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  • New York Film Academy Returns to South Africa

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    cape-town-south-africa

    Once again the New York Film Academy couldn’t resist another trip to South Africa! We are never disappointed and we’re always anxious to get back. Not to mention the overall enthusiasm South Africans have for the arts and the New York Film Academy.

    If you are interested in finding out more about NYFA or would like an audition, check below to see when we’ll be in your area.

     

    JOHANNESBURG

    Auditions for partial Talent Based Scholarship to the Acting and Musical Theatre programs

    AND

    Portfolio reviews for partial scholarship to Filmmaking, Photography, Cinematography, Documentary, Game Design, 3D Animation, Broadcast Journalism, Screenwriting, and Producing programs

    WHEN: Tuesday, September 10th, 2013

    WHERE: Johannesburg (Kempton Park)

    TIME: 13:00-15:00

    ——————-

    Open House and General Information Session for All New York Film Academy programs

    WHEN: Thursday, September 12th, 2013

    WHERE: Johannesburg (Kempton Park)

    TO RSVP: You must email southafrica@nyfa.edu 

    —————–

    CAPE TOWN

    Auditions for partial Talent Based Scholarship to the Acting and Musical Theatre programs

    AND

    New York Film Academy portfolio reviews for partial scholarship to Filmmaking, Photography, Cinematography, Documentary, Game Design, 3D Animation, Broadcast Journalism, Screenwriting, and Producing

    WHEN: Tuesday, September 17th, 2013

    WHERE: Cape Town

    TIME: 13:00-15:00
    —————–

    Open House and General Information Session for All New York Film programs

    WHEN: Wednesday, September 18th, 2013

    WHERE: Cape Town

    TO RSVP for this or any event, please email southafrica@nyfa.edu

     

    READ CAREFULLY BEFORE YOU RSVP

    1. Portfolio Reviews consist of a panel review of two pieces of creative work pertaining to your desired field of study. Reviews are for partial scholarship to our *full time Filmmaking, Photography, Cinematography, Documentary, Game Design, 3D Animation, Broadcast Journalism, Screenwriting, and Producing programs.
    2. Auditions are for partial scholarship to our *full time Acting or Musical Theatre programs.
    3. MUSICAL THEATRE AUDITION: Consists of a 60-90 second monologue from a published contemporary American play or screenplay, and two contrasting musical theatre songs with music backing.
    4. ACTING AUDITION: Consists of 2 contemporary, contrasting monologues of approximately 60- 90 seconds per monologue.
    5. Information session/Open House: A detailed overview of all the programs NYFA has to offer.
    6. *Full Time = 1 Year or longer
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    August 13, 2013 • Academic Programs, Road Show • Views: 14120

  • NYFA Returning to South Africa

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    South-Africa-Cape-Town

    The New York Film Academy is thrilled to return to South Africa this April and May! We’re never disappointed in the talent and enthusiasm that the country has to offer. So, if you’re interested in learning more about NYFA’s hands-on intensive programs and you live in the area, you will not want to miss this event!

    Check out the schedule below to see when and where exactly we’ll be in your area.

    Private Auditions for Acting and Musical Theatre Programs

    When: Sunday, April 28th 2013
    Where: Johannesburg, South Africa

    You must contact Blake Babbitt at Blake@nyfa.edu to confirm time slot, instructions, and location.

    NYFA Information Session (Information for all NYFA programs)
    When: Sunday, April 28th
    Where: Johannesburg, South Africa
    Location: Mannah Lodge- 39 Pomona Road, Pomona, Kempton Park
    Time: Info Session Starts Promptly at 3:00 PM or 15:00

    Private Auditions for Acting and Musical Theatre Programs
    When: Friday, May 3rd 2013
    Where: Cape Town, South Africa

    You must contact Blake Babbitt at Blake@nyfa.edu to confirm time slot, instructions, and location

    NYFA Information Session (Information for all NYFA programs) 
    When: Friday, May 3rd 2013
    Where: Cape Town, South Africa
    Location: Lagoon Beach Hotel –  Milnerton, Cape Town, Western Cape, South Africa
    Time: Info Session Starts Promptly at 5:00 PM or 17:00
    Please RSVP to all South Africa events by emailing, Blake Babbitt- blake@nyfa.edu.
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    April 1, 2013 • Study Abroad • Views: 5472

  • Actors Can Never Stop Learning

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    After dreaming of studying acting in New York for ten years, South African native, Donnalee Roberts made her dreams come true with New York Film Academy’s 8 Week Acting for Film workshop. However, Donnalee came to NYFA with an already blossoming career in acting and filmmaking back at home. Roberts is a regular on the popular South African soap, 7de Laan, where she plays the vibrant young waitress, Annelie. “It is amazing to play this part,” said Donnalee. “A lot of young girls can relate to the character.”

    In addition to her work on the popular television show, Donnalee will star in the feature film, Klein Karoo. The film plays off the central location of the South African town, Klein Karoo. Landing the role was another dream of Donnalee’s, rewarding her the opportunity to work with a director she’s always admired and respected. Though, she wasn’t always lucky in her career. Donnalee spoke about perseverance and maintaining a positive attitude in the highly competitive field of acting. “You can go on 100 auditions and never get the part. It just means the part wasn’t meant for you, but don’t give up.”

    Next, Donnalee will be playing the lead in a new romantic comedy, Pad na jou HART (Road to Your Heart), which she co-wrote and is co-producing. “I’m very excited about where the South African film industry is going.”

    Aside from her passionate acting and filmmaking work, Donnalee is heavily involved with a charity called Children of Fire. The charity aids young burn victims in South Africa. For more information on how you can help in this cause visit their website: http://www.firechildren.org.

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  • The Art of Impact with James Lecesne

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    James Lecesne is an Academy award winning filmmaker, teacher, and philanthropist. It’s been an exciting time for James with a Tony nomination for The Best Man and soon after that receiving the role of Dick Jensen opposite James Earl Jones and Angela Lansbury. However, we especially commend James on the release of his book The Letter Q, a passion project conceived to inspire the youth of America and to raise proceeds for The Trevor Project which he had founded in 1998. We had a chance to speak with James about his inspiration for the book and his teaching at the New York Film Academy. He also shared key insights into the craft of storytelling and how the industry landscape has changed for LGBTQ artists. Don’t forget to get connected with Mr. Lecesne on Twitter and learn about his impact in the arts.

    What was the inspiration for The Letter Q? You’ve already contributed so much to LGBTQ youth, and this book seems to be a continuation of your work with the Trevor Project. 

    Two years ago Dan Savage launched the phenomenally successful It Gets Better Project as a way of spreading the word to young LGBT and Questioning young people that the Trevor Project is there for them 24/7. As the only nationwide suicide prevention and crisis intervention helpline for LGBTQ youth, our organization receives over 30,000 calls a year. Not all of them are rescue calls, but each call establishes a life-to-life connection with a young person who is asking important questions. We provide an ear to listen and the encouragement to be who you are. The idea for the The Letter Q came from Sarah Moon, my co-editor. When she was a teenager, she was lucky enough to be surrounded by adults who shared their stories and their wisdom with her – sometimes in the form of letters, and as she says, “It didn’t seem quite fair to me that I should have been the only teenager to get wonderful letters to carry around.” Soon after coming up with the idea, Sarah approached me about not only writing a letter to my younger self, but also donating a portion of the royalties from the sale of the book to the Trevor Project. Together we compiled a wish-list of authors and began to write to them, ask them, stalk them. The book seemed to fit so perfectly with my own desire around that time to provide young people with tools to help them get through their difficult years. We had been exploring ways to help young people “make it better” right now. And the minute Sarah proposed the idea for the book, I knew we were on our way.

    Has your teaching at NYFA helped inspire your work in some way? Reading the bio on your website, teaching plays a strong role in your career. What are the most important lessons you impart to your students who aspire to make it in film and theatre industries? Have students ever surprised you with their insights in the art and craft of telling stories?

    Teaching is a way to not only give back some of what I’ve learned, but also a way for me to continue learning about story. Storytelling, in any form, is hard work; it requires honesty, courage, craft and above all determination. But it can also be a mysterious and mystical experience, a means to enlarge and enlighten not only the storyteller, but the audience as well. For each of us, it happens differently, the idea comes in the form of a hunch, a worry, an inkling a fear, or sometimes as a fully formed brainstorm; but however it happens it always arises out of something that we happen to believe. We might not be able to articulate what it is exactly, but something in us knows, something in us feels for a truth that we need to prove beyond a shadow of a doubt.

    James as featured in the New Yorker.

    Stories are the blueprints of our passions told in code, the urge of something within our selves that is itching for resolve, the reliable and readable map of our beliefs. Leif Finkel, a professor of bioengineering at UPenn, once wrote: “Our cortex makes up stories about the world and softly hums them to us to keep us from getting scared at night.” I’m no professor of bioengineering, but I heartily agree. Of course, a good story does more than that. Stories hum not only for ourselves, but for our audience as well; their song transforms the muddled and often conflicted experiences of living in this troubled world into something valuable and enduring for us all; they are the means by which we can pass our wisdom along to future generations. The results are always surprising, or at least they should be.

    What are your thoughts on representation in the media regarding the struggles that independent filmmakers face as sexual minorities? How do you see the industry landscape for LGBTQ artists? Has it changed at all since you started as a young artist compared to the present day?

    When I was a teenager, the world was a very different place. I grew up without ever hearing the word homosexual spoken, I didn’t know a single gay person, there were no role models to whom I could look for encouragement or guidance. One of the great accomplishments of the LGBTQ community is this idea that we are not just here for ourselves. We have a responsibility to pass along our history and our pride to the next generation. Young people who are struggling and coming up in the world should not have to figure this out by themselves. Of course, there is still a ways to go in terms of achieving equality. Look to places like Uganda, South Africa, Russia, and Iran. Or right here at home to see what happens to certain people when they express themselves fully. But as Kate Millet, the revolutionary feminist recently pointed out —- gays and lesbians have achieved so much in a matter of mere decades, while women have been struggling for centuries to change things. To hear the President of the United States declare that the love of gays and lesbians is equal to that of their fellow (heterosexual) citizens, is certainly proof to me that the world is changing. More change is possible — and needed.  And I believe that by encouraging people to tell their stories, teaching them how to do it in the most exciting and engaging way, it will make for a better world.

    James with Daniel Radcliffe for The Trevor Project.

    To learn more about the Documentary Filmmaking program at the New York Film Academy, click here.

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    June 11, 2012 • Community Highlights, Documentary Filmmaking • Views: 4863