nyfa documentary
Posts

  • New York Film Academy Instructor Edits Record-Breaking “Free Solo” Documentary

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    The Year of the Documentary strikes again with the arrival of National Geographic’s Free Solo. The 2018 documentary, edited by New York Film Academy (NYFA) instructor Bob Eisenhardt, focuses on rock climber Alex Honnold as he attempts to climb El Capitan, the vertical rock formation in Yosemite National Park, without ropes, or “free solo.” El Capitan is so dangerous, no one has ever tried before. Honnold is the only person to have ever accomplished the feat.

    Free Solo currently sits at an astounding 99% on Rotten Tomatoes after 66 glowing reviews. Tom Russo of the Boston Globe said of the film, “Go figure that the year’s most outrageously harrowing action movie turns out to be an arthouse doc from National Geographic.” Free Solo beat out An Inconvenient Truth as the highest per-venue average of all time. The documentary is also screening as part of Thom Powers’ Short List at the 2018 DOCNYC film festival, and has been shortlisted by the International Documentary Association (IDA). It was directed by Jimmy Chin and Elizabeth Chai Vasarhelyi.

    Editor Bob Eisenhardt is an Academy Award nominee, three-time Emmy winner, and recipient of the coveted “Eddie” aka American Cinema Editors Award. He has edited over 60 films, mostly feature and television documentaries, including Everything is Copy (HBO), Jerusalem (IMAX), and another rock climbing documentary, Sundance Audience Award Winner Meru. He teaches Advanced Thesis Editing and is a Master Class instructor at the New York Film Academy’s New York City campus. In 2017, Eisenhardt’s film Scotty Bowers and the Secret History of Hollywood was screened at DOC NYC.

    Free Solo is the latest in an exciting run of releases for NYFA Documentary faculty. This year alone has seen rave reviews for Claudia Raschke’s work on RBG, Kristen Nutile’s work on Heroin(e), and Maxine Trump’s To Kid or Not To Kid, all of whom are instructors at NYFA’s Documentary school. For the past eight years, NYFA has been ranked as one of the nation’s top documentary filmmaking schools, grooming students for the practical challenges, opportunities, and realities that arise when creating documentary films.

    The New York Film Academy congratulates NYFA instructor Bob Eisenhardt on the continued success of Free Solo!

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    November 8, 2018 • Documentary Filmmaking, Student & Alumni Spotlights • Views: 1229

  • New York Film Academy (NYFA) Documentary Alum Kendall Ciesemier Talks Activism, Social Causes

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    Chicago native, New York-based producer, writer, and social entrepreneur Kendall Ciesemier has been making waves with breaking news stories and interviews about social causes ever since she was 11 years old. At that young age, she formed Kids Caring 4 Kids to empower young people to help provide basic human needs to children living in sub-Saharan Africa. While she was at Georgetown University, Kendall co-founded OWN IT, a women’s leadership initiative to empower college-aged women to engage with women leaders. And at New York Film Academy (NYFA), Ciesemier completed the 6-week Documentary program in 2017.

    Ciesemier’s personal history of health issues inspired her humanitarian work. Expounding upon that, she says, “My own health struggles entirely formed the lens through which I look at the world.” In lieu of gifts and flowers during her recovery, she humbly requested well-wishers donate to the village of Musele, Zambia — the most highly affected area by the AIDS epidemic at the time. “I found my purpose in founding Kids Caring 4 Kids,” added Ciesemier. Since 2004, 8,000 individuals in five different African countries have been assisted via the construction of dormitories, orphan care centers, a clinic, classrooms, computer labs, bicycles, indoor plumbing, meals, and clean water.

    View this post on Instagram

    LINK IN BIO: My interview with #MeToo founder @taranajaneen just dropped on @mic’s FB watch show: #MicDispatch. Go watch and learn and wow! Tarana really brings it. We discuss Kavanaugh, the one year anniversary of the Harvey Weinstein allegations and the state of the #MeToo movement. . Here’s her message for survivors which I found so comforting: “I want us to lay our burdens down. This should be laid at the feet of the Senate. This should be laid at the feet of your local politicians. It should be laid at the feet of the school or institution or whoever that didn't protect you. It's not our burden to bear.” #survivors #believesurvivors #metoo #believewomen #metoomovement

    A post shared by Kendall Ciesemier (@kendallciesemier) on

    Now a producer at Mic, Ciesemier recently found herself helping out with an interview of rising political star Alexandria Ocasio-Cortez, who was elected to the House in 2018 as the youngest woman in Congressional history. The Democratic Socialists of America-endorsed 29-year old recently stunned the country after defeating longtime incumbent Joe Crowley in New York’s 14th District. Ocasio-Cortez was interviewed alongside fellow DSA-supported Cynthia Nixon, who lost her bid to defeat incumbent governor Andrew Cuomo.

    At Mic, her topics range from criminal justice reform, racial justice, the #MeToo movement, and more. Her recent interview with Alice Marie Johnson, a woman serving life without parole for a first-time nonviolent drug offense, helped lead to Johnson’s clemency as is arguably the highlight of Ciesemier’s career.

    Speaking of the experience, Ciesemier said, “We actually drove down alongside her family, three hours from Memphis to Alabama. We were racing to get there in time to pick up Alice and watching her walk across the street and see her family across from the prison was pretty powerful.” She continued, “I think, as a journalist, you’re taught to just do your job — but you’re also a human being. I don’t think I processed all of that experience until a good four days after. This is a story I’ll never forget.”

    Ciesemier tweeted her emotional reaction to the release:

    Activists also showed their support of Alice Marie Johnson’s release, including Reese Witherspoon, who thanked Ciesemeier on Twitter for her efforts:

    The New York Film Academy would like to thank Kendall Ciesemier for her time and, more importantly, her community service, philanthropy, and activism. We wish her the best of luck with all her future endeavors.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail
  • New York Film Academy (NYFA) Student and Faculty Work to Screen at DOC NYC 2018

    Facebooktwittergoogle_plusredditpinterestlinkedinmail
    For the fourth consecutive year, the New York Film Academy (NYFA) Documentary School has been selected to screen a slate of exceptional student documentaries as part of the prestigious DOC NYC film festival.

    Screens from DOC NYC 2018 films

    The largest documentary film festival in America, DOC NYC is also among the most consequential. One of the most respected programmers in the documentary world, Artistic Director, Thom Powers has a track record for programming Academy Award winners and nominees. Thanks to Executive Director (and Academy Award-nominated NYFA alum), Raphaela Neihausen, the festival has also become one of the most important annual gatherings of the worldwide documentary community.

    The festival will premiere four NYFA DOCS shorts, curated by the Documentary program. NYFA was invited by noted Shorts Programmer, Opal H. Bennett.

    Save the Date: November 9th at 11:45 a.m. 
    IFC Center
    323 6th Ave
    New York, NY 10014

    Tickets are just $12 and you can buy them here.

    NYFA’s Showcase features just the tip of the iceberg of remarkable NYC student work:

    Cricket Liu
    Cricket Liu (China, 18 min., Julia Cheng), an aging Cricket Fighting master uses his ancient art to earn all he can for the grandson he is barely allowed to know. Matt struggles daily to remember what happened even minutes ago in I Love You, Wally (USA, 19 min., Simona Kubasova Prakash). In Keliling Bali (Bali, 4 min., Gary Bencheghib, DP Aitor Mendilibar), Gary and Sam attempt to circumnavigate the plastics-filled ocean surrounding Bali. On a rocky Danish island, five-year-old Tobias sets out on a quest to find its famed mythological creatures in The Trolls & I (Denmark, 19 min., Charlotte Madvig Schmidt).

    EXPECTED TO ATTEND: Directors Julia Cheng (’18), Simona Kubasova Prakash (’18) and Charlotte Madvig Schmidt (’18); DPs Braulio Jatar (’18) and Aitor Mendilibar (’13) and Producer Sam Bencheghib

    Cricket Liu

    Cricket Liu

    Also taking place during the course of the week:

    To Kid or Not to Kid

    The World Premiere of NYFA Doc prof Maxine Trump’s To Kid or Not to Kid on Sunday, November 11, 2018, 2:15 PM at the IFC Center.

    EXPECTED TO ATTEND:  Director Maxine Trump, Producer/NYFA DOCS Master Class prof, Josh Granger and PA/Production Coordinator and NYFA DOCS graduate Marie Vanderusten (’16).

    Grit
    The NYC Premiere of the NYFA Doc prof Tracie Holder-produced Grit on Sunday, November 11, 2018, 5:15 PM at Cinepolis Chelsea and onThursday, November 15, 2018, 12:45 PM at the IFC Center

    EXPECTED TO ATTEND: Producer Tracie Holder; Director Cynthia Wade, Sasha Friedlander; Executive Producer Abigail Disney

    RBG

    RBG 

    And screening as part of Thom Powers’ Short List:

    RBG – shot by NYFA DOCS instructor, Cinematographer, Claudia Raschke

    Free Solo – edited by NYFA DOCS instructor, Editor, Bob Eisenhardt

    Breslin and Hamill: Deadline Artists edited by NYFA DOCS Master Class prof, Geof Bartz – World Premiere/Closing Night Film

    DOC NYC has also tapped several of NYFA DOCS’ venerated faculty for panels and special sessions throughout the week, which will be announced shortly.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail
  • New York Film Academy (NYFA) Alum Ilaria Polsonetti Nominated for News & Documentary Emmy

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    New York Film Academy (NYFA) Documentary school alum Ilaria Polsonetti’s film has been nominated for multiple awards at the 39th Annual News & Documentary Emmys. Made for VICE News Tonight on HBO, “Libya: Intercepting Migrants” is nominated for Outstanding Editor News and for Outstanding Continuing Coverage of a News Story. Winners are announced on the first of October in New York City.

    Ilaria Polsonetti

    Ilaria Polsonetti

    Polsonetti graduated from NYFA’s 1-Year Documentary program in 2011. She is also a graduate of the 3-Month Screenwriting program, which she finished in 2013. Over the course of her career, the editor has melded her knowledge gleaned at NYFA with her M.S. in Sociology (London School of Economics). After graduating, she worked for Market Road Films, Singer Street Films, and as a freelance editor.

    A screenshot from "Dirty Oil in Nigeria"

    A screenshot from “Dirty Oil”

    Since 2015, Polsonetti has worked for VICE in Brooklyn. With the expansive and ever-growing global media brand, she has had the chance to work on urgent and political topics such as Libya’s migrant crisis and Venezuela’s anti-government protests. VICE’s increasingly diverse and critically-acclaimed documentary series’ have been an ideal place for the multicultural filmmaker to hone her skills. In 2017 alone, Polsonetti worked on “German Hotelier turns Hotel into a Migrant Center,” “Dirty Oil,” and “The Politics of Terror” in addition to the aforementioned Libya piece. Along with her work for VICE, Polsonetti has worked on “The Notorious Mr. Bout” and “First to Fall.” She was also recently editor on VICE’s Raised in the System” starring Michael K. Williams (aka Omar on “The Wire”).

    Documentary Chair Andrea Swift says of Polsonetti’s work,”These nominations don’t surprise me in the least. Ilaria has always been an insightful and diligent editor who demonstrated a unique sensitivity to the human experience. She developed a strong sense of story that is equally evident in this piece.”

    The New York Film Academy congratulates Ilaria Polsonetti on her recent success and looks forward to seeing what she works on next! You can watch VICE on HBO’s documentary on migrants in the Mediterranean below:

    Facebooktwittergoogle_plusredditpinterestlinkedinmail
  • New York Film Academy (NYFA) Documentary Alum Releases Chilling Doc “A Sniper’s War”

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    New York Film Academy (NYFA) alum Olya Schechter recently released her film, A Sniper’s War, to rave reviews. The harrowing documentary focuses on a Serbian sniper named Deki, whose anti-US views caused them to join pro-Russian rebels in the Ukrainian conflict.

    The film’s official website summarizes the documentary as “[exploring] the ambiguous morality of war when social media becomes a communication platform for two rival snipers to schedule duels in hope to kill one another between the shadows of rival superpowers.” The filmmakers were given an unbelievable level of access to the conflict’s front lines and the military bases of those involved.

    A screencap from "A Sniper's War"

    “A Sniper’s War”

    The Hollywood Reporter called the film “powerful and disturbing” with “superb cinematography.” Despite positive reviews, however, the film has generated controversy online from those who have misinterpreted the film’s message as “pro-Russian propaganda.” Its rating on audience-driven sites such as IMDB has been torpedoed with 1-star ratings. As a positive review on Film Threat points out, “Schechter tried to keep politics out of it, telling the story of a man, not the story of a war.” She gives a comprehensive (and often tragic) background to her protagonist, who could otherwise be difficult for the average audience member to empathize with. “There is a fine line between a soldier and a killer,” Deki explains.

    The pro-Russian, anti-United States sentiment of the protagonist makes for bold subject matter. The film was released by Journeyman Pictures and joins a lineup of daring, diverse pictures such as I Love My Muslim (concerning a 62-year old Muslim marrying a 33-year old Libyan freedom fighter), Pani: Women, Drugs and Kathmandu (about opioid addiction in Nepal), and Take Light (concerning Nigeria’s electricity crisis).

    In July 2018, Schechter returned to NYFA’s Battery Park campus to screen her film for students and alumni in the Academy’s 1st Floor Theatre. Chair of NYFA’s Documentary school Andrea Swift joined the audience to support her former student.

    The New York Film Academy congratulates alum Olya Schechter on a breathtaking work of filmmaking and looks forward to following her already impressive career. You can watch the trailer to A Sniper’s War below, or buy it on Amazon here.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    September 25, 2018 • #WomenOfNYFA, Documentary Filmmaking, Student & Alumni Spotlights • Views: 4077

  • Q&A with New York Film Academy (NYFA) Doc Instructor Maxine Trump

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    Maxine Trump is a filmmaker, producer, editor, and author. She is based in Brooklyn and teaches Documentary at the New York Film Academy. Her films Musicwood and To Kid or Not To Kid cover such varied topics as the state of the acoustic guitar industry and the decision to not have children, respectively. NYFA sat down with her and talked about her career as a documentarian and freelance filmmaker, as well as her new book:

    New York Film Academy (NYFA): How does the process for writing a book differ from writing a screenplay or documentary? Do you prefer one to the other?

    Maxine Trump (MT): That’s an interesting question. It’s very different, it’s a different way of talking to an audience. Although you still want to be accessible, it is more academic — no surprises there — writing an academic book.

    Maxine Trump

    Maxine Trump

    I never go for an academic voice in my films, everything should be entertaining, never educational. I tell all my students never to describe your documentary films as educational. Even the BBC has taken that word out of their mission statement. It just sounds boring, and your film will be boring generally, if it’s educational. You’re not making instructional YouTube videos, that’s a very different form of entertainment. Although I love hybrids, and being inventive with formats. So maybe there will be an amazing instructional documentary that someone will make and I’ll eat my words, but I’ve yet to see it. Werner Herzog comes close.

    Anyone want to experiment?

    NYFA: I watched your “Trumps Against Trump” short and Donald Trump was elected President shortly thereafter. How have you dealt with sharing his last name since?

    MT: That’s funny to be asked that question here, people ask me ALL the time. You know we often make documentaries to deal with something personal that we have wrestled with, even if it’s not obvious in the film we’re making. I know one famous documentarian that realized they kept making films that somehow always wrestled with a father figure. So this was my purging, I had to do something. And with all the crazy, shocking political decision-making right now, this film brings a little bit of light. Some humor, and helps me cope with my name. After all, as I’m told in the film by one great character on the street, the [guy] ruined my name.

    NYFA: You’ve covered disparate topics from the decision to children not having access to toilets to the acoustic guitar industry’s interaction with the environment. How do you decide to focus and hone in on topics that you think will make for good and worthwhile documentaries?

    MT: This is a lovely question, and one that I talk about a lot with the students. You will sit with your film for a very long time, so what are you passionate about? I’ve made documentaries with an underlying message, from the overloaded New York sewage system, to people deciding not to have children. But my films are entertaining. I don’t even like the phrase “social issue filmmaking” anymore, and I make them all the time. But, first and foremost, I think often about who might be coming home from a hard day at work and would want to turn on my film. I don’t want them to necessarily feel bad about life, I want them to feel like there is hope and be surprised and sometimes shocked and sitting on the edge of their seats and laughing, and crying, and want to see more.

    That’s filmmaking.

    Maxine Trump - Musicwood

    Maxine Trump’s “Musicwood”

    NYFA: What projects do you have coming up that people should keep an eye out for?

    MT: The beauty (and the bane) of freelance is that you’re always working, juggling about five projects any one time. But I love this life. Yesterday I was commissioned to write TV treatments for micro-docs for a TV network, today I’m talking to distributors about my latest feature documentary To Kid Or Not To Kid, about people deciding whether or not to have children. And this afternoon I’ll be pulling together casting ideas for a web series for public television that I’ve just been comissioned to make. And then, of course, I teach at NYFA. This lifestyle allows me to teach (and write) about real world examples.

    I love my flexible life, and it’s so great that NYFA supports faculty to work in this way. I think we have a really strong documentary department helmed by Andrea Swift and supported by Amanda Brzezowski, and it’s a joy to teach.

    The New York Film Academy would like to thank Maxine Trump for her time answering our questions and for all the hard work she does to educate NYFA’s Documentary school students. You can purchase her new book, The Documentary Filmmaker’s Roadmap: A Practical Guide to Planning, Production and Distribution here.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    September 24, 2018 • #WomenOfNYFA, Documentary Filmmaking, Faculty Highlights • Views: 1353

  • Documentarian Amy Rice Presents “By The People” to New York Film Academy Students

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    This July, the New York Film Academy (NYFA) Producing and Documentary Filmmaking departments presented a screening of By the People: The Election of Barack Obama followed by a Q&A with director Amy Rice. The discussion was moderated by Producing Chair Neal Weisman and Documentary Chair Andrea Swift.

    Producing Chair Neal Weisman, Director Amy Rice, and Documentary Chair Andrea Swift

    Producing Chair Neal Weisman, Director Amy Rice, and Documentary Chair Andrea Swift.

    The nearly two-hour film documents the years leading up to the election of Barack Obama. Rice gives viewers an inside look into Obama’s evolution from little-known Illinois Senator to symbol of change for a generation.

    Calling it one of her favorite documentaries, Rice was greatly influenced by Chris Hegedus and D.A. Pennebaker’s The War Room, about Bill Clinton’s campaign for president in 1992. By the People premiered in August of 2009 on HBO, and last week’s screening gave younger students a look at how the 2008 election differed from recent elections.

    Rice began her career as a cinematographer, working with her eventual co-director on By the People, Alicia Sams. The documentarian talked about the appeal of this type filmmaking, saying, “There was something very organic about documentary. Just pick up your camera and go shoot and follow the story as it’s unfolding in front of you.” 

    "By the People" director Amy Rice

    By the People director Amy Rice.

    After her other brother told her about Obama before he was well-known, Rice watched his speeches and read his book, Dreams from My Father. “I was just naturally obsessed with his story,” she says.

    Her and her team used a trip to Africa during a congressional delegation trip as a testing ground. From there, the film follows the lead-up to the 2008 election and Obama’s transition from presidential long shot to favorite. Rice discussed the difficulties that began to arise as the presidential candidate’s popularity increased. For instance, at one point the film crew was unable to use a boom mic due to secret service safety concerns. Rice pointed out another instance deep into the campaign where security tried to stop her from filming: “I looked so horrified that he was trying to stop me from getting my final shot.” 

    The filmmaker also dropped some words of wisdom on the students throughout the course of the discussion. One thing she stressed was to “always say ‘yes’ to all film opportunities.”

    The New York Film Academy would like to thank Amy Rice for her time and the illuminating discussion with the Producing and Documentary Filmmaking departments.

    Watch the trailer below and/or purchase the film here.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail
  • Stranger Than Fiction at the IFC Center, Co-Presented by the New York Film Academy

    Facebooktwittergoogle_plusredditpinterestlinkedinmail
    Stranger Than Fiction

    Stranger Than Fiction with IFC and NYFA

    Stranger Than Fiction, the annual weekly documentary film series hosted by Thom Powers and Raphaela Neihausen and co-presented by IFC Center and the New York Film Academy, announces the spring season of its 14th year.

    The regular Stranger Than Fiction spring season is shown at IFC Center every Tuesday night at 7:30 p.m. for eight weeks, plus two Thursday night screenings, all starting April 17.

    The new season’s lineup kicked off with Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (April 17), about the pre-fame years of artist Jean-Michel Basquiat; and will close with Jason Kohn’s Love Means Zero (June 5), about the controversial tennis coach Nick Bollittieri. Other works include New York rappers Nas and Dave East in Rapture (May 1).

    Legendary Queens rapper Nas

    Legendary Queens rapper Nas

    Each event includes a discussion with the filmmaker or special guests, followed by a gathering at a nearby bar. The full season schedule appears at the bottom of the blog. For detailed information, visit here or IFC Center’s website.

    Tickets for Stranger Than Fiction screenings are $17 for the general public and $14 for IFC Center members. A Season Pass, good for admission to all 10 evenings, is available for $99 ($80 for IFC members). A NYFA ID gets you nearly a 20% discount at the door!

    View the full schedule below:

    Jean-Michel Basquiat from "Boom For Real"

    Jean-Michel Basquiat from Boom For Real

    • April 17 – Opening Night: BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT (2017, 78 min) Q&A w/ dir Sara Driver
    • April 19 – Thursday Special: HAIKU ON A PLUM TREE (2016, 78 min) Q&A w/ dir Mujah Maraini-Melehi
    • April 24: THE WEATHER UNDERGROUND (2003, 92 min) Q&A w/ dir Sam Green & prod Carrie Lozano
    • May 1: RAPTURE: NAS & DAVE EAST (2018, 63 min) Q&A w/ dir Sacha Jenkins & EP Ben Selkow
    • May 8: GOTTI: GODFATHER AND SON (2018, 90 min) Q&A w/ dir Richard Stratton & subject John Gotti Jr
    • May 15: THE GOSPEL ACCORDING TO ANDRÉ (2017, 94 min) Q&A w/ dir Kate Novack
    • May 22: THE FOURTH ESTATE (2018, 90 min) Q&A w/ dir Liz Garbus
    • May 24 – Thursday Special: A JIHAD FOR LOVE (2007, 81 min) Q&A w/ dir Parvez Sharma
    • May 29: ATOMIC CAFE (1982, 92 min) Q&A w/ dirs. Pierce Rafferty, Kevin Rafferty & Jayne Loader
    • June 5 – Closing Night: LOVE MEANS ZERO (2017, 89 min) Q&A w/ dir Jason Kohn
    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    April 18, 2018 • Documentary Filmmaking, Film Festivals • Views: 1160

  • Oscar-nominated Editor Kristen Nutile Screens Heroin(e) at New York Film Academy

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    Academy Award-nominated editor and documentarian Kristen Nutile visited the New York Film Academy recently for a screening of Heroin(e) followed by a Q&A at the NYFA Theatre at the Battery Park campus.

    A Netflix original, Heroin(e) was nominated in the 90th Academy Awards Best Documentary Short category. The film follows three community leaders, all women, as they battle the opioid epidemic and work to save lives their city of Huntington, West Virginia, a place where the overdose rate is 10 times the national average. Heroin(e) is directed by Peabody-awarding winning Elaine McMillion Sheldon and edited by Kristin Nutile, a NYFA instructor.

    “When I was approached by Elaine, I was very moved by this particular problem and that is why I took on the project,” Nutile has told NYFA. “I loved how she was following three women trying to make a difference. I love that it was female-centric.”

    Despite the early, 7 p.m. start time and the fact that Heroin(e) runs at a tight 39 minutes, the event lasted late into the night, as Nutile generously and thoughtfully stretched her time to answer every student question.

    Nutile explained to a packed house of NYFA New York Documentary Filmmaking students, “I choose projects because I am interested in the subject and like to work with great people. Winning awards is never the goal. To be in an Oscar-nominated crew is truly amazing. Ultimately to me, it’s about the work.”

    Nutile has directed six of her own films and edited two dozen more in addition to teaching at New York Film Academy’s Documentary Filmmaking program in New York City. The program was named by The Independent Magazine in the Top 10 Academic Programs for Documentary Filmmakers and recently featured in IDA’s Documentary Magazine.

    Watch Heroin(e) on Netflix. You can also learn more on the website.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail
  • NYFA Student Showcase is a Success at DOC NYC 2017

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    The 2017 edition of DOC NYC included another fantastic New York Film Academy Documentary Department Showcase, spotlighting the work of NYFA students. NYFA faculty also had work represented at the festival, which MovieMaker Magazine has named amongst the top 5 “coolest documentary festivals in the world.”

    NYFA President Michael Young with NYFA DOC NYC Documentary Filmmakers at the NYFA Showcase, IFC Center.

    Known as one of the most prestigious documentary festivals in the U.S., DOC NYC is held annually at the IFC Center in Manhattan’s West Village. The 8-day festival provides a cutting-edge platform for documentaries and includes panels and conversations with industry leaders.

    This is the third year in a row that NYFA Documentary Filmmaking students have premiered their original work at DOC NYC. The five NYFA student films premiering at the festival were “Atomic Love” (Yusaku Kanagawa), “Home Free” (Marie-Chan Kasongo), “Little Red Lie” (Mariko Ide), “Jatar” (Braulio Jatar), and “Janguaribara” (Lucas M. Dantas). Following the special screening, students, faculty, and industry guests alike enjoyed the usual excellent day-long after party/reunion, networking with fellow filmmakers and documentary industry insiders.

    NYFA Doc NYC Showcase Poster

    “DOC NYC is one of the most important documentary film festivals in the world. It’s a huge honor to be included in their showcase for the third year in a row.  Luckily, our students are up to the challenge,” said Andrea Swift, Chair, NYFA Documentary Department. “These five films are as accomplished as they are diverse, which is representative of the majority of NYFA documentaries.”

    Three NYFA faculty members were also honored with film screenings at DOC NY: “Scotty Bowers and the Secret History of Hollywood” (featuring NYFA Digital Editing Professor Bob Eisenhardt, multiple Emmy Award-winner and Oscar nominee), “Hot Grease” (NYFA Documentary Department Producing Professor Jessica Wolfson), and “Atomic Homefront” (NYFA Documentary Department Cinematography Professor Claudia Raschke, four time Oscar nominee).

    DOC NYC Shorts Programmer Opal Bennet and NYFA Documentary Filmmaking Chair Andrea Swift with filmmakers.

     

    Facebooktwittergoogle_plusredditpinterestlinkedinmail