universal studios
Posts

  • New York Film Academy’s Alumni Spotlight: Jesse Bernal

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    Jesse Bernal

    Acting for Film graduate Jesse Bernal is one of many military veterans who chose to attend New York Film Academy after leaving the military. The San Antonio native followed in the footsteps of his father and other brother who both served their country. Jesse spent 7 years in the US Air Force, working as a calibration technician and electronics specialist. His service took him to New Mexico, South Korea, and South Carolina.

    Though Jesse had started taking some acting classes while serving in the military, and booked some television roles (including Lifetime’s Army Wives, and the film The New Daughter with Kevin Costner), he decided to attend New York Film Academy at Universal Studios to further develop his talent.

    “The GI Bill paid my full tuition and living expenses. Without having to worry about [the money], I was able to put my best foot forward,” he explained. “The military gave me structure and helped me with time management. When we were doing scenes, I would think that it’s not just working, but working with my team.”

    Jesse landed a manager after participating in an actors’ showcase put on by New York Film Academy. Soon after his graduation in June 2011, he booked a role in a promo for HBO’s Real Time With Bill Maher. He also joined the staff of the New York Film Academy to stay busy between auditions and performances. “Everyone on the staff believes in me and my talent,” says Jesse. He adds, “It’s amazing to see new students as they come in. I get to see their passion. It’s uplifting.” He also thanks his family for their support and inspiration.

    You can catch Jesse in a starring role in A Few Good Men at the Sky Lounge in the North Hollywood Arts District. The play was written by Aaron Sorkin, who later adapted the script for the film. The production with Rise Above Theatre Movement has just been extended and runs through April 22. In between work and evening performances, Jesse also squeezed in a modeling job for a national print advertising campaign. He is also producing a short film called The Secretary, a slapstick comedy about a couple and their infidelities. He is gearing up to direct a stage production of Reasons to be Pretty at the end of the summer.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    April 4, 2012 • Acting, Diversity, Student & Alumni Spotlights, Veterans • Views: 4637

  • New York Film Academy’s Student Spotlight: Paris Bauldwin on Cannes and Eric Roberts

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    Paris Bauldwin and Eric Roberts

    MFA Film student Paris Bauldwin recently finished her thesis film, Chrysalis. The film centers on Abigail Hunter, a struggling waitress with little direction in her life, aside from drugs. Her aimless drift is disrupted when a young runaway shows up, claiming to be her daughter. The girl’s search for family and affection interrupts Abigail’s free fall, and the two decide to define family on their own terms. It features veteran actor Eric Roberts.

    “He’d had issues with addiction in the past and was really honest about it. I wrote a letter and sent it to his team. He and his wife made [the process] really easy. They invited me to their home. He is one of the coolest people I’ve ever met.”

    On a recent visit to New York Film Academy at Universal Studios, Roberts spoke glowingly about working with Bauldwin, saying “Paris is a real director, guys. Really.” He joked, “She is also very… kind in her manipulation.”

    Paris recently published her first book, Fragments of Addiction, co-written with her father. “It’s always been something I’ve been passionate about — helping people with addiction” she says. “I grew up around addiction. I knew all the characters really well. They were my sisters and brothers.”

    Paris also recently completed a short film called Looking for Liana that was accepted to the Cannes Short Film Corner. She is excited to visit Europe first time, and participate in her first major festival. She credits New York Film Academy for giving her the education she needs for her film to succeed, saying, “To have support from people who have already done it was really amazing. Ultimately, I don’t think I would be able to complete this project anywhere else.”

    Paris has plans to take Chrysalis on the film festival circuit, as well as fundraising for the next feature film she is producing. Of her hectic schedule, Paris says, “Sleep is secondary. I’m on the right track.”

    Eric Roberts at NYFA

    Paris Bauldwin at NYFA

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    April 3, 2012 • #WomenOfNYFA, Filmmaking, Student & Alumni Spotlights • Views: 4756

  • New York Film Academy’s Alumni Spotlight: Marshall Lewy

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    Marshall LewyWriter/director Marshall Lewy is riding the success of his film California Solo that was an Official Selection at this year’s Sundance Film Festival. Writing for the Huffington Post, film critic Marshall Fine described it as “a touching drama… that gives that marvelous actor Robert Carlyle a great character part into which he can sink his teeth.” Total Film said, “An unexpected gem, Solo features a stunning central performance from Carlyle – perhaps his best since Trainspotting’s Begbie – and don’t be surprised if this turns up during the 2013 awards season.”

    “It’s about a British ex-rocker living in California who had some immigration trouble,” Marshall explained. “Robert Carlyle has a lot of friends who were like that. He knew a lot of those guys and really connected to the story. It was my dream to have him in it…. He’s a very generous actor…. I relied on him to bring a lot to the character, and he did, and so much more.” The film also features Danny Masterson and Alexia Rasmussen. Marshall, who graduated a short-term filmmaking program at New York Film Academy and now teaches at the Universal Studios campus, also wrote and directed the 2007 romantic comedy Blue State, starring Breckin Meyer and Anna Paquin. California Solo is his follow up film, which premiered earlier this year at the Sundance Film Festival.

    “[Sundance] is a pretty amazing place to premiere a film,” says Marshall. “I had been before but never with a movie. It’s fun to hear the reaction of such film-loving crowds.” His wife surprised him, showing up to Sundance with their 1-month-old daughter, Beatrice, who joined him on stage to introduce the film. “I got to introduce my two babies! I like to tell people that I spent 2011 pregnant with two babies,” he joked.

    Marshall attended New York Film Academy’s NYC campus in 1998. He recalls, “It was my first time with a film camera…. It was my first immersion in shooting. It was something I always wanted to do and it was a really great experience.”

    He went on to get his MFA from Columbia and began teaching at New York Film Academy in 2008. Of his teaching, he says, “Students can be really inspiring. It’s really fun to go into a classroom and talk about ideas and the most basic elements of filmmaking. It reminds me what’s really important about the craft of it.”

    In addition to teaching classes in directing, screenwriting, and directing for actors, Marshall is currently working with Peter Sarsgaard on an adaptation of the book Born to Run. He is also starting production on a film he wrote called Exodus, writing the screenplay for a project called Santiago, and pitching a TV show.

    California Solo will be playing festivals in Nashville, Cleveland, and Philadelphia in the next couple weeks, and Marshall’s team is in the process of closing a U.S. distribution deal. You can keep up-to-date on the film’s news by visiting the Facebook page.

    California Solo

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    March 28, 2012 • Filmmaking, Student & Alumni Spotlights • Views: 4919

  • New York Film Academy’s Student Spotlight: Ana Paula Manzato

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    Ana Paula ManzatoAs we mentioned before, New York Film Academy is proud to be in lovely Rio de Janeiro. Throughout the week we’re showcasing our wonderful NYFA Brazilian students. Today we spoke with Ana Paula Manzato to catch up on her experience thus far at our Universal Studios, Los Angeles campus.

    How did you find out about NYFA?

    I first found out about NYFA on the internet and looked further to learn more about it at the STB (Student Travel Bureau) in Brazil. Then, I e-mailed NYFA with my inquiries and got the information that I needed.

    What attracted you to NYFA?
    The school structure, the location, the talks that the school offers the students, and I found Gabby Egito’s blog on the internet with plenty of information about the school. Some pictures that drew my attention to the school even more.

    What was your journey to NYFA from Brazil? What is your story?
    I studied Advertising and Marketing in Brazil and participated in so me activities and projects at the university. I took part in the production of a video clip that won three awards, including best picture. Since then I have been interested in film, photography, and production.

    What has been your NYFA experience?
    My journey has been intense and excellent! We learn all about the production of a film, from inserting a roll of film into the camera, up to its final edition. We produce our own films, screenplays, and cast our actors. The teachers are great, attentive and always willing to help us.

    To people in Brazil who want to come to NYFA, do you have any advice?
    If you want to learn more about filmmaking, NYFA is the right place. With outstanding structure and excellent teachers, we can really learn all there is to know about filmmaking. You learn something new every day and you are in close contact with different cultures and people.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail
  • NYC vs LA: Which NYFA campus is right for me?

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    VS

    A question we hear often from prospective NYFA students is “which location is right for me?” The decision between attending the New York Film Academy at Universal Studios in Los Angeles, California or in New York City is one of the most common hang-ups applicants face. The curriculum and tuition at both campuses is identical. The real difference is life in the city.

    Transportation, climate, location accessibility and living space are the biggest differences between Los Angeles and New York.

    An empowering aspect of New York City life is the public transportation. There is no need to own a car in New York, and all five boroughs, (Manhattan, Brooklyn, Queens, the Bronx and Staten Island), are accessible with your metro card. New Jersey and Long Island are also just a train ride away. The trains run 24/7, and though there are sometimes service change surprises, the entire city is more or less accessible at all times. Los Angeles, on the other hand, requires a car, especially if you plan to pursue a long-term program in the city. In order to scout locations, transfer crew and equipment or just to go out on the town, it is necessary to drive in LA. However, once you have a car in the city, the possibilities for filming locations open up enormously.

    While New York has a huge offering of scenes to shoot – parks, city streets, river views, beach side carnivals in Coney Island and neighborhoods that vary from fancy Upper East Side digs to stoop culture in Brooklyn – city shots definitely out-number outdoor locations, and you should still expect to construct a lot of your sets indoors. Los Angeles allows for variety of natural scenes and open spaces and, of course, the versatility of the Universal Studios Backlots. Along with the urban and suburban environments in and around LA, mountains, hills and beaches, students have the privilege of filming on the active backlots in Universal Studios. The ability to recreate any environment in the studios is extremely useful, and waving at buses full of tourists as the Universal Backlot Tour trams drive by is also a perk of the location.

    In the way of climate, the difference is very simple: New York has seasons, Los Angeles does not. Living in New York, you will experience our lovely fall foliage and beautiful spring blooms, but they go hand in hand with one season of snowfall and another of oftentimes muggy heat. In Los Angeles, the weather stays warm and sunny for pretty much the entire year, but while LA’s one season is very pleasant, the unchanging climate can be a little claustrophobic for some. New York has wonderfully well-rounded weather, but you must be willing to deal with frigid January and blazing August.

    Cost also factors in heavily when students make their campus location decision. It’s difficult to gage overall cost of living for each city, as everyone has their own habits and lifestyles, but we’ll do it anyway: The general cost of living in New York City is higher than living in Los Angeles, but that goes without factoring in the cost of owning a vehicle. Maintaining a car and paying for gas and insurance can easily push the price of living in LA to the same level as New York while an $89 per month Metrocard puts all of New York at your fingertips.

    One of the most important differences between attending the New York Film Academy in New York City versus going to school in Los Angeles is your place of residence. In New York City, NYFA manages dorms for students, and accommodations can be arranged through the housing department. There are no NYFA-run dorms in Los Angeles; however, NYFA also has a relationship with a gated community across the street from the campus that will offer students housing at a discount. NYFA also maintains a roommate list where students may be put in touch with each other. In turn, independent housing is more difficult to find in NYC. Students need to be able to prove they can produce each month’s rent or provide a co-signer who can, and due to New York’s competitive housing market and rapid turn-over, renters also can’t start the housing search more than 30 days before move-in while the LA housing market moves at a more normal speed.

    While discussing your film and acting future, we certainly cannot neglect to talk about the importance of making industry connections. The film and television industries in NYC and LA are both enormously important and differ greatly in their style of production. While far more studio movies are filmed in Los Angeles, New York plays home to more television work, and it’s independent film scene is sizable. After you become familiar with each city by scouting locations and negotiating permission to shoot, your career options will open up significantly. For long-term programs, the Master degree and the 3-Year Intensive Bachelor degree, the New York Film Academy already strongly recommends or requires that students spend at least a year studying in each city.

    When you take time out of your busy NYFA schedule to explore outside activities, both cities can keep a person very entertained. Contrary to popular belief, neither New York nor LA boasts an entirely exclusive nightlife environment. They are both big cities, and there is something there for everyone. It should be noted that the majority of film premieres happen in LA, and there are unsurprisingly more opportunities for exposure to Hollywood lifestyle, but New York City boasts a truly huge diversity of film, television and other cultural social events that will be just as enlightening to a film student or actor.

    We hope that answers some of your questions concerning NYFA life in New York City or Los Angeles. Remember, there are great things about both cities – either way, you’ll find your place in NYC or LA while studying film and acting with us.

    Facebooktwittergoogle_plusredditpinterestlinkedinmail

    June 15, 2010 • Acting • Views: 7449