NYFA Guest Lecture Series
Posts

  • Photography Guest Lecture Series Spring 2018

    Facebooktwitterredditpinterestlinkedinmail

    The New York Film Academy (NYFA) Photography Department’s Guest Lecture Series offers students the opportunity to meet active, working artists and engage with them personally and professionally. In each series, lecturers present their work, discuss their practice, and talk about how their particular career has evolved in the dynamic and ever-changing field of photography. NYFA students are able to ask questions and lead discussions with the guests that range from technical challenges and solutions, to conceptual and philosophical explorations.

    The guest lecturers range from fine art photographers, commercial photographers, and multimedia artists, to photography reps and creative directors. Photography reps and creative directors discuss the process of selecting and working with photographers, offering advice on presentation, websites, and branding. This spring, Jen Jenkins from Giant Artists, Maren Levinson from Redeye, and Dara Siegel from I heart reps., brought books of their clients’ work and other printed materials for students to peruse and touch — tactile experiences that bring photography to life.

    Of NYFA’s Spring 2018 series, BFA Photography student Lotta Lemetti said, “For me these artist guest lectures are always inspirational because it takes away a little bit of the mystery of being a successful artist: they are human beings too, just like us. Each one of us could be there one day. That’s how I always feel after seeing these people talk. I think the intimate small group size also helps to feel the human connection between the lecturer and audience.”

    © Rose Callahan

     

    Commercial artists such as Rose Callahan, a NYC-based photographer who was in Los Angeles on a book tour, also brought books. She discussed her books on men’s fashion, which had blossomed from her personal project photographingdandies in NYC; Gestalt publishing in Berlin had seen her blog on the subject, and sent her on a world tour through Africa, Japan, and parts of Europe. The students loved hearing about her process of making her pictures — what kinds of lights she used, how she approached her subjects, and her journey through the mystical world of book publishing.

    Another commercial artist, Taj Stansbury, a local LA-based filmmaker and photographer, discussed how his eloquent and mindful artistic practice is based in gratitude, and shared personal stories of getting his foot in the door to make videos with Rihanna, Eve, Ludacris, JLo and many others.

    Guest Lecturer M. Rasmussen, a creative director discussed the importance of color and listening to your inner voices, while Zen Sekizawa, an advertising photographer and activist, talked about her personal project, You and I See Why, which explores the “fleeting nature of memory and the inevitable loss of context that occurs when revisiting old ideas.”

    © Zen Sekizawa

    Jordie Oetken, a local photo- and video-based artist, discussed her original approach to art making, using her body and her experience studying the art of stunt doubling, to get to a more nuanced and authentic place in her work. She discussed the importance of community and how she often uses the people around her to engage and assist in her art making practice.

    © Jordie Oetken

    The NYFA Photography department would like to thank all the wonderful Spring 2018 guest lecturers for their generosity of spirit and willingness to share their expertise and experiences with our students:

    Jen Jenkins

    Maren Levinson

    Dara Siegel

    Zen Sekizawa

    M. Rasmussen

    Jay Blakesberg

    Maya Gurantz

    Thomas Locke Hobbs

    TAJ Stansbury

    Oli Rodriguez

    Anna Garner

    Thomas Werner

    Rose Callahan

    Jordie Oetken

    The Photography Department is gearing up for a great new summer season of exciting guest lecturers, so stay tuned!

    Facebooktwitterredditpinterestlinkedinmail

    May 24, 2018 • Community Highlights, Guest Speakers, Photography • Views: 1502

  • Pete Hammond is Guest Speaker at New York Film Academy Los Angeles

    Facebooktwitterredditpinterestlinkedinmail

    On Tuesday, Feb. 13, Deadline film critic and reporter, Pete Hammond, joined New York Film Academy (NYFA) students for a Q & A at the Los Angeles campus. NYFA Director of the Q & A Series Tova Laiter hosted the evening.

    Hammond has worked as a contributor for Variety, USA Today, Entertainment Weekly, The New York Times and The Los Angeles Times.

    Laiter began the evening by asking Hammond how he got his start in the industry.

    It turns out Hammond didn’t set out to be a journalist. He just knew he wanted to be in the film industry. As an NBC Page, Hammond began working his way up the ladder. From page, he was promoted to a children’s television writer. Soon after, he became a researcher at Entertainment Tonight. From there he moved to the The Arsenio Hall Show, worked on Access Hollywood, and finally, Hammond created the entertainment news program Extra.

    With the Oscars just around the corner, students were curious to know more about the inside politics of the Academy.  One student wanted to know about the possibility of a shake-up at this year’s Oscars. “Looking at the statistics,” he began, “No film has won Best Film without first being nominated for Best Director and Best Screenplay.” Three Billboards hasn’t been nominated for Best Director, but it has been nominated for Best Picture and Best Screenplay. The student wanted to know if Three Billboards Outside Ebbing, Missouri could take home the grand prize.   

    Hammond was impressed and jokingly asked the student if he was looking for work. “Your predictions are spot on. This is what I’ve been writing about for the past couple of years.”

    Hammond said that only three times in Oscar’s history has a film won Best Picture that had not been nominated for Best Director. Ben Affleck wasn’t nominated for Argo, though he did win the Director’s Guild Award later that year. Driving Miss Daisy director Bruce Beresford and Grand Hotel director Edmund Goulding were not nominated, either. “The odds are statistically against Three Billboards but I think it has a shot because of the preferential ballot.”

    Hammond explained that when voting for the Oscars, Academy members number all of the nominees from their favorite to their least favorite. That numbering system can have a huge impact on the final turnout. If enough members place Three Billboards as a three or higher, it could mean a win.

    Hammond also noted a new trend over the past five years: Four out of the five Best Picture winners didn’t see their director rewarded, but all of their scripts did win Best Picture. In looking at the history of the Oscars, this trend is very rare.  

    Of course, students also wanted to pick Hammond’s brain about his personal opinion on the 2017 lineup of films. Hammond was particularly impressed with the stamina of Get Out. A film released in February usually isn’t in contention for the Oscars a year after it’s release. In fact, the last Best Picture nominee to have a February release was another thriller film, Silence of the Lambs, in 1991.

    The New York Film Academy would like to thank Pete Hammond for taking the time to speak with our students. The Oscars air on Sunday, March 4, 2018, on NBC.  You can read Hammond’s film reviews here.

    Facebooktwitterredditpinterestlinkedinmail