity to perform in original movie musicals since the program began in 2012. The unique experience allows conservatory students to prepare for the film and television industry as well as the stage. Each PCMT original movie musical is created from scratch with original stories and scores, and executed through collaborations with working industry professionals. Past films have featured collaborators such as Tony Award-winner James Monroe Iglehart and Tony Award-nominee Charlotte D’amboise. Yet each PCMT movie musical maintains its focus on its student performers, allowing the next generation of artists to truly shine.

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  • Here’s Where I Stand by New York Film Academy PCMT Plays for Everytown and March for Our Lives

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    As the March for Our Lives Movement conducts rallies and students around the country commemorate the 20th anniversary of Columbine with walkouts on April 20, the New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT)’s will donate all proceeds from its powerful update of the movie musical Camp’s smash hit Here’s Where I Stand to Everytown for Gun Safety, a charity focused on protecting communities from gun violence. The non-profit organization, first founded by concerned mothers, “is a movement of Americans working together to end gun violence and build safer communities,” and has inspired more than 4 million people to “come together to make their own communities safer.” 

    Students from around the country also joined together March 24 in the first March for Our Lives protest, in at least 50 cities throughout the U.S. On that day, the New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT) raised its voice in support. PCMT’s powerful update of the movie musical Camp’s smash hit Here’s Where I Stand is available for digital download on iTunes (go to iTunes Store, not iTunes Music, and search “PCMT”), Google Play, and Bandcamp.

    To download on iTunes, open iTunes Store (not iTunes Music) and search for “PCMT”.

     

    In line with the March for Our Lives rallies and Everytown’s message of community and hope, Here’s Where I Stand offers an empowering message for young people in its lyrics:

    In this life we’ve come so far

    but we’re only who we are (who we are)

    Courage of love (courage of love)

    will show us the way (show us the way)

    From the time PCMT first conceived the Here’s Where I Stand project in October of 2017 to March For Our Lives’ first rally on March 24, there had been 18 school shootings. New York Film Academy students and faculty alike at PCMT have been inspired by the students around the country who are raising their voices for safety and change.

    Here’s Where I Stand is a powerful song that resonates differently for everyone,” says PCMT Artistic Director Kristy Cates.  “It is a song about having the courage to speak your truth and take a stand for what you believe in. As we’ve seen young people around the country respond to the epidemic of gun violence by raising their voices for change, we as musical theatre performers thought this was the perfect way for us to lend our own voices in support this movement.”

    The PCMT’s music video is directed by The New York Film Academy’s PCMT was highlighted by Variety as one of the most cutting-edge musical theatre training programs.

    To download on iTunes, open iTunes Store (not iTunes Music) and search for “PCMT.” To download PCMT’s Here’s Where I Stand to your Apple or Android devices from Google Play or Bandcamp, click the icons below:

     

    If you experience any difficulties downloading the track on iTunes through your phone app, please try your desktop.

    Thank you to the talented students who lent their voices to the song and cause (in alphabetical order):

    Alexandra Attardi, Alyssa Carrigan, Cecilie Kiorbye Bertelsen, Clara Colombo, Damaris Olivo, Ekaterina Chigvintseva, Gabriella Malm, Giuliana Deantoni Tanze, Grace Strickland, Hannah Swanson, Helora Danna Santos da Rosa, Jenna Bruce, Lisbeth Celis, Madeline Mancebo, Majeste Pearson, Maria Cavanaugh, Maria Christina Mosquera, Marije Louise Maliepaard, Micaela Haskins, Michael Baccari, Nathaniel Anderson, Nicole Goldstein, Noah Chartrand, Paige Gittelson, Rebecca Keenan, Ruby Locknar, Ryan Curley, Samuel Beard, Sarah Elizabeth Venners.
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  • The NOVA Fest: 7 nominations for Plus One & Alma Mater by New York Film Academy Professional Conservatory of Musical Theatre

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    The New York Film Academy (NYFA) Professional Conservatory of Musical Theatre’s original movie musicals Alma Mater and Plus One are Official Selections of the Fourth Annual Northern Virginia International Film & Music Festival, and both films have received a number of award nominations.

    Plus One has been nominated for Best Musical, Best Director (Short Film), Best Screenplay (Short Film), Best LGBT Film, and Best Visual Effects, while Alma Mater is nominated for Best Musical and Best Acting Ensemble. Alma Mater will also screen at Soho International Film Festival on Saturday, June, 16th 2018 at 1:45pm in the Village East Cinema. Please click here for tickets.

    In addition to its honors at the Nova Fest, NYFA’s movie musical Plus One will also screen at the Manhattan Film Festival April 21, at 1-3 p.m.  Click here for program and ticket info. The Manhattan Film Festival will also screen NYFA movie musical Walk the Walk April 26, at 4-5 p.m. For those details and ticket info, click here.

    ALMA MATER – trailer from SEAN ROBINSON on Vimeo.

    That is not the only honor the Conservatory has received from the prominent festival. Two other NYFA musicals will be included in the Artist Circle: Food Like Love and Bang Boom Pow.

    As the festival explains, The Nova Fest “offers a fertile environment for distributors, sales agents, buyers, filmmakers, and writers to converge, negotiate and close film, series, and script deals on all media platforms.“ Films are screened from around the world, from countries including Canada, Australia, England, India, Pakistan, Japan, Mongolia, Russia, France, Kosovo, Albania, Spain, and the U.S.

    PLUS ONE – trailer from SEAN ROBINSON on Vimeo.

    The NYFA Professional Conservatory of Musical Theatre has been creating original movie musicals since 2012, offering its second-year students the remarkable opportunity to perform in new stories, written for them, alongside industry professionals — including Tony Award-winner James Monroe Iglehart and Tony Award-nominee Charlotte D’amboise. Yet even with these high-profile ties to Broadway, each film is focused on the student performers.

    “We’re so excited by this program because of the quality of what the students experience in the classroom, and the quality of what they put on film,” NYFA Senior Executive Vice President David Klein told Variety. “There is so much opportunity for them.”

    For tickets and more information on the NYFA movie musicals screening at The NOVA Fest, check out the festival website. D.C. friends — you can catch a screening of Plus One (Weds. April 4) and Alma Mater (Sat. April 7) at Angelika Film Center in Fairfax, Virginia.

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  • Tony Winner Jeff Marx Visits New York Film Academy

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    Jeff Marx

    Avenue Q’s Jeff Marx

    Tony Award-winning composer and lyricist Jeff Marx visited the New York Film Academy at our New York City Theatre in late February, much to the delight of our Musical Theatre students.

    Marx is best known for Avenue Q, the innovative musical starring both human and puppet characters that instantly earned critical acclaim and won over audiences across the country. It went on to win three Tony Awards, including Best Musical. It is currently running Off-Broadway and has toured the country and been produced in both the West End and Las Vegas.

    Before writing Avenue Q, Marx passed the New York State Bar exam, planning to be a lawyer. He met partner Robert Lopez shortly after at the BMI Lehman Engel Musical Theater Workshop, writing a spec Muppet film as a pre-cursor to their collaboration on Avenue Q. Since winning his Tony, Marx has gone on to write for the musical episode of NBC’s Scrubs, as well as songs for Bear in the Big Blue House and The Book of Pooh. He also co-wrote the theme song for Logo TV’s Rick & Steve: The Happiest Gay Couple in All the World.

    Speaking with the students of NYFA’s Professional Conservatory of Musical Theatre, Marx highlighted his indirect path to Broadway stardom, mentioning that he didn’t even start writing until he was 28 years old. “The greatest thing that I can wish for you,” Marx told the audience of aspiring Broadway stars, “is hunger.” He also shared anecdotes about the making of Avenue Q.

    Jeff Marx visits NYFA

    Highlights from the @newyorkfilmacademy Instagram story featuring Jeff Marx’s visit to NYFA #PCMT

    In addition to inspiring students with his story, he also brought a special and well-received guest — puppet and star of Avenue Q, Nicky. Avenue Q’s cast of puppet characters included both rod puppets and live-hands, the latter of which are often operated simultaneously by two puppeteers. Nicky is a live-hands puppet, and students were delighted to see him in action on stage with Marx.

    Nicky wasn’t all Marx brought with him on his visit to NYFA. In addition to Nicky, he brought along his Tony Award, Broadway’s highest honor. Musical Theatre students were thrilled when Marx allowed them to hold it and pass it around — an inspiring moment for those learning at NYFA and hoping to win one of their own in the not-too-distant future.

    By the time the students had to say goodbye to Marx and Nicky, they had learned and laughed, and were extremely grateful for the generous time, energy, and inspiring words Marx brought with him to the New York Film Academy.

    Interested in joining the magical and puppet-filled world of musical theatre? Check out the programs of New York Film Academy’s Professional Conservatory of Musical Theatre.

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    March 2, 2018 • Guest Speakers, Musical Theatre • Views: 2399

  • The Professional Conservatory of Musical Theatre at the New York Film Academy Sets Precedent in the Fight Against HIV/AIDS

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    Cast of NYFA's "Merrily We Roll Along"

    NYFA’s “Merrily We Roll Along”


    NYFA’s Musical Theatre production of “Merrily We Roll Along” was a huge success in more ways than one. After each performance, NYFA students and cast members collected money in the signature red buckets from Broadway Cares/Equity Fights AIDS, the nonprofit that’s been raising funds for people living with HIV and other life-threatening illnesses for nearly thirty years.

    It has become a proud tradition for Broadway shows to address their audiences directly for this incredibly worthwhile cause. Since its inception, Broadway Cares has raised over $285 million—money that has been awarded as grants to social service organizations in all 50 states.

    It is not uncommon to see our Broadway faculty with the red buckets on the Broadway stage raising money for Broadway Cares.  And now our students are passing on this legacy.

    Cast of NYFA's "Merrily We Roll Along"

    NYFA’s “Merrily We Roll Along”

    With the cast and crew of “Merrily We Roll Along” supporting this fundraising effort, the New York Film Academy became the very first conservatory to join Broadway with the red bucket appeal. In just one weekend of performances from our 100-seat theatre, our students and community were able to raise $1,050 for Broadway Cares/Equity Fights AIDS!

    Needless to say, we are very proud of the Professional Conservatory of Musical Theatre program for their fantastic effort and we are thrilled to be aligned with the great work of Broadway Cares. We will continue these efforts with the red buckets during our main stage productions and proudly stand as the leading conservatory in the fight to help provide lifesaving medication, healthy meals, and emergency assistance to those who need them most.

    NYFA’s “Merrily We Roll Along”
    Director:  Robert W. Schneider (Assistant Director to filmmaker Lonny Price on the acclaimed “Merrily We Roll Along” documentary “Best Worst Thing That Ever Could Have Happened.”)
    Musical Director: Kevin David Thomas (2009 Broadway revival of “A Little Night Music.”)

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    October 16, 2017 • Community Highlights, Musical Theatre • Views: 1371

  • NYFA Harvard Musical Theatre Students Create Powerful Music Video Cover of Sia’s “Bird Set Free”

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    This summer, NYFA Harvard students from around the world had collaborated and performed in a unique and empowering music video project as part of NYFA’s musical theatre workshops. Performing their own vocals in a cover of Sia’s powerful ballad “Bird Set Free,” students created a piece that celebrates the diverse voices and in our international community, as well as the liberating power of the visual and performing arts.

    NYFA Musical Theatre Instructor Bobby Cronin led the music video project, which is as a part of the NYFA curriculum he developed alongside Musical Theatre Chair Mark Olsen and Shani Patel to help students gain insight into the potential power of musical storytelling in film as well as live theatre.

    “I was blown away by the message the first time I heard the song,” said Bobby, “and I’d since been yearning to use the song in an educational environment. Once I met the students at the New York Film Academy’s summer program at Harvard, I knew this would be the song for our music video.”

    The group brainstormed together, and Bobby suggested the idea of using paper signs to represent an important battle each student felt they had struggled with individually, and the students loved it.

    “We then worked with NYFA’s Shaun Clark who was the DP/cinematographer on the project,” said Bobby. “He was very inspired by our ideas and pitched using videos like [Sinead O’Connor’s] ‘Nothin’ Compares 2 U’ as reference — close shots that give the inner turmoil of the artist. We then discussed that the song is about breaking free of these turmoils, and the idea to use black and white (darkness) transitioning into color (light) became the metaphor for our video.”

    The message of Sia’s song resonated especially with the burgeoning musical theatre performers. Some of the lyrics include:

    “I don’t care if I sing off key

    I find myself in my melodies

    I sing for love

    I sing for me

    I shout it out

    Like a bird set free…”

    The students learned the song under the guidance of musical director William Demaniow, in an arrangement created by Bobby. After recording the song with professional equipment, the faculty and student collaborators filmed the music video, which was poignantly edited by Elise Ahrens.

    “I wanted this video to represent the world we live in today and the dream I have of us all co-existing as a human race,” said Bobby. “And, how as an artist, it is of the utmost importance to create from your soul.”

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  • Highlights From the 71st Annual Tony Awards

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    The New York Film Academy was especially excited to watch the Tony Awards this year, as our Musical Theatre Program has welcomed many members of the Broadway community as instructors, guest speakers, and featured artists in our original movie musicals, from our Artistic Director Kristy Cates to visiting Master Class lecturer Jonathan Groff. For industry insiders and theatre lovers everywhere, the 71st Annual Tony Awards on Sunday was the theatre event of the season. The New York Film Academy provided live social media coverage on Twitter, while the live CBS broadcast of the Tony Awards ceremony at Radio City Music Hall gave nearly 6 million home viewers a glimpse into an evening full of Broadway royalty, moving speeches, and much-anticipated performances.

    In case you missed it, here are some highlights from the 71st Annual Tony Awards:

    Best Musical

    After much anticipation, audience favorite “Dear Evan Hansen” swept the Tony’s this season, taking home awards in not one, not two, but six categories — including the coveted spot for Best New Musical. The groundbreaking musical is a true original, featuring a small cast and orchestra and offering some innovative tie-ins to social media.

    Best Actor in a Musical

    Dear Evan Hansen” also gave us one of the evening’s brightest new stars, when leading actor Ben Platt snagged the Tony for Best Actor in a Musical. Platt received a rousing standing ovation from the live audience and the orchestra at the Tony’s, and used his moment in the spotlight to spread some inspiration.

    As quoted in the New York Times, Ben offered encouragement to fellow theatre kids: “To all young people watching at home, don’t waste any time trying to be like anybody but yourself, because the things that make you strange are the things that make you powerful.”

    Best Actress in a Musical

    “Dear Evan Hansen” was not the only star of the evening. The Radio City Music Hall audience also swept to its feet to recognize and celebrate beloved industry icon Bette Midler, as she won the the Best Actress in a Musical award for her portrayal of Dolly Levi in the revival of “Hello, Dolly!” 

    Best Play

    While musicals and musical performances punctuated the evening, the Tony’s also celebrate legitimate Broadway performers and plays. This year, the category for Best Play (non-musical) was especially competitive, but in the end the award went to “Oslo,” which dramatizes the 1993 Middle East peace accords.

    Best Actress in a Play

    Laurie Metcalf had been nominated for a Tony Award four times before her emotionally-charged win on Sunday, when she took home the category for Best Actress in a Play for her performance as Nora in “A Doll’s House, Part 2.”

    Most-buzzed Acceptance Speech

    Cynthia Nixon took the stage to accept an award for Best Featured Actress in a play for “The Little Foxes,” the Lillian Helman classic which was also nominated in the Best Revival of a Play category. During her acceptance speech, Nixon caused major internet buzz for quoting the playwright to make a political statement: ““Sixty years ago, [Hellman] wrote, ‘There are people who eat the earth and eat all the people on it and other people who just stand around and watch them do it.’ My love, gratitude and undying respect go out to all the people in 2017 who are refusing to just stand and watch them do it.”

     

    Surprise Stars

    Former Vice President Joe Biden and his wife, Jill, rocked Radio City during Jill’s moment on stage. Mrs. Biden made a brief appearance during the ceremony to promote Got Your Six, a campaign benefitting military veterans. And Variety reports that the crowd’s enthusiasm for the political superstars cased selfie-seekers to create traffic jams at the after-party as they clamored for a pic with the Bidens.

    Lifetime Achievement Award

    James Earl Jones received recognition for a full and incredible career on the stage, taking home the  2017 Special Tony Award for Lifetime Achievement in Theater. The superstar, who has portrayed roles from Darth Vader in “Star Wars” to Othello on Broadway, graciously thanked the New York City Police Department during his moment on stage for their work keeping the Broadway community safe.

    Here is the full list of this year’s Tony Award winners, as reported by The Tony Awards website:

    BEST PLAY

    “Oslo”

    BEST MUSICAL

    “Dear Evan Hansen”

    BEST REVIVAL OF A PLAY

    August Wilson’s “Jitney

    BEST REVIVAL OF A MUSICAL

    “Hello, Dolly!”

    BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAY

    Kevin Kline for “Present Laughter”

    BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAY

    Laurie Metcalf for “A Doll’s House, Part 2”

    BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL

    Ben Platt for “Dear Evan Hansen”

    BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL

    Bette Midler for “Hello, Dolly!”

    BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY

    Michael Aronov for “Oslo”

    BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAY

    Cynthia Nixon for Lillian Hellman’s “The Little Foxes”

    BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL

    Gavin Creel for “Hello, Dolly!”

    BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL

    Rachel Bay Jones for “Dear Evan Hansen”

    BEST BOOK OF A MUSICAL

    Steven Levenson for “Dear Evan Hansen”

    BEST ORIGINAL SCORE (MUSIC AND/OR LYRICS) WRITTEN FOR THE THEATRE

    “Dear Evan Hansen” Music & Lyrics: Benj Pasek & Justin Paul

    BEST SCENIC DESIGN OF A PLAY

    Nigel Hook for “The Play That Goes Wrong”

    BEST SCENIC DESIGN OF A MUSICAL

    Mimi Lien for “Natasha, Pierre & The Great Comet of 1812”

    BEST COSTUME DESIGN OF A PLAY

    Jane Greenwood for Lillian Hellman’s “The Little Foxes”

    BEST COSTUME DESIGN OF A MUSICAL

    Santo Loquasto for “Hello, Dolly!”

    BEST LIGHTING DESIGN OF A PLAY

    Christopher Akerlind for “Indecent”

    BEST LIGHTING DESIGN OF A MUSICAL

    Bradley King for “Natasha, Pierre & The Great Comet of 1812”

    BEST DIRECTION OF A PLAY

    Rebecca Taichman for “Indecent”

    BEST DIRECTION OF A MUSICAL

    Christopher Ashley for “Come From Away”

    BEST CHOREOGRAPHY

    Andy Blankenbuehler for “Bandstand”

    BEST ORCHESTRATIONS

    Alex Lacamoire for “Dear Evan Hansen”

    SPECIAL TONY AWARD® FOR LIFETIME ACHIEVEMENT IN THE THEATRE

    James Earl Jones

    REGIONAL THEATRE TONY AWARD

    Dallas Theater Center

    ISABELLE STEVENSON TONY AWARD

    Baayork Lee

    SPECIAL TONY AWARD

    Gareth Fry and Pete Malkin

    TONY HONORS FOR EXCELLENCE IN THE THEATRE

    Nina Lannan and Alan Wasser

     

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    June 12, 2017 • Entertainment Australia, Entertainment News, Musical Theatre • Views: 1882

  • Musical Theatre Grad “Ione” Performing as Alternate Lead in West End’s “Thriller Live”

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    Growing up in Manchester, UK, Mica “Ione” Townsend began developing her singing chops at three-years old in her church choir. From there, she progressed through classical vocal training and performances to sharing her gift with renowned professionals around the world.

    At just 14, Ione became a session singer and backing vocalist, displaying an outstanding vocal talent that earned her the opportunity of performing with the likes of Gorrilaz, Errol Brown (Hot Chocolate) and Heather Small.

    ione

    In 2007, Ione moved to London to further her career and was soon invited to join a European and American Tour as backing vocalist to singer Adam Green. The success of the tour proved a catalyst for her career and Ione moved to the U.S. to fulfill her dream of studying at the Musical Theatre School at the New York Film Academy.

    “I think to train at NYFA, in New York, where musical theatre was born, has been extremely useful,” said Ione. “The focus was always on the acting and the story, and singing and dancing were an extension of that. I was also taught, at NYFA, not to limit myself; it was always inspiring that the teachers were on Broadway, taught, then would do other projects. I don’t have to choose between all the things I love.”

    After finishing NYFA and moving back to the UK, Ione toured as a soloist in the ”Hacienda Classics,” an experience which involved re-working dance classics with a 70 piece orchestra. She is now a lead in the West End musical ”Thriller Live,” which celebrates the music of Michael Jackson. The highly successful stage production has become the 15th longest running musical in the West End.

    As an artist who certainly doesn’t want to limit herself, Ione has continued to write her own songs, which gave her the impetus to showcase them as a singer in her own right.

    “The music industry is great,” says Ione. “Anybody can ‘release’ music, but in the same breath that means so many more people have music out there, so I would say the promotion of music as an artist, the staying on top of it, is most difficult for me.”

    In 2013, Ione released her debut EP “Fighting Fear,” which gave a nod to her musical theatre background in the haunting ballad “My Love.”

    Her first single “Back in the Day,” released in 2014, is an eclectic mix of soul and pop music with electronic sounds and is a blend of everything she loves in music. The song was heavily supported by BBC INTRODUCING and was aired by Tom Robinson Mixtape on BBC Radio 6. It was also chosen by songwriter Mark Hadfield, who has written for NEYO and Iggy Azalea, to be played on Huw Stephens’ show on BBC Radio 1.

    “Growing up around powerful and knowledgeable women gave me the landscape to share these life experiences in my work,” says Ione.

    Ione is also curently recording new material which is set to be released Spring 2017.

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  • NYFA Musical Theatre Alumna Cast in Asian Tour of “Sister Act”

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    sophie KimNew York Film Academy Musical Theatre alumna Sophie Kim So-hyang has been cast in the US production of the hit Broadway musical “Sister Act,” making her the first Korean actress to have been cast in the American production of the musical. She will play the part of Sister Mary Robert, a quiet and timid nun who becomes inspired by the main character Delores to eventually break out of her shell. The show is a musical adaptation of the hit 1992 comedy film of the same name starring Whoopi Goldberg.

    “My Korean agent told me that there will an audition for ‘Sister Act’ in the Asian tour and that I should try to get in,” said Kim. “At first, I didn’t think too much about it because there are no roles for Asians in the play. But since it was an Asian tour, my agent told me that there would be a slight possibility of getting the part. So, I auditioned, got several callbacks, and finally got it. I was so excited!”

    Born and raised in Korea’s theatre district, Kim and her mother went to many shows as a child. “My parents were really supportive and always encouraged me to be an actress,” she recalls. “I was the kind of girl who loved to sing and dance.”

    While in Korea, Kim performed in many shows such as “Rent,” “Aida,” “Mamma Mia,” “Dreamgirls,” “Fame,” “West Side Story,” “Evita,” and “Wedding Singer.”

    sophie kim

    After attending and graduating from NYFA’s Musical Theatre Conservatory, Kim became the first person to join the AEA (Actors Equity Association) as a theatre actress from Korea. She played ‘Gigi’ from Miss Saigon (Paramount Theatre) ‘Tupim’ from ‘The King and I’ (Harbor Lights Theatre). Kim also appeared in the show of “Oliver,” “Spool Girl,” “6 Month Club,” and “Portrait of Father.”
    “Everything I’m doing now I learned from NYFA,” said Kim. “I learned history, preparing for auditions, ballet, vocal, stage combat, jazz, tap, Meisner, makeup, improv, and so much more. I would never be able to get a job if I didn’t go this school.”

    This Friday, April 28th, Kim will perform in the EnoB Benefit Concert at Saint Peter’s Church in Manhattan. The Benefit Concert is a semi-annual fundraising event hosted by EnoB, a non-profit music outreach organization that serves hospitalized and disabled children and youth and senior citizens through the joy and the healing power of music. It’s an opportunity for EnoB to raise funds to sustain the critical services for people in need and celebrate its work among friends and family.

    The Asian tour of “Sister Act” will begin in Singapore from May 9-28.

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  • NYFA Musical Theatre Students Hit the Recording Studio for Upcoming Movie Musical

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    In addition to live musical productions at theaters in New York City, the New York Film Academy Musical Theatre Program produces movie musicals as part of the second year in the program. Students play roles written for them and sing songs specifically composed for them, all within a professional model that results in a state-of-the-art movie musical, which is submitted to film festivals across the country. Past productions have gone on to win awards, including “Start-Up.Com,” which won a Laurel of Excellence Award at the Tampa Bay Arts & Education Network.

    recording studio

    “The New York Film Academy Musical Theatre Department is taking the lead in training young talent not only for the stage but also for careers in the film and television industry,” says NYFA Musical Theatre Chair, Mark Olsen. “A highlight of this experience is when students go to a professional studio and work closely with the engineer and the film’s music director to record their final vocal tracks.”

    The recording session, which recently took place at MonaLisa studios in New York City, is very unique to students as they get the chance to have original material tailored and developed personally to them — i.e. characters, music, etc. The students also have the opportunity to work with renown composers on the material and record in an actual recording studio as part of our music theatre program. No other program can provide this level of professional support.

    recording session nyfa

    The next movie musical, “Alma Mater,” is being directed by NYFA Musical Theatre faculty member, Nathan Brewer, Music Direction by Anna Ebbesen, screenplay by Emily Kaczmarek, with Music and Lyrics by Zoe Sarnak.

    It is a story of two rival roommates in the year 1993 at Beecher College, a fictional and exclusive all-girls school in the Hudson Valley. One roommate is preparing for an important fundraising event by organizing a group called “Beecher College Women of Substance.” The other roommate is organizing a group of her own for the same fundraiser, except this group is centered on the recent rebellious advance of the punk rock “Riot Girrrrrls” movement. Both groups awaken to and express their feminist points of view in ways that polarize them into separate and competing camps.

    nyfa recording

    As they rehearse and prepare for the big event, they overlook members of the computer club who are discovering this new thing called the Internet.

    They create songs, they write manifestos, they stake out separate “headquarters” and emerge to define themselves fiercely, but in completely opposite forms. Finally, after a serious arm wrestling match, members of their respective groups experience a moment of revelation where their combined efforts produce amazing results. The two musical styles and points of view come together in a triumphant song of solidarity. Both groups come to realize that they are actually two sides of the same Susan B. Anthony coin.

    “Alma Mater” will join a proud tradition of NYFA movie musicals. Over the past few years, NYFA’s movie musicals have touched on a range of topics — from “The Ghosts of Ethan Dean,” a cautionary drama about addiction, to “Landed,” which follows a group of expats trying to make it in New York. Each film showcases a modern musical paradigm with an edgier subject matter with the hopes of encouraging aspiring performers and theater producers to confront issues that truly speak to millennials. “Landed” will screen at the Cinema New York Film Festival in September 2017.

    “I am so blessed to be a part of this wonderful program learning from working industry professionals,” said NYFA Musical Theatre student, Brielle Carmichael. “There is nothing better than being surrounded by people who share the same passion for their art form as you do.”

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    December 8, 2016 • Community Highlights, Musical Theatre • Views: 3146