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  • New York Film Academy (NYFA) Students Win At Los Angeles Live Score Film Festival

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    The theater lights dimmed, the first frames of film flickered across the screen, and the orchestra played their opening bars. Orchestra? Yes, orchestra, for this wasn’t just any film screening. This was the Los Angeles Live Score Film Festival, a celebration of the relationship between film and music, and that was the Helix Collective playing live as the films screened. 

    Held on July 21, 2018 at the Barnsdall Art Park Gallery Theatre, the festival featured the works of Los Angeles area film students, including five New York Film Academy (NYFA) filmmakers. Festival director Sarah May Robinson paired each of them with a composer from the Academy of Scoring Arts who scored the shorts. 

    On the night of the event, host Brian Ralston of the SCOREcast interviewed each director/composer team, asking them to discuss the experience of being matched with a total stranger and what it was like to work together. Los Angeles Live Score Film Festival 2018

    Next, conductor Phil Popham picked up his baton and led the orchestra in a thrilling accompaniment for the films. Audiences were entertained by the films of NYFA directors Victoria Gagieva (Niara), Vicken Joulfayan (Liminal), Oliver Weinmann (The Pill), Nicolas Varela (Aphrodite), and Haily Lanyue Zhang and Majik Jingwei Zhou (Arrow and Oil). 

    But the excitement didn’t stop at the last “The End” because the audience was asked to vote for the Best Film and the Best Score. The tension was palpable as audience members texted in their choices. The winners for Best Film were Haily Lanyue Zhang and Majik Jingwei Zhou with Arrow and Oil, and their composer George Oldziey took Best Score. After their win, Zhang exclaimed, “I’m thrilled and excited! Now I have great expectations about launching into more film festivals!” 

    Zhou was also full of thanks, remarking, “I want to thank my parents. They supported me to come to the USA to study Filmmaking! Secondly, I want to thank my school. NYFA taught me so much knowledge about filmmaking and gave us this chance to represent the school in this festival. Especially, I want to thank my teachers Nick Sivakumaran, the Kohnen brothers — Matt Kohnen and Sean Kohnen — Carl Bartels, Sanora Bartels, Steve Morris. They are the best teachers, ever, ever!”

    Their prize was a free studio recording of the orchestra playing their composed score.

    All the filmmakers were winners, though, as each received a studio recording of their score for a nominal fee plus a free sound mix from Greenhouse Post.

    The New York Film Academy congratulates all the filmmakers and wishes them continued success in their film festival runs!

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    August 8, 2018 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 2017

  • MFA Student Composes Musical Score for Ron Howard’s “In the Heart of the Sea”

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    On May 4th, students at the Los Angeles campus of the New York Film Academy enjoyed a screening and Q&A of the Ron Howard film In the Heart of the Sea. On hand to discuss the film was the composer of its musical score and current NYFA Filmmaking MFA student, Roque Baños.

    Originally from Spain, Roque is an acclaimed film composer whose credits include The Machinist, Sexy Beast, the 2013 remake of Evil Dead, Spike Lee’s Oldboy, and many award-winning films from Spain, including the 2004 hit El Crimen Ferpecto.

    Roque Baños

    Roque Baños

    Roque was trained as a jazz saxophonist and classical composer, and he brings an eclectic blend of styles to his film scores, making him a much sought after composer for filmmakers of all genres.

    In addition to mastering many musical genres, Roque doesn’t rely solely on traditional instruments for his scores. For In the Heart of the Sea, Roque created samples for his score by bringing the actual whaling ship from the film into the famed Abbey Road Studios in London and playing it like a percussion instrument.

    This willingness to work beyond the typical is what makes Roque’s scores so appealing and memorable. When the moderator, NYFA’s Dean of the College Sonny Calderon, asked Roque about his approach, Roque replied, “Music is all experimentation. You never know what could make your movie more powerful. The best thing to do is collaborate with someone, and experiment. Fifty percent of the movie is sound. You might have a good movie, but if you have the wrong music, your movie will be bad.”

    When Sonny asked how Roque was hired for the film, he explained that legendary composer Hans Zimmer (Batman v Superman, Interstellar, Sherlock Holmes, Pirates of the Caribbean) recommended him for the job. After meeting with Ron Howard, Roque was hired. This story illustrated the importance of having a network of collaborators who support you and your work.

    When a student asked what kind of language a director should use when working with a composer, Roque responded, “You have to say what you expect from the music, just as you do with any actor; it’s the same emotions.”

    Dean of the College, Sonny Calderon with Roque Baños

    NYFA’s Dean of the College Sonny Calderon with Roque Baños

    Finally, Roque explained that he wanted to earn an MFA in Filmmaking from New York Film Academy in order to better understand the entire filmmaking process. In this way, he said, his musical contributions to film can be even more effective.

    Roque’s latest work can be seen in the biblical epic Risen, starring Joseph Fiennes (Shakespeare in Love) and directed by Kevin Reynolds (Waterworld, The Count of Monte Cristo, Robin Hood: Prince of Thieves).

    We thank Roque for sharing his wisdom with our students, and wish him continued great success.

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