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  • NYFA Los Angeles Instructor Colette Freedman Works on Steve Aoki’s Highly Anticipated Mozart-Inspired Musical ‘Mozart²’

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    At New York Film Academy, our instructors are working industry professionals who are constantly creating and pushing the boundaries in their industries. For NYFA Los Angeles Playwright and Features instructor Colette Freedman, she is doing just that, having recently worked as the script doctor on Steve Aoki’s highly anticipated musical Mozart² and continuing her work as a writer and an actress.

    Freedman recalls jumping into her acting and writing career after experiencing an “ah-ha moment” in a theatre company while on a play reading committee. “I was reading a script and I realized ‘I can do better’.” 

    NYFA instructor Colette Freedman

    Freedman then wrote the First to the Egg, which won a slew of awards. She also wrote the play Sister Cities, which has been produced all over the world and made into a novel and a Netflix film adaption in which Freedman also acted alongside Michelle Trachtenberg and Troian Bellisario

    ‘Serial Killer Barbie’ (Written by Colette Freedman)

    Freedman’s favorite projects she’s written include her dark comedy Serial Killer Barbie with Nickella Moschetti and another recent project with Freedman’s writing partner, Brooke Purdy, called The Last Bookstore, which gained great critical acclaim and is even receiving some film interest. 

    For the highly anticipated Mozart², Freedman shares that the process was quite collaborative when working with Steve Aoki and the entire team to bring this story to the stage. We [Freedman and Tegan Summer] write the libretto and original songs alongside composer Gregory Nabours. Steve [Aoki] and his team would then select the EDM numbers that work best for the moments we define in the script, and then it comes together to green light, arrange, and orchestrate.”

    Playwrights, as Freedman, points out, are not just there at the beginning to write the story, but are involved in the life of the musical or play from beginning to end. “ [For Mozart²] We have an amazing design team for visuals and incredible choreographers in Dwight Rhoden and Desmond Richardson with Ferly Prado,” she shares. “We steer the narrative, they steer the floor.”

    Poster for Steve Aoki’s ‘Mozart²’

    As for what she hopes audiences will get from her script and the musical overall, she hopes audiences will relate to lead character Nan and shine a light on not only her character, but “all of the women whose talent was silenced due to the patriarchy.”

    Broadway World recently announced some of the names of the talented cast, which includes: Ruby Lewis (Paramour) as Nan, Anthony Rapp (Rent, If/Then) as Salierii, and Justin Matthew Sargent (Rock of Ages, Spiderman: Turn Off The Dark) as Mozart. The musical is expected to debut in 2021 at Carnegie Hall.

    In the meantime, Freedman has this to say to students and creatives:

    “Go make art. Especially in these times. Use your voice to create. Brooke and I have a YouTube channel Midlife Mutiny, which gives inspirational tidbits and encourages you to tell your stories and share your voice. Nan Mozart didn’t have the luxury of social media to get her voice out, but you do!”

    New York Film Academy congratulates instructor, actress, and writer Colette Freedman on her recent achievement with Mozart²  and encourages everyone to stay tuned for additional information about the musical and when it will be available to the public.

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    August 17, 2020 • Faculty Highlights, Musical Theatre, Screenwriting • Views: 1036

  • New York Film Academy (NYFA) Musical Theatre School Produces “Kristy’s Lament: Another Awful Day with the MTA”

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    You’d be hard pressed to find a New Yorker who doesn’t experience their fair share of frustration with the MTA, the corporation that runs the city’s sprawling and crowded transit system of trains and buses. Especially these days, as commuters deal with train construction, delays, and an impending apocalypse, while fares continue to increase (the MTA announced just this week their plan for yet another fare hike of 4%). 

    And every New Yorker deals with it in their own way. Some of us mutter under our breaths, while others aren’t afraid to scream and yell at the top of their lungs. Some of us weep silently when we finally get home, while others pray to themselves that they’ll actually get home.

    But what most of us haven’t done, is sing a song about it. With Kristy’s Lament: Another Awful Day with the MTA, a new musical number performed by Broadway actress Kristy Cates, that’s no longer the case. And now that it has an accompanying music video produced by the Professional Conservatory of Musical Theatre at the New York Film Academy (PCMT at NYFA), the song is easily available for everyone to share, relate with, and sing along to.

    Kristy’s Lament is very much based on a true story. “I have the worst train luck,” Cates tells NYFA, continuing, “I’m always stuck underground with no explanation, waiting for a train that never shows up, or on the car with the person about to puke. And I often share these wild stories on social media.”

    After one particularly nasty commute for Cates, where one bizarre thing followed another as she tried to make her way home from her Broadway show, she recounted the entire nightmare on Facebook. Her story quickly gained traction and gained a lot of attention on social media. Typically, the story would end there, but not for Cates.

    MTA Laments

    After seeing her commute from hell, lyricist Chris Giordano was inspired to adapt the tale into song, writing lyrics for a number that step-by-step portrayed Cates’s disastrous trip. Soon, it was put to music by composer Ryan Edward Wise, and Kristy’s Lament was born. It wasn’t long after that that a music video was produced to accompany the track.

    The video features Cates playing multiple roles — not just the tragic commuter narrating the song, but also a rude passenger carrying numerous bags, a stoner, and a homeless man, among others. It is mostly a stage production, filmed at NYFA’s 1st Floor Theatre, with gorgeous lighting direction and a minimal subway set. The video was also partially shot in an actual subway station, where the video opens and closes.

    The video was produced by the PCMT at NYFA, where Kristy Cates also serves as Creative Director. The renowned musical theatre school prides itself on giving its students real world training that prepares them to achieve success in a competitive, empowering industry, creating an educational experience few other musical theatre schools can offer.

    Aspiring performers develop their skills as triple threat performers by studying with faculty — like Kristy Cates — who have appeared in numerous Broadway and touring productions, top-rate regional theatre, opera, hit movie musicals, and television shows. NYFA’s musical theater alumni include llda Mason (On Your Feet), Pierre Marais (Aladdin), Christopher Viljoen (Les Misérables), Kylan Ross (Straight Outta Oz), and Tony Award-winner Yael Silver (Once on this Island).  

    MTA Laments

    Additionally, the PCMT at NYFA is able to use all of the resources shared by NYFA’s film school, cinematography school, and other departments. Using the Academy’s resources and state-of-the-art filmmaking equipment, its stage and its location in the heart of the New York City, and some of the Academy’s highly-talented staff — including director Jonathan Whittaker, editor Sean Robinson, Broadway veteran and choreographer Deidre Goodwin, and costume designer David Withrow — Kristy’s Lament was able to take advantage of high production values to really sell the humorous lyrics and support Cates’s powerful yet hysterical performance.

    “One thing I love about working for NYFA,” Cates says, “is their willingness to explore new projects. As a result, our ability as a program to collaborate with up-and-coming composers and lyricists.” She adds, “It was wonderful to combine the expertise of our faculty, the passion of our alumni, the ingenuity of the composer and writer, and the generosity and support of the Film Academy.”

    MTA Laments

    Cates is no stranger to high production values and show-stopping numbers. She is a member of AEA and SAG-AFTRA and has starred in Wicked (Broadway, First National Tour, Chicago) as Elphaba, as well as playing Miss Bassett in Finding Neverland (Broadway), Grandma Josephine in Charlie and the Chocolate Factory (Broadway), and has had roles in a handful of off-Broadway shows and many regional productions. Additionally, she performs as a professional voiceover artist.

    The Professional Conservatory of Musical Theatre at the New York Film Academy is proud to have Kristy Cates as an original and current member of its faculty, and was equally as proud to produce Kristy’s Lament: Another Awful Day with the MTA with her. Next time you’re stressed and stuck on the subway, check it out and let yourself laugh a little — if the wifi is working down there, of course.










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    December 20, 2018 • #WomenOfNYFA, Community Highlights, Faculty Highlights, Musical Theatre • Views: 1079

  • Tony Winner Jeff Marx Visits New York Film Academy

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    Jeff Marx

    Avenue Q’s Jeff Marx

    Tony Award-winning composer and lyricist Jeff Marx visited the New York Film Academy at our New York City Theatre in late February, much to the delight of our Musical Theatre students.

    Marx is best known for Avenue Q, the innovative musical starring both human and puppet characters that instantly earned critical acclaim and won over audiences across the country. It went on to win three Tony Awards, including Best Musical. It is currently running Off-Broadway and has toured the country and been produced in both the West End and Las Vegas.

    Before writing Avenue Q, Marx passed the New York State Bar exam, planning to be a lawyer. He met partner Robert Lopez shortly after at the BMI Lehman Engel Musical Theater Workshop, writing a spec Muppet film as a pre-cursor to their collaboration on Avenue Q. Since winning his Tony, Marx has gone on to write for the musical episode of NBC’s Scrubs, as well as songs for Bear in the Big Blue House and The Book of Pooh. He also co-wrote the theme song for Logo TV’s Rick & Steve: The Happiest Gay Couple in All the World.

    Speaking with the students of NYFA’s Professional Conservatory of Musical Theatre, Marx highlighted his indirect path to Broadway stardom, mentioning that he didn’t even start writing until he was 28 years old. “The greatest thing that I can wish for you,” Marx told the audience of aspiring Broadway stars, “is hunger.” He also shared anecdotes about the making of Avenue Q.

    Jeff Marx visits NYFA

    Highlights from the @newyorkfilmacademy Instagram story featuring Jeff Marx’s visit to NYFA #PCMT

    In addition to inspiring students with his story, he also brought a special and well-received guest — puppet and star of Avenue Q, Nicky. Avenue Q’s cast of puppet characters included both rod puppets and live-hands, the latter of which are often operated simultaneously by two puppeteers. Nicky is a live-hands puppet, and students were delighted to see him in action on stage with Marx.

    Nicky wasn’t all Marx brought with him on his visit to NYFA. In addition to Nicky, he brought along his Tony Award, Broadway’s highest honor. Musical Theatre students were thrilled when Marx allowed them to hold it and pass it around — an inspiring moment for those learning at NYFA and hoping to win one of their own in the not-too-distant future.

    By the time the students had to say goodbye to Marx and Nicky, they had learned and laughed, and were extremely grateful for the generous time, energy, and inspiring words Marx brought with him to the New York Film Academy.

    Interested in joining the magical and puppet-filled world of musical theatre? Check out the programs of New York Film Academy’s Professional Conservatory of Musical Theatre.Facebooktwitterredditpinterestlinkedinmail

    March 2, 2018 • Guest Speakers, Musical Theatre • Views: 4074

  • NYFA Returning to South Africa

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    The New York Film Academy is thrilled to return to South Africa this April and May! We’re never disappointed in the talent and enthusiasm that the country has to offer. So, if you’re interested in learning more about NYFA’s hands-on intensive programs and you live in the area, you will not want to miss this event!

    Check out the schedule below to see when and where exactly we’ll be in your area.

    Private Auditions for Acting and Musical Theatre Programs

    When: Sunday, April 28th 2013
    Where: Johannesburg, South Africa

    You must contact Blake Babbitt at Blake@nyfa.edu to confirm time slot, instructions, and location.

    NYFA Information Session (Information for all NYFA programs)
    When: Sunday, April 28th
    Where: Johannesburg, South Africa
    Location: Mannah Lodge- 39 Pomona Road, Pomona, Kempton Park
    Time: Info Session Starts Promptly at 3:00 PM or 15:00

    Private Auditions for Acting and Musical Theatre Programs
    When: Friday, May 3rd 2013
    Where: Cape Town, South Africa

    You must contact Blake Babbitt at Blake@nyfa.edu to confirm time slot, instructions, and location

    NYFA Information Session (Information for all NYFA programs) 
    When: Friday, May 3rd 2013
    Where: Cape Town, South Africa
    Location: Lagoon Beach Hotel –  Milnerton, Cape Town, Western Cape, South Africa
    Time: Info Session Starts Promptly at 5:00 PM or 17:00
    Please RSVP to all South Africa events by emailing, Blake Babbitt- blake@nyfa.edu.

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    April 1, 2013 • Study Abroad • Views: 5472