Being an actor in New York City (where a constant score is playing) can feel overwhelming for musical theatre performers and actors who need to warm up for their next auditions. While rushing from point A to point B, you may feel self-conscious about exposing your skills or making more noise in an environment that you feel doesn’t allow it. Wrong! No need to feel obligated to book a studio or a room to warm up. Why? Outside, whether on the busy streets of Manhattan or in a quieter borough, whether waiting for your train or commuting in your car, there are acting exercises you can do anywhere. We’ve rounded up some exercises that can help you get the most out of your time by keeping you in shape and warmed up.
Check out these acting exercises that you can do anywhere!
On your way to the subway, put on some headphones and listen to your favorite music for some lip trills. You don’t even have to stop walking! Simply relax your face muscles and exhale softly through your lips to the beat and tune of your music, letting your lips vibrate and buzz. Fun, right?
All actors and singers know how important it is to be fully relaxed and breathing at all times, and lip trills help you bring that awareness and sensation to your face, lips, mouth, and throat. This easy exercise could become your favorite, and you may just find yourself doing lip trills everywhere. Perfect!
That’s right — a simple yawn is an important vocal warm-up!
After your lip trills, open your mouth wide, imagining that your skull is split in two, lifting your back palate, and yawn once or twice. If more yawning happens naturally, let it come and don’t hold back! Yawning and finishing on an “E” is fun and very relaxing, and a great way to relax your muscles and reset your energy before an audition.
As you know, the New York Film Academy is a unique school that gathers artists from all continents in our world together to learn and create. So celebrate that international diversity in your warm up.
For this tongue twister, make your job easy and fun by doing two tongue twisters in your native language (if you’re an international student) or a friend’s language, and then finish on three English-language versions. You can find some great ones in Speak with Distinction by Edith Skinner.
Whatever language you’re speaking, do your tongue twisters very slowly at first. Articulate carefully to place your tongue and voice properly and, most importantly, to feel the placement of your voice.
Don’t force it! Our muscles have to awaken gently. If you can do your tongue twisters fast, fantastic, but the speed doesn’t matter. The point is to stretch your mouth muscles, wake up your articulators, and find the vibration of your voice. After all, you’ll need them for your monologue or song at your audition.
Here’s an acting warm-up that you can do literally anywhere. Close your mouth, smile without showing your teeth, and hum any song you know — all the way through. If you have time, hum another song or two, and have fun!
If you are a singer, you will know if there is a certain part of your voice you’ll need to focus on warming up for your song or monologue. If you are about to sing from your head, your chest, or your mask, warm that specific part accordingly by placing your hand there while humming. Use your humming to tell your brain that that placement has to wake up so it will be ready during your audition.
Take it easy and be kind to your instrument.
A very important and often-overlooked step in preparing your instrument to perform is staying hydrated! Lots will move as you wake up your instrument with these exercises, so be sure to have a sip of water handy when you need it.
Try to work through these exercises at least three times a week. Used consistently, these tools can help you unlock a deeper understanding of your craft and, most importantly, your technique. With time, you will adapt these exercises and find new ones too — and maybe create some of your own. Who knows?