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  • New York Film Academy (NYFA) MFA in Producing Students Give Notes to Oscar-Winning Screenwriter Tom Schulman

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    Academy Award Winner Tom Schulman, renowned for penning Best Screenplay Winner Dead Poets Society, engaged in a team discussion with New York Film Academy (NYFA) MFA in Producing students over potential modifications on his new script, which is currently slated for production in the next few months.

    Over the course of more than two hours, Schulman listened with undivided attention as students dissected his script and offered detailed notes on its story, characters, and its world.

    The special opportunity for the students came as part of their Script Collaboration & Story Development class (MFA Program, 5th semester). The class is designed to teach students script analysis, and how to write and convey notes to a screenwriter professionally and effectively.

    NYFA instructor John Morrissey invited Schulman to participate not only as the recipient of the students’ notes, but also to offer our Producing students a rare opportunity to make a direct impact on the story of a professional film.

    Many times during the conversation–punctuated by laughter and meticulous detail-offering—Schulman jotted down students’ notes on a sheet of paper. When asked what he considered the best way for a producer to provide notes to a writer, he promptly responded: “The way we have been doing it here today!”

    He then shared with the students some inside stories on how studio executives give notes to screenwriters and praised the students for their genuine passion and thoughtfulness.

    New York Film Academy thanks Academy Award-winning screenwriter Tom Schulman for giving his time and advice to our MFA in Producing students.

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    May 8, 2019 • Guest Speakers, Producing, Screenwriting • Views: 166

  • Q&A with New York Film Academy MFA Alum and Instructor Justin LaReau

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    Justin LaReau had a pretty cool job. He was the head basketball coach at Southeastern Illinois College. But he was temporarily living in a hotel, reevaluating his life, and reconnecting with his love for movies. So while he was working on his playbook, he was simultaneously reading screenwriting books and began sketching out the idea of what would become his first feature. 

     

     

    Eventually, he made the difficult decision to leave coaching behind. Justin came out to Los Angeles and got an internship at Underground Film and Management—which led to his career writing, directing and producing films.  New York Film Academy (NYFA) spoke with LaReau about his movies, experiences, and his next projects. 

    New York Film Academy (NYFA): Recently you produced and directed A Demon Within, a horror film. How did that come about? What was it like directing a feature film for the first time? What were the biggest challenges– and what was the learning curve like? 

    Justin LaReau (JL): I started writing it when I was coaching basketball, but it really initiated as a kid when my friends and I would ride by a haunted house that was widely talked about in our community. The house had been abandoned. We stopped our bikes and I saw some movement in the upstairs window. It could have been wind moving the curtains but as a 12 year old, we assumed it was a ghost. My hometown has a documented case of possession that dates back to the 1800s. Knowing that story, I wanted to tap into the personal connections I had as a kid. I felt like it would be a fun experience, plus I believed as a first feature I could get a horror film at a 100K budget fully distributed.

    And in terms of the learning curve, it was tremendous. Whether you are directing or producing, there is nothing like making a full feature. I heard Jon Favreau speak and he said whatever you do or however you have to get it done, make a full feature. Short films are great for trying to find your voice, style and developing the skills, but telling a narrative for 90 minutes or more is like no other. I tell people that I spent summers in 100 degree heat building bridges and overpasses while I was in undergrad. That’s hard work. But making a full-length movie is much harder. And unless you have, you can’t comprehend it nor can you learn as much as doing.

    Justin Lareau

    NYFA: How did your experiences as a producer inform the decisions you made as a director? 

    JL: Because we were operating on a microbudget and I was constantly tracking the spending as a line producer would. It made me eliminate waste and only spend on items that would be seen on screen. We secured free locations, free lodging, free cars/trucks for transportation, discounted food as well as many other resources. Because of that, it allowed an extra shooting day which is so vital. Time as we know is so precious in general and in filming, an extra hour goes a long way in allowing actors the opportunity to act, take direction, and deliver the performance that works for the film. 

    Additionally, the script had to evolve. The team and I were rewriting throughout prep to pull off a full feature. Many elements that would have created more value had to be removed because there just wasn’t enough money. And that is a tough pill to swallow. 

    NYFA: Can you talk about your upcoming projects? What are you working on right now? 

    JL: My producing partner Lydia Cedrone and I recently launched a production company called Tidal Wave Entertainment, LLC. As producers we currently have a slate of eight movies in development. They range from comedies to dramas to thrillers. I’m the writer and attached to direct two of the films: Fallen Lands, a post-apocalyptic drama and The Riddle Maker, a thriller. 

    NYFA: You earned your MFA from NYFA in Producing. What’s it like to be a former student on the other side of the classroom—and how does that inform your teaching? 

    JL: I had been teaching for 10 years and had already completed a graduate program. I went from standing in front of the room to sitting in the seat again. What I enjoyed about NYFA besides the hands-on experience and the location was the wealth of experiences instructors brought to the classroom. And that is what I try to draw on now. I have been where the students are and I have been through the same program. This allows me to truly connect with them.

    Justin Lareau

    NYFA: What’s your favorite class to teach and why?  

    JL: My favorite class to teach is Pitching. It is a skill/craft that all producers, writers, or directors need to develop. My mom would probably say that I like pitching because I am full of it, but selling an idea starts with the way you present it. We may have the next Oscar-winning idea, but if you can’t excite someone about it, it probably will never get made. 

    NYFA: Speaking of, what advice do you have for students who might be looking to produce and direct? 

    JL: I am a believer that if you want to do something, then go do it. But students should know that your drive and commitment has to be greater than you can imagine. You have to be able to grind through the times when things get tough. This is not an easy industry. But you need to be like Paul Newman in Cool Hand Luke. You don’t have time to feel sorry for yourself. So get your hands dirty and get to work!

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    April 12, 2019 • Faculty Highlights, Producing • Views: 384

  • Q&A with Oscar-Nominated Producer, Director, and Editor Sam Pollard

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    Legendary producer, director, and editor Sam Pollard led a spirited “Conversation with…” and Q&A session after a rousing screening of his latest documentary Sammy Davis Jr.: I’ve Gotta Be Me at New York Film Academy (NYFA).  A capacity crowd at NYFA’s Theatre in New York City was captivated by the film, which traces the iconic entertainer’s life from his youth in Harlem to international stardom— from Hollywood to Broadway to Las Vegas and beyond. 

    Sam Pollard

    NYFA students were inspired by Sam Pollard’s recollection of his early career, when he gravitated towards an editing career after a Public Broadcasting internship program. He went on to cut narrative features as well as documentaries, most notably working with Spike Lee on films including Mo’ Better Blues, Jungle Fever, Clockers, and Bamboozled. In 1998, Pollard and Lee were nominated for the Academy Award for Best Documentary Feature for 4 Little Girls.

    Pollard moved into producing and directing while working on Eyes on the Prize, still considered the seminal work on the American Civil Rights Movement.  Sammy Davis Jr.: I’ve Gotta Be Me capped NYFA’s celebration of Black History Month. Made for American Master/PBS, other Sam Pollard projects made for the series include works about August Wilson and Zora Neale Hurston.

    “Filmmaking is hard work but it’s like magic when it works. Now it feels seamless, and that to me is that magic of filmmaking,” Pollard explained to the audience.

    The evening was a co-production of NYFA’s Producing, Screenwriting, and Documentary departments. Pollard told the students in attendance, “If you’re here because you love to create, be compassionate, committed, and willing. Learn the craft and be proud of what you’ve done.” 

    He added, “As aspiring filmmakers, you should be committed to making the best possible film you can make, and if you hang in there, you will be rewarded.”

    The New York Film Academy thanks Oscar-nominated producer, director, and editor Sam Pollard for sharing his experience and wisdom with our students and encourages everyone to check out Sammy Davis Jr.: I’ve Gotta Be Me


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  • AAFCA and ABA Film Society Hold ‘Celebrating Black Excellence in Cinema’ Event at New York Film Academy (NYFA)

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    On Monday, February 18, the New York Film Academy (NYFA) partnered with the African American Film Critics Association (AAFCA) and the African Black American (ABA) Film Society to present a special discussion exploring the past, present and future of Black creative excellence in Hollywood through an inaugural learning lab, Celebrating Black Excellence in Cinema at its Los Angeles campus. The event featured Outlier Society’s Alana Mayo, and was moderated by AAFCA Founder and President Gil Robertson.

    Gil Robertson said, “AAFCA is thrilled with our partnership with NYFA as we celebrated Black excellence in the industry during BHM. Our panel with Alana was excellent. She was very generous in sharing her experiences with the students as a Creative Executive, as well as providing them with inspiration on how they can follow in her path.”

    Alana Mayo

    Alana Mayo was Vice President of Production at Paramount and Vice President and Head of Originals at Vimeo before becoming Head of Production and Development for Michael B. Jordan’s Outlier Society Productions. At Paramount, Mayo helped develop the cinematic adaptation of Fences starring Denzel Washington and Viola Davis.

    Mayo discussed her background, how her parents influenced her career, and navigating her trajectory as a Creative Executive for three of the top studios in the industry. 

    Three students who attended the event gave NYFA their thoughts on the experience. Folake Kehinde, recent NYFA MFA grad and ABA’s Events Chair and Interim Communications Chair, had this to say:

    My favorite things about this event were the access. Alana was welcomed by one of the ABA members who is also queer. I had no idea of this connection when I was scheduling volunteers and was so happy to be able to give Jamie the opportunity to meet and welcome Alana. Alana has greatly inspired Jamie and she was thrilled for the opportunity to meet and welcome her. 

    Alana attended the pre-reception briefly. She took pictures with the ABA and was so polite and happy to be with us. Her humbleness was so sweet and unexpected. Then during the event I appreciated her learnedness. It was so wonderful to hear from a production executive with a degree in film studies. So often production executives studied English or something slightly unrelated to filmmaking—it was nice to hear from someone with an extensive study of cinema as well as years of employment with various studios and production companies. 

    It was interesting to watch her talk so passionately about her favorite films, Polish Cinema, and the discussions she has while watching TV with [her fiancee] Lena Waithe. They’re very different in how they communicate but both have obtained vast success. 

    I also loved hearing how nice Michael B. Jordan is. I was so moved by her saying that Michael will give out her email at various places around town to people who have an idea and that they’re even going to make one of the ideas a person he met on the street wrote. I love that Michael is so kind, contemporary, and cutting-edge. The fact that he cares about people and is interested in talking with them and helping them to make their work blows me away. I also love that he is starring in several projects his company is making as well as other projects outside of his company. It’s inspiring to watch his career as an actor and now producer unfold. As an actress and producer myself this helped to confirm for me that I can achieve my dreams! 

    My final favorite moment was when Jamie told Alana that she is also a queer woman and that she has been so inspired by Alana’s career and bravery to be heard and make a path in the entertainment industry. 

    After the Q&A, legendary casting director Tracy “Twinkie” Byrd (who cast Michael B. Jordan and others in the film Fruitvale Station and so many other projects) stayed and did an impromptu Q&A with actors and filmmakers. It was fantastic! She had a very frank conversation with us where she challenged us to tell our stories! She talked about being on a panel that read scripts for a Festival and how so many of the ideas were so similar. She knows that all black people didn’t grow up in ‘the hood’ and she wants creators to be unafraid to share their middle-class or wealthy upbringing. She advised actors to look their best at all times—even at the gym. She also told actors to put our pictures on our business cards, and avoid putting too much of another actor on their reels. 

    It was an extraordinary evening. I’m very grateful to New York Film Academy, Professor Kim Ogletree, and the founder of AAFCA for putting the event together.

    Alana Mayo

    Toyin Adewumi, 8-week Producing student, learned a few lessons from the event as well. The first was to take risks! A former HR professional, Adewumi loved that Mayo talked about leaving her comfortable job at a studio she had been at for years: “Having that clarity of there’s more out there. Yes I’m here… but… not being connected with the culture there.” Adewumi was impressed that Alana was brave enough to leave and find her ideal job. 

    She also loved that Alana isn’t ashamed of her personality. “Her acknowledgement that she needed to change some things. Her boldness to be humble… being willing to drop some things I (she) learned when I’ve (she) grown up. Her being humble helped lead to her breakthrough….Taking risks, knowing when to work on herself, being humble” are lessons Adewumi will treasure for a long time to come.

    Brianna Dickens (AFA Acting For Film ’18) was moved by the ABA events held during Black History Month. Dickens had a wonderful chat with Twinkie Byrd and at the ABA Careers in Television event, she was invited to visit a set for a day with some friends. She tells NYFA:

    I’m so thankful I found the ABA. I didn’t even know they existed. Luckily my class was invited to a screening event of theirs (the Q&A with Chuck Hayward). The second I arrived, the leaders of the group welcomed me and introduced themselves to me. In less than a month of being an ABA member, I’ve attended three events that have truly inspired me, opened my eyes, taught me things no one else has, and even opened the doors for me to have real on-set experience!

    Everyone in this group is focused, supportive, kind, and encouraging. They uplift each other. I think we will do great things for one another and together. I’m thankful to have them.

    The New York Film Academy and ABA Film Society thank Alana Mayo and Tracy “Twinkie” Byrd for sharing their experience and advice with our students!

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    March 12, 2019 • Diversity, Guest Speakers, Producing • Views: 506

  • Producing Department Industry Speaker Series Welcomes ‘The Rider’ Producer and Sound Recordist

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    On Monday, February 11, the Producing Department Industry Speaker Series welcomed producer Mollye Asher to the New York Film Academy (NYFA) for a “Conversation with” and Q&A session following a screening of Chloé Zhou’s The Rider. Also participating in the session was sound recordist on the film, Mike Wolf Snyder. 

    This is the second Chloé Zhou film produced by Mollye Asher. The Rider was shot over five weeks, with non-actors playing roles very much based on themselves. Writer-director Zhou spent close to two years researching the story and developing the film before the shoot. The story follows a young rodeo star recovering from a serious head injury suffered when thrown by a horse in the midst of the rodeo. 

    A good amount of the time Zhou spent researching the story was an investment in gaining the trust of the non-actor cast. The film was made mostly by a six-to-eight person crew, who also needed to gain the trust of the cast. Snyder, the sound recordist, does not like to use wireless, lavaliere microphones that can be hidden underneath an actor’s shirt. He uses a boom microphone for every shot. However, he says, he was very sensitive to not wanting to come off as intrusive towards the actors. 

    The Rider

    The Rider premiered at the Directors Fortnight at the Cannes Film Festival, where it was acquired for North American distribution by Sony Classics. At Cannes, Zhou also won the C.I.C.A.E. Award.

    The film has won numerous other awards, including Best Feature from the National Society of Film Critics Award, Best Picture at the Athens International Film Festival, and Best Feature at the Gotham Awards. It was also named one of the National Board of Review’s Top Ten Independent Films of 2018, and received multiple nominations at the Independent Spirit Awards, including Best Feature and Best Director.

    The team recently wrapped production on a 50-day shoot on a “below the radar” project to be announced very soon.

    The New York Film Academy thanks producer Mollye Asher and sound recordist Mike Wolf Snyder for sitting down with students as part of the Producing Department Industry Speaker Series!

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    February 13, 2019 • Guest Speakers, Producing • Views: 487

  • New York Film Academy (NYFA) Producing Alum Irene Méndez Featured in Multiple Festivals

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    Producer and director Irene Méndez has been incredibly busy since graduating from New York Film Academy’s producing school, working on multiple films that have made several festivals and garnered a great deal of press and attention from the industry.

    Irene Mendez

    Méndez originally hails from Madrid, Spain. In 2016, she enrolled in the 1-year Producing conservatory at New York Film Academy (NYFA). While studying at NYFA’s New York city campus, acquiring strong project management skills as well as a hands-on filmmaking education from experienced industry professionals, Méndez completed production on several films in multiple roles. 

    This included her own film Tinnitus, which she wrote, directed, and produced, as well as several NYFA thesis films—From Me to Me, directed by Moe Myat May Zarchi; Lighter and Cigarettes, directed by Rafael Cintra; and Almost, directed by Mahair Kahn. These projects, as well as other films Méndez produced, have accrued numerous awards and Official Selections from film festivals around the world.

    Almost (2017), which Méndez worked on as 2nd Assistant Director and Script Supervisor, was an Official Selection in the New York Indian Film Festival. From Me to Me (2018), which she co-produced, won Best Woman Filmmaker at the Barcelona Planet Film Festival and was an Official Selection in Myanmar’s Wathann Film Festival.

    Lighter and Cigarettes (2017) was produced by Méndez and was a Semiinalist at Los Angeles CineFest and an Official Selection for both the Los Angeles SR Film Festival and Hope Film Awards. Additionally, it was part of the Short Film Corner at the world-renowned Cannes Film Festival.

    Tinnitus (2017) was a Finalist or Semifinalist at multiple fests, as well as an Official Selection of New York Film Screenings, Women’s Only Entertainment Film Festival, Bridgwater and Taunton College Film Festival, Hope Film Awards, Barcelona Planet Film Festival, and the Los Angeles SR Film Festival.

    Irene Mendez

    After graduating, Méndez also produced Obini Bata (2018) which was directed by Damian Calvo. The short documentary profiles the first women to perform with Batá drums in Cuba, drums traditionally forbidden for women. The film has won the Audience Award for Best Short Film Documentary at the Edmonton International Film Festival and has been an Official Selection at Lady Filmmakers, Women in Film and Television Atlanta, The Pan African Film Festival, and The Chicago Feminist Film Festival.

    Méndez is also in postproduction for Agua Desgasta Roca, a documentary short about a rock climber diagnosed with multiple sclerosis. The film has already won the Premios Solidarios from Fundacion Merk. 

    Currently, she is working on two additional documentaries, Los García, and Costus. Los García, a feature film, was featured as part of the Focus CoPro pitching event at the Cannes Film Festival. It was also one of five winners at the La Incubadora competition, and was featured at Abycine.

    The New York Film Academy congratulates Producing alum Irene Méndez on the multiple successes of her films to date, and looks forward to following her career as it develops!

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    February 4, 2019 • Documentary Filmmaking, Producing, Student & Alumni Spotlights • Views: 776

  • Q&A with New York Film Academy (NYFA) Producing Alum Alex Lebovici

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    On Monday, January 7, New York Film Academy (NYFA) hosted a guest lecture by NYFA Producing alum, Alex Lebovici. Lebovici was executive producer on the Academy Award-nominated Denzel Washington drama, Roman J. Israel, Esq. (2017), Mom and Dad (2017), Who We Are Now (2017), The Clapper (2017) as well as an unofficial short fan film based on hit video game Uncharted, starring Nathan Fillion and which garnered rave reviews and Internet buzz.

    Lebovici began the lecture by discussing his beginnings: “I started making short films [when] I was 13 with my closest friends … and I always wanted to be part of the movie business.” Lebovici moved from Canada to the United States and studied directing at New York Film Academy, where he made 12 short films during his academic career. After he graduated, Lebovici was an intern at Original Film, the company that produced the Fast and the Furious film franchise, but, unfortunately was laid off.

    After moving back to Canada, Lebovici became a door-to-door salesman, working six days a week, 12 hours a day, for six years. “I prepared myself [by] doing something very challenging … of the people that opened the door, 95% of them said no but the 5% that said yes [were] more than enough to earn a living.” Despite his success, he still ached to return to the entertainment industry.

    Lebovici was inspired one night after being denied entry to a fancy nightclub in his native Toronto. The next day, he purchased an American pay-as-you-go mobile phone, registered it to a Beverly Hills zip code and called the nightclub as his own fake assistant; he told the nightclub that he was an assistant to a producer from Los Angeles that wanted to produce a television show about “bodyguards who protect A-list celebrities when they come to Toronto.” 

    Alex Lebovici

    That phone call got Lebovici introduced to all of the nightclub owners, bodyguards, and doormen in Toronto. Word got to movie star Steven Seagal that Lebovici owned a bodyguard company; he didn’t, but he made sure Seagal and his guests were taken care of during their visit to Toronto free of charge. Seagal knew that nothing comes for free and asked Lebovici what he wanted in return; Lebovici asked if he would star in a pilot for a show about bodyguards. Seagal agreed.

    In a matter of months, Lebovici went from being a guy who couldn’t get into a nightclub to a guy that was known and welcomed by all of the nightclub owners in Toronto, with a potential television show pilot starring Steven Seagal. Lebovici called all of the production companies in Toronto, pitched his pilot to them and started a bidding war between two companies for the rights to produce the show. Lebovici was then contacted by various Hollywood actors’ representatives and the show’s cast started to grow.

    Lebovici learned from this experience how to be a producer and went on to produce a number of projects in the United States; he continued to make valuable contacts through networking with nightclub promoters and owners and he carefully gauged when it was appropriate to ask his contacts for favors, “You’ve got to build them up to it by playing a slow game,” said Lebovici, “…you don’t want to be too thirsty in this business.”

    The New York Film Academy would like to thank Producing alum Alex Lebovici for sharing his experiences and honest advice with our students!

     

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    January 16, 2019 • Guest Speakers, Producing • Views: 795

  • New York Film Academy (NYFA) Producing Alum Alex Lebovici Launches Hammerstone Studios

    Facebooktwittergoogle_plusredditpinterestlinkedinmailNew York Film Academy (NYFA) Producing Alum Alex Lebovici, along with his partner Steve Ponce, is launching Hammerstone Studios, their new production company that will finance feature films for Hollywood and beyond.

    The two previously worked at Oriah Entertainment. Over the last year, they’ve had a run of very successful projects, including feature film Roman J. Israel, Esq., which earned Denzel Washington an Academy Award for Best Actor, as well the upcoming drama/thriller Red Sea Diving Resort, featuring Chris Evans, Michiel Huisman, Ben Kingsley, Michael Kenneth Williams, Greg Kinnear, and many others. Lebovici and Ponce also executive produced the fan-made adaptation of blockbuster video game Uncharted, starring Nathan Fillion as title character Nathan Drake. Also starring Stephen Lang (Avatar), the fan short went viral and spawned talks of being adapted into an official Hollywood feature.

    Hammerstone StudiosAccording to a press release exclusive with deadline.com, the goal for Lebovici and Ponce is to produce a “diversified slate of films, from commercial, talent-driven titles to specialty films from proven filmmakers.” This includes projects like Come Away, a feature directed by Brenda Chapman (The Prince of Egypt, Brave) and staring Angelina Jolie and David Oyelowo. Hammerstone Studios is also trying to get the long-awaited second sequel to 80s classic Bill & Ted’s Excellent Adventure off the ground — with original stars Keanu Reeves and Alex Winters on board, Bill & Ted Face the Music is closer than ever to finally coming to theaters.

    Lebovici hails from Ontario, Canada. He enrolled in the 1-Year Producing program at New York Film Academy’s Los Angeles campus in the fall of 2005. The producing school at NYFA teaches students strong project management skills without requiring a business school background, and allows collaboration opportunities with NYFA filmmaking, acting, screenwriting, and cinematography students (among others) on their ambitious projects throughout the program. 

    The New York Film Academy congratulates producing alum Alex Lebovici on his incredible success in Hollywood and looks forward to the future films of Hammerstone Studios! Facebooktwittergoogle_plusredditpinterestlinkedinmail

    October 25, 2018 • Producing, Student & Alumni Spotlights • Views: 457

  • Q&A with New York Film Academy (NYFA) Alum Sabrina Percario

    Facebooktwittergoogle_plusredditpinterestlinkedinmailSabrina Percario has been very busy since graduating from New York Film Academy’s MFA program in Acting for Film. She has worked in multiple positions in film productions and has produced and acted in numerous multi-award-winning films, with several more on the horizon.

    Sabrina Percario

    Sabrina Percario

    Her journey to becoming a prolific and decorated actress and producer had an unconventional start. Born in Brazil, Percario originally worked for nearly a decade in medicine before gradually becoming immersed more and more in the world of drama. Her deep passion for the art and craft of filmmaking matches both her talent and her incredible work ethic.

    The New York Film Academy recently spoke with Sabrina Percario about the many hats she wears in the film industry, as well as what keeps her motivated and moving forward:

    New York Film Academy (NYFA): First, can you tell us a bit about yourself and what brought you to New York Film Academy?

    Sabrina Percario (SP): I was born in São Paulo, Brazil, and I have dual Brazilian and Italian citizenship. In college, I majored in biomedicine and for almost 10 years I worked in the field of Chinese traditional medicine. 

    I used to lead a lot of workshops in this field in front of large audiences of around 200 people — yet I was very shy. I decided I needed to do something to improve my effectiveness as a speaker. So in 2009 I went to an acting school called the Celia Helena Acting School. I immediately fell in love with acting. Acting is very fulfilling to me because I was always fascinated with human behavior. When you study a character, you put yourself in the place of that person. When you step into another person’s shoes, you suddenly understand why someone would act in a particular way. You stop judging people and, in the process, you learn more about yourself.

    I.C.E. CREAM at LAIFFA wins Best Producer - Sabrina Percario

    I.C.E. CREAM at LAIFFA wins Best Producer

    From 2011 until 2014 I worked as a drama teacher for children ranging in age from six to sixteen. Working with kids was one of my most satisfying life experiences. I learned to be more flexible and open to changes, more willing to let others lead the narrative, and more honest with myself about my feelings. During that period in my life I worked two jobs: I was an acupuncturist as well as a drama teacher.

    In November of 2013, I decided to enroll in NYFA so I could study my craft and improve my knowledge about acting for film.

    From 2014 to 2016 I worked on NYFA’s MFA program in Acting for Film. My thesis film Julia won several awards, including Best Leading Actress at the United International Film Festival (UIFF). Julia is a tribute to my mother, who died four years ago. I used the film to talk about grief and express my gratitude to my mom. She taught me to pursue my dreams — and that’s exactly what I am doing.

    NYFA: Your IMDB page is filled with all sorts of roles — actress, producer, writer, composer, to name just a few — do you feel it is important to learn as many trades in the film industry as possible?

    SP: Yes, it is very important. Everyone should learn as much as they can about the business, especially in the beginning of your career, so you have a holistic view of how a film is made. 

    It was important for me to wear many different hats on set. Having done these jobs, I have so much respect for all the departments. I know how physical and challenging the grips and electrical (G&E) department can be, and how essential they are in contributing to the director of photography’s view. 

    As an actress, I’m much more consistent and self-aware about continuity. That happened only after I was a script supervisor and had to take note of how full the wine glass was or its exact position on the table for every take. I learned similar things as a production designer and when I worked in the wardrobe department. All of this knowledge is tremendously helpful to my performance when I’m in front of the camera.

    For a year I explored all the different jobs on film sets and I realized I had to choose which department I liked the most and wanted to work with. I decided to be an actress and producer.

    As a producer I’m able to produce my own projects and cast myself in them. This gives me a certain amount of control over my career as an actress. I can also create my own voice with stories I think will inspire people. Being a producer has enabled me to meet a lot of people in different departments in the industry. The breadth of my extended network has helped me enormously as a producer when I’m casting my crew.

    As an actress, I want to be in a feature film. To that end I’m writing a feature film (In Search Of) inspired by my life. I want to say to all my international friends that it doesn’t matter where you are located as long as you keep doing what you love. I’m writing in collaboration with other screenwriters, both here in Los Angeles and internationally.

    Sabrina Percario in "Tell"

    Sabrina Percario in “Tell”

    I recommend trying out different departments if you still don’t know what you want to be. Become familiar with the universe behind the camera and then choose a route. Once you decide where you fit in, people will begin to associate your name with that specific department.

    NYFA: Is there something you haven’t done on a film yet that you’d like to try?

    SP: I would love to direct a film one day, but right now I want to have more experience producing one.

    NYFA: You’ve won a litany of awards for your work already. Your projects Tell, I.C.E. CREAM and Breaking are the latest to gain recognition. Can you talk a little about these projects and your roles in them?

    SP: My recent projects that I produced are still in the film festival circuit. My latest films are Breaking and I.C.E. CREAM. Breaking is a fable — it’s the inspiring story of a porcelain doll who overcomes her fears and breaks out of her snow globe. Our purpose was to bring awareness about those who have suffered from sexual harassment. So far, we have won three festivals, two finalists, seven semi-finalists, and seven official selections.

    I.C.E. CREAM is another project I had the honor of producing. This film portrays the life of an immigrant family in this new Trump era. Our purpose was to bring awareness about the collateral lives affected by the immigration policies in place. So far, we have won nine awards. 

    My overall purpose in my films is to touch people’s hearts, inspire them, and spread a good, positive message through the characters I play and the films I produce.

    Tell is a film in which I played the lead actress. Its logline reads: Expecting a visit from his ex, a once-famous alcoholic writer decides to play a game of shoot the apple, until the truth of tragedy unveils the outcome of his intentions. For that film I won three awards as best leading actress.

    "Breaking" produced by Sabrina Percario. Actress/ writer/Executive Producer: Alessandra Hajaj - Sabrina Percario

    “Breaking” produced by Sabrina Percario. Actress/ writer/Executive Producer: Alessandra Hajaj

    NYFA: Which of your many projects was the easiest for you to work on and why? Which was the most difficult?

    SP: Breaking was an easy project to produce because it was shot entirely in one location and the crew and cast had an amazing professionalism and respect for each other. Everything went smoothly. Julia was very challenging for me because I was doing the film as a tribute to my Mom, who died four years ago. When I made the film I was still grieving, and it was very hard for me at that time to accept the loss. I was playing myself in the film, so I channeled all my pain and feelings through the character. It was therapeutic to write, produce, and act in that film, and it helped me to accept loss. It gave me the opportunity to express my love in a poetic way.

    NYFA: What other projects are you working on?

    SP: I’m currently working on Mojave Shadows, in which I play the lead. Its logline reads: A woman named Susan hikes in the middle of the Mojave Desert while coming to terms with guilt about the death of her son. One night she is attacked by a rattlesnake, and in the harrowing process, finds herself. 

    I’m also producing another project called El Fred. Its logline reads: A not-so-imaginary childhood friend returns as an unusual vigilante to protect a struggling single mother and her bullied son. And in December I’ll produce my first documentary, about self-healing and self-knowledge.

    NYFA: What did you learn at NYFA that has applied directly to your career?

    SP: I’m very grateful to NYFA. Thanks to a very hands-on program, I was able to learn how a film works from script to final editing. I also learned that producing a film is a group effort, and each department is essential in creating a coherent film. There are no small roles. I learned that it’s very important to respect your co-workers.

    NYFA: What advice would you give to students just starting out at NYFA?

    SP: Be professional. It doesn’t matter if it’s just a class assignment or a student project, you will graduate with your friends and they will be in the film industry with you. Instead of just making a connection, work on building relationships. Be responsible and reliable. Most importantly, ask yourself every day why you’re doing what you are doing. Remember what it’s all about: this is your passion. It’s important to have a goal, a purpose. Pursue your dreams. Don’t let anyone say no to you. Believe in yourself and trust your instinct.

    I just want to say that I’m very grateful for NYFA. In less than a year I was already working in the film industry. That would not have been possible without the kindness and expertise of the wonderful and talented people at NYFA.

    The New York Film Academy thanks Sabrina Percario for her generous time and looks forward to following her continuing success! Facebooktwittergoogle_plusredditpinterestlinkedinmail

    October 16, 2018 • #WomenOfNYFA, Acting, Producing, Student & Alumni Spotlights • Views: 89

  • “Unbroken” Sequel Screened For New York Film Academy (NYFA) Veterans

    Facebooktwittergoogle_plusredditpinterestlinkedinmailOn August 13, 2018, the New York Film Academy’s Department of Veteran Services, was honored to host an advanced screening of the next chapter in the Louis Zamperini story, Unbroken: Path to Redemption. The film is the sequel to the 2014 film, Unbroken, directed by Academy Award Winner®, Angelina Jolie, and hits theaters later this year. Following the screening, producers Matthew Baer and Luke Zamperini, son of Louis Zamperini, treated the audience to a Q&A moderated by Navy veteran and New York Film Academy (NYFA) MFA Acting Alumnus, Ron Ringo.

    The event was part of the NYFA DVS series of events that includes guest speakers, film screenings, master classes, workshops, and employment trainings — all which promote industry engagement for NYFA’s veteran-students and the wider veteran communities in Los Angeles, New York City, and Miami (South Beach).

    Unbroken Q&A

    Photo Caption: (left to right) Ron Ringo, Matthew Baer, and Luke Zamperini discuss their experience in creating Unbroken: Path to Redemption.

    Baer and Zamperini shared their experiences creating the film, as well as stories about Louis Zamperini himself. With having only 20 days to shoot the entire film, Baer addressed the challenges that he faced along with sharing a lot of valuable information for aspiring filmmakers. Zamperini shared stories of his father and explained how powerful it is seeing his father’s inspirational story depicted on the big screen for everyone to experience. Being on set and seeing his family members being portrayed by actors was incredibly surreal to him. 

    BFA Producing student and US Navy veteran Jonathan Garza commented, “Louis Zamperini’s inspirational and powerful story should be seen by everyone. He is a true American Hero.” He added, “I also enjoyed hearing from Matthew and his insight from years of producing. He mentioned that he still runs into the same problems producing studio films that he did when he was in film school, but on a larger scale.”

    Luke Zamperini is the President and CEO of the Louis Zamperini Youth Ministries Foundation.  Matthew Baer’s other producing credits include The Hurricane starring Denzel Washington, City by the Sea with Robert De Niro and James Franco, and the first chapter in the Louis Zamperini story, Unbroken — among many other successful films. 

    The New York Film Academy thanks Matthew Baer and Luke Zamperini for their generosity and willingness to share their stories and to help students pursuing careers in the film industry.Facebooktwittergoogle_plusredditpinterestlinkedinmail

    August 21, 2018 • Guest Speakers, Producing • Views: 890