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  • New York Film Academy Filmmaking Alum Paul Dano Stars as The Riddler in Matt Reeves’ Upcoming Film ‘The Batman’

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    The Caped Crusader returns in a new adaption from the Cloverfield and Dawn of The Planet of The Apes director, Matt Reeves. The film will feature a star-studded cast including: Robert Pattinson (Batman), Zoë Kravitz (Catwoman), Colin Farrell (The Penguin), and NYFA Filmmaking alum Paul Dano in his most anticipated and career-bending role yet as The Riddler.

    NYFA Filmmaking alum Paul Dano as The Riddler

    While fans of the franchise have already had a preview of Robert Pattinson as Bruce Wayne/Batman for many months now, the recent DC FanDome event premiered a teaser trailer for the upcoming film giving fans their first glimpse at Catwoman, Commissioner Gordon, The Penguin, and The Riddler.

    Fans are already excited for the film, with the trailer revealing the dark and unhinged world of Gotham and villains like Dano’s Riddler having a huge hand in the chaos as Pattinson’s Bruce Wayne tries to find his footing as the masked vigilante.

    A note for Batman from Paul Dano’s character The Riddler

    When asked about Dano’s character, Reeves had this to share: “Paul Dano plays a version of The Riddler that no one has ever seen before. What he’s doing is, I think, going to blow people’s minds.” Dano’s performance is already being applauded by fans from the trailer alone, with many taking to social media to share their excitement for his upcoming performance, which has similar undertones to the late Heath Ledger’s Joker in Christopher Nolan’s The Dark Knight.

    Daniel Day Lewis (Left) and Paul Dano (Right) in ‘There Will Be Blood’

    In addition to The Batman, Dano has already had an impressive acting career at 36 years old. Dano won an Independent Spirit Award for Best Debut Performance for L.I.E. and the Screen Actors Guild Award for Outstanding Performance by a cast in a Motion Picture for his role as Dwayne in Little Miss Sunshine; he was also nominated for a BAFTA Film Award for Best Supporting Actor for There Will Be Blood. His other notable credits include Prisoners, Swiss Army Man, The Emperor’s Club, and The Girl Next Door, among many others. He also made his directorial debut with Wildlife in 2018, starring Jake Gyllenhaal and Carey Mulligan.

    The Batman is expected to be released October 21, 2021 and will also feature NYFA Acting for Film Conservatory alum Alfredo Tavares, who is announced to be playing the role of a forensic expert.

    Watch the full teaser trailer for The Batman below:

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    August 31, 2020 • Acting, Entertainment News, Filmmaking, Student & Alumni Spotlights • Views: 1183

  • NYFA Acting for Film Alum Anatolii Panchenko Stars in Spy Thriller ‘The Bureau’

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    New York Film Academy (NYFA) Acting for Film alum Anatolii Panchenko (Анатолий Панченко) has plenty to celebrate as his first major acting credit is in one of the biggest TV shows in France — Le Bureau des Légendes (a.k.a The Bureau).

    Poster for season five of ‘The Bureau’

    The political spy thriller television series, The Bureau , was created by Éric Rochant and produced by TOP– The Oligarchs Productions and Canal+. The series follows agents of the DGSE (General Directorate of External Security), France’s principal external security service. Panchenko appears in the latest season as Alexis Bakatine, a young, promising counterintelligence agent.

    The New York Times named The Bureau as a NYT Recommendation, calling it “a stylish foreign espionage thriller” and “easy to binge.” The Times also hails the thrilling series as “one of the smartest and most authentic-feeling procedural espionage series anywhere in the world.”

    Anatolii Panchenko as Alexis Bakatine in ‘The Bureau’

    The first season received favorable reviews worldwide and won several awards. The sophomore season of the series also received much discussion as one of the best television seasons ever produced in France. The third and fourth seasons, respectively, aired in France beginning May 22, 2017 and October 22, 2018, and were also met with critical acclaim.

    The first episode of the fifth season was originally slated to close Cannes Series 2020; being out of the competition itself. However, due to the public health crisis, the Festival de Cannes was pushed to October. The season went on to air in France on April 6, 2020, and is now available on Amazon Prime and Sundance Now.

    Anatolii Panchenko (Middle) in ‘The Bureau’

    Panchenko’s worldwide acting debut is in one of the most gripping seasons of the series yet. The NYFA alum also reveals that his character has an “interesting story arc and connection” with Malotru, the star of the show played by Mathieu Kassovitz (Amélie).

    New York Film Academy encourages everyone to check out Anatolii Panchenko in the critically acclaimed series and would like to congratulate the NYFA alum for landing his first-ever acting credit; NYFA looks forward to seeing what is next for the international performer.

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    August 13, 2020 • Acting, International Diversity, Student & Alumni Spotlights • Views: 1347

  • NYFA Digital Filmmaking Alum Dylan Greenberg on Originality, Artistry, and Her Upcoming Film ‘Spirit Riser’

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    When Dylan Greenberg first came to New York Film Academy (NYFA), she was nine years old; one of the youngest students NYFA had ever enrolled at the school. In fact, due to NYFA’s program age restrictions, it was not common to have someone that young attend such an intensive program. However, Greenberg wowed NYFA early on with her film Ankh, which was inspired by director David Lynch, and the NYFA alum has never looked back since.

    Greenberg has gone on to direct the films ReAgitator: Revenge of the Parody, Glamarus, Wakers, and Amityville: Vanishing Point. Her third film, Dark Prism, was covered internationally by VICE, Rolling Stone, and Flavorwire, among others. She has also been featured in PAPER Magazine and has directed music videos for James Chance and the Contortions, Mac Gollehon, Pastel Confession, and many others. 

    Greenberg’s next project is set to release this year and is described as a supernatural martial arts movie. The film, Spirit Riser, stars Amanda Flowers, Cherie Currie, Kansas and Parker Bowling, Lynn Lowry, Jesse Yungbei, Patti Harrison, and will be narrated by the Tarantino-favorite Michael Madsen (Kill Bill Vols 1& 2, Reservoir Dogs).

    The New York Film Academy was able to get the scoop on Greenberg’s upcoming film and discuss the NYFA alum’s career as a director, actress, and a creative, who has a strong collaborative nature and a keen sense of originality woven into the fabric of any project she touches. 

    Photo Courtesy of Dylan Greenberg

    New York Film Academy (NYFA): What made you want to come to NYFA? Have you carried any learnings with you into your career?

    Dylan Greenberg (DG): I wanted to come to NYFA because at the time I was the only little kid in my neighborhood who seemed really interested in film, especially offbeat films. It was a way for me to find other kids with my interests. Most of the kids were older than me as I believe the classes went from ages 10-13, but it was the first time I was in a room with other children who shared my passions. At NYFA, I learned that realizing your vision is sometimes a fluid effort, and part of that is the understanding that what ends up on screen may not be exactly what you originally pictured. It was also the first time I walked through the process of writing, pre-production, shooting, post and a premiere.  

    NYFA: What have been some of your career highlights so far? 

    DG: One of my big career highlights was when the trailer for my third feature film Dark Prism was covered internationally  by VICE, Rolling Stone, Flavorwire and others. I was 18 at the time and that was the first time I saw my work get relatively mainstream attention. Another highlight was seeing a music video I directed for Sam Huber, on the True Groove Records Label, air on national television in Finland, on the YLE network. Those were two big firsts for me and encouragement that I was going in the right direction. 

    Dylan Greenberg (Right) and Lloyd Kaufman (Left) on the set of ‘Shakespeare’s Shitstorm’ in Albania

    NYFA: Can you tell us more about your collaborations with Troma Entertainment? 

    DG: I got my first job right out of high school working in the Troma offices. In fact, I was still in high school when I started working there. So, it was pretty great being 17 and 18 and having your first job in the field you wanted to be in. I was basically in charge of creating and editing the majority of their internet content while I was there, as well as special features for their Blu-rays. I’ve since become a freelance music video and commercial director, but continue to collaborate with Troma. Recently, I starred in their upcoming feature film Shakespeare’s Shitstorm, which is a super obscene, epic adaptation of Shakespeare’s The Tempest.  

    Photo Courtesy of Dylan Greenberg

    NYFA: Can you tell us more about your role as a full time music video and commercial director?

    DG: A big reason why I’m able to work as a music video director full time is because of my third feature film Dark Prism. When it got all the press it did, it caught the attention of True Groove Records, who hired me to direct several music videos for them when for others that might have seemed like too much of a risk because the only music videos I had really done before were for my own music. As a result of my work with True Groove, who I still work with to this very day, I was able to get work with many other clients. I learned a lot of networking skills, as the truth is there are many artists in New York City that need a video that both looks one of a kind and is in their budget. So, once I had some more videos under my wing I could send it as examples of the kind of work I do.

    I fill the niche for “weird but engaging” videos, as I’m known for very colorful, in your face visuals. However, I’m able to shoot in any style the shoot demands, and last year when I directed my first commercial to air on CBS, NY1 and News12, I was asked to take a more conventional approach. It was for a disco mega-concert, and because of the commercial, it sold out within a week or so! They actually didn’t have to air the commercial for as long as they thought they did because the tickets sold so fast. I was really proud of that, and again I have True Groove Records and Tomás Doncker to thank for that. 

    NYFA: In addition to your career as a director, you’re also in a band. Can you tell us more about that?

    DG: I’m in a band called Theophobia, which I feel is very similar to a lot of my film projects. In fact, my band mate Matt Ellin was, and is, also a big part of my film projects and has created music for my feature films since they were a teenager. Initially, the band started when my solo song and self directed video “Mia” became an unexpected success and premiered in PAPER Magazine, so I decided to tour the song around New York and promote it at clubs and local television stations. I wanted to have a guitarist and a lot of my friends as backup dancers to make it very theatrical, and I asked my friend Matt to be my guitarist, since they were already such a close collaborator, and I always felt like they were a total whiz kid. At a certain point, we both realized we had such a mutual love for music like Sparks, the work of Jim Steinman and Meat Loaf, and we realized it would just be so much more fun to make it a collaborative effort where we contribute an equal amount of ideas, and shine the spotlight on each other. I feel like besides synthesizers and vocals, I also “play” the video, because video is a big aspect of our performance. 

    I program a lot of the synthesizer elements into video that plays behind us, and then we play along with that. Our performances and music are super theatrical and we act our shows out like an improvised play, we deliberately act like clowns and try to get a reaction out of the audience, we sometimes physically fight each other on stage and one time I brought a Christmas tree into the venue in the middle of the performance. It’s really cool to get to direct videos not just for my own music but for OUR music, because whenever I create anything I immediately have a visual image of what I want it to look like, so it’s so cool to get to bring that to life. Definitely one of my favorite parts of music is making music videos. I‘ve watched 80s music videos non stop since I was a kid and found Pop Up Video on TV, so music videos are really my whole life. 

    NYFA: Some directors choose to subvert a personal style or auteurist approach to directing, but that doesn’t seem to be your approach. What would you say makes something a “Dylan Greenberg” project?

    DG: I would say, that in terms of my feature films, many consider them giant music videos. I have a lot of music from all different kinds of artists in my films, and almost always have at least one scene where someone actually sings a song within the film. Like my music videos, my projects are super colorful and in your face. I use a lot of fisheye lenses after falling in love with Hong Kong action cinema and Scott Shaw’s Zen filmmaking. I try to get really dominant with the colors red, blue and green and try to shoot in colorful locations with colorful people. My new film Spirit Riser has a lot of music, and musicians in it such as Dorian Electra, Cherrie Curie, the late Alan Merrill, and of course music from True Groove. That’s my seventh feature film, and will likely see a premiere in October. It’s so long I might have to split it into two movies, actually! 

    Photo Courtesy of Dylan Greenberg

    NYFA: Can you tell us about some of your upcoming projects?

    DG: Oh my goodness, so many! As I mentioned before, I have a feature film called Spirit Riser coming very soon starring Amanda Flowers, Cherie Currie, Kansas and Parker Bowling, Lynn Lowry, Jesse Yungbei, Patti Harrison, and it’s narrated by Michael Madsen! The only way to describe it is a supernatural martial arts horror fairytale. It’s got music, animation, live action, the Statue of Liberty coming to life and destroying New York, giant talking hands, and ghosts! 

    Furthermore, I have a short film called The Bathtub, which is actually the first short I’ve directed since I was a teenager that doesn’t also serve its primary purpose as a music video. It took me three years to make with Khloaris and I consider it as big of an achievement to me as one of my feature films. 

    We shot the entire project on green screen and we then built all of the sets as miniatures, keying the actors in frame  by frame. It’s so cool, because for the first time ever I got to literally build a world from the ground up, out of paper and cardboard. The point wasn’t to make you believe the miniatures are full size or hyper realistic but rather to make you believe the actors really live inside these boxes, ride the train high above them, and interact with these surreal wacky environments. It’s truly an experience and it stars Bob Bert of Sonic Youth, who also contributes music to the film. We were supposed to premiere it in March at WFMU, but obviously that got delayed. It will be coming soon, though! New York Film Academy would like to thank Dylan Greenberg for taking the time to share more about her directorial style and passion for creation. NYFA encourages everyone to check out Greenberg’s upcoming project Spirit Riser, when it is released later this year.

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    August 11, 2020 • Filmmaking, Student & Alumni Spotlights • Views: 1629

  • NYFA Broadcast Journalism: August 2020 Updates

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    Having “Guest Speakers” for instructional classes isn’t unusual. But it is unique when the guest calls-in from the middle of a raging wildfire she is covering in Southern California…

    NYFA alum Karen Hua

    Late Monday, after putting in a full day at KGET in Bakersfield, NYFA alum Karen Hua was sent to cover a wildfire burning out of control. It meant doing live shoots that evening, sleeping in the station SUV, and doing more live shoots Tuesday morning.

    NYFA alum Karen Hua

    She found time to share with the NYFA Broadcast Journalism Summer School participants what it is like to work as a multimedia journalist (MMJ), the challenges of meeting deadlines and how it really is a very small world. (Her roommate is a reporter at a rival TV station in Bakersfield.) If you want a role model, someone who embodies contemporary TV journalism in the United States, I can’t think of anyone who better fits the bill than Karen. Note she is wearing high-visibility fire gear…
    Fifteen years ago I created a documentary that still remains special to me…

    Still from ‘So Very Far From Home’

    August 2020 marks the 75th anniversary of the end of World War II. It also marks the 75th anniversary of an amazing rescue. During the final days of World War II, small groups of specially trained American troops parachuted into prison camps in Japanese-occupied China, liberating innocent children, their parents, teachers and friends. They had been imprisoned for the “crime” of being American, British, Australian and Dutch, confined to camps where hunger, disease, brutality and despair were their everyday companions.

    ‘So Very Far From Home’ title card

    These are the real-life stories behind Steven Spielberg’s epic film “Empire of the Sun,” as told by those who actually lived them.
    Decades later, those now-grown children still felt Very Far From Home. Because, to them, “home” would always be China. See their stories now on Vimeo.
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    August 10, 2020 • Broadcast Journalism, Student & Alumni Spotlights • Views: 912

  • NYFA Alum Valéria Costa Works as Production Manager for Netflix’s ‘Sergio’ and ‘Street Food: Latin America’

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    When shooting abroad, a solid production team is essential for shooting projects in an area you may be unfamiliar with. New York Film Academy (NYFA) MFA Filmmaking alum, Valéria Costa, makes it her job to ensure that foreign companies have everything they need, which is exactly what she recently did for the Netflix productions of Sergio and Street Food: Latin America.

    Originally from São Paulo, Brazil, Costa came to NYFA after wanting to learn the practical side of filmmaking. “I also wanted to study abroad and improve my English,” she tells NYFA, “so I decided to apply to the MFA Filmmaking program at NYFA and kill two birds with one stone.”

    Valéria Costa (Left) on set

    Costa has since worked her way up through the ranks at production house Brazil Production Services, becoming a as a Production Manager. She has worked on multiple projects both in Brazil and in the United States including Netflix’s Hyperdrive and 90 Day Fiancé: The Other Way. Costa also worked on the NYC unit for the Brazilian feature film Minha Vida em Marte and on the set of the shoot for the Get to Know Me music video with Brazil’s biggest popstar, Anitta.

    Costa’s recent projects as a production manager have been with big name titles  like the Netflix film Sergio, which premiered at this year’s Sundance Film Festival, starring Ana de Armas and famous Brazilian actor Wagner Moura. “It was a great experience,” shares Costa. “We had several weeks of pre-production and the challenge to build a 100+ local Rio de Janeiro crew, and served as the main members of the crews (being bilingual) to communicate between the Brazilian crew and American crew that flew to Brazil for this shoot.”

    Film poster for ‘Sergio’

    As with any production, Sergio posed many challenges for Costa and the crew. Some of those challenges included finding the right person for a certain type of shoot and transforming a whole set to resemble an entirely different decade.

    “We had an underwater scene being filmed in the Rio de Janeiro that meant we needed to bring in the best underwater camera operator in Brazil to ensure we had the best footage possible,” reveals Costa. “We also needed to make sure all scene components were true to the time period, with many written as Sergio’s flashbacks from the 70’s; everything from street signs, cars, beach wear, people’s wardrobe, accessories, and more needed to be thought through.”

    Poster for ‘Street Food: Latin America’

    Another exciting project helmed by Costa and her team was Netflix docuseries Street Food: Latin America. Costa managed the Brazil Unit for the streaming series and  reveals it was a “fulfilling experience” but also challenging overall.

    “The city of Salvador [where the shoot was taking place] is not as developed as São Paulo or Rio de Janeiro, so, at some point during production, we had an issue with the equipment and we had to act very fast and put somebody on a plane to bring equipment from São Paulo for us ASAP so our schedule wasn’t affected. Everything worked out in the end and I’m very happy that people from all over the world get to know some of the best Brazilian and Latin American food.”

    Valéria Costa (Second from left) with the production crew behind the scenes of a shoot

    Costa’s job is certainly never quiet. Besides having the usual responsibilities of a Film Production Manager, she is also in charge with advising her clients on the local filming requirements of the country that they are looking to film in, while also seeking to align their expectations based on the limitations of that location.

    “There’s a Brazilian saying that I believe summarizes working in the film industry for me: ‘A rapadura é doce, mas não é mole não.’ That translates to something like, “The candy is sweet, but it’s not easy to bite. What we do is definitely not easy. You work long hours, deal with extremely tight deadlines and budget limitations, but I really love making movies and dealing with all the moving parts of a set and once you can see the final product I can guarantee that it’s worth it.”

    New York Film Academy would like to congratulate MFA Filmmaking alum Valéria Costa on her recent successes for the two Netflix productions, and is excited to see what’s in store for Costa as she continues to manage productions in two different global hemispheres of the world.

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    August 6, 2020 • Filmmaking, International Diversity, Student & Alumni Spotlights • Views: 1037

  • TV & Film Actress Samantha Soule Expands Her Craft With New York Film Academy’s Online Workshops

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    At New York Film Academy (NYFA), we are excited to continue to offer our creative and performing arts workshops online so that everyone, from artists and industry professionals like Samantha Soule, can continue to hone their craft under the guidance of renowned instructors from anywhere in the world. Samantha Soule, who recently took an Online Film Directing Workshop and Online Cinematography with NYFA, already boasts an active acting career, with credits including Outer Banks, Godless, City on a Hill, and Martin Scorsese’s The Irishman, amongst many others.

    A full time actress for many years, Soule holds numerous credits for TV and film across Netflix, Showtime, CBS, and many more. She has a number of projects in the works for the upcoming year which, unfortunately, are on hold due to the global pandemic.

    “When COVID-19 shut down the projects I had in the works, it felt like a really good time to learn and evolve,” shares Soule. “So much of my life as a performer is being the clay for another’s vision, which is a job I love, but as I move forward in life I am interested in the ways I can expand: use other parts of my brain, create stories, create opportunities to collaborate in different ways, and create opportunities for others, and not just benefit from them myself.”

    Samantha Soule as Charlotte Temple in Netflix’s ‘Godless’

    During her online courses at NYFA, Soule shares that learning more outside of acting has been an eye-opening experience, allowing her to explore different avenues of the business like film directing and cinematography. “I learn best by doing, and this course has been an incredible kick in the butt to just get out there and start trying, learn from mistakes, fail, get up and try again.”

    As Soule pursues more avenues for creating more opportunities in the future, she shows no signs of stopping in her acting career, having already gained recognition for many of her roles including the put-together high society woman, Charlotte Temple, on Netflix’s Godless, where Soule stars alongside Michelle Dockery, Jeff Daniels, Merritt Weaver, and Jack O’Connell in the streaming giant’s western mini-series.

    Samantha Soule as Anna Carrera on Netflix breakout series ‘Outer Banks’

    Soule also recently appeared in Netflix breakout series Outer Banks (also referred to as OBX), which was recently renewed for a second season that has yet to begin filming due to the COVID-19 restrictions. Soule plays Anna Carrera, the caring and concerned mother of main character Kiara (played by Madison Bailey). Soule praises the show for its themes of the trust, loyalty and love that you build with the family you are born into and the family you choose. As for whether we will see more of Soule’s character next season, Soule says: “I think there is some of that ferocity in Anna. She has her own history and has made some bold choices herself along the way, but I haven’t a clue where the story is going! We shall see!”

    Samantha Soule (Right) in Showtime’s ‘City on a Hill’

    Soule’s long standing career as an actor has brought her many roles both big and small, but she approaches them all with a student mindset with what she’s absorbed from her experiences along the way. “I have been both really lucky and active in my fight to work on a really diverse array of characters. I love leaping from one world to the next and I learn from each. Each character is a new vantage to view the world, so the wider the range of humans I get to understand the deeper the education. I think most of what I love is the extreme juxtaposition, it’s like using different muscles.”

    New York Film Academy would like to thank actress and NYFA alum Samantha Soule for taking the time to speak to us on her experience as a constant student to her craft and also encourages everyone to check out Soule in AMC’s supernatural thriller Nos4a2, which premiered this summer, and her upcoming project with Godless creator Scott Frank called Queen’s Gambit.

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    August 5, 2020 • Acting, Filmmaking, Student & Alumni Spotlights • Views: 1101

  • New York Film Academy (NYFA) Community Earns Several Nominations for 72nd Annual Primetime Emmys

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    New York Film Academy (NYFA) was once again represented in this year’s nominations for the 72nd Primetime Emmy Awards, announced Tuesday, July 28 at 11:30 a.m. Eastern Time.

    NYFA alum and ‘Insecure’ creator Issa Rae (Right) and Jay Ellis (Left) in Season 4 of ‘Insecure’

    NYFA Filmmaking alum Issa Rae was nominated for her second ‘Outstanding Lead Actress in a Comedy Series’ Emmy for her performance in the HBO series Insecure, also created and executive produced by Rae. In total, Insecure received eight nominations including its first-ever Emmy nomination for ‘Outstanding Comedy Series’ and a nomination for Yvonne Orji for ‘Outstanding Supporting Actress in a Comedy Series.’

    Fan favorite series Stranger Things continued to capture viewers, receiving eight nominations including ‘Outstanding Drama Series.’ NYFA Filmmaking alum Eric Demeusy previously earned an Emmy in 2017 for creating the now iconic title sequence for the show. The series also previously starred NYFA Board Member and Master Class Instructor Matthew Modine as Dr. Martin Brenner and featured NYFA Acting for Film alum Matty Cardarople.

    NYFA guest speaker and ‘The Mandalorian’ creator Jon Favreau

    Competing with Stranger Things for ‘Outstanding Drama Series’ is the Disney+ Star Wars spin-off series The Mandalorian. Created by NYFA guest speaker Jon Favreau, the series received a whopping 17 nominations total for the newcomer streaming platform. The popular space western also features Rocky star, Carl Weathers, who previously spoke at NYFA’s Los Angeles campus for Industry Lab panel discussion. Disney+ also picked up a nomination for ‘Outstanding Short Form Animated Program’ with Forky Asks a Question, featuring the voice of actor and NYFA guest speaker Tony Hale.

    Documentary film poster for Netflix’s ‘Tiger King’

    Easily one of the most talked-about documentaries of the year was Netflix documentary series Tiger King: Murder, Mayhem And Madness, which received four nominations in the Emmy documentary categories including ‘Outstanding Documentary Or Nonfiction Series.’ Creating the cohesive and gripping storyline for the documentary was NYFA Documentary Filmmaking alum Pedro Álvarez Gales, who served as co-editor for the popular Netflix series.

    NYFA Acting for Film alum Ragga Ragnars in ‘Vikings’

    Also nominated this year was History Channel’s Vikings for ‘Outstanding Visual Effects in a Supporting Role,’ which stars Acting for Film alum Ragga Ragnars. Better Call Saul screenwriter and NYFA guest speaker, Gordon Smith, was also nominated for his writing for the series episode “Bagman.”

    This year, Netflix beat out HBO’s previous record for the most Emmy nominations to date with 160 nominations, with HBO trailing behind at 107 nominations total this year, though HBO continued its success with dystopian series Watchmen leading with the most Emmy nominations for any show this year in 26 categories. The newly established mobile-only streaming platform Quibi led the short form Emmy nominations this year with 10 nominations across the five short form categories, making it the most of any platform.

    (UPDATE 7/30/20) The Television Academy has officially announced that the 72nd Annual Primetime Emmys will be held completely online, with host Jimmy Kimmel, the Emmy producers, and a prominent team of technicians working closely with each of the nominees to ensure the ceremony will still be streamed at the highest caliber possible for TV’s biggest night.

    The Television Academy also noted that nominees can follow the dress code “Come as you are, but make an Effort!,” noting that many of the nominees span across the globe in different time zones, with many tuning in at extremely late hours with the ceremony still being held at its normal Pacific Standard Time. An excerpt from the letter addressed to the nominees can be found below:

    “If you want to be in formal wear, we’d love that, but equally if you’re in the UK and it’s 3am, perhaps you want to be in designer pajamas and record from your bed! We want to work with you to style your moments, but want you to guide us on your levels of comfort – where you want to be, who you want to be with, what you want to wear etc.

    In the forthcoming days, Jen Proctor, our Talent Producer and her extraordinary team at Cultivated Entertainment will be reaching out to you to start talking through the details.”

    New York Film Academy would like to congratulate all the nominees for the 72nd Annual Primetime Emmys and looks forward to the ABC broadcast of the virtual ceremony on September 20, 2020, hosted by Jimmy Kimmel.

     

    Here is a list of some of this year’s Emmy Award nominees:

    OUTSTANDING LEAD ACTOR IN A COMEDY SERIES

    Eugene Levy, Schitt’s Creek – Winner
    Anthony Anderson, Black-ish

    Don Cheadle, Black Monday
    Ted Danson, The Good Place
    Michael Douglas, The Kominsky Method
    Ramy Youssef, Ramy

    OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES

    Catherine O’Hara, Schitt’s Creek – Winner
    Tracee Ellis Ross, black-ish
    Christina Applegate, Dead To Me
    Linda Cardellini, Dead To Me
    Issa Rae, Insecure
    Rachel Brosnahan, The Marvelous Mrs. Maisel

    OUTSTANDING COMEDY SERIES

    Schitt’s Creek – Winner
    Curb Your Enthusiasm

    Dead To Me
    Insecure
    The Good Place
    The Kominsky Method
    The Marvelous Mrs. Maisel

    What We Do In The Shadows

    OUTSTANDING DIRECTOR FOR A COMEDY SERIES 

    Schitt’s Creek, Andrew Cividina & Daniel Levy – Winner
    Modern Family, Gail Mancuso
    Ramy, Ramy Youssef
    The Great, Matt Shakman
    The Marvelous Mrs. Maisel, Amy Sherman-Palladino
    The Marvelous Mrs. Maisel, Daniel Palladino
    Will & Grace, James Burrows

    OUTSTANDING DRAMA SERIES

    Succession – Winner
    Better Call Saul

    The Crown
    The Handmaid’s Tale
    The Mandalorian
    Stranger Things
    Killing Eve
    Ozark

    OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR MOVIE

    Mark Ruffalo, I Know This Much Is True – Winner
    Hugh Jackman, Bad Education

    Jeremy Pope, Hollywood
    Paul Mescal, Normal People
    Jeremy Irons, Watchmen

    OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

    Regina King, Watchmen – Winner
    Kerry Washington, Little Fires Everywhere   

    Cate Blanchett, Mrs. America  
    Octavia Spencer, Self Made: Inspired By The Life Of Madam C.J. Walker 
    Shira Haas, Unorthodox 

    OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE

    Yahya Abdul-Mateen II, Watchmen – Winner
    Dylan McDermott, Hollywood
    Jim Parsons, Hollywood 

    Tituss Burgess, Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend 
    Jovan Adepo, Watchmen 
    Louis Gossett Jr., Watchmen

    OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE

    Uzo Adub, Mrs. America – Winner
    Holland Taylor, Hollywood

    Margo Martindale, Mrs. America
    Tracey Ullman, Mrs. America
    Toni Collette, Unbelievable
    Jean Smart, Watchmen

    OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES

    Daniel Levy, Schitt’s Creek – Winner
    Andre Braugher, Brooklyn Nine-Nine
    William Jackson Harper, The Good Place 
    Alan Arkin, The Kominsky Method
    Sterling K. Brown, The Marvelous Mrs. Maisel
    Tony Shalhoub, The Marvelous Mrs. Maise
    Mahershala Ali, Ramy
    Kenan Thompson, Saturday Night Live

    OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES

    Annie Murphy, Schitt’s Creek – Winner
    Betty Gilpin, GLOW

    D’Arcy Carden, The Good Place
    Yvonne Orji, Insecure
    Alex Borstein, The Marvelous Mrs. Maisel
    Marin Hinkle, The Marvelous Mrs. Maisel
    Kate McKinnon, Saturday Night Live
    Cecily Strong, Saturday Night Live

    OUTSTANDING LEAD ACTOR IN A DRAMA SERIES

    Jeremy Strong, Succession – Winner
    Steve Carell, The Morning Show

    Jason Bateman, Ozark 
    Billy Porter, Pose
    Brian Cox, Succession
    Sterling K. Brown, This Is Us

    OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES

    Zendaya, Euphoria – Winner
    Olivia Colman, The Crown

    Jodie Comer, Killing Eve
    Sandra Oh, Killing Eve
    Jennifer Aniston, The Morning Show
    Laura Linney, Ozark

    OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES

    Billy Crudup, The Morning Show  – Winner
    Giancarlo Esposito, Better Call Saul 

    Bradley Whitford The Handmaid’s Tale
    Mark Duplass, The Morning Show
    Nicholas Braun, Succession
    Kieran Culkin, Succession 
    Matthew Macfadyen, Succession
    Jeffrey Wright, Westworld

    OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES

    Julia Garner, Ozark – Winner
    Laura Dern, Big Little Lies

    Meryl Streep, Big Little Lies
    Helena Bonham Carter, The Crown
    Samira Wiley, The Handmaid’s Tale
    Fiona Shaw, Killing Ev
    Sarah Snook, Succession
    Thandie Newton, Westworld

    OUTSTANDING SHORT FORM NONFICTION OR REALITY SERIES

    National Geographic Presents Cosmos: Creating Possible Worlds – Winner
    Between The Scenes – The Daily Show

    Full Frontal With Samantha Bee Presents: Pandemic Video Diaries 
    Pose: Identity, Family, Community
    RuPaul’s Drag Race Out Of The Closet

    OUTSTANDING VARIETY TALK SERIES

    Last Week Tonight With John Oliver – Winner
    The Daily Show With Trevor Noah

    Full Frontal With Samantha Bee
    Jimmy Kimmel Live!
    The Late Show With Stephen Colbert

    OUTSTANDING VARIETY SKETCH SERIES

    Saturday Night Live – Winner
    A Black Lady Sketch Show

    Drunk History

    OUTSTANDING TELEVISION MOVIE

    Bad Education – Winner
    American Son

    Dolly Parton’s Heartstrings: These Old Bones
    El Camino: A Breaking Bad Movie
    Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend

    OUTSTANDING LIMITED SERIES

    Watchmen – Winner
    Little Fires Everywhere

    Mrs. America
    Unbelievable
    Unorthodox

    OUTSTANDING DOCUMENTARY OR NONFICTION SERIES

    The Last Dance – Winner
    American Masters
    Hillary
    McMillion$ 
    Tiger King: Murder, Mayhem And Madness 

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  • New York Film Academy (NYFA) Online Acting for Film Alum Stars in Netflix Original Series ‘Sacred Games’

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    With New York Film Academy (NYFA) beginning to expand its offerings and conducting specialized workshops online, actors like Online Acting for Film alum, Elnaaz Norouzi, can take classes to polish their craft from renowned industry professionals anywhere in the world. Elnaaz Norouzi, who recently studied in a 4-Week Acting for Film Workshop, also stars in the Netflix original series Sacred Games.

    Norouzi was born in Tehran, Iran, and later moved to Germany, where she also learned English, German, and French in addition to her native language of Farsi. When she moved to India years later, Norouzi also learned Hindi, Urdu, and Punjabi, allowing her to speak a grand total of seven languages.

    NYFA alum Elnaaz Norouzi as Zoya in ‘Sacred

    Just like learning languages opens the doors to understanding different cultures and behaviors, so does becoming an actor. “I always found it super fascinating to learn and to know what other people feel or what makes them do things the way they do them,” says Norouzi. “I feel it takes a lot for an actor to be able to put themselves in the shoes of another.”

    In addition to acting, Norouzi has also been working as an international model for over ten years with brands like Dior, Lacoste, and Le Coq Sportif, to name a few, but it is acting that Norouzi is most passionate about.

    When she began her acting career in India, Norouzi remembers taking a lot of classes in Mumbai, but it was always her dream to go to New York Film Academy. With Norouzi’s normally packed schedule winding down due to the global pandemic, she realized it was time to make that dream a reality and enrolled in NYFA’s Online Acting for Film Workshop. “I learned so much about what I’ve never done before with my scripts. My next script will be full of left-hand side notes.”

    Photo Courtesy of Elnaaz Norouzi

    While many remember their first experience in the film industry, Norouzi remembers several. Her first acting roles for films, Maan Jao Naa and Khido Khundi, were part of two separate film industries, the Pakistani (“Lollywood”) and Punjabi (“Pollywood) industries, respectively. “It’s amazing to be able to explore different film industries. Each of them work so differently,” she says. “Both of those films were only my first two films and I got to learn so much while doing them.”

    After her film acting debut, Norouzi quickly found herself involved in Netflix’s first original series in India called Sacred Games, based on Vikram Chandra’s 2006 novel of the same name. “I remember being one of the last girls to audition for Zoya and Jameela’s role. After I got the role, I discovered they were auditioning girls for over three months for my part and weren’t able to find anyone suitable. By the time I was cast, the shooting for the first season had already started.”

    NYFA alum Elnaaz Norouzi in Netflix poster for ‘Sacred Games’

    “I felt very proud bagging the role, but back then I didn’t expect much because I didn’t know much about Netflix, and no one in India had Netflix yet.” After the series was released, the show became such a success that people began subscribing to Netflix just to watch Sacred Games. “People started recognizing me and calling me Zoya [Norouzi’s character] and I realized how big the show had actually become.”

    The show currently has two seasons available on Netflix and it is likely it will be renewed for a third season. “It may take some time since the original book covered only the first two seasons, so our fabulous writers must write something new for us now.

    Aside from another season of Sacred Games, Norouzi shares she has two films coming up, including a Bollywood film that was delayed in its release due to COVID-19 and a South Indian action film in Tamil. “Lots of people have asked me if Tamil is going to be my eighth language, but that will surely not happen. It was hard enough to learn it for the film, I don’t think I can learn the entire language,” she jokes.

    New York Film Academy would like to thank actress and NYFA alum Elnaaz Norouzi for taking the time to share her experience in the global film industry and looks forward to seeing Elnaaz in her upcoming projects. Sacred Games (Seasons 1 & 2) are currently streaming now on Netflix.

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    June 29, 2020 • Acting, International Diversity, Student & Alumni Spotlights • Views: 1334

  • NYFA Alum Screens Thesis Film ‘Loving Byron’ at New Filmmakers LA Monthly Film Event

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    A few years ago, filmmaker Deante’ Gray was staying in his mom’s  house in Houston, Texas, while recovering a torn ACL from playing football for the Houston Texans. After leaving the NFL, Deante’ took his career in a completely new direction and enrolled in the New York Film Academy’s MA in Film and Media Production program.

    This Sunday, June 28, 2020 at 12:00 p.m. PT/3:00 p.m. ET, he will be screening the results of that venture, his thesis film Loving Byron, at New Filmmakers LA’s monthly film event.

    Crickett Rumley, NYFA’s Director of Film Festivals, spoke with Deante’ as he prepared for the screening.

    Film poster for ‘Loving Byron’

    Crickett Rumley (CR)Congratulations on getting selected for New Filmmakers! Tell us about your film.

    Deante Gray (DG):  Loving Byron is about a 17-year-old boy who runs away from his problematic home with his girlfriend to live in the middle of nowhere. After finding out she’s pregnant, he has to decide how far he’s willing to go for the love of his life.

    CR: What was the inspiration?

    DG: My inspiration for making this film was my upbringing and seeing how similar a lot of me and my peers were as teenagers growing up in Houston. How a kid can be so in love, so hopeful in life, and it all being stripped away at a moment’s notice.

    Reflecting now on where I’m at in my life, it’s insane how one decision can lead people, good people, down so many different paths. I think in large part where I am in my life, is purely out of sheer luck. I wasn’t smarter than my peers, I wasn’t any more athletic, I didn’t hold a higher moral standard than any one kid growing up. I just got lucky that my collection of choices and decisions didn’t lead me to a path of potential destruction.

    Deante’ directing behind the scenes on ‘Loving Byron’

    CR: The film is beautiful, yet the circumstances very much reflect the times we live in today.  Without spoiling the story, can you talk about how Loving Byron addresses systemic racism and the Movement for Black Lives?

    DG: I think anyone with a deep understanding of systematic racism and the affect it has historically had on the Black community will be able to immediately see the tree in which these issues stem from within the community. And if that’s not enough. There’s a scene between two characters in my film — it’s probably my favorite scene I’ve ever written — that tells you verbatim what systematic racism is.

    CR: It’s a powerful scene. What was your favorite thing about directing this film?

    DG: Definitely the character exploration I went through with my actors prior to filming and also during filming. I felt in discussing with my actors why characters made certain decisions through the movie I was indirectly in my own therapy session. There would be times where I’d realize there were things about my own upbringing that I had never even considered or talked about, and I was forced to somewhat channel those deep feelings and understand them better. Not only that, but my lead is actually my best friend that I grew up with in Houston. So our connection and us knowing everything about one another only amplified the focus and care that was needed to make this film what it is.

    CR: It sounds like the process of making this film had a healing effect. It’s so cool you got to experience that with an old friend. What were other challenges you faced in making the film?

    DG: The most challenging thing was learning how to properly navigate a workable budget. I’m still fairly new to this level of filmmaking, so I don’t know very much about the places and resources to get funding for a film like this. A lot of it was me learning as I was going.

    I learned that you truly can’t be an introvert in this business. If you really want to make a film and want money for it, you have to go out there and get it for yourself.

    Still from Deante’ Gray’s thesis film ‘Loving Byron’

    CR: Just as the film is getting out there now.  Which festivals have you been in so far?

    DG: This will be Loving Byron’s fourth festival selection. Before COVID-19 happened, it was selected for the San Diego Black Film Festival, and that was a tremendous experience. It was my first time since my NYFA screening that I got to interact with audience members after the viewing of my film. It’s moving how impactful certain people can find your film to be. The Q and A’s were amazing along with all the networking events that they had for us filmmakers.

    Loving Byron also won the Remi award at WorldFest Houston International Film Festival, which unfortunately due to COVID-19 got suspended.

    CR: And now you’re in New Filmmakers LA’s monthly screening – it’s such a great local festival. What are you looking forward to this weekend?

    DG: I’m curious to see if a virtual festival can still have that communal filmmaker vibe that typical film festivals have.  A cool thing that they are doing is after the Q and A’s, they are holding random Zoom rooms of four to five people for 30 minutes or so. So it does allow you to briefly network with other filmmakers and people in the business. You never know who you might see in there!

    Still from scene in ‘Loving Byron’

    CR: Maybe someone you collaborate with in the future! But let’s go back to the past for a minute and talk about your work at NYFA. How do you think your education prepared you for a career in filmmaking?

    DG: With NYFA, and the specific master’s program I was in, it was such a loaded fast-paced learning environment. It forced me to truly eat, breathe, and live film. It provided a concrete schedule that allowed me to really maximize and take in the wealth of knowledge and on-set experience you constantly get at NYFA. I was also in class with tremendous filmmakers who knew so much already and consistently pushed their creativity. In large part I wanted to prove to myself I belonged, and I think I did.

    CR: I know you did. Do you have any special shout-outs to faculty or staff who really helped or inspired you?

    DG: I can’t thank my directing instructor David Newman enough for his critical and straightforward approach to filmmaking. His way of teaching and his stress that a director’s responsibility is not only on the set but to an audience as well has definitely stuck with me since our very first class. I also have to thank him for introducing me to the Criterion Collection one day in the library. Changed my life, ha!

    Robert Taylor, who was a screenwriting professor at NYFA during my time there, really helped shape my writing style as well. And gave me tremendous confidence to try new things and take meaningful risks within my writing. Any conversation, no matter how long or small, I always would come away just inspired to keep writing.

    And last but not least you, Crickett! I hadn’t the slightest idea of festival strategies. And since the first day I sent you my film, you’ve been nothing but supportive and helpful to all my pressing questions on the best way to get this film out there.

    Also special s/o to the workers in the library. I’m in there so much (even as a graduate) I know they get tired of me. But they always have been super helpful and nice to me.

    Deante’ behind the scenes shooting ‘Loving Byron’

    CR: Aww, my pleasure! You’ve made a wonderful film, and I’m delighted I get to help you put it out into the world. Speaking of getting out into the world, do you have any advice for recent graduates making their way into the professional world?

    DG: I’m still trying to figure this all out. It’s been undoubtedly hard, trying to stay afloat and wondering what the best route is to get in the business. I think for me, as someone who’s currently freelancing, it’s a lot about staying hungry and hustling every chance you get, while still being inspired to be creative and make things.

    I think you definitely have to have a level of persistence as you go about emailing people, meeting people and even social media. It’s something I’m not the best at. I’m still trying to be better at it. But in the same breath, I know my work ethic, and I know the quality of work I put out. So when the time does come to showcase myself to the right people, I know I’ll be ready.

    New York Film Academy would like to thank Deante’ Gray for taking the time to speak about his film Loving Byron and congratulates him on his film screening for the new Filmmakers LA monthly film event.

    Deante’ Gray’s Loving Byron will screen on Sunday, June 28, 2020, in “Shorts Program 1: Belated Spring” at 12:00 p.m. PT, with a Q &A Following at 1:45 p.m. PT.  To reserve tickets, please visit the New Filmmakers LA website
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    June 26, 2020 • Film Festivals, Film School, Filmmaking, Student & Alumni Spotlights • Views: 2340

  • NYFA Documentary Filmmaking Alum, Mollie Moore, on Her Journey as a Documentary Filmmaker and the Importance of Storytelling

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    New York Film Academy (NYFA) Documentary Filmmaking alum Mollie Moore is a filmmaker and cinematographer from South London, who is currently based in London and New York City. She has worked for renowned production companies such as the BBC, PBS, ITVS, Human Love LTD and DNA Films on various projects. Her films have gone on to be screened at festivals all over the world, with her work taking her to multiple continents. With her background in cinematography, Moore’s work pushes the limits of visual poetry through non-fiction storytelling, while also weaving in important themes that highlight the LGBTQ community and forced migration.

    From a young age, Moore was always involved with the theatre world and, when it was time to go to college, she travelled instead to South East Asia, India, South America and many other places while working as a crew member on fictional film sets. “I realized the vast possibilities of storytelling and the importance of capturing the beauty of the world we live in and the stories within it,” shares Moore. “Documentary felt like a natural marriage with my background in theatre, storytelling and my passion for exploration and the people I met along the way.”

    This realization brought Moore to New York, where she studied in NYFA’s 1-Year Conservatory Program for Documentary Filmmaking. “It was a course that I could give all of my attention to, whilst getting maximum in-person time to learn in a creative and hands-on way,” she explains. 

    Film Poster for ‘A Word Away’ (Dir. Mollie Moore)

    Her thesis film, A Word Away, premiered at the Camden International Film Festival. A Word Away centers around a young man named Cosmo, who is from South Sudan and now resides in the U.S, who share his journey of migration through the medium of poetry. For Moore, it was important for her to find “a new way of telling a story of migration, through a more intimate and personal lens.” At the film’s premier, Moore recalls that having Cosmo and his family present was a very important moment for her as it was their stories being told and seen. “Documentary filmmaking should always be seen a collaborative process between the filmmaker and the people sharing their stories.”

    After graduating NYFA, Moore also worked on festival favorite Paper Thin, a documentary about a young transgender womxn starting a new life in New York City after having to flee the persecution of LGBTQ+ persons in Russia. Not long after, Moore worked as the cinematographer for the short film, Mama, a personal story between a mother and daughter (dir. NYFA alum Lucia Florez), who look into their past to try and reconcile their relationship after years of difficult conversations and opinions about sexuality.

    Mollie shooting in Peru on set of the film ‘Mama’ (Dir. Lucia Florez)

    These films, and others with similar themes, are ones that Moore says she holds “very close to my heart and with a lot of passion.” While Moore identifies with these topics on a personal level, as a filmmaker, she explains that these stories are crucial to share. “I think shedding light on topics and communities that have often been massively misconstrued and discriminated against through violent acts of oppression and injustice is of huge importance.” For those that have a platform to shed light on subjects and real world issues in an objective, honest way, it can be a privilege. Moore says, “we must share it [the stories of others] and give voices to those whose realities have often been silenced throughout history.”

    Moore is currently working as a filmmaker on the artist Marc Quinn’s public art project, Our Blood; a multi media public artwork that focuses on the refugee crisis all over the world. The art piece will premiere outside of the New York Public Library in 2021, but for now, Moore and others involved on the project are continuing their filming in London and New York City. 

    New York Film Academy (NYFA) would like to thank NYFA Documentary alum Mollie Moore for sharing more about her work as a documentary filmmaker and encourages everyone to check out her work and keep an eye out for the Our Blood project, once it has been unveiled in 2021.

    To keep up with Mollie Moore, check out her website here or follow her on Instagram.

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    June 17, 2020 • Documentary Filmmaking, Student & Alumni Spotlights • Views: 1122