NYFA Photography Conservatory
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  • New York Film Academy Photography Alumni Partners Photograph Swedish Star Jasmine Kara

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    When you’re starting your own photography business, few things are as exciting as those first few high profile gigs. New York Film Academy (NYFA) Photography alumni and teaching assistants Stephany Viera Fernandez and Neil Camposuelo recently celebrated this landmark, during a promotional shoot with Swedish singer and songwriter Jasmine Kara.

    To celebrate and share their success, Stephany and Neil have offered the NYFA blog a sneak peek behind the scenes.

    NYFA: First, can you tell us a bit about your journey and what brought you to NYFA?

    Steph & Neil: Coming from two different parts of the world where photography is not as broad, unlike here in New York, one of the main reasons was to be able to keep growing and to build confidence — not just as a photographer, but also as a complete artist. We attended NYFA in different school years, but we both felt this school is the best avenue to do so.

    We wanted to be surrounded with talented and motivated people who shared the same passion as us. Along with the great faculty and other amazing students, being with them daily and continually creating work opened a whole new domain of ideas and philosophies on how we view the industry that is ahead of us.

    NYFA: Why photography? What inspires you about this medium?

    Steph & Neil: What is really astounding about photography is how you can be able to create your own world, but also at the same time you can capture the world right in front of you.

    There are so many ways you can maximize the use of this medium. Also, the power of one frame and the longevity of preserving that one frame can influence not just the present but also years to come. It is like a relationship also; it builds up gradually, and requires understanding between you and the medium to obtain the peak of mastery.  

    NYFA: How did you two connect as collaborators?

    Neil: After I finished my stint as a student here in NYFA, I applied to work as a TA last year, which eventually made Steph my colleague. That was when I got to know more about Steph and her work. I saw we had the same passion and motivation to succeed, and that was when I proposed the idea to her to work as a photographer duo.

    Steph & Neil: We knew it would be a good idea because we both have different cultural backgrounds and expertise; the dynamic between us is very good. Working with two brains and bodies can get more work done, and we are able to experiment with contrasting ideas and putting everything together cohesively. We both have trust, and along the way we help each other grow as we fill in our individual differences, strengths, and weaknesses.

    NYFA: Do you have any favorite NYFA moments from your time studying (and/or working as a TA) with us?

    Steph: For me, it was when I met all the teachers here in NYFA. I was really in awe of the load of talent and knowledge that they all have. It gives me the drive every day to potentially reach the same level.

    As for working as a TA, it is like being a student all over again. I continuously go along with the classes and I also experience in real time how fast photography changes in terms of style and techniques. That helps me to always have a different outlook and an open mind whenever I approach our own work.

    Neil: Just like what Steph said, my favorite moment here in NYFA is also the opportunity to meet all the teachers, to have a conversation with them and basically to learn from them every day. It is really a blessing to have such a group of people this great, because it helps me to stay humble, work harder, and keep track of my vision — our vision as a photographer duo.

    It is also great to work as a TA here at school because it gives you a sense of responsibility. I consider it a noble profession to be a part of student development, in terms of their career and life, to be able to help them, as well as guide them to be great on what they want to pursue.

    NYFA: Can you tell us a bit about your recent shoot with Jasmine Kara? How did this collaboration come about, and any inspiration or details you can share?

    Steph & Neil: We will be doing a cover for her upcoming single that will be released into three different languages (English, Spanish, Persian) this August. We cannot really tell yet the full detail of the single, but it is about how we can carry on in life with all the negativity and problems through laughter.

    The concept we are planning to do is a mix of humor and inspirations from Greek sculptures, work from photographers like Roger Ballen and Chris Buck, and relating it to the music video of Jasmine Kara’s single. Our main idea is having our own take of humor in a contemporary art approach, as we are trying to blend in the mood of the song but still remaining grounded in the style of our work as a photographer duo.

    NYFA: When photographing a star like Kara, how do you prepare? 

    Steph & Neil: This kind of opportunity do not come every day. So, when we knew we would have the chance to do a shoot with her, we started doing our pre-production plan.

    We had at least one-and-a-half weeks and to prepare, and even though it was a short period of time, this is one of the advantages of working as a photographer duo; we’re able to accomplish more and finish on time.

    Plus, [we did] a lot of research also. It is important to get to know the subject, her personality, and her background history as a singer. We had a couple of meetings with her, talking about the ideas for the shoot and making sure everything was according to plan.

    NYFA: What is your must-have piece of photography equipment, or your must-do ritual when preparing for a shoot?

    Steph & Neil: We never forget to have a scrim-jim on our equipment list every time we shoot. It is a very versatile diffusion, and helps soften and tone the light. This is like the signature look we have on most of our work.

    And for a must-do ritual, we love to eat before and even after a shoot! We always double-check everything also from the pre-production and the equipment we are using to avoid mishaps.

    NYFA: What’s your advice to students interested in photographing on the pop and music scene?

    Steph & Neil: For us, it’s not just about photographing on the pop and music scene. In general, our advice is that students should continue to grasp anything they can learn. Continue reading books, watching movies, talking to people. In the future, this will be an accumulation of knowledge and experiences that they can apply to their work. They should not be afraid of experimenting, breaking the rules of photography, risking ideas. In this era of photography where everything has been done already, students should be able to create ways to improve these latter ideas into something new and contemporary.

    On the other hand, students must still respect and give credit to the history of photography, the art of it, and take time to understand how we got here to this point — especially in the level of creativity.

    Lastly, we would like to share this quote with everyone. This is a mantra for us working as a photographer duo: “Luck is what happens when preparation meets opportunity.” We both believe that we make our own luck, that we should have to work for it, and just keep creating beautiful images.

    NYFA: Would you say your time at NYFA was at all useful for the work you’re doing now?

    Steph & Neil: Absolutely, NYFA was like our training ground and a big part of the foundation of who we are now as an artists and photographers.

    Coming here to New York City and to this school with no prior professional experience, it did help bring out the best in us. The school gave us not just the tools but also the mental preparation to face the reality of this industry.

    Thank you and congratulations to Stephany and Neil!

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  • Check Out FAYN Magazine by New York Film Academy Photography Department

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    FAYN is a collaborative photography magazine produced by the New York Film Academy Photography Department. The magazine features students, faculty, and alumni whose work explores contemporary concepts in art and culture.

    We are a community of global visual storytellers, with students and faculty from around the world. We thrive in our constant engagement with a multitude of perspectives and aesthetic practices, and we mine our diverse understandings of cultural identity, beauty, and symbolism in the collective pursuit of artmaking.

    As faculty advisors and editors, we see the inspiring voices of emerging image-makers represented in the content of this magazine, alongside the deep values that guide our program. We prioritize both intersectional diversity and the highest standards of photographic practices in this magazine, as well as in our classroom critiques.

    FAYN is a platform for visual expression, and it’s a celebration of printed media. In this fast-moving digital era of photography, FAYN serves to slow down the experience of viewing photography and experiencing art. As you flip through the pages, we hope that you take the time to savor the experience of holding them in your hand.

    We want to thank the students and faculty who participated in issue #002 of FAYN. We are honored to guide, teach and learn from such creative and talented artists.

    Click here to buy your copy of issue #002 of FAYN.

    Amanda Rowan, Kean O’Brien, and Naomi White

    Faculty Advisors and Editors

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  • Artist William Wegman is Guest Speaker at New York Film Academy

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    The New York Film Academy Guest Speaker Series welcomed acclaimed visual artist William Wegman to the New York Film Academy this month. 

    Speaking to a packed house at the NYFA Theatre at 17 Battery Place, Wegman began by presenting with drawings he made at the beginning of his career. His work has been exhibited internationally since the ‘70s and is part of the permanent collection of numerous museums including the Museum of Modern Art, the Whitney Museum of American Art, the Hammer Museum, the Los Angeles County Museum of Art and the Centre Pompidou, Paris.

    A pioneering video artist, photographer and painter, Wegman’s Before/On/After: William Wegman and California Conceptualism is currently on view at the Metropolitan Museum of Art, while his 30-year traveling survey exhibition Being Human opens summer 2018 in Arles. A book of the same title will accompany the opening, published by Thames and Hudson/Chronicle.

    Wegman is best known for the portraits and videos of his Weimaraners, who have collaborated with him in his art making process for many decades. His photos and videos have not only been an art world success, but also a popular success. They have been featured in books, advertisements, TV commercials, and films, from the cover of The New Yorker to Saturday Night Live.

    The New York Film Academy thanks William Wegman for sharing his expertise and insights with our students.

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  • Jungle Magazine Features New York Film Academy Grad Jon Henry as Cover Artist

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    We always love to hear what our alumni are up to, and this winter we were delighted to see NYFA New York City Photography Conservatory grad Jon Henry’s work featured as the cover image for Jungle magazine. His composition Untitled 27, Providence, RI was created exclusively for the magazine’s 03 limited edition.

    The UK-based publication focuses on fashion and culture and releases a new issue bi-annually, so it is all the more significant for a photographer to see their work featured on the cover.

    NYFA alum Jon Henry‘s photo on cover of Jungle Magazine

    This time, Henry’s work has the added distinction of representing Jungle’s limited The Resilience Edition, for which he photographed the cover model, actress and artist Jemima Kirke. Kirke’s story of starting over in a new country to provide a better life for her children is resonantly captured by Henry’s photography.

    Jungle features Henry’s work alongside Tove Lo, MNEK, Mark Hartman, Louise Trotter, Sally Bourke, Daniel Castro Garcia, Mark Hartman, Ben Murphy, ALMA, Joseph Special, Poppy Ajudha Blue Lab Beats and Jennifer Neiderhauser Schulp.

    In their forward to the The Resilience Edition, the Jungle editors explain why Henry exemplifies their theme of resilience: “Henry’s work responds to the violence and maltreatment of African American men in the United States, and looks at the resilience of the mothers who have to stay strong despite knowing the extent of the tragedies that could hit their family.”

    NYFA alum Jon Henry

    Jon Henry graduated from the New York Film Academy Photography School’s 1-Year Conservatory and is a teaching assistant at the New York City campus. In his visual artwork, he focuses primarily on the black family and the community at large. He also explores the representation of athletes in fine art. His Stranger Fruit in Smack Mellon’s Hot Picks 2017 and the project was also on the short list for the Lucie Foundation grant.

    Henry also appeared recently as a panelist at one of Miami’s major art festivals, Spectrum Miami.

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