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  • 2019 BAFTA Nominations Include Documentaries Worked On By New York Film Academy (NYFA) Faculty

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    UPDATE: The winners were announced last night, February 11. The list includes Free Solo, which won Best Documentary, and which was edited by New York Film Academy (NYFA) instructor Bob Eisenhardt.

    The full list of winners for this year’s BAFTA Film Awards are named below.

    –February 12, 2019

    Nominations for the 2019 BAFTA Film Awards were announced earlier today, as this year’s awards season continues towards its crescendo.

    The BAFTA Awards are given out by the British Academy of Film and Television Arts, and celebrates cinematic achievements by both British artists and those around the world. The Academy was formed from the combination of the Guild of Television Producers and Directors, founded in 1953, and the British Film Academy, started in 1947. The first BAFTA Award went to silent film star and filmmaking legend Charlie Chaplin.

    Many of this year’s BAFTA nominees should seem familiar, as they have already been recognized by various industry guilds as well as this year’s Golden Globes. Historical comedy The Favourite dominated the nominations with a total of 12 following star Olivia Colman’s win for Best Actress at the Globes.

    Spike Lee picked up his first BAFTA nom for directing Best Film nominee BlackKklansman. Bradley Cooper broke BAFTA records by earning five nominations from five different disciplines for his film A Star is Born, which received seven total, including Best Film. 

    Two previous guest speakers of New York Film Academy (NYFA) also received BAFTA nominations. Adam Driver, who spoke with NYFA students at our New York campus last year, received a nod for Best Supporting Actor for his work in BlackKklansman. Glenn Close, who also spoke with NYFA students, picked up a Best Actress nomination for her starring role in The Wife. Close won earlier this week at the Golden Globe Awards for the same performance.

    Three films that were worked on by New York Film Academy faculty and alumni also received BAFTA nominations. Avengers: Infinity War received a nod for Best Special Visual Effects. NYFA 3D Animation and VFX alum Francesco Panzieri worked on the visual effects team for the epic blockbuster. 

    Additionally, two of this year’s Best Documentary nominees feature work by faculty members of the NYFA Documentary school. RBG, the hit documentary about Supreme Court Justice Ruth Bader Ginsberg, was shot by director of photography and cinematography instructor Claudia Raschke. Free Solo, the critically-acclaimed film about Alex Honnold as he attempts to free climb El Capitan, was edited by instructor Bob Eisenhardt. 

    Both films are also shortlisted for the Academy Awards, whose nominations will be announced later this month. New York Film Academy wishes them the best of luck!

    Here is a full list of this year’s BAFTA nominees. The WINNERS are listed in bold.

    Best Film
    BlacKkKlansman
    The Favourite
    Green Book
    Roma
    A Star Is Born

    Outstanding British Film
    Beast
    Bohemian Rhapsody
    The Favourite
    McQueen
    Stan & Ollie
    You Were Never Really Here

    Outstanding Debut by a British Writer, Director or Producer
    Apostasy — Daniel Kokotajlo
    Beast — Michael Pearce, Lauren Dark
    A Cambodian Spring — Chris Kelly
    Pili — Leanne Welham, Sophie Harman
    Ray & Liz — Richard Billingham, Jacqui Davies

    Film Not in the English Language
    Capernaum
    Cold War
    Dogman
    Roma
    Shoplifters

    Documentary
    Free Solo
    McQueen
    RBG
    They Shall Not Grow Old
    Three Identical Strangers

    Animated Film
    Incredibles 2
    Isle of Dogs
    Spider-man: Into the Spider-verse

    Director
    BlacKkKlansman — Spike Lee
    Cold War — Paweł Pawlikowski
    The Favourite — Yorgos Lanthimos
    Roma — Alfonso Cuarón
    A Star Is Born — Bradley Cooper

    Original Screenplay
    Cold War
    The Favourite
    Green Book
    Roma
    Vice

    Adapted Screenplay
    BlacKkKlansman

    Can You Ever Forgive Me?
    First Man
    If Beale Street Could Talk
    A Star Is Born

    Leading Actress
    Glenn Close — The Wife
    Lady Gaga — A Star Is Born
    Melissa McCarthy — Can You Ever Forgive Me?
    Olivia Colman — The Favourite
    Viola Davis — Widows

    Leading Actor
    Bradley Cooper — A Star Is Born
    Christian Bale — Vice
    Rami Malek — Bohemian Rhapsody
    Steve Coogan — Stan & Ollie
    Viggo Mortensen — Green Book

    Supporting Actress
    Amy Adams — Vice
    Claire Foy — First Man
    Emma Stone — The Favourite
    Margot Robbie — Mary Queen of Scots
    Rachel Weisz — The Favourite

    Supporting Actor
    Adam Driver — BlacKkKlansman
    Mahershala Ali — Green Book
    Richard E. Grant — Can You Ever Forgive Me?
    Sam Rockwell — Vice
    Timothée Chalamet — Beautiful Boy

    Original Music
    BlacKkKlansman
    If Beale Street Could Talk
    Isle of Dogs
    Mary Poppins Returns
    A Star Is Born

    Cinematography
    Bohemian Rhapsody
    Cold War
    The Favourite
    First Man
    Roma

    Editing
    Bohemian Rhapsody
    The Favourite
    First Man
    Roma
    Vice

    Production Design
    Fantastic Beasts: The Crimes of Grindelwald
    The Favourite
    First Man
    Mary Poppins Returns
    Roma

    Costume Design
    The Ballad of Buster Scruggs
    Bohemian Rhapsody
    The Favourite
    Mary Poppins Returns
    Mary Queen of Scots

    Makeup & Hair
    Bohemian Rhapsody
    The Favourite
    Mary Queen of Scots
    Stan & Ollie
    Vice

    Sound
    Bohemian Rhapsody
    First Man
    Mission: Impossible — Fallout
    A Quiet Place
    A Star Is Born

    Special Visual Effects
    Avengers: Infinity War
    Black Panther
    Fantastic Beasts: The Crimes of Grindelwald
    First Man
    Ready Player One

    British Short Animation
    I’m OK
    Marfa
    Roughhouse

    British Short Film
    73 Cows
    Bachelor, 38
    The Blue Door
    The Field
    Wale

    EE Rising Star Award
    Barry Keoghan
    Cynthia Erivo
    Jessie Buckley
    Lakeith Stanfield
    Letitia Wright

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    February 11, 2019 • 3D Animation, Documentary Filmmaking, Entertainment News, Film School • Views: 1498

  • The BAFTA New York / New York Film Academy (NYFA) / DeWitt Clinton High School Digital Storytelling Program Holds Graduation Screening

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    The BAFTA New York / New York Film Academy (NYFA) / DeWitt Clinton High School Digital Storytelling Program recently held its first graduation ceremony, screening the students’ newly completed short films. Over the course of eight weeks, ten eager and enthusiastic students made their way each Saturday from the Bronx to the NYFA’s Battery Park campus to learn the fundamentals of filmmaking.

    Classes in screenwriting, directing, cinematography, and editing educated the students in telling stories in a medium for which they all have a great passion. Members of the BAFTA Outreach Committee as well as faculty and administrators from both schools joined with the students’ family and friends in the celebration. Aside from newly acquired filmmaking skills, students gained from the experience a boost in confidence, self-awareness, and expression. The program continues the partnership between New York Film Academy (NYFA) and the British Academy of Film and Television Arts (BAFTA) that has previously brought filmmaking workshops to young aspiring artists.

    As an added treat, the DeWitt Clinton students attended an exclusive pre-opening BAFTA screening of Spider-Man: Into the Spider-Verse. After a lively Q&A, the students spent a generous amount of time speaking with the film’s celebrated writer-producers Phil Lord and Chris Miller. Needless to say, the movie’s creators were mightily impressed when they learned that Stan Lee, founder of Marvel Comics and creator of Spider-Man, is amongst DeWitt Clinton High School’s illustrious alumni!

    As they continue to find their voices, BAFTA New York, DeWitt Clinton High School, and New York Film Academy look forward to seeing more cinematic stories from the recent grads of their Digital Storytelling Program!

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    February 8, 2019 • Film School, Filmmaking, Outreach • Views: 557

  • New York Film Academy (NYFA) Broadcast Journalism Update – February 7, 2019

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    One of the truisms in our field is that you never know where you will find yourself, and what you will be doing there. When planning my career, the idea that I would become a specialist in producing programs about China was never a consideration. Yet Shanghai 1937, the documentary that Evgenia Vlasova and I produced last year, has now been broadcast more than 154 times by public television stations across the United States. It’s been sold to broadcasters in France and Germany too…

    Another example is digital journalist Gillian Kemmerer. She used the skills she learned at NYFA to build a new career. She was an on-air anchor/presenter and director of US programming for the financial news service Asset TV. She then received a fellowship to study Russian, in Russia. She has been reporting from Moscow for several months now. She says:

    “I interviewed Olympic/Stanley Cup champion Alex Kovalev for Sport Express, and it made the front cover! We chatted for nearly two hours on everything from how video games almost stalled his career to a near-return to the ice last month at age 45. The piece has sparked responses from Darius Kasparaitis and many others. Check out the English language story here.

    Broadcast Journalism Update February 7 2019

    Next stop on Gillian’s 2019 world tour is Shanghai. (That’s the Oriental Pearl Radio & Television Tower behind her in the picture below.) I recommended one of my favorite restaurants…

    Gillian Kemmerer

    One of the nice things about learning digital broadcast journalism in New York is that the city is one of the media capitals of the world. In fact, you can be walking down the street and discover the six o’clock news being shot at one of the local TV stations. No secrets here… an associate producer hands the anchors some last minute copy, while the weather correspondent is in another part of the studio. He then materializes on the main set, just in time for a little back and forth with the anchors, who then lead into a story about saving money on gym memberships.

    Broadcast Journalism Update February 7 2019
    Broadcast Journalism Update February 7 2019
    Broadcast Journalism Update February 7 2019

    Finally, our January short-term students arrived at New York Film Academy (NYFA) last week. Which means this week they are producing their first story. After classroom exercises with camera instructor Daniel Hernandez and TA Fabiola Torres — where they learned what all those numbers on the screen mean — they were off to meet one of downtown New York’s favorite celebrities, the Fearless Girl… 

    Broadcast Journalism Update February 7 2019
    Broadcast Journalism Update February 7 2019


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    February 7, 2019 • Broadcast Journalism, Student & Alumni Spotlights • Views: 529

  • Q&A with Marvel Studios Science Advisor and Quantum Physicist Dr. Spiros Michalakis

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    On January 17, Cal Tech quantum physicist Dr. Spiros Michalakis came to speak to New York Film Academy (NYFA) at our Los Angeles campus, and spoke with students about his role as science advisor on Hollywood film sets. 

    Dr. Spiros Michalakis

    The talk was organized originally for students of the brand new (and very popular) “Science and the Movies” class offered for the BFA degree program—a course focused around analyzing how science is portrayed in film—though it drew many students from outside the course and program as well. 

    Science advisors are being used more and more in film production, as audiences are demanding less fantastical and more realistic and grounded foundations for science fiction plots. 

    Dr. Spiros Michalakis

    Dr. Michalakis is known for his work on several Marvel Studios films, including Doctor Strange, the upcoming Captain Marvel, Ant Man and its more recent sequel Ant Man and the Wasp. He also worked on viral shorts that include celebrity scientists and actors alike, like Dr. Stephen Hawking, Paul Rudd, Keanu Reeves, and Zoe Saldana. 

    In short, he blew the minds of our students with his enthralling descriptions of the quantum realm—a key part of many recent science fiction films, including the aforementioned Ant Man movies—and how best to incorporate such challenging physics into a major Hollywood blockbuster. His take-home message to filmmakers: find a balance between entertainment and education, i.e., there is a brilliant but gentle way to incorporate science in your film that will entice curiosity while not ostracizing the spectator simply looking for entertainment. 

    Dr. Spiros Michalakis

    The New York Film Academy thanks Hollywood science advisor and quantum physicist Dr. Spiros Michalakis for taking the time to talk science and film with our students!

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    February 6, 2019 • Filmmaking, Guest Speakers • Views: 895

  • New York Film Academy (NYFA) Alum Kane Senes Makes Micro-Budget Film ‘For Now’

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    New York Film Academy (NYFA) Filmmaking alum Kane Senes’ first feature, Echoes of War, is a period Western featuring high-end production value and a name cast. Where does one go from there? In Kane’s case, he went back to his DIY film-school roots. Armed with a $25,000 Kickstarter campaign and only the outline of a script, writer/director Kane Senes and fellow NYFA alum and director of photography Anton DuPreez hit the road (literally) and made For Now

    According to its official website, For Now is a “look at twenty-somethings adrift in the limbo between adolescence and adulthood, grappling with the superficial connections that define their generation.” The film was “shot on the road over seven days on a shoestring budget and with entirely improvised performances.” 

    Kane Senes For Now

    As if this wasn’t enough of a challenge, Senes and his fellow writers (Hannah Barlow and Katharine DuBois) were playing variation of themselves. And the tight schedule and budget meant they had no time for second takes or traditional coverage. 

    The result? A poignant coming of age/road movie akin to Diner, Noah Baumbach’s Kicking & Screaming, and the improvisatory works of John Cassavetes. Senes, DuPreez, Barlow, and DuBois had their official LA premiere of For Now at NYFA and talked about how they made their feature with little money and even less time.

    After attending a Q&A with low-budget maestros The Duplass Brothers (The Puffy Chair, The MisEducation of Bindu), Barlow was inspired to create a film loosely centered on her relationship with her dancer Hannah Connor. An incredibly short four months and one Kickstarter campaign later, principal photography on the film was complete! 

    Kane Senes For Now

    Though initially hesitant to perform as the somewhat unsympathetic character “KANE SENES,” co-director Kane Senes realized that he needed to throw all aspects of himself into the project. This included some personal moments from his relationship with girlfriend/co-director/co-star  Hannah Barlow. The filmmakers soon discovered that the more personal they went with their story, the more relatable it became. However, DuBois (who is flat-out hysterical in the film) did stress that her character’s more “friendly” characteristics were pure fiction. 

    While a traditional narrative film might have a 10-to-1 raw-footage-to-final-edit shooting ratio, the For Now team’s approach meant they only had a few hours of footage to use. As an editor, Senes spent an extended amount of time in post-production and one lone day of reshoots to shape the improvisatory tale into a more cinematic story. Completing the film then led the team to their next big hurdle: distribution. Barlow and Kane connected with fellow NYFA alum Claudia Pickering, whose micro-budget film Frisky received international distribution and is currently being adapted for television. 

    Pickering’s sales agent watched For Now and fully committed to finding the movie distribution. And now, For Now has transformed from a improvisatory, crowd-funded project to a feature available to buy or rent on iTunes, Amazon, and countless other video platforms. 

    The New York Film Academy congratulates the filmmakers for taking their passion project all the way to the finish line!

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    February 5, 2019 • Film School, Filmmaking, Student & Alumni Spotlights • Views: 698

  • New York Film Academy (NYFA) Division of Veteran Services Hosts Screening of Netflix’s ‘Medal of Honor’

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    A special screening of Netflix’s hit series, Medal of Honor, was held at the New York Film Academy (NYFA) Theater in New York City last week, hosted by NYFA’S Division of Veteran Services (DVS). 

    Medal of Honor

    Commissioner Loree Sutton MD (Brigadier General Ret.) of New York City’s Department of Veteran Services and Medal of Honor recipient Col. Jack Jacobs (Ret.) participated in an unfeigned discussion with attendees after the screening of Episode 8, which featured the heroic story of Staff Sergeant Ty Cater, who was awarded the Medal of Honor by President Obama in 2013 for his heroic actions in Afghanistan.

    Reflecting on the Medal of Honor experience from a personal perspective, Colonel Jack Jacobs, who has been the Chair of New York Film Academy’s Veteran Advancement Program since 2014, and is also an on-air Military Analyst at MSNBC/NBC news, answered questions from the audience along side the Commissioner Sutton.

    Jack Jacobs

    NYFA Acting for Film alum Tyler Williams, who portrays Ty Carter in the episode, not only conveyed the authentic challenges service members face in their transition back from combat, but will be screening the episode with veteran students at New York Film Academy’s Los Angeles campus on February 11.

    “A successful transition home is important not only to veterans, but the families and communities they return to,” asserted Commissioner Sutton, an Army psychiatrist and a fierce advocate in New York City for services that protect and empower returning service members. 

    Medal of Honor

    Attendees engaged openly with the Commissioner Sutton and Colonel Jacobs in a series of questions that ranged from the philosophical (“Do you think that Plato was right when he stated that only the dead have seen the end of war?”) to the pragmatic (“How do vets leverage the skills they learned in the military if they want to work in film and television?”)

    Both speakers believe the arts offered great opportunities for healing. Army veteran Justin Ford, a NYFA Filmmaking & Producing conservatory grad, enthusiastically stated, “It was a really great opportunity to hear Commissioner Sutton’s and Colonel Jacobs’ thoughts about the Medal of Honor, war, and returning home from the defining moment of many young veteran’s life—combat.”

    Medal of Honor
    Col. Jack Jacobs and Commissioner Sutton exchange military challenge coins in a warm and touching moment

    The Netflix screening and special quest speakers made for a very moving and emotional evening, which was made all the more special by a touching and warm exchange of military challenge coins that passed reciprocally between Colonel Jacobs and Commissioner Sutton at the event’s conclusion. 

    New York Film Academy students can attend another screening of Medal of Honor at NYFA’s Los Angeles campus on February 11, with special guest Tyler Williams — you can RSVP for the event here.

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    February 4, 2019 • Guest Speakers, Veterans • Views: 634

  • New York Film Academy (NYFA) Producing Alum Irene Méndez Featured in Multiple Festivals

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    Producer and director Irene Méndez has been incredibly busy since graduating from New York Film Academy’s producing school, working on multiple films that have made several festivals and garnered a great deal of press and attention from the industry.

    Irene Mendez

    Méndez originally hails from Madrid, Spain. In 2016, she enrolled in the 1-year Producing conservatory at New York Film Academy (NYFA). While studying at NYFA’s New York city campus, acquiring strong project management skills as well as a hands-on filmmaking education from experienced industry professionals, Méndez completed production on several films in multiple roles. 

    This included her own film Tinnitus, which she wrote, directed, and produced, as well as several NYFA thesis films—From Me to Me, directed by Moe Myat May Zarchi; Lighter and Cigarettes, directed by Rafael Cintra; and Almost, directed by Mahair Kahn. These projects, as well as other films Méndez produced, have accrued numerous awards and Official Selections from film festivals around the world.

    Almost (2017), which Méndez worked on as 2nd Assistant Director and Script Supervisor, was an Official Selection in the New York Indian Film Festival. From Me to Me (2018), which she co-produced, won Best Woman Filmmaker at the Barcelona Planet Film Festival and was an Official Selection in Myanmar’s Wathann Film Festival.

    Lighter and Cigarettes (2017) was produced by Méndez and was a Semiinalist at Los Angeles CineFest and an Official Selection for both the Los Angeles SR Film Festival and Hope Film Awards. Additionally, it was part of the Short Film Corner at the world-renowned Cannes Film Festival.

    Tinnitus (2017) was a Finalist or Semifinalist at multiple fests, as well as an Official Selection of New York Film Screenings, Women’s Only Entertainment Film Festival, Bridgwater and Taunton College Film Festival, Hope Film Awards, Barcelona Planet Film Festival, and the Los Angeles SR Film Festival.

    Irene Mendez

    After graduating, Méndez also produced Obini Bata (2018) which was directed by Damian Calvo. The short documentary profiles the first women to perform with Batá drums in Cuba, drums traditionally forbidden for women. The film has won the Audience Award for Best Short Film Documentary at the Edmonton International Film Festival and has been an Official Selection at Lady Filmmakers, Women in Film and Television Atlanta, The Pan African Film Festival, and The Chicago Feminist Film Festival.

    Méndez is also in postproduction for Agua Desgasta Roca, a documentary short about a rock climber diagnosed with multiple sclerosis. The film has already won the Premios Solidarios from Fundacion Merk. 

    Currently, she is working on two additional documentaries, Los García, and Costus. Los García, a feature film, was featured as part of the Focus CoPro pitching event at the Cannes Film Festival. It was also one of five winners at the La Incubadora competition, and was featured at Abycine.

    The New York Film Academy congratulates Producing alum Irene Méndez on the multiple successes of her films to date, and looks forward to following her career as it develops!

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    February 4, 2019 • Documentary Filmmaking, Producing, Student & Alumni Spotlights • Views: 896

  • The Latest New York Film Academy (NYFA) Documentary Filmmaking Alumni & Faculty News

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    New York Film Academy (NYFA) takes a quick look at some recent achievements of the NYFA Documentary Filmmaking alumni, faculty, and students:

    Alumni:

    Victoria Bergqvist (Fall 2017 1-Year) crewed as a production coordinator on the documentary Stieg Larsson: The Man Who Played With Fire, which is competing at Sundance this year (she did this just prior to coming to NYFA). Now based in Los Angeles after graduating from NYFA’s 1-Year Documentary program, she currently works for George Media creating branded content as a director. Here’s what she had to say about her experience at NYFA and how it serves her in the professional world: 

    “I can honestly say that the 1-year documentary program at NYFA in Los Angeles gave me very well-rounded skills. Although it was an intense program, I learned how to do literally pretty much everything myself. Meaning: writing, producing, directing, filming, editing, and sound mixing. And also how to make completed films during a short amount of time.

    “It turned out that this was exactly what George Media in Venice was looking for. The official job title of the position is ‘Young Director,’ but we are expected to do almost all the things mentioned above ourselves, except we get to work with a DP. The job entails making 12 short videos [in] six months, so having learned to make films under time pressure was incredibly helpful. Also, since the documentary program at NYFA is so hands-on and we make six films [in] one year, it gave me the confidence to keep doing what I had already done at school multiple times in the professional world.”

    Producer Julia Cheng (18) launched production of two feature documentaries in Beijing: The Invisible Shore, a feature doc directed by Qi Zhao, who produced both Last Train Home, The Chinese Mayor, and The City Dream, directed by Weijun Chen who previously directed Please Vote for Me.

    Guy Yang (Fall 2016 MFA) Right after graduating with his MFA in Documentary Filmmaking, Guy Yang was hired by Radio Free Asia, based in Washington D.C. as a broadcaster. The station has also asked him to develop three documentary series that focus on social issues in Eastern Asia. He will work with a team, researching and producing episodes and also filming, editing, mixing and, delivering packages to the station. Yang says, given his experience at NYFA of working on multiple projects quickly, he will continue to produce and direct his own documentary projects as well.

    Ashley Harris (Fall 2015 MFA) is served in the U.S. Navy as a Second Class Petty Officer. She came to NYFA in Fall 2015 and graduated with an MFA in Documentary in September 2017. In November of that same year, she interviewed with and was hired by Participant Media as Assistant to the Senior Vice President, Documentary Film and TV. She said that she loves the work and continues to grow with the company.

    Paul Gallasch’s (‘11) new feature documentary, Love in the Time of Antidepressant, produced with grants from both Screen Australia and the South Australian Film Corporation, premiered to great enthusiasm at the 2018 Adelaide Film Festival. Paul was also a 2018 Points West Fellow at the 2018 Camden Film Festival.

    Dikeos Foudeas (Spring 2015 1-Year) was hired for A/V production at the Alaska Airlines Center in Anchorage, Alaska for the University of Alaska Anchorage. Kay (as we affectionately refer to him) has said “I strongly believe my employment was influenced by the training I received at NYFA.” He also continues to work freelance as a videographer in Anchorage, Alaska.

    Dade Shields (Fall 2014 1-Year) is a native to Southern California and was always interested in outdoor cinematography. In 2018, Shields produced and shot several branded content mini documentaries for TravisMathew (a sportswear clothing line) as part of their Life on Tour series. Shields continues to shoot sports-themed documentary footage and recently partnered with professional skimboarder Blair Conklin to create YouTube channel Skid Kids, which quickly amassed over 2,000 subscribers.

    Rachael Pelzer (Fall 2014 1-Year) is originally from the Midwest and began working as a logger for Herzog & Co right out of graduating NYFA’s Documentary program. She’s been at Herzog for four years and is now their Post Production Coordinator. Her credits include: 1968: The Year that Changed America and The History of Comedy—both series aired on CNN. Rachael continues to credit NYFA for training her in production and this past year revived her 1-year film to develop it into a feature documentary with the help of fellow alum, William Nestlehutt. The two continue production on Rachael’s Hip Hop Ohana.

    Marie Vanderrusten (’16) signed on as editor of Ma Ville, Notre Idéal (My City, Our Ideal), airing daily on France 3. The series focuses on young people inventing new apps and industries to take on problems including climate change, overpopulation, poverty, overconsumption, and pollution.

    Executive producer Yusaku Kanagawa (’15) hired Mariko Ide (’16) as a story consultant on his Creators Program platform at Yahoo Japan.

    NYFA Alumni Yusaku Kanagawa & Mariko Ide
    NYFA Alumni Yusaku Kanagawa & Mariko Ide

    Peabody Award-winning production companyTransform Films staffed Nancy Dionne (‘18) as Associate Producer. Her semester one film, All I See Is the Future, will also premiere this month at Winter Film Awards International Film Festival, screening on Feb 19 and Feb 20.

    In a unique trifecta, NYFA Docs grads became chief filmmakers for three of the foremost arts institutions, The Metropolitan Museum of Art (Alex Guns (‘10), Joe’s Pub at The Public Theater (JR Cronheim (’12), and New York City Ballet (Laura Snow ’11).

    Santiago Machado (’18) began a gig with the United Nations Department of Public Information (UN DPI) for the television section of the News and Content Branch, News and Media Division.

    Francesca Pagani (’11) shot, produced, and/or associate produced several new VICE pieces including: Fighting in Drag with LGBTQ Wrestlers,Inside the FBI’s Hunt for “Black Political Extremists, Fighting the Use of Electric Shocks on People with Disabilities, and Inside the Gambling Scandal That Rocked The NBA. Her photos were also featured on the front cover of Politiken as part of a profile of gun violence survivor Jaqueline and her family who arrived in Tijuana with 3,200 others from the migrant “caravan.”

    Colorist, Susi Dollnig (’12) has been invited to present a seminar at this year’s Berlinale (Berlin International Film Festival).

    Many 6-week Workshop grads also made their way into the limelight in 2018:

    David Diaz won the Southern Exposure Film Fellowship, for If They Build It, What Will Come, which he premiered at Wild & Scenic Environmental Film Festival.

    Hannah Currie was awarded Best Director at Under Wire Film Festival, for We Are All Here which is now also an Official Selection for both DOCfeed 2019 Film Festival and Glasgow Short Film Festival.

    Krisztina Danka’s Final Film, Violet and the Wildman, will make its North American premiere February 16 at the Cinema Verde Environmental Film Festival after winning the Golden Fox Award for the Best Educational Film in Kolkata, India.  

    Edwige Pezzulli Stępniewska and Maria Giulia Mancuso Prizzitano‘s final film project for NYFA, Embodiment, is now an official selection of Corvallis Queer Film Festival, the Prisma Independent Film Awards and Ivelisecinefestival.

    Faculty:

    Academy Award nominations were recently announced for Free Solo, edited by Bob Eisenhardt and RBGwhosedirector of photography is instructor Claudia Raschke.

    Director/instructor, Maxine Trump, premiered her new film, To Kid or Not to Kid at DOC NYC, published The Documentary Filmmaker’s Roadmapfor Focal Press, delivered a pilot for an ITVS series, and started production on The Tongass Legacy in Alaska.

    Editor/instructor, João Queiroga, also Chair of Post-Production, directed Our Skin, which screened at IDFA, Hot Docs, BFI, and DocLisboa, and was nominated for the Iris Prize and received the Lili Award. He produced the feature film I Can Only Be Mary Lane premiering at Doc’n Roll Film Festival in the UK, and is in production on both Digging For Life and Behind the Sun

    Producer/instructor Tracie Holder’s film Grit, directed by Academy Award-winner Cynthia Wade, premiered at Hot Docs and will air on PBS/POV later this year. A film she is currently producing, The Quiet Zone, received Sundance, NYS Council for the Arts, and IFP/HBO funding, while A Place of Absence, the other film she’s producing, was awarded a prestigious grant Tribeca Gucci grant.

    Producer/instructor Dorottya Mathe finished post-production of Impossible Monsters a psychological thriller starring Santino Fontana that will be premiering at Cinequest on March 9, line produced the recreation segment of the documentary A Cops and Robbers Story that will be released in 2020, finished and produced The Independents, a modern folk ’n roll comedy that will soon be screened across the US after a successful festival run, and began production of The Tongass Legacy directed by fellow instructor, Maxine Trump.

    Chair of Documentary Filmmaking Andrea Swift taught a special workshop facilitating some of the kids from Newtown, CT in making micro-docs as well as a different micro-docs workshop for over 400 Fulbrightersat their annual conference.

    Students:

    And finally, Dunya’s Day, associate produced by NYFA Documentary student, Aya Hamdan, won Sundance Film Festival’s Short Film Jury Award for International Fiction this January.

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  • New Name, Same Great Series: New York Film Academy (NYFA) Documentary Filmmaking Co-Presents ‘Pure Nonfiction,’ Previously Known as ‘Stranger Than Fiction’

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    The New York Film Academy (NYFA) Documentary Filmmaking department is happy to announce the winter season of Pure Nonfiction at IFC Center, featuring ten documentaries playing from February 5 to March 26. 

    Pure Nonfiction

    The season opens with UNITED SKATES (Feb 5), winner of the Tribeca Audience Award, about roller skating in black communities across the United States. Two films will appear as sneak previews fresh off their Sundance premieres: Alex Gibney’s THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY (Mar 14), and THE BRINK (Mar 26, closing night of the winter season) about the former Trump strategist Steve Bannon spreading his nationalist ideas in Europe. Each screening features the filmmakers or other special guests in person. New York Film Academy students receive a discount at the door. 

    Called “a vital outpost for award-winning documentaries” by The New York Times, the beloved docs series Stranger Than Fiction is being retitled to share a name with the popular podcast Pure Nonfiction, now in its fourth year. Both were created by Thom Powers, renowned Documentary Programmer of the Toronto International Film Festival and Artistic Director of DOC NYC, and Raphaela Neihausen, Academy Award-nominated producer and NYFA graduate. “Pure Nonfiction as a screening series at IFC Center shares the same mission as the podcast to illuminate the art of documentary making, so it makes sense for them to share the same name,” says Powers.

    Andrea Swift, Chair of NYFA’s Documentary Department, says, “It is an honor for the NYFA Documentary Department to continue our sponsorship of Pure Nonfiction in its new incarnation. The series has been a crucial pillar of the documentary community for fourteen years. It provides our students with the unique opportunity to see great films curated by a legend like Thom Powers, and to hear from their creators via the insightful discussions he always elicits. Going out after to rub elbows and continue the conversation, students also get a chance to begin to know their new community.”

    Pure Nonfiction‘s winter season also includes a sneak preview of the new series THE CASE AGAINST ADNAN SYED (Feb 26) based on the case made famous by the Serial podcast. Director Amy Berg will present its first episode prior to its debut on HBO. Other sneak previews include IT’S A HARD TRUTH, AIN’T IT (Feb 12) about prisoners learning to make films; and ONE NATION UNDER STRESS (Mar 19) with Dr. Sanjay Gupta, which looks to uncover why American life expectancy is falling.

    Classic revivals are a key part of the screening series. The season includes a double bill (Feb 19) with D.A. Pennebaker’s ORIGINAL CAST ALBUM: COMPANY (1970) about a studio recording of the Stephen Sondheim musical; joined with a new parody of the film from the series DOCUMENTARY NOW! titled ORIGINAL CAST ALBUM: CO-OP. (In a happy coincidence, DOCUMENTARY NOW! features NYFA grad, Bill Hader along with Fred Armisen.) Pennebaker will present the films with other colleagues who were part of the original. 

    Other classics include the 20th anniversary of Doug Block’s HOME PAGE (Feb 21) about the emergence of a confessional culture on the internet; THE TRIALS OF MUHAMMAD ALI (Mar 5) that will memorialize director Bill Siegel who passed away last December; and THAT RHYTHM…THOSE BLUES (Mar 12) in a new restoration of the 1988 film that explored rhythm and blues music in the 1940s and 1950s.

    The Pure Nonfiction winter season takes place at the IFC Center every Tuesday night at 7:30 pm for eight weeks, plus special Thursday screenings on Feb 21 and Mar 14. Each event includes a discussion with the filmmakers, followed by a gathering at a nearby bar. Season passes are now on sale for $99 for ten films, though NYFA students are offered a discount. The full season schedule appears below. For more information, visit here.

    Pure Nonfiction at IFC Center: Winter 2019 Season                    
    7:30pm Tuesdays at IFC Center, Feb 5 – Mar 26

    Each show features a Q&A with the director or other special guests:

    Feb 5: Opening Night – UNITED SKATES (2018, Q&A w/ dir. Tina Brown & subject Reggie)

    Feb 12: IT’S A HARD TRUTH, AIN’T IT (2018, Q&A w/ dir. Madeleine Sackler)

    Feb 19: Double bill: ORIGINAL CAST ALBUM: COMPANY (1970, Q&A w/ dir. D.A. Pennebaker & others) and DOCUMENTARY NOW! presents ORIGINAL CAST ALBUM CO-OP (2019)

    Feb 21: Thursday special – HOME PAGE – 20th anniv. (1999, Q&A w/ dir. Doug Block & others)

    Feb 26: THE CASE AGAINST ADNAN SYED – episode one (2019, Q&A w/ dir. Amy Berg)

    Mar 5: THE TRIALS OF MUHAMMAD ALI (2014, Q&A in memory of dir. Bill Siegel w/ his colleagues)

    Mar 12: THAT RHYTHM…THOSE BLUES – newly restored (1988, Q&A w/ dir. George T. Nierenberg)

    Mar 14: Thursday Special – THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY (2019, Q&A w/ dir. Alex Gibney)

    Mar 19: ONE NATION UNDER STRESS (2019, Q&A w/ dir. Marc Levin)

    Mar 26: Closing Night – THE BRINK (2019, Q&A w/ dir. Alison Klayman)

    Tickets for Pure Nonfiction screenings are $17 for the general public and $14 for IFC Center members and NYFA students. A Season Pass covers admission to all ten evenings and provides free popcorn at all screenings. It is available for $99 ($80 for IFC members and NYFA students).

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    February 1, 2019 • Documentary Filmmaking • Views: 613

  • New York Film Academy (NYFA) Students Reach Out to the Community to Make a Difference

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    In Spring 2018, a select group of New York Film Academy (NYFA) Documentary students volunteered to create a video honoring the 65th Anniversary of Family Service Agency (FSA) in Burbank. FSA is a privately-funded mental health service provider that specializes in “treating the mental and emotional well-being of children, adults and families suffering silently through Counseling, Preventing, Educating and Advocating since 1953”. 

    The NYFA team, consisting of Drama del Rosario, Gustav Gibrand, and Asem Nurlanova, started production in April 2018 and were in active production throughout May and June. They participated in the annual 5K Carewalk (shooting and interviewing participants) and then interviewed Executive Director Laurie Bleick, Operational Director Christine Ramos, Clinical Director George Holbrook, and Director of School Based Counseling Services Ginny Goodwin. 

    Because FSA is privately funded by many community sponsors, the filmmakers were granted unique access to several local schools and locations key to the services provided by the organization. In July 2018, the students, along with NYFA alum, Eva Maria Bukovinsky, also interviewed Brian Miller, Senior Vice President and General Manager of Cartoon Network to talk to him about his service on the Board of Directors for FSA. 

    Bukovinszky then got to work editing the project. The resulting film was screened at the October 5, 2018 gala celebrating FSA’s 65 years of service, and now serves to explain their services on the About page of their website.

    After the team handed over the final project for FSA, another crew gathered together in September 2018 to begin working on the annual Community Film Project with NYFA instructor Denise Hamilton. The students chose to work with David and Margaret Youth and Family Services, a non-profit that “empowers children, youth, and families through culturally diverse services that foster emotional, educational, spiritual, and identity development.” 

    The crew pitched three ideas and allowed the organization to choose what suited their needs. They chose Drama del Rosario’s concept and this helped form the crew: Drama del Rosario, producer; Lucia Flores, director & editor; Faisal Aldakheel, director of photography and Asem Nurlanova, sound. 

    “When we pitched our idea, we wanted to have a good balance of technical information and very human characters,” says del Rosario. “David and Margaret wanted to target youth who might be interested in signing up for the program, so we didn’t want some boring brochure-turned-video. We wanted something that would make them say, ‘Hey, that looks fun! That looks useful!’”

    Production, including on location B-roll and interviews in LaVerne, California, about 40 miles east of campus (in Los Angeles traffic this is tantamount to taking a “road trip”), took about a week. After that, production included further research, writing and gathering of archival footage. 

    The result was screened on January 26, 2019 in NYFA’s private screening room and the organization was thrilled!

    Documentary Margaret & David
    (from left to right). Asem Nurlanova, Chia Flores, Drama del Rosario, Faisal Aldakheel; from Margaret & David, Marissa Scholefield and Maggie Bohlman; NYFA instructor, Denise Hamilton
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    January 31, 2019 • Documentary Filmmaking, Outreach • Views: 654