NYFA Professional Conservatory of Musical Theatre
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  • Here’s Where I Stand by New York Film Academy PCMT Plays for Everytown and March for Our Lives

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    As the March for Our Lives Movement conducts rallies and students around the country commemorate the 20th anniversary of Columbine with walkouts on April 20, the New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT)’s will donate all proceeds from its powerful update of the movie musical Camp’s smash hit Here’s Where I Stand to Everytown for Gun Safety, a charity focused on protecting communities from gun violence. The non-profit organization, first founded by concerned mothers, “is a movement of Americans working together to end gun violence and build safer communities,” and has inspired more than 4 million people to “come together to make their own communities safer.” 

    Students from around the country also joined together March 24 in the first March for Our Lives protest, in at least 50 cities throughout the U.S. On that day, the New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT) raised its voice in support. PCMT’s powerful update of the movie musical Camp’s smash hit Here’s Where I Stand is available for digital download on iTunes (go to iTunes Store, not iTunes Music, and search “PCMT”), Google Play, and Bandcamp.

    To download on iTunes, open iTunes Store (not iTunes Music) and search for “PCMT”.

     

    In line with the March for Our Lives rallies and Everytown’s message of community and hope, Here’s Where I Stand offers an empowering message for young people in its lyrics:

    In this life we’ve come so far

    but we’re only who we are (who we are)

    Courage of love (courage of love)

    will show us the way (show us the way)

    From the time PCMT first conceived the Here’s Where I Stand project in October of 2017 to March For Our Lives’ first rally on March 24, there had been 18 school shootings. New York Film Academy students and faculty alike at PCMT have been inspired by the students around the country who are raising their voices for safety and change.

    Here’s Where I Stand is a powerful song that resonates differently for everyone,” says PCMT Artistic Director Kristy Cates.  “It is a song about having the courage to speak your truth and take a stand for what you believe in. As we’ve seen young people around the country respond to the epidemic of gun violence by raising their voices for change, we as musical theatre performers thought this was the perfect way for us to lend our own voices in support this movement.”

    The PCMT’s music video is directed by The New York Film Academy’s PCMT was highlighted by Variety as one of the most cutting-edge musical theatre training programs.

    To download on iTunes, open iTunes Store (not iTunes Music) and search for “PCMT.” To download PCMT’s Here’s Where I Stand to your Apple or Android devices from Google Play or Bandcamp, click the icons below:

     

    If you experience any difficulties downloading the track on iTunes through your phone app, please try your desktop.

    Thank you to the talented students who lent their voices to the song and cause (in alphabetical order):

    Alexandra Attardi, Alyssa Carrigan, Cecilie Kiorbye Bertelsen, Clara Colombo, Damaris Olivo, Ekaterina Chigvintseva, Gabriella Malm, Giuliana Deantoni Tanze, Grace Strickland, Hannah Swanson, Helora Danna Santos da Rosa, Jenna Bruce, Lisbeth Celis, Madeline Mancebo, Majeste Pearson, Maria Cavanaugh, Maria Christina Mosquera, Marije Louise Maliepaard, Micaela Haskins, Michael Baccari, Nathaniel Anderson, Nicole Goldstein, Noah Chartrand, Paige Gittelson, Rebecca Keenan, Ruby Locknar, Ryan Curley, Samuel Beard, Sarah Elizabeth Venners.
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  • The NOVA Fest: 7 nominations for Plus One & Alma Mater by New York Film Academy Professional Conservatory of Musical Theatre

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    The New York Film Academy (NYFA) Professional Conservatory of Musical Theatre’s original movie musicals Alma Mater and Plus One are Official Selections of the Fourth Annual Northern Virginia International Film & Music Festival, and both films have received a number of award nominations.

    Plus One has been nominated for Best Musical, Best Director (Short Film), Best Screenplay (Short Film), Best LGBT Film, and Best Visual Effects, while Alma Mater is nominated for Best Musical and Best Acting Ensemble. Alma Mater will also screen at Soho International Film Festival on Saturday, June, 16th 2018 at 1:45pm in the Village East Cinema. Please click here for tickets.

    In addition to its honors at the Nova Fest, NYFA’s movie musical Plus One will also screen at the Manhattan Film Festival April 21, at 1-3 p.m.  Click here for program and ticket info. The Manhattan Film Festival will also screen NYFA movie musical Walk the Walk April 26, at 4-5 p.m. For those details and ticket info, click here.

    ALMA MATER – trailer from SEAN ROBINSON on Vimeo.

    That is not the only honor the Conservatory has received from the prominent festival. Two other NYFA musicals will be included in the Artist Circle: Food Like Love and Bang Boom Pow.

    As the festival explains, The Nova Fest “offers a fertile environment for distributors, sales agents, buyers, filmmakers, and writers to converge, negotiate and close film, series, and script deals on all media platforms.“ Films are screened from around the world, from countries including Canada, Australia, England, India, Pakistan, Japan, Mongolia, Russia, France, Kosovo, Albania, Spain, and the U.S.

    PLUS ONE – trailer from SEAN ROBINSON on Vimeo.

    The NYFA Professional Conservatory of Musical Theatre has been creating original movie musicals since 2012, offering its second-year students the remarkable opportunity to perform in new stories, written for them, alongside industry professionals — including Tony Award-winner James Monroe Iglehart and Tony Award-nominee Charlotte D’amboise. Yet even with these high-profile ties to Broadway, each film is focused on the student performers.

    “We’re so excited by this program because of the quality of what the students experience in the classroom, and the quality of what they put on film,” NYFA Senior Executive Vice President David Klein told Variety. “There is so much opportunity for them.”

    For tickets and more information on the NYFA movie musicals screening at The NOVA Fest, check out the festival website. D.C. friends — you can catch a screening of Plus One (Weds. April 4) and Alma Mater (Sat. April 7) at Angelika Film Center in Fairfax, Virginia.

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  • Tony Winner Jeff Marx Visits New York Film Academy

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    Jeff Marx

    Avenue Q’s Jeff Marx

    Tony Award-winning composer and lyricist Jeff Marx visited the New York Film Academy at our New York City Theatre in late February, much to the delight of our Musical Theatre students.

    Marx is best known for Avenue Q, the innovative musical starring both human and puppet characters that instantly earned critical acclaim and won over audiences across the country. It went on to win three Tony Awards, including Best Musical. It is currently running Off-Broadway and has toured the country and been produced in both the West End and Las Vegas.

    Before writing Avenue Q, Marx passed the New York State Bar exam, planning to be a lawyer. He met partner Robert Lopez shortly after at the BMI Lehman Engel Musical Theater Workshop, writing a spec Muppet film as a pre-cursor to their collaboration on Avenue Q. Since winning his Tony, Marx has gone on to write for the musical episode of NBC’s Scrubs, as well as songs for Bear in the Big Blue House and The Book of Pooh. He also co-wrote the theme song for Logo TV’s Rick & Steve: The Happiest Gay Couple in All the World.

    Speaking with the students of NYFA’s Professional Conservatory of Musical Theatre, Marx highlighted his indirect path to Broadway stardom, mentioning that he didn’t even start writing until he was 28 years old. “The greatest thing that I can wish for you,” Marx told the audience of aspiring Broadway stars, “is hunger.” He also shared anecdotes about the making of Avenue Q.

    Jeff Marx visits NYFA

    Highlights from the @newyorkfilmacademy Instagram story featuring Jeff Marx’s visit to NYFA #PCMT

    In addition to inspiring students with his story, he also brought a special and well-received guest — puppet and star of Avenue Q, Nicky. Avenue Q’s cast of puppet characters included both rod puppets and live-hands, the latter of which are often operated simultaneously by two puppeteers. Nicky is a live-hands puppet, and students were delighted to see him in action on stage with Marx.

    Nicky wasn’t all Marx brought with him on his visit to NYFA. In addition to Nicky, he brought along his Tony Award, Broadway’s highest honor. Musical Theatre students were thrilled when Marx allowed them to hold it and pass it around — an inspiring moment for those learning at NYFA and hoping to win one of their own in the not-too-distant future.

    By the time the students had to say goodbye to Marx and Nicky, they had learned and laughed, and were extremely grateful for the generous time, energy, and inspiring words Marx brought with him to the New York Film Academy.

    Interested in joining the magical and puppet-filled world of musical theatre? Check out the programs of New York Film Academy’s Professional Conservatory of Musical Theatre.

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    March 2, 2018 • Guest Speakers, Musical Theatre • Views: 3102

  • New York Film Academy Alum is Cosette in Cameron Mackintosh’s Les Miserables

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    If music is the universal language, than New York Film Academy (NYFA) Professional Conservatory of Musical Theatre grad Laís Lenci is becoming a universal performer. From Brazil to New York to Mexico City, the triple-threat singer/dancer/actress is now performing in triple languages. In March, Lais will star as Cosette while also performing in the ensemble for Cameron Mackintosh’s Spanish-language production of international smash-hit Les Miserables, in Mexico City.

    We caught up with the busy performer to hear about her experience working with one of theatre’s most renowned producers in one of the world’s favorite musicals. We’re sure you’ll be as impressed as we are: Lais has worked with Cameron Mackintosh not once, but twice — and in two languages, neither of which is her mother tongue!

    NYFA: First, can you tell us a little bit about yourself and what brought you to the New York Film Academy?

    Laís: My name is Laís Lenci, I’m 24 years old and I’m a Brazilian actress, singer, and dancer. I decided to live in New York to study musical theatre, specifically, because I felt that something was missing in my background as an artist. I wanted to improve and learn things that in Brazil just couldn’t be taught.

    A friend of mine saw a NYFA’s audition advertisement and said, “You should try it!” The same week, I scheduled my audition — and received the greatest news that I would be studying at NYFA the next year! That was one of the most amazing experiences I’ve ever had in my whole life.

    NYFA: Why Musical Theatre? What inspires you most as a performer?

    Laís: Well, I started dancing when I was three years old and I always enjoyed being on stage. At the age of nine I started taking acting classes and the singing came a bit later.

    When I saw the Disney production of Beauty and the Beast in Brazil I was still a kid, but I was certain that I wanted to become a musical theatre performer. I think that dancing, the singing, and acting become more powerful together. I feel that they can really connect to the audience and touch their souls in a very special way. That’s really inspiring to me.

    NYFA: Do you have any favorite NYFA moments from your time studying with us?

    Laís: I have many! But if I can point out one, it should be my last performance at our graduation showcase. When I finished my last note, I felt that I was finally ready to share my art with the world. And that was a very special moment to me.

    NYFA: What surprised you the most during your training? Was there anything you hadn’t expected to learn or do?

    Laís: I just didn’t know that I was capable of learning so much in only one year. I felt that I grew up as a person and as an artist, 10 years in one.

    I hadn’t expected to do such great and tough scenes during Meisner Classes. I had no idea that there was so much inside of me, emotionally speaking, and that I was going to be able to express all of that during my scenes. It proved me that, with the correct training, I could become a great actress.

    NYFA: You’re gearing up for a March premier of Les Misérables in Mexico City with Cameron Mackintosh, one of the most famous theatrical producers in the world. Can you tell us a bit about how this opportunity came about for you?

    Laís: Yes I am, and that’s very exciting! Two years ago I auditioned in Brazil for Cameron Machintosh’s Les Misérables. After a very exhausting six months of auditions and waiting, I had the great answer that I’d be a part of the cast.

    We did a one-year run in Brazil. By the end of the year I got a call from the producers, asking me to send in an audition tape for their next production of Les Miserables around the world. I sent it, and a month later they called me back to tell me that I got cast again, but this time I would be doing the show in Mexico City, singing in Spanish — which is not my mother language. A brand new experience!

    NYFA: How are rehearsals going?

    Laís: Rehearsals are going really well! It’s very interesting to do the same show but with a whole new team of directors, new cast, new language, new country. Many things have changed in my track as well and it’s very challenging. It’s also an exhausting period, as every musical’s rehearsals are. It’s the moment when we just can’t waste our energy and time with anything else but the show. We need to be 100% committed to the piece!

    NYFA: Cosette is a very vocally challenging role. For our students, do you have any tips and advice on how to prepare and sustain a tough vocal performance over a run with many, many shows?

    Laís: Cosette is a hard one, because there are a few specific high notes that you have to be fully vocally healthy to do perfectly. And I’m also a member of the ensemble, doing eight shows per week. My challenge is to sing all the ensemble songs (the poor, the lovely ladies) that are all very belted and powerful, and still be ready and not vocally tired when I go on as Cosette — who is the only legit female singing role in the whole show.

    My advice is to rest as much as you can when you’re not doing the show. Take care of your voice and your body’s health. Take voice lessons even when you are in a run. It’s really important to always be working with a vocal professional that you trust.

    And be kind to your instrument. Don’t push. Don’t force your vocal chords when you are not feeling okay. We need to know our limits, and know how far we can go, to be able to sing for three hours and still be healthy for a whole week of work.

    NYFA: How has working with Cameron Mackintosh helped you grow as a performer?

    Laís: What really impresses me about Cameron is that he’s the greatest Musical Theatre producer in the world, he has a huge team working with him, and still, he’s fully involved with all the shows he’s opening around the world. He always comes a few days before opening night to make sure that everything will be just perfect. He’s also a very humble man and a real gentleman.

    It’s such an honor that I’ve been cast twice by Cameron himself. His success is a response to the love that he puts into his work and his shows.

    That’s what I want to achieve in life. I think that greatness only comes when we are fully committed to our work and when we truly love what we do.

    NYFA: You’ve traveled from Brazil to New York, and now to Mexico City as a performer. As an international student and artist, what has been your greatest challenge? What advice would you give to your fellow international performers?

    Laís: I do love challenges, and I’m very moved by them. I think that the biggest challenge is to be away from my family and friends. Sometimes you want your mother’s hug and you just can’t have it. But that’s also a part of our profession. We go where we have work.

    My advice is to be brave and embrace the challenges — they make us grow, they make us better people. Stick to your character and your personal ethic. Stay strong to your beliefs and never give up on your dreams! They do come true for those who work hard and have love and gratitude in their hearts.

    NYFA: Is there anything I missed that you’d like to speak on?

    Laís: I just want to say that I’m so thankful for everything that NYFA has offered me as an artist and as a person. I will never forget everything I lived there, and that I wouldn’t be where I am now if I hadn’t taken the decision of moving to NYC to study at NYFA.

    Thank you for trusting my talent and for changing me for good! I miss every second of my experience with you and wish all the success in the world to all the students! I’m pretty sure they are all in the best hands of NYC!

     

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  • Watch the Latest Movie Musical Trailers From New York Film Academy

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    Since 2011, the New York Film Academy (NYFA) has been leading the movie musical renaissance, with its 2-Year Professional Conservatory of Musical Theatre creating fully-produced original movie musicals as a part of its curriculum. Each NYFA-produced film consists of original music and stories that feature collaborations between NYFA students, faculty, and Broadway professionals, including John Wesley Shipp, Tony winner James Monroe Iglehart (“Landed“) two-time Tony nominee Charlotte d’Amboise, and most recently, Okieriete Onaodowan of “Hamilton” and “The Great Comet.”

    “After touring film festivals internationally and garnering numerous awards, these films have received recognition in The Huffington Post, Variety and other notable media outlets,” says filmmaker Sean Robinson, who produces, edits and oversees the movie musical productions at NYFA. 

    Watch the latest movie musical trailers below, featuring the 2017 NYFA Professional Conservatory of Musical Theatre students. 

    “PLUS ONE” (dir: T.J. Mannix)

    PLUS ONE – trailer from SEAN ROBINSON on Vimeo.

    “FOOD LIKE LOVE” (dir: Johanna Pinzler)

    FOOD LIKE LOVE – trailer from SEAN ROBINSON on Vimeo.

    “readyMA MATER” (dir: Nathan Brewer)

    ALMA MATER – trailer from SEAN ROBINSON on Vimeo.

    “Alma Mater” director Nathan Brewer is currently in post production on his third movie musical, entitled “Hold Your Peace.”

    Upcoming movie musicals include “KAYA: Taste Of Paradise,” directed by Paul Warner, written by Jerome A. Parker, and with music and lyrics by Anna K Jacobs. This ‘70’s disco-era film has already ignited interest from Playbill and Broadwayworld.

    “KAYA,” co-starring “Hamilton” alum Okieriete Onaodowan, provides NYFA’s students with a direct pipeline to working industry professionals, such as costume designer David Withrow, choreographer Michelle Potterf, hair and makeup artist Makayla Benedict, music director Anna Ebbesen, and Nyfa’s own Till Neumann as director of photography. 

    Still from NYFA movie musical “Kaya”

    “You can expect a trailer for ‘Kaya’ this spring” says Robinson. “This film not only showcases exceptional music, storytelling, and directionbut it also celebrates a significant socio-political era in pursuit of civil rights. The gift of song should never be wasted and NYFA is providing an avenue for these students’ voices to be heard.”

    Still from NYFA movie musical “Kaya”

    The New York Film Academy Professional Conservatory of Musical Theatre’s highlight reel can be watched here.

    For more information, release dates and upcoming screenings visit nyfa.edu.

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