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  • New York Film Academy Acting Alum Adrian Voo Talks Teen Comedy “Little Bitches”

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    Not many of us wish that we could go back to high school, but for New York Film Academy (NYFA) Acting for Film Conservatory alumnus Adrian Voo, revisiting teen angst never looked better. This month, the world will see him co-star in Sony Pictures Home Entertainment’s “Little Bitches,” a raucous, R-rated teen comedy that will release digitally Jan. 23 on iTunes, Amazon, VUDU, Xfinity, Verizon Fios, Microsoft Store, Play Station and Google Play.  

    Born in Kuala Lumpur, Malaysia, Voo was bitten by the acting bug when he was a business major at San Francisco State University. Following his dream led him to NYFA Los Angeles campus for an intensive year of conservatory training before going on to snag mainstream attention in the Jason Biggs comedy “Amateur Night.” “Little Bitches” follows three former-best-friends-turned-frenemies who must find a way to make peace in their senior year of high school in what Sony Pictures describes as a “crazy, twisted, coming-of-age female-empowerment comedy.”

    The NYFA Blog had a chance to catch up with Voo to hear more about “Little Bitches,” what he loves about comedy, and what’s next.

    NYFA: First, can you tell us a little bit about yourself and what brought you to the New York Film Academy (NYFA)?

    AV: My love for film has spanned my lifetime but I had never really given acting much thought until my final year of business school. I was auditioning for plays and became fascinated with the craft. After receiving my BS, I decided to explore acting and searched for an intensive film school, and that’s when I found NYFA!

    NYFA: Do you have any favorite NYFA moments from your time studying with us?

    AV: One of my earliest childhood memories was being in absolute awe while on a tram tour at Universal Studios. So the first time we had an on-camera class on New York Street was a little “magical” for me.

    NYFA: Congratulations on your role in Sony Pictures’ “Little Bitches”! How did this project come about for you?

    AV: Thank you! Long story short, I was pitched to Scott Aversano (producer). I was so excited to hear that he was assembling a teen comedy, knowing his previous success with “That Awkward Moment” and “Orange County,” among many others. We had a good meeting and he brought me in to read for Nick Kreiss (writer/director).

    NYFA: You’ve had a great streak of working in some big comedies. For our students, what do you find the most challenging about intensive comedy work? How do you prepare?

    AV: I’ve found the most challenging part to be forgetting that it’s a comedy — and not trying to be funny! I think comedy works best when you trust the script (the writers) and find the dialogue rhythm. Once you have the rhythm, you can add improv for color.

    NYFA: You recently served as an executive producer of “Dear Dictator” with Michael Caine and Katie Holmes, as well as appearing in the film. Tell us about that process, and why you felt drawn to this story?

    AV: I had worked with the writer/director’s on “Amateur Night,” which was their true life story, so I was thrilled when they invited me to be a part of “Dear Dictator.” The script is so inspired (it was featured in the Black List in 2006). It’s a satire but, ultimately, a story about a non-conventional family. There’s some familiar film moments but it’s truly a film like no other…

    It was also a full circle moment to work with Michael Caine since I studied his “Acting in Film” book at NYFA!

    NYFA: Would you say your time at NYFA was at all useful in preparing for the work you’re doing now?

    AV: Very much so! When I first walked through the doors, I had a little stage experience and almost no formal training; I dreaded speaking with fellow actors whenever I was in productions because they used jargon that I had never heard of. NYFA instilled technique and discipline, and molded my process today. I’ve also become a strong proponent for hands-on training and found it to be an essential element.

    NYFA: What’s next for you? Any upcoming projects you can tell us about?

    AV: Let’s just say, for now it’s “Little Bitches” and “Dear Dictator” in March! I hope you guys will enjoy the films as much as we had making them. Cheers to everyone at NYFA!

    The New York Film Academy would like to congratulate Adrian Voo on his work in “Little Bitches,” and looks forward to seeing “Dear Dictator” soon!

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  • Behind the Scenes of “Spider-Man: Homecoming” With NYFA Alum & Digital Compositor Francesco Panzieri

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    FRAN EDITED IMAGE 2NYFA alumnus Francesco Panzieri has been busy since completing his studies at the New York Film Academy, with credits running the gamut from the realism of “Mad Men” to the visionary science fiction of “Star Wars: The Force Awakens.” Most recently, Panzieri has turned his hand as an in-house digital compositor with Marvel Studios for “Spider Man: Homecoming,” which opens July 7.

    “Spider Man: Homecoming” is the first installment of a new Spidey trilogy created through the first-time partnership between Marvel Studios and Sony Pictures.

    According to Panzieri, “Spider-Man: Homecoming” will stand apart due to its combination of great storytelling, and a focus on the superhero’s dual struggles to become an Avenger and survive high school.

    “I believe ‘Spider-Man: Homecoming’ balances in a very successful way two key-elements of Peter Parker’s life in this movie, which are his teenage life as a high-school student and the struggles of a superhero to become an Avenger,” explains Panzier. “I think that the high-school part makes the character extremely compelling because it gives the audience a shared point of view with Peter, since all of us have been through similar life moments.”

    Panzieri muses that films in the Marvel Cinematic Universe continue to attract audiences not only through their jaw-dropping visuals, but primarily through their great storytelling. “Write something good,” he says, “Something really good, that people can relate to, and then use visual effects to enhance your cinematic vision of that story.”

    FRAN EDITED 1

    NYFA 3D Animation alumnus Francesco Panzieri (right) pictured with actor Michael Mando (left), who plays Mac Gargan in “Spider-Man: Homecoming.”

    Along with a great story, Panzieri points to a new colorspace technology created by the Academy of Motion Picture Arts and Sciences called ACES (Academy Color Encoding System) as a vital ingredient to the look of “Spider-Man: Homecoming.” Panzieri says, “It was a cool experience for me to test it for the first time in my career and I look forward to ACES being the soon-standard-to-be on features, episodic and commercials.”

    He describes an atmosphere of camaraderie and excitement on set: “Since Sony Pictures owns the film rights to Spider-Man, the whole post-production process took place on the Sony Studios lot, in Culver City, California. Each morning, I got to walk by the original ‘Ghostbusters’ Ecto-1 car on my way to work, and that was a very stimulating and inspiring environment.”

    Screenshot 2017-07-06 08.40.30

    Panzieri pictured with the original “Ghostbusters” Ecto-1 car.

    “In the studio we had every day all the top-notch leadership team of Marvel Studios surrounding us,” Panzieri recalled. “While we were working on the visual effects for the feature film, they were focused on refining and improving editing and storytelling with the director. What surprised me in a truly unique and positive way, was seeing first-class executives such as the Marvel ones hard at work from dawn’s early lights until late at night. In those moments I realized the true strength and secret of Marvel Studios that deservedly brought them to be number one in the entertainment industry: the love and energy that they put into each and every production they make. Everyone who works at Marvel is an extremely genuine, passionate and dedicated fellow; it’s a huge, big family where there is a unique synergy between all the roles.

    Transitioning from film school to major blockbuster productions is entirely a matter of building relationships, according to Panzieri — and being prepared for high-skilled hard work.

    “My job, it’s all about networking,” Panzieri reveals. “So what happened is that a connection that I had from when I worked on ‘Star Wars’ had called me to work on Spider-Man.”

    Panzieri points to his training at the New York Film Academy as playing a valuable role in preparing him for his work: “I must say that the long hours of classes and lab at the NYFA were definitely an advantage to me on every project I worked on thus far … I can definitely say that the instantaneous hands-on environment I found myself in during my time at NYFA was a true testament to how you’ve got to be when working in Hollywood. Visual effects is art, technology and science at the same time, and as such you need to be really focused, dedicated and good at craftsmanship to keep up with its high quality demands you face in entertainment.”

    “Spider-Man: homecoming” is the first installment of a new Spider-Man trilogy created through a first-time collaboration between Sony Pictures and Marvel Studios. Box Office Pro has projected a box office opening of $135 million, which ScreenRant notes would make this the 6th largest opening out of 16 Marvel films.

     

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  • Sony Chair Michael Lynton Says Now is the Best Time to Make Movies

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    With Sony’s new Ghostbusters film coming out this Friday, the timing couldn’t have been any better to welcome Chair of Sony Pictures Entertainment, Michael Lynton, to the New York Film Academy’s Guest Speaker Series.

    michael lynton

    Lynton leads SPE’s global operations, including motion pictures, television and digital content production and distribution, as well as home entertainment acquisition and distribution, operation of studio facilities, and the development of new entertainment products, services and technologies.

    Under the leadership of Lynton, The Sony Motion Pictures Group has garnered Best Picture nominations for American Hustle, Captain Phillips, The Social Network, Moneyball and Zero Dark Thirty in addition to blockbuster franchises such as The Amazing Spider-Man and James Bond.

    Lynton also oversees Sony Pictures Television (SPT), which produces and distributes award-winning programs such as Breaking Bad, Justified, and The Blacklist.

    At the Q&A event, moderated by producer Tova Laiter, Lynton provided invaluable insight into the business, especially from a studio standpoint. His overall look on the current state of Hollywood and the business was very positive, especially for our theatre full of filmmakers and actors.

    michael lynton

    “I think the studio model at moment is in pretty good shape,” said Lynton. “We are hungrier than ever for talent and new projects. This is a better time than ever to get a movie made and seen.”

    Lynton says that more than anything, it is a persons hustle, wits, and ability to make things happen that gets them in the door and climbing the ladder faster than others. As for how to get started, he says, “Get a job any place you can on the outset. You want to get noticed very quickly.”

    As for our acting students in the audience, Lynton said, “Go out on auditions as often as you can and have a thick skin. And don’t be particular about your first few jobs.”

    After an hour conversation, students left the theatre motivated and felt very encouraged about the outlook on their future careers. We’d like to thank Mr. Lynton for taking the time out of his incredibly busy schedule to let our students and recent graduates pick his brain on the many subjects of the entertainment business.

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    July 13, 2016 • Filmmaking, Guest Speakers, Producing • Views: 5909

  • MFA Screenwriters Pitch Scripts to the Pro’s

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    Pitch Fest NYFA

    The graduating Sept 2012 MFA Screenwriters from New York Film Academy in Los Angeles had their Pitch Fest on Wednesday, March 5th, 2014, at the Andaz Hotel on the Sunset Strip. The Pitch Fest is run “ speed dating” style, where each student gets five minutes with every guest. Who were the guests? Over 18 companies were in attendance, including Paradigm, APA, Conaco, De Laurentiis Productions, Sony Pictures Entertainment, and many other management agencies and production companies.

    The students pitched their thesis scripts, which they had been working on for 16 weeks until they were professionally polished and ready to sell.

    The response from the guests was amazing. “One of the best pitch events I’ve ever been to,” Scott Stoops, Paradigm.

    “Better than AFI’s Pitch Showcase,” Jarrod Murray, Epicenter.

    The event was so successful that every student received at least two requests for their script. Don’t be surprised to see some NYFA graduates’ credits on the big screen soon!

    pitchfest
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    March 13, 2014 • Community Highlights, Screenwriting • Views: 4999