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  • Q&A with ‘Ruth’ Director and New York Film Academy (NYFA) alum António Botelho

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    New York Film Academy (NYFA) alum António Botelho hails from Lisbon, Portugal and has acted, produced, written, shot, and crewed on several projects both in his home country and aboard. 

    Botelho attended NYFA’s 2-year Filmmaking program in 2008 at our New York City campus, where he gained invaluable experience directing and shooting his own films as well as serving as an integral crewmember on other students’ films.

    His education and professional experience culminated this year in the release of Ruth, the Portuguese feature film directed by Botelho. Ruth is set in the early 1960s and tells the story of Eusébio, an immigrant from Mozambique and football (soccer) superstar who finds himself in a heated sports rivalry amidst political turmoil during the country’s fascist regime. 

    Ruth - António Botelho


    The New York Film Academy spoke with Botelho about his film and career earlier this year:

    New York Film Academy (NYFA): Can you talk a bit about the process involved in getting Ruth subsidized by Portugal?

    António Botelho (AB): In Portugal there are hardly any private companies (film or other) that finance their own movies. There isn’t a studio system. There are film companies who produce movies mostly by grants and state competitions with many categories (short films, first features, feature films, documentaries, documentaries short, animation, etc.). 

    It was through one of these state competitions that Ruth was subsidized. The film company in charge of the production had to present a budget and all sorts of documents boosting the film’s value and whatnot. 

    My part, in that competition entry, was to write a director’s view kind of document, with my own personal approach on how the movie would be made. It’s a matter of luck. It’s one in a billion.

    NYFA: How do you approach the filmmaking process?

    AB: I’m a very practical filmmaker. I consider myself a film buff first, then a filmmaker. Great movies are made every year, some of them share the same story, and so I know the movie that I’m making is probably not going to be a Citizen Kane… movies shouldn’t impose on themselves or their filmmakers. 

    I try to make a movie that makes sense. I put the script and the actors first, then I adapt to several circumstances… as all filmmakers do. 

    As [NYFA’s founder] Jerry Sherlock put it: “Story, story, story.”

    NYFA: How did NYFA help prepare you to be on set for your feature film debut?

    AB: NYFA helped me prepare in a sense that it taught me to having the most done — as a director — before entering the set. I prepare myself so that each day I know what I’m shooting, but also how it’s going to cut together. Having a big sense in all film areas, provided by the faculty, helps the filmmaking process and teaches you to respect your fellow colleagues. Filmmaking isn’t a solo thing. 

    Also, it taught me to act quickly in the face of adversity, because most times you’ll have to adapt.

    NYFA: Will Ruth be available online or in other countries?

    AB: Eventually it will be online in some of the screening platforms. What I can say for now is that there’s a possibility of it premiering in France in January 2019, and maybe also Germany.

    The New York Film Academy thanks António Botelho for his time and thoughtful responses and wishes him the best of luck in his promising career! 

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    December 26, 2018 • Filmmaking, International Diversity, Student & Alumni Spotlights • Views: 735

  • Portuguese Filmmaking Grad Directs Award-Winning Commercial

    Facebooktwittergoogle_plusredditpinterestlinkedinmailDirecting commercials can not only be a creative and rewarding career, it can also propel directors into the world of feature directing. Just have a look at David Fincher or Michel Gondry’s early career in the film business.

    One of our 8-Week Filmmaking graduates, Francisco Miranda, directed a commercial in his hometown of Portugal, which recently won the grand prize in the prestigious “Galp Create” publicity contest. The video is a 30 second spot for Tangerina.

    “I attribute a huge part of this success to the New York Film Academy,” said Miranda. “Back in school, I gained a lot of knowledge in the classes that I was part of. The movies that I made at NYFA with my fellow students were very important to improve my craft and become a director.”

    Have a look at Miranda’s award-winning spot below!

    Galp Tangerina from Francisco Miranda on Vimeo.

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    June 11, 2015 • Filmmaking, Student & Alumni Spotlights • Views: 3558