Author: Jack Picone

6 Environmental Documentaries to Watch on Earth Day

For nearly fifty years, Earth Day has been celebrated worldwide to demonstrate a commitment to environmental protection. Originally, environmental issues ranged from cleaning up air pollution and acid rain to safety oversight over fossil fuel companies. The last few years has seen more of a concern of global climate change and the wide-ranging effects warming and acidifying oceans will have on both weather and sociopolitical dynamics around the world.

Environmental topics have been the focus of countless films, including narrative disaster films like Waterworld and The Day After Tomorrow, which sees the world overtaken by everything from giant tornados to tsunamis that freeze over. Even Pixar film WALL-E features a garbage-covered Earth that is no longer habitable to life.

Perhaps the most interesting environmental films of all are the true ones though—documentaries that portray the delicate balance of natural life on the planet, and all the ways society can upset that balance.

Here are just a few documentaries you can check out this Earth Day:

The 11th Hour

Directed by Leila Conners Petersen and Nadia Conners, The 11th Hour gained a lot of buzz when it was realized for its association with producer, co-writer, narrator, and creator of the film—Hollywood megastar and noted environmentalist Leonardo DiCaprio. The 2007 film interviews a murderer’s row of scientists, politicians, and activists, and places a focus on the myriad problems that pose dangerous threats to the planet, while offering possible solutions that are just as varied in their strategy.

Our Planet

The high profile docuseries Our Planet is Netflix’s own take on the Planet Earth series—Netflix went as far as working with Planet Earth producers Alastair Fothergill and Keith Scholey, and hiring David Attenborough to narrate this series as well. Each of the eight episodes of the series focuses on a specific part of the planet, from seas to deserts to forests and everything in between. The docuseries has become event television this spring, with an early Hollywood screening in February moderated by NYFA Acting for Film alum Lana Condor giving Our Planet some early buzz.

Everything’s Cool

Everything’s Cool was directed by Dan Gold and Judith Helfand and was first shown at Sundance in 2007. Unlike many other environmental films, the documentary focuses more on the politics and public perception of climate change, rather than the science behind it. This important angle is especially key at a time when the world’s scientists have come to a consensus that action needs to be taken to prepare and respond to climate change, while the laws and practices of nations and private corporations have yet to catch up.

Gasland

The 2010 film Gasland was directed by Josh Fox and showcased harrowing footage of local families dealing with the disastrous effects of corporate fracking—the process of stimulating natural gas production by injecting the ground with copious amounts of liquid chemicals. The film made fracking a hot button issue to this day, and brought to light some of the shocking side effects of the drilling method, such as water coming out of kitchen sink taps that could be lit on fire with a match.

An Inconvenient Truth

The 2006 documentary An Inconvenient Truth helped kickstart the latest wave of environmental activism, as well as a slew of environmental documentaries that followed in its wake. Based around a slideshow given by former Vice President and environmentalist Al Gore, the film focuses on carbon dioxide’s effect on climate change, and won two Academy Awards for its efforts—Best Documentary Feature and Best Original Song.

Koyaanisqatsi

Koyaanisqatsi is an experimental film directed by Godfrey Reggio from 1982, with a score by Philip Glass and cinematography by Ron Fricke, who mostly used slow motion and time-lapse footage of both urban areas and natural landscapes. The avant garde film is very much open for interpretation, allowing its viewers to lose themselves in its sometimes haunting imagery and music. While nothing is told outright to the audience, the relationship between humanity, technology, and nature is clearly the focus of the film, raising questions about how these connections affect the world around us and will affect the world around us for decades to come.

With every passing Earth Day, these questions are becoming more important than ever.

New York Film Academy (NYFA) Remembers The Life and Achievements of Cult Filmmaker Larry Cohen

Screenwriter, producer, and director Larry Cohen, a filmmaker with a passionate and loyal fanbase, has passed away at the age of 82 (his birth year has often been reported as 1941, but his family and census records confirmed that this is incorrect, as reported in the New York Times). Cohen, whose career in film spanned several decades, was best known for his unique work in the B-movie genre scene.

Cohen was born and raised in New York City before going to film school. He had a particular passion for noir films, as well as the work of Casablanca director Michael Curtiz. He turned the former into a career in the late 1950s and 1960s, writing for crime television shows like The Defenders and The Fugitive, and later in the 1970s writing for Colombo.

It wasn’t long before Cohen pivoted to more genre fare, creating the NBC Western series Branded in 1965 and the sci-fi ABC series The Invaders in 1967. He began writing films during this period as well, including the sequel to The Magnificent Seven.

His directorial debut was the 1972 crime comedy Bone, starring Yaphet Kotto, which Cohen also wrote and produced. Two years later Cohen made It’s Alive, a horror film about a killer mutant baby, which was eventually a modest hit. The film was scored by frequent Hitchcock-collaborator Bernard Hermann and its pharmaceuticals-adjacent story showcased a career characteristic of Cohen to incorporate social commentary into his B-movie horror. The film spawned two sequels and a 2009 reboot.

His genre films also typically included police and crime elements to them, including 1976’s God Told Me To. In the 1980s, Cohen built a reputation for producing, directing, and writing low-budget horror films with a cult following. 1982’s Q: The Winged Serpent featured a giant monster flying around midtown Manhattan while also focusing on two detectives following a multiple homicide case.

Cohen’s best-known film, The Stuff, came out shortly after, in 1985. The film includes a killer alien substance that the general public became addicted to, and included social commentary on consumerism, advertising, and the tobacco industry. Despite its over-the-top premise, the film is still regarded as one of the best low-budget horror films of the 20th century.

Cohen continued to write and direct for the next few decades, including the Maniac Cop films; Joel Schumacher’s Phone Booth, starring Colin Farrell and Forest Whitaker; and Cellular, starring Kim Basinger, Chris Evans, and Jason Statham. In 2006, he was invited to participate in the TV anthology series Masters of Horror along with other notable filmmakers like John Carpenter, Wes Craven, David Cronenberg, Joe Dante, Dario Argento, James Gunn, Robert Rodriguez, and Guillermo del Toro.

In 2017, Cohen participated in a documentary that profiled his career, King Cohen: The Wild World of Filmmaker Larry Cohen, which featured actors and filmmakers including Martin Scorsese, J.J. Abrams, and John Landis. The film recently screened at New York Film Academy-Los Angeles along with a Q&A panel with the filmmakers. Cohen was scheduled to appear but was ultimately unable to attend; he lamentably passed away two days later.

After news of Cohen’s death became public, there was an outpouring of praise for him on social media by both his peers and by filmmakers who cite him as an influence in their own work, including Guillermo del Toro, Edgar Wright, and Joe Dante.

The New York Film Academy is deeply saddened by the loss of an auteur filmmaker who carried both a respect and a passion for his craft. Rest in peace, Larry Cohen.

 

2019 Oscars: Best Actor and Actress in a Supporting Role Nominees

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy (NYFA) takes a closer look at this year’s Academy Award nominees for Best Actor and Actress in a Supporting Role:

Best Actor and Actress in a Supporting Role

Mahershala Ali, Green Book

Mahershala Ali appeared as a regular on the television series Crossing Jordan, Threat Matrix, and The 4400 before pivoting to films with The Curious Case of Benjamin Button, Predators, and The Place Beyond the Pines. He has still acted in many high profile television series roles since, including House of Cards, Luke Cage, Treme, Alphas, and True Detective. This is his second nomination; he previously won in this category for Moonlight in 2017.

Adam Driver, BlacKkKlansman

Adam Driver came to fame for his supporting role in HBO’s Girls, around the same time he appeared in Clint Eastwood’s J. Edgar and Steven Spielberg’s Lincoln. The NYFA guest speaker became a Hollywood superstar after being cast as Kylo Ren in Star Wars: The Force Awakens. Additional credits with high-profile directors include Paterson, Inside Llewyn Davis, Midnight Special, Logan Lucky, Frances Ha, The Man Who Killed Don Quixote, and Silence. This is his first Oscar nomination.

Sam Elliott, A Star Is Born

This is the first Oscar nomination for Sam Elliott, despite the actor having appeared in countless roles since his film debut in Butch Cassidy and the Sundance Kid. Just a few of his credits include Road House, Mask, Gettysburg, Tombstone, The Golden Compass, Hulk, Thank You for Smoking, and his iconic role as The Stranger in The Big Lebowski. His television credits are not sparse, either—he’s appeared as a regular or recurring character on Justified, Mission: Impossible, Grace and Frankie, and currently stars on Netflix’s The Ranch.

Richard E. Grant, Can You Ever Forgive Me?

Richard E. Grant has been appearing in films for over three decades with credits including L.A. Story, Henry & June, The Player, Bram Stoker’s Dracula, The Age of Innocence, Spice World, Gosford Park, and Corpse Bride. He has been taking on more high-profile roles of late, including roles in Logan, Doctor Who, The Nutcracker and the Four Realms, Game of Thrones, Downton Abbey, and the upcoming Star Wars: Episode IX. This is his first Oscar nomination.

Sam Rockwell, Vice

Sam Rockwell has been acting since the late 1980s, slowly gaining recognition and prominence through a series of roles in films including Teenage Mutant Ninja Turtles, Lawn Dogs, The Green Mile, and A Midsummer Night’s Dream. His supporting role in Galaxy Quest and starring role in George Clooney’s Confessions of a Dangerous Mind helped certify Rockwell as a household name, and he’s since appeared in The Hitchhiker’s Guide to the Galaxy, Matchstick Men, Iron Man 2, Seven Psychopaths, and The Assassination of Jesse James by the Coward Robert Ford. This is his second Oscar nomination; he won in the same category last year for Three Billboards Outside Ebbing, Missouri.

Best Actor and Actress in a Supporting Role

Amy Adams, Vice

This is the sixth Oscar nomination for Amy Adams, though she hasn’t yet won the award. The Academy first recognized Adams for her supporting role in 2005’s Junebug. She received nominations in the same category for Doubt, The Fighter, and The Master. Her sole nomination for Best Performance by an Actress in a Leading Role came in 2014 for American Hustle.

Marina de Tavira, Roma

Roma has brought international recognition to Mexican actress Marina de Tavira, whose credits include Efectos secundarios, Los árboles mueren de pie, and Sexo y otros secretos. This is her first Oscar nomination; she was previously nominated by Mexican Cinema Journalists for Efectos secundarios and Los árboles mueren de pie, as well as for Roma at the Latino Entertainment Journalists Association Awards.

Regina King, If Beale Street Could Talk

Regina King first got her start as a teenager on the hit sitcom 227. Since then she’s appeared regularly on television series such as 24, The Leftovers, Southland, American Crime, and The Boondocks, and will be starring in the new HBO adaptation of Watchmen. Her film credits include Friday, Jerry Maguire, How Stella Got Her Groove Back, Ray, and the sequels to Miss Congeniality and Legally Blonde. This is Regina King’s first Oscar nomination.

Emma Stone, The Favourite

The three leads of Best Picture nominee The Favourite are all nominated for acting Oscars, including Emma Stone. Stone’s credits include Easy A, Superbad, Zombieland, The Help, The Amazing Spider-Man, Battle of the Sexes, and the Netflix series Maniac. She was previously nominated in this category for Birdman, and in 2017 Stone won the Academy Award for Actress in a Leading Role for La La Land.

Rachel Weisz, The Favourite

Rachel Weisz previously appeared in The Favourite director Yorgos Lanthimos’s The Lobster. The English actress broke into Hollywood in 1999’s The Mummy; her credits since include Enemy at the Gates, About a Boy, Runaway Jury, The Fountain, The Lovely Bones, The Brothers Bloom, My Blueberry Nights, and Disobedience. Weisz was previously nominated and won the Academy Award for her supporting role in 2005’s The Constant Gardener.

 

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

2019 Oscars: Best Actress and Best Actor in a Leading Role Nominees

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy (NYFA) takes a closer look at this year’s Academy Award nominees for Best Actress and Best Actor in a Leading Role:

2019 Oscars

Yalitza Aparicio, Roma

This is not only the first Oscar nomination for Yalitza Aparicio — it’s her first role as an actress, period. Previously, she has pursued a career in early childhood education. The 24-year-old lead in Alfonso Cuarón’s Roma is the first Indigenous woman (her parents are Mixtec and Triqui) and second Mexican woman ever to receive a nomination in the category. While her father is Mixtec, Aparicio had to learn the language for her role in Roma.

Glenn Close, The Wife

Glenn Close has never won an Academy Award to date, despite being nominated six previous times, including three years in a row in the early 1980s. The NYFA guest speaker has been recognized by the Academy for her roles in The World According to Garp, The Big Chill, The Natural, Fatal Attraction, Dangerous Liaisons, and Albert Nobbs. Close has already won the Golden Globe and SAG Award for her role in The Wife.

Olivia Colman, The Favourite

English actress Olivia Colman started her career in comedy, including roles in Peep Show, Look Around You, and Hot Fuzz. She began receiving critical acclaim for her dramatic acting after numerous nominations and awards for her role in Tyrannosaur in 2011, followed by the smash television series Broadchurch in 2014. This is Colman’s first Academy Award nomination.

Lady Gaga, A Star Is Born

Lady Gaga was already one of the world’s biggest pop stars when she started acting in films like Machete Kills and Sin City: A Dame to Kill For and the television series American Horror Story. She was still somewhat of a surprise casting choice by director Bradley Cooper for the lead role in A Star is Born, however. Gaga, born Stefani Germanotta, was previously nominated by the Academy for Best Song for the 2015 film The Hunting Ground and is additionally nominated in that category again this year for “Shallow.”

Melissa McCarthy, Can You Ever Forgive Me?

Melissa McCarthy’s first Oscar nomination for acting came in 2011 for her star-making turn in Bridesmaids, a rare honor for a purely comedic role. This year, her lead role in Can You Ever Forgive Me? as real-life writer Lee Israel is a more traditionally dramatic one, and has earned McCarthy an abundance of praise. Other credits for McCarthy include Spy, Identity Thief, Ghostbusters (2016), and the television series Mike & Molly.

2019 Oscars

Christian Bale, Vice

Method actor Christian Bale is barely recognizable in his prosthetic-assisted role as former Vice President Dick Cheney. Bale previously won the Oscar for his first nomination — Best Performance by an Actor in a Supporting Role for David O. Russell’s The Fighter. He was nominated in the category again for 2015’s The Big Short, by Vice writer/director Adam McKay. Bale was also nominated in this category for his lead role in  Russell’s 2013 film, American Hustle.

Bradley Cooper, A Star Is Born

Bradley Cooper wears many hats for the latest remake of Hollywood classic A Star is Born — and he’s been nominated for several of these roles. Cooper has previously been nominated for his leading performance in David O. Russell’s Silver Linings Playbook and supporting performance in Russell’s American Hustle, as well as for his lead role in Clint Eastwood’s American Sniper. Cooper also has a Best Picture nomination for American Sniper for his role as producer, and is additionally nominated this year for Best Adapted Screenplay and Best Picture.

Willem Dafoe, At Eternity’s Gate

Veteran actor Willem Dafoe has been nominated three previous times by the Academy, including last year for his supporting role in indie hit The Florida Project. He was also nominated in the Best Performance by an Actor in a Supporting Role category for his roles in 2001’s Shadow of the Vampire and 1987’s Platoon. His portrayal of Vincent Van Gogh is his first Oscar nomination for a leading role.

Rami Malek, Bohemian Rhapsody

This is the first Oscar nomination for Rami Malek, who plays rock legend Freddie Mercury in biopic and Best Picture nominee Bohemian Rhapsody. His breakout role came in 2015 for the USA series Mr. Robot, though he’d earned several high-profile roles before then. His credits include Night at the Museum, 24, The Pacific, Battleship, The Legend of Korra, The Master, and The Twilight Saga: Breaking Dawn – Part 2.

Viggo Mortensen, Green Book

Viggo Mortensen has been nominated twice before, both in the Leading Role category just as this year, for starring in Captain Fantastic and Eastern Promises. He famously played Aragorn in Peter Jackson’s groundbreaking The Lord of the Rings trilogy. His Green Book co-star, Mahershala Ali, is nominated this year for Best Supporting Actor.

 

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

2019 Oscars: Best Adapted Screenplay Nominees

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy (NYFA) takes a closer look at this year’s Academy Award nominees for Best Adapted Screenplay:

The Ballad of Buster Scruggs, Joel Coen & Ethan Coen

The Ballad of Buster Scruggs is an anthology of six Western-themed vignettes, adapted from a variety of sources, including original short stories the Coen brothers had been developing themselves over the past couple decades. One vignette is based on the Jack London story All Gold Canyon while another is adapted from The Gal Who Got Rattled by Stewart Edward White. The Coen brothers previously won in this category for No Country for Old Men, and have won and been nominated for several Academy Awards in their careers, including a win for Best Original Screenplay in 1997 for Fargo.

BlacKkKlansman, Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee

BlacKkKlansman tells the true story of Ron Stallworth, an NYPD detective who infiltrated the KKK in the 1970s. Charlie Wachtel and David Rabinowitz adapted Stallworth’s own memoir into a screenplay along with details they gleaned from interviewing him. Director Spike Lee and collaborator Kevin Willmott worked on the script as well before shooting. This is the first Oscar nomination for Watchel, Rabinowitz, and Willmott. Lee has five nominations in total, including one for his Do the Right Thing screenplay, as well as an Honorary Oscar awarded in 2016.

Can You Ever Forgive Me?, Nicole Holofcener and Jeff Whitty

Can You Ever Forgive Me? is adapted from the 2008 memoir of the same name by Lee Israel, and chronicles Israel’s time forging letters from dead authors and playwrights, which eventually led to her being sentenced to probation and house arrest. This is the only screenplay credit for Jeff Whitty, who co-wrote Tony-winning Avenue Q. Nicole Holofcener has previously written Lovely & Amazing, Friends With Money, Please Give, and Enough Said. This is the first Oscar nomination for both writers.

If Beale Street Could Talk, Barry Jenkins

If Beale Street Could Talk was adapted from the 1974 novel by renowned author James Baldwin, a love story set in Harlem. Barry Jenkins wrote and directed the film, following up his 2016 Best Picture winner Moonlight. For Moonlight, Jenkins was nominated by the Academy for Best Directing and Best Adapted Screenplay, and won the latter.

A Star Is Born, Eric Roth, Bradley Cooper, and Will Fetters

A Star is Born is adapted from the original 1937 film of the same name and its two remakes. This is the first Oscar nomination for Will Fetters, who previously wrote Remember Me. It’s the seventh nomination for director and star Bradley Cooper, who has four acting nominations and two Best Picture nods. Eric Roth is a veteran screenwriter with five total nominations for his work—all adaptations—including a win in 1995 for Forrest Gump. Roth’s other credits include The Insider, Munich, The Curious Case of Benjamin Button, The Horse Whisperer, and Ali, among many others.

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

2019 Oscars: The Best Original Screenplay Nominees

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy (NYFA) takes a closer look at this year’s Academy Award nominees for Best Original Screenplay:

The Favourite, Deborah Davis and Tony McNamara

Deborah Davis started the screenplay for The Favourite in 1998, using actual letters written by the film’s lead characters—Queen Anne, Sarah, and Abigail. It was Davis’ first script; she went to night school to learn how to turn the story into a film. After Greek director Yorgos Lanthimos became attached to the project, Australian screenwriter Tony McNamara (Doctor, Doctor; The Rage in Placid Lake) updated the draft. This is the first Oscar nomination for both writers.

First Reformed, Paul Schrader

Despite having written Taxi Driver, Raging Bull, American Gigolo, The Mosquito Coast, The Last Temptation of Christ, and Affliction, among several others, this is the first Oscar nomination for Hollywood veteran Paul Schrader. Schrader has also directed many films, including First Reformed, a drama concerning a small congregation in upstate New York that includes a much buzzed-about performance by Ethan Hawke.

Green Book, Nick Vallelonga, Brian Currie, and Peter Farrelly

All three writers are also Oscar-nominated producers of the Best Picture contender. Green Book is one of the first screenplays written by actor Brian Currie, while Nick Vallelonga is a writer, actor, and director whose father, Tony, is played by Viggo Mortensen in the film. Farrelly has co-written several comedies with his brother Bobby, including Dumb and Dumber, There’s Something About Mary, and Me, Myself & Irene.

Roma, Alfonso Cuarón

Alfonso Cuarón has written several of his directorial efforts, including Y Tu Mamá También, Children of Men, and Gravity. Roma is a very personal film for the artist, and he is nominated for Oscars for directing, shooting, and producing the film as well. He’s been nominated by the Academy ten times overall and won twice for Gravity, for Directing and Editing.

Vice, Adam McKay

Adam McKay made his name as a comedy writer, having been head writer for Saturday Night Live before moving on to feature films like Anchorman: The Legend of Ron Burgundy, Step Brothers, and The Other Guys. In 2016, he won the Oscar for Best Adapted Screenplay for The Big Short, which he also received a nomination in Directing for. This year he is up for three Academy Awards in total for Vice, including Best Directing and Best Picture.

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

2019 Oscars: Best Documentary Feature Nominees

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. New York Film Academy (NYFA) is incredibly proud that two of the nominees, Free Solo and RBG, were worked on by faculty members of our Documentary Filmmaking school.

The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy takes a closer look at this year’s Academy Award nominees for Best Documentary Feature:

2019 best documentary

Free Solo

Free Solo profiles Alex Honnold as he attempts to free solo climb, without the aid of ropes, El Capitan. The film has already won several top awards, including the BAFTA for Best Documentary, and was edited by NYFA instructor Bob Eisenhardt and directed by Elizabeth Chai Vasarhelyi and Jimmy Chin. This is the first Oscar nomination for Vasarhelyi and Chin, who also directed climbing doc Meru. Vasarhelyi also directed the documentaries A Normal Life, Touba, and Incorruptible, among others.

Hale County This Morning, This Evening

Hale County This Morning, This Evening won the Documentary Special Jury Award for Creative Vision at Sundance and documents the citizens of Hale County in Alabama’s Black Belt. The film has already been nominated for and won several awards, including Best Documentary at the Gotham Awards. Ross has worked as a cinematographer, producer, and editor, all positions he served on Hale County. This is his first Academy Award nomination.

Minding the Gap

Minding the Gap showcases three young skateboarders in Rockford, Illinois and won the US Documentary Special Jury Award for Breakthrough Filmmaking at the Sundance Film Festival. This was the directorial debut of Bing Liu, who worked a cinematographer on the short films Collinsville, Mistress, and What We Talk About When We Talk About Zombies, and crewed on Hollywood blockbusters like Jupiter Ascending, Divergent, and Transcendence, as well as television shows Shameless, Sirens, and The Girlfriend Experience.

Of Fathers and Sons

Director Talal Derki risked his own safety and life to document radical jihadism and terrorist training camps in the midst of the Syrian Civil War, following the Osama family—a father and two sons—as they dig deeper into their beliefs and face the consequences that ensue. The film won the World Cinema Documentary Grand Jury Prize at Sundance, among other accolades. Derki previously shot and directed the documentary The Return to Homs. This is his first Oscar nomination.

RBG

Supreme Court Justice Ruth Bader Ginsburg is profiled in the wildly popular and successful documentary, RBG. The film was shot by cinematographer and NYFA instructor Claudia Racshke and directed by Julie Cohen and Betsy West. This is the directorial debut of West, who previously produced films such as Whiz Kids, Constantine’s Sword, The 4%: Film’s Gender Problem, and The Lavender Scare. Cohen has produced for Dateline NBC and directed the documentaries The Unforgettable Hampton Family, A Joyous Sound, The Sturgeon Queens, and American Veteran, among others. This is the first Oscar nomination for both.

 

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

Oscars 2019: The Best Documentary Short Nominees

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy (NYFA) takes a closer look at this year’s Academy Award nominees for Best Documentary Short Subject:

Black Sheep

Black Sheep is a look at Cornelius Walker, the son of Nigerian immigrants who dealt with traumatizing racism while growing up in London, and who attempted to deal with that racism by trying to assimilate into his white neighborhood. Notably, the 26 minute-long film is mainly a single close-up of Walker, interspersed with reenactments. Director Ed Perkins has mostly shot documentaries, including Chutzpah and If I Die on Mars. This is his first Oscar nomination.

End Game

The Netflix short End Game is 40 minutes long, the maximum length an eligible film can be for the Documentary Short Oscar. The film centers on palliative care providers and terminal patients in the San Francisco Bay Area and was directed by Rob Epstein and Jeffrey Friedman. Epstein has won two Academy Awards for the feature documentaries Common Threads: Stories from the Quilt and The Times of Harvey Milk, though this is first nomination in nearly thirty years. This is the first nod for Friedman, who co-directed Common Threads. The pair also directed the Allen Ginsberg biopic Howl, starring James Franco.

Lifeboat

Lifeboat follows Sea-Watch, a German nonprofit that looks for stranded refugees in the Mediterranean Sea, over the course of a single day in 2016. The 26-minute-long film gives a look at the desperate migrants fleeing North Africa for Europe. This is the first Academy Award nomination for director Skye Fitzgerald, who also directed the documentaries Bombhunters, Finding Face, and 101 Seconds.

A Night at the Garden

A Night at the Garden is a seven-minute-long haunting look at archival footage from a pro-Nazi rally held at Madison Square Garden in New York City on February 20, 1939. Appropriating themes of American patriotism, 20,000 audience members attended the event, supporting Third Reich ideals for the United States on the eve of World War II. Director Marshall Curry has been nominated for the Oscar twice before, for the Documentary features If a Tree Falls: A Story of the Earth Liberation Front and Street Fight, which followed the 2002 mayoral campaign of now Senator and presidential candidate Cory Booker.

Period. End of Sentence.

Period. End of Sentence. explores the cultural taboos around menstruation in India, where many women don’t have access to the same quality hygiene care found elsewhere. The 26-minute-long film focuses on a low-cost, easy-to-use machine that manufactures sanitary pads invented by entrepreneur Arunachalam Muruganantham, an advocate of women’s rights in India. This is the first Academy Award nomination for director Rayka Zehtabchi, who also directed the short narratives Madaran, We Home, and Shnoof.

 

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

2019 Academy Awards: The Best Picture Nominees

2019 Best Picture nominees
The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

The final award of the night, Best Motion Picture of the Year, is handed out to the eligible producers of the film. Since 2009, the number of nominations has increased from five to a maximum of ten, based on a more complicated voting system that uses a modified preferential ranking process.

New York Film Academy (NYFA) takes a closer look at this year’s Academy Award nominees for Best Picture:

Black Panther

Black Panther is the first superhero film to receive a Best Picture nomination and is notable for its themes of race and diverse cast and role models for children of color used to typically seeing white male heroes in Hollywood blockbusters. It was directed and co-written by Ryan Coogler, while the sole producer eligible for the Best Picture Oscar is Kevin Feige, president of Marvel Studios and mastermind of the groundbreaking Marvel Cinematic Universe. Black Panther is up for seven Academy Awards total.

BlacKkKlansman

BlacKkKlansman is the latest film from Spike Lee and earned him his first Academy Award nomination for Best Directing. Based on true events, the film tells the story of an African American detective who infiltrates the Ku Klux Klan in the 1970s. Lee is also one of the five producers eligible for the Best Picture Oscar, including Sean McKittrick, Jason Blum, Raymond Mansfield, and Jordan Peele, who won a Best Screenplay Oscar last year for 2018 Best Picture nominee Get Out. BlacKkKlansman is up for six Academy Awards total.

Bohemian Rhapsody

Bohemian Rhapsody is the latest Hollywood musical biopic to gain a groundswell of awards season buzz, focusing on legendary rock group Queen, with Rami Malek giving an Oscar-nominated turn as iconic frontman Freddie Mercury. The sole producer eligible for Best Picture is Graham King, who previously won the award for Martin Scorsese’s 2006 film, The Departed, and was nominated in the category for two additional Scorsese films, Hugo and The Aviator. Bohemian Rhapsody is up for five Academy Awards total.

The Favourite

The Favourite is the latest critically-acclaimed art house film from Greek writer and director Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer). The period dramedy depicts the rivalry between two cousins vying for the favor of 18th century British Queen Anne. Lanthimos is one of four producers eligible for the Academy Award, along with Ceci Dempsey, Ed Guiney, and Lee Magiday. This is the first Oscar nomination for Dempsey and Magiday, while Guiney was previously nominated in the category for Room in 2015. The Favourite is up for ten Academy Awards total.

Green Book

Green Book is a dramedy set in the 1950s Deep South, based on a real life concert tour of African American pianist Don Shirley and his white driver and bodyguard, Tony Vallelonga. Five producers are eligible in the category, including director and co-writer Peter Farrelly, who made a name with his brother for slapstick comedies like Dumb and Dumber and There’s Something About Mary. He shares the nomination with Jim Burke, Charles B. Wessler, Brian Hayes Currie, and Vallelonga’s son, Nick Vallelonga, who is also co-nominated for Best Original Screenplay. Green Book is up for five Academy Awards total.

Roma

Roma is a deeply personal, semi-autobiographical film by Alfonso Cuarón set in Mexico City in the early 1970s and shot beautifully in black-and-white. In addition to sharing the Best Picture nomination with Gabriela Rodriguez, Cuarón also wrote, shot, and directed the film, for which he received additional Oscar nods. This is the first nomination for Rodriguez, and the first nomination in the category ever for a Latinx woman. Along with the The Favourite, Roma has the most Academy Award nominations this year, with a total of ten.

A Star is Born

A Star is Born is the third remake of the original 1937 film, updated by director and star Bradley Cooper after years of development hell with several filmmakers attached. Cooper shares the Best Picture nod with Bill Gerber and Lynette Howell Taylor. This is Cooper’s second nomination in the category (the first was for American Sniper) and seventh overall; it’s the first nomination for both Gerber and Taylor. A Star is Born is up for eight Academy Awards total.

Vice

Vice is a dramedy biopic of former Vice President Dick Cheney, starring Christian Bale in heavy, lifelike prosthetics. The film is writer and director Adam McKay’s follow-up to The Big Short, which similarly took a quasi-comedic look at the lead-up to the 2008 Great Recession, and which earned him an Oscar for Best Adapted Screenplay. McKay is eligible for Best Picture along with Dede Gardner, Jeremy Kleiner, and Kevin J. Messick. Gardner has been nominated for Best Picture six times in the last seven years, winning twice, for 12 Years a Slave and Moonlight; Kleiner has been nominated five times, sharing both Oscars with Gardner. This is the first nomination for Messick. Vice is up for eight Academy Awards total.

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

2019 Academy Awards: The Best Editing Nominees

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy (NYFA) takes a closer look at this year’s Academy Award nominees for Best Film Editing:

BlacKkKlansman, Barry Alexander Brown

This is the second Academy Award nomination for Barry Alexander Brown, with his first dating back nearly forty years ago for the 1979 documentary feature The War at Home. Since then, Brown has edited several of Spike Lee’s films, including Do the Right Thing, Malcolm X, He Got Game, 25th Hour, and Inside Man. He’s also edited The Giver, and directed the rock documentary, The Who’s Tommy, the Amazing Journey.

Bohemian Rhapsody, John Ottman

John Ottman has edited several major motion pictures, but has also been the film composer for dozens more. He has edited several of Bohemian Rhapsody director Bryan Singer’s films, including The Usual Suspects, Apt Pupil, Superman Returns, Valkyrie and three X-Men films. Some of the films Ottman has scored include The Cable Guy, Kiss Kiss Bang Bang, Astro Boy, Orphan, and Fantastic Four. This is his first Oscar nomination.

The Favourite, Yorgos Mavropsaridis

Yorgos Mavropsaridis has edited nearly eighty films, including those of Greek director Yorgos Lanthimos — Dogtooth, The Lobster, The Killing of a Sacred Deer, and The Favourite, which has earned him his first Oscar nomination. He will also work in post-production on Suicide Tourist, currently filming, starring Game of Thrones actor Nikolaj Coster-Waldau.

Green Book, Patrick J. Don Vito

Green Book editor Patrick J. Don Vito has edited over a dozen films, including Another House on Mercy Street and My Life in Ruins, and has worked in the editing department of several more, including Austin Powers: International Man of Mystery, How to Lose a Guy in 10 Days, Welcome to Mooseport, and Semi-Pro. Don Vito also edited the visual effects on the first Austin Powers sequel. This is his first Oscar nomination.

Vice, Hank Corwin

Hank Corwin was first Oscar-nominated for his work on Adam McKay’s previous film, The Big Short. Corwin has also edited for other prestige directors such as Terence Malick, Robert Redford, Barry Levinson, and Oliver Stone. Some of his credits include Natural Born Killers, Nixon, The Horse Whisperer, The Legend of Bagger Vance, The New World, and The Tree of Life.

 

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

2019 Academy Awards: Best Cinematography Nominees

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy (NYFA) takes a closer look at this year’s Academy Award nominees for Best Achievement in Cinematography:

Cold War, Lukasz Zal

Polish director of photography Lukasz Zal was previously nominated by the Academy for Pawel Pawlikowski’s Ida, which he co-shot with Ryszard Lenczewski. Both Ida and Cold War showcase Zal’s immense talent with black and white photography. He has shot mostly documentary shorts and a few short films, making the nominations for two of his only features that much more notable.

The Favourite, Robbie Ryan

This is the first Oscar nomination for Irish cinematographer Robbie Ryan. He has shot previously for director Andrea Arnold (Fish Tank, American Honey) and Stephen Frears (Philomena). In total, Ryan has been director of photography for over 80 features, shorts, commercials, and music videos, including the films Wuthering Heights, The Last Days on Mars, and Slow West.


Never Look Away, Caleb Deschanel

Caleb Deschanel is a veteran director of photography who has shot such Hollywood films as Being There, The Right Stuff, The Natural, National Treasure, The Passion of the Christ, and Jack Reacher. This is Deschanel’s sixth Oscar nomination for cinematography; among others, he was nominated for Fly Away Home and The Patriot. His next film will be Disney’s live action remake of The Lion King.

Roma, Alfonso Cuarón

In addition to writing and directing Best Picture nominee Roma, Alfonso Cuarón also shot the semi-autobiographical film, a rare distinction for Hollywood directors. Roma was filmed in black-and-white on an Arriflex Alexa 65 digital camera, giving it a stark, unique look that has been near-universally praised. Other cinematography credits for Cuarón include several short films in the 1980s, as well as the television series Hora Marcada. While typically Cuarón delegates the role to other talented directors of photography such as Academy Award-winner Emmanuel Lubezki, this is his first credit as a cinematographer in nearly three decades.

A Star Is Born, Matthew Libatique

Matthew Libatique is a Queens-born Filipino American cinematographer who has previously worked with directors such as Spike Lee, Jon Favreau, and Darren Aronofsky, and was previously nominated for an Oscar for shooting Aronofsky’s Black Swan. Libatique was director of photography for the first film of the Marvel Cinematic Universe, Iron Man, and is currently working on the latest DCEU and Harley Quinn film, Birds of Prey. His other cinematography credits include Requiem for a Dream, Gothika, Everything Is Illuminated, Inside Man, Straight Outta Compton, and Venom, among many others.

 

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

2019 Academy Awards: The Nominees for Best Directing

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.

New York Film Academy (NYFA) takes a closer look at this year’s nominees for Best Achievement in Directing:

BlacKkKlansman, Spike Lee

Lee has been a figure in American cinema since his 1986 feature debut, She’s Gotta Have It, which was adapted into a television series in 2017. Many of his films have examined race relations, urban life, political issues of the 20th and 21st centuries, and the role media plays in modern society. In 1983, Lee won the Student Academy Award, and has since been nominated for an Oscar five times, though this is the first time he’s been recognized for his Directing. BlacKkKlansman is up for Best Picture and stars John David Washington and Adam Driver as 1970s NYPD detectives exposing the Ku Klux Klan.

Cold War, Pawel Pawlikowski

Pawel Pawlikowski is a Polish filmmaker who has helmed several award-winning documentaries and feature films, including Ida, which won the Best Foreign Language Film Oscar in 2015. At the 2018 Cannes Film Festival, Pawlikowski won the Best Director prize his latest film, Cold War. In addition to Best Directing, Cold War is up for two other Oscars — Best Cinematography, and Best Foreign Language Film. Cold War is a period film loosely based on Pawlikowski’s parents, who fell in love and played music in Europe during the height of the Cold War between the Soviet Union and the West.

The Favourite, Yorgos Lanthimos

Greek filmmaker Yorgos Lanthimos has been making a name for himself since his 2009 film, Dogtooth, which was nominated for the Best Foreign Language Film Academy Award. His film The Lobster, starring Colin Farrell, was nominated for the Best Original Screenplay Oscar. His period dramedy The Favourite has generated a lot of buzz since its release, with ten Oscar nominations in total, including Best Picture and three Acting nods for its main cast of Rachel Weisz, Emma Stone, and Olivia Colman. Colman in particular has become a favorite for her leading role as Queen Anne.

Roma, Alfonso Cuarón

Alfonso Cuarón is no stranger to the Academy Awards, having ten nominations total and two wins to date, including Best Film Editing and Best Directing for his 2014 space epic, Gravity. His oeuvre has been varied throughout the years, including Great Expectations, Y Tu Mamá También, Harry Potter and the Prisoner of Azkaban, and Children of Men. Roma, a favorite in this year’s Oscars with 10 nominations, is a semi-autobiographical story set in the early 1970s and shot in stark black-and-white.

Vice, Adam McKay

Adam McKay has had an unconventional path to prestige filmmaking. The Philadelphia comedian failed his audition to be on Saturday Night Live but earned a spot on its writing staff and eventually became the show’s head writer. He had an instant chemistry with cast member Will Ferrell, and eventually wrote and directed several films starring the actor, including Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. His career moved to the next level with 2015’s The Big Short, which earned him the Academy Award for Best Adapted Screenplay as well as a nomination for Best Directing. His newest film, Vice, starring Christian Bale as former Vice President Dick Cheney, has eight Oscar nominations, including three nods for McKay.

Check out the New York Film Academy Blog after this year’s ceremony for a full list of the 2019 Oscar winners and losers!

New York Film Academy (NYFA) Remembers The Life and Achievements of Actress & Trailblazing Director Penny Marshall

Filmmaker, producer, and actress Penny Marshall has died at the age of 75. In addition to being a three-time Golden Globe nominee for her starring role on sitcom juggernaut Laverne & Shirley, Marshall was a groundbreaking director for Hollywood, helming such films as Big, A League of Their Own, and Academy Award for Best Picture nominee Awakenings.

Marshall, born Carole Penny Marshall in 1943, was the daughter of tap dance instructor Marjorie Marshall and Tony Marshall, a film director and producer. She was born and raised in the Bronx, New York, and originally attended the University of New Mexico, where she studied psychology and math.

In 1967, as a divorced, single mother, she moved to Hollywood, where her brother Garry Marshall had established a burgeoning career as a television writer. In 1971, she married actor and filmmaker Rob Reiner. During this time she found various small roles acting for television and film, but in 1972 American audiences started to take notice of her as Myrna Turner on The Odd Couple.

Her most prominent role in television came in 1976 as Laverne in the Happy Days spin-off, Laverne & Shirley. The beloved sitcom was a ratings hit and lasted 178 episodes. She continued to appear in various television roles up until 2016 — including a guest appearance on the first-ever produced episode of The Simpsons — with her final role on the most recent remake of The Odd Couple.

Penny Marshall

While her popularity as an actress cannot be understated, it was her role as a director that proved to be most influential for breaking traditional Hollywood gender norms. In 1986, she directed the action comedy Jumpin’ Jack Flash, starring Whoopi Goldberg. But it was two years later when Marshall would break records with the fantasy comedy Big, starring Tom Hanks as a 13-year-old boy trapped in an adult man’s body.

The film has since become one of the 1980s’ most famous films, helping propel Hanks into superstardom and still making Best Of lists to this day. With a domestic box office of $116 million, Penny Marshall became the first woman to ever direct a film that grossed over $100 million, a feat that paved the way for other successful filmmakers like Nora Ephron, Patty Jenkins, and Ava DuVernay.

Marshall followed Big with Awakenings, starring Robert DeNiro and Robin Williams, and based on Oliver Sacks’ renowned memoir. The film received positive reviews and was an Academy Award for Best Picture nominee, but it was her next movie that may be best remembered: 1992’s A League of Their Own. Both a drama and comedy, the period film tells a fictionalized account of a true story — the advent of a professional women’s baseball league. The All-American Girls Professional Baseball League was instituted in the 1940s as many American men, including professional baseball players, were fighting overseas in World War II.

The film starred Geena Davis and Tom Hanks, and was an instant hit with critics and audiences alike. It was the second of Marshall’s films to gross over $100 million at the box office, and, in 2012, it was preserved by the Library of Congress after being deemed “culturally, historically, or aesthetically significant.”

Marshall followed A League of Their Own with three more features, including Renaissance Man starring Danny DeVito, The Preacher’s Wife starring Whitney Houston and Denzel Washington, and Riding in Cars with Boys starring Drew Barrymore. She also produced and appeared in numerous films and televisions shows throughout the 1990s and 2000s.

Her brother Garry was a guest of the New York Film Academy in 2012, where he sat in on an AFA Acting for Film class with Acting Chair Lynda Goodfriend, who, decades earlier, he’d cast in his show Happy Days as Lori Beth. Speaking with NYFA students, Garry went into detail about his long and prolific career, and made sure to mention the many times he collaborated with his sister. Garry Marshall passed away in 2016.

Entertainment seems to run in the Marshall family. Scott Marshall — Penny’s nephew and Garry’s son — is a filmmaking and cinematography instructor at NYFA’s Los Angeles campus, and has acted in several film and television roles as well as directed short films and features.

Penny Marshall

Cindy Williams, television star and the Shirley to Penny Marshall’s Laverne, has also spoken with New York Film Academy students. At a Q&A in 2015, she shared several insights and stories with students, and recounted the first time she and Penny Marshall appeared as Laverne & Shirley in an episode of Happy Days. The two characters proved so popular that they quickly received their own show.

The New York Film Academy is deeply saddened by the loss of a multi-talented Hollywood icon and groundbreaking filmmaker who set an example for many future women directors to come. Rest in peace, Penny Marshall.

Ten Iconic Films Written by Screenwriting Legend William Goldman 

William Goldman, one of Hollywood’s most influential screenwriters for several decades, passed away early November 16, at the age of 87. 

In addition to writing several famous (and infamous) major motion pictures across a wide variety of genres, Goldman cemented himself as an authority of Hollywood screenwriting when he published Adventures in the Screen Trade in 1983. In the book, Goldman not only shared with readers his mastery of all things writing — story, dialogue, character — but his incisive, honest look at Hollywood’s modern studio system in the 60s and 70s, and what it would eventually evolve into over the next few decades. 

His rounded, honest view of the system that gave him great success was both cynical and appreciative, from the ground level as well as a bird’s eye view from the top, where he laid out and accepted both the good and the bad of the massive and powerful industry that produced an artistic medium he very much loved. 

Here are just some of the films he contributed to the Hollywood canon:

Misery

Director Rob Reiner and producers of the 1990 adaptation of Stephen King’s novel Misery, in which a psychotic fan ties her favorite author to her bed and forces him to keep writing, felt like they needed to dial back the horror of the book to make the film more palatable for mainstream audiences. In the novel, the character played by Kathy Bates severs the foot of the author played by James Caan, rendering him unable to escape.

What screenwriter William Goldman came up with as a solution was perfect, and became an iconic Hollywood moment. Rather than sever his foot, Goldman had Bates smash Caan’s ankles with a sledgehammer – less bloody and less gory, but somehow in its specificity, even more brutal to watch. Goldman was proving a valuable lesson in screenwriting: sometimes less is more.

Harper

Goldman had already finished the script to the hardboiled detective movie Harper, starring Paul Newman, but producers needed a scene to play over the opening credits. Goldman quickly came up with a simple, but poignant moment — the disgruntled PI getting ready in the morning, realizing he was out of coffee, and reusing an old filter from the trashcan. In one quick dialogue-less moment, Goldman established the get-it-done character of his protagonist before the opening credits had even finished rolling.

Butch Cassidy and the Sundance Kid

Goldman won the Academy Award for Best Original Screenplay for his work on this seminal western that paired together two of Hollywood’s most charismatic and popular leading men — Paul Newman and Robert Redford. The film highlights the genre-bending abilities Goldman seemingly wielded without breaking a sweat, going from comedy to thriller to drama to even musical from scene to scene without ever missing a beat. 

Chaplin

Chaplin was a star-studded biopic in 1992 that portrayed the life and career of silent film megastar Charlie Chaplin, and was one of that year’s most prestigious films, with a talented cast, incredibly high production values, and direction by Richard Attenborough. While it received mixed reviews, it was one of the first major dramatic roles for the young comic actor Robert Downey, Jr., who was nominated for his first Academy Award for his work.

A Bridge Too Far

A Bridge Too Far was also directed by Richard Attenborough, and was an epic World War II film with a large-for-its-time budget and loaded cast that featured stars from other Goldman films like James Caan and Robert Redford. In a genre overstuffed with classics, A Bridge Too Far managed to make a name for itself for its wide scope and intense battle sequences, especially since, unlike many of its brethren, it focused on a major historical loss for the Allied Forces.

Marathon Man

Marathon Man, like some of Goldman’s other screenplays, was adapted from a novel he wrote himself. As a book, and later as a film, it attracted the attention of producers and critics alike for its stark violence and themes of Nazi war criminals still existing in society decades after the end of World War II. A major casting coup for the gritty thriller was Sir Laurence Olivier as the antagonist, who earned an Oscar nomination for his efforts.

Maverick

On the opposite end of the spectrum from Marathon Man is Maverick, a big-budget western comedy adapted from the 50s television series of the same name. The film reunites Lethal Weapon’s director Richard Donner and star Mel Gibson (and a cameo from Danny Glover) at the height of their Hollywood powers and proved to be a definitive audience-pleasing popcorn movie in a year full of tough competition. 

The Stepford Wives

The science-fiction horror film The Stepford Wives challenged the norms of gender dynamics between husbands and wives and, when it was released in 1975, received only moderate success. It has however gained a solid cult status over the decades, and was even eventually given a big budget remake starring Nicole Kidman in 2004. The term “Stepford Wife” itself has now become slang for the type of doting, robotic homemaker featured in Goldman’s script.

The Princess Bride

“Anybody want a peanut?” 

That’s just one line out of dozens from the eminently quotable screenplay Goldman wrote for The Princess Bride, itself an adaptation of a novel he wrote with the same name. Ostensibly a comedy, the film also plays with genre, and has firmly rooted itself in the hearts of multiple generations of film and adventure lovers. Can you imagine a world without the line, “My name is Inigo Montoya. You killed my father. Prepare to die.”??? 

Of course you can’t… it’s “”inconceivable!!!”

All the President’s Men

Goldman won his second Academy Award for the screenplay adapted from the book All the President’s Men, written by the journalists who uncovered the Watergate scandal. The film, which is still regarded by many as one of the greatest of all time, takes the real-life investigation of newspaper journalists Bob Woodward and Carl Bernstein as they run up directly against a Nixon administration fighting to stay in power. Who would’ve thought its themes and even plot points of cover-ups and political corruption would be more resonant than ever forty years later? 

There are several other fantastic films written by William Goldman in his decades-spanning career, too many to list. Watching them all would not only be a great source of entertainment, but a Master Class in screenwriting from the man himself. 

RIP William Goldman – your contributions to cinema will not be forgotten.

 

H40: The Five Timelines of Michael Myers and “Halloween”

Cue the haunting piano music: Michael Myers is back in theaters this October with a brand new Halloween sequel. In true 21st century filmmaking fashion, this sequel is also somewhat of a soft reboot – a sequel that is technically in the same timeline, but retains many of the classic beats (and the title) of the original.

But which timeline? The Halloween franchise first began in 1978 as an independent horror film written and directed by John Carpenter (and produced and co-created by Debra Hill) and was an instant classic. The silent, hulking serial killer Michael Myers became a Hollywood icon as he murdered babysitters and their boyfriends in a painted William Shatner mask. Halloween quickly spawned a series of sequels, spin-offs, and remakes — all of which interweave with distinct continuities.

Here then, are five different timelines of the Halloween franchise in its first 40 years — who knows how many more retcons will come about in the next four decades!

Timeline #1
Halloween, Halloween II, Halloween 4: The Return of Michael Myers, Halloween 5: The Revenge of Michael Myers, Halloween: The Curse of Michael Myers

This could be considered the original timeline, as it incorporates the first six films of the franchise (with one exception, which we’ll get to.) The first two films are very closely linked, filmed close together, with the same leads, taking place all in the same night (October 31, natch.)

After a brief departure from Halloween III, the real star of the franchise — Michael Myers — came back due to popular demand. He wasn’t joined by lead actress Jamie Lee Curtis, however, who had gone onto movie stardom in the 80s with smash hits like Trading Places and A Fish Called Wanda. Fortunately for the producers, veteran actor Donald Pleasance, a big get for the first two films, stayed and helmed the series as Michael’s psychiatrist Dr. Loomis for the next three films.

Jamie Lee Curtis’s character, Laurie Strode, was killed off-screen in a car accident and the fourth film shifted focus to Laurie’s niece, Jamie Lloyd. Halloween 4 was released ten years after the original, in 1988, and quickly followed up with Halloween 5 in 1989.

The timeline finally came to an end in 1995, with Halloween: The Curse of Michael Myers. The movie expanded the franchise’s mythology and dove deep into the supernatural, dark mystical side of Michael Myers. One of its stars was a very young Paul Rudd playing Tommy Doyle, a character from the first two films. The movie ends with the death of series constant Dr. Loomis, and was dedicated to the memory of Donald Pleasance, who died just a few months before its release.

Timeline #2
Halloween III: Season of the Witch

The reason the franchise is called Halloween and not Michael Myers is because John Carpenter envisioned the series as an anthology of distinct horror stories, each set in their own universe with nothing to do with each other — much like Twilight Zone, Black Mirror, and the Cloverfield films.

However, the huge success of the first film led to a direct sequel, Halloween II, which came out in 1981. This film started the notion that Michael Myers was superhuman, which was continued and explored in the rest of Timeline #1 (see above.)

But by the third film, Carpenter finally wished to move away from Michael Myers and the town of Haddonfield, Illinois. Halloween III: Season of the Witch, produced by John Carpenter and Debra Hill, came out in 1982, and had none of the cast or characters from the first two films. It was also a completely different story — about evil Celtic magic from Stonehenge and androids that wish to kill the trick-or-treating children of a Northern California suburb.

Halloween III most certainly doesn’t take place in the same universe as Michael Myers. In fact, one of the characters in the movie is watching a commercial for the original Halloween, meaning the Jamie Lee Curtis films are just as fictional in the world of Season of the Witch as it is in ours.

Timeline #3
Halloween, Halloween II, H20: 20 Years Later, Halloween: Resurrection

It was only three years in between Halloween 6 and H20, but filmmaking was already evolving and Wes Craven’s Scream had upped the horror genre for moviegoers everywhere. In 1998, to celebrate two decades since the dawn of Michael Myers, the franchise released another sequel, with Jamie Lee Curtis returning to the role of Laurie Strode for the first time since 1981.

With the return of Jamie Lee Curtis, the series had to retcon her character’s death, and so this film takes place after Halloween and Halloween II — but NOT Halloweens 4, 5, and 6. While this brings Laurie Strode (and presumably, Dr. Loomis) back to life, this change in the continuity did not bode well for Nurse Chambers, a character played by Nancy Stephens in the first two films. She appears again as the character in the opening scene of H20, where she is quickly dispatched by a middle-aged Michael Myers.

By the end of the film, Myers has attacked Laurie Strode and her family, but is decapitated by her to make sure he never comes back. He does come back, however, in the film’s sequel, Halloween: Resurrection.

Halloween: Resurrection, released in 2002, is very much of its time, with a story revolving around webcams and the Internet, and the then-brand-new medium of Reality TV. It also stars Tyra Banks and Busta Rhymes, who might play the only character in any of the timelines to karate kick Michael Myers through a window.

The film opens with a cameo by Jamie Lee Curtis, once again portraying Laurie Strode, who dies for a second time in the franchise — this time on screen as she falls from the roof of a psychiatric hospital.

Timeline #4
Halloween (2007), Halloween II (2009)

Sound familiar? These two films take the exact same titles as the original two, but they are 100% remakes in the truest sense of the word, and which was very much in fashion at the time. Fresh off his critical gorefests House of 1000 Corpses and The Devil’s Rejects, Rob Zombie decided to tackle the Michael Myers franchise next, remaking Halloween in 2007.

Dr. Loomis is back, this time played by yet another British veteran actor, Malcolm McDowell. Zombie’s Halloween has much more focus on Michael Myers before his breakout and All Hallow’s Eve killing spree. It’s also more of a tension-builder and slower horror film, very much in style then and even still now.

The film received mixed reviews but made a decent amount of money at the box office, enough to warrant a direct sequel and the tenth film overall in the franchise. This new Halloween II harkens closer to the convoluted plotlines of Halloweens 4-6 than it does the original sequel though, dealing with hallucinations and flashbacks and revealing, like Timeline #1 eventually does, that Laurie Strode is actually the sister of Michael Myers. It ends with the death of Dr. Loomis (that makes two for him) and with Laurie now committed to a psychiatric hospital (that’s twice for her.)

Timeline #5
Halloween, Halloween (2018), ???

After considering a sequel to Zombie’s films or yet another reboot, the rights holders and producers of the franchise decided to do a sequel to the original Halloween. This film, once titled Halloween Returns, would have followed the first two, just as 4-6 did in Timeline #1. Soon indie director David Gordon Green and frequent collaborator Danny McBride (yes, that Danny McBride) came on board to work on the film.

In the writing process, Halloween II was taken out of the continuity, so that this sequel, which takes place forty years after the original (and twenty since the release of H20) is a direct sequel to only the original Halloween, and ignores the events of every other Halloween film that follows it.

The film will harken back to the original in plot and tone as well, as Myers will slowly make his way around town on Halloween night, picking off babysitters and anyone else who gets in his way.

It also brings back, once again, Jamie Lee Curtis as character Laurie Strode, who, as far as we know, isn’t the sister of Michael Myers. Whether Laurie Strode will die for the third time in the series or live for yet another sequel remains to be seen.

It’s doubtful Busta Rhymes will be back to karate kick Michael Myers through a window.

10 Inspiring Latinx Movies You Need to Watch

National Hispanic Heritage Month lasts from September 15 through October 15 and celebrates the contributions of Hispanic and Latinx Americans to the heritage and culture of North America and beyond, whether it be through films, music, books, art, or more.

Originally lasting a week and signed into law by President Lyndon B. Johnson, it was later expanded into a full month in 1988 and signed off by President Ronald Reagan. Events related to National Hispanic Heritage Month include the El Barrio Latin Jazz festival in the Bronx and events hosted by the Smithsonian in Washington D.C.

One of the most visible contributions of Latinx and Hispanic Americans are the films made for and about Hispanic culture. There are countless films that cover a wide array of genres, themes, and topics. It would be impossible to name all of them or rank even the best of them, but here is a list of just ten Latinx movies that need to be watched:

Amores perros

Amores perros is a 2000 drama thriller featuring an early breakout role for Gael García Bernal and was the first feature film directed by Alejandro González Iñárritu. Iñárritu is now one of cinema’s most unique, talented voices — the first person since 1950 to win back-to-back Oscars for Best Director (for his films Birdman and The Revenant) and only the third director ever to do so.

Pelo malo

Pelo malo is a 2013 drama from Venezuela about a boy named Junior who is constantly trying to straighten his curly, unruly hair. Written and directed by Mariana Rondón, the film was critically praised for its exploration of adolescence, mother-child tensions, gender identity, sexuality, and other themes in the context of Venezuelan culture. Its release in 2013, shortly after the death of Hugo Chavez, also pivots the film in an important, transitional moment for the nation.

Sin País

Sin País is a documentary short that tells the story of Sam and Elida, who are deported from the United States and try to reunite with their son. Released in 2010, it is more relevant than ever in today’s contemporary political climate — although it is more an emotional story about humanity than a political disquisition on immigration.

Frida

Directed by Julie Taymor, Frida stars Salma Hayek and Alfred Molina and tells the true story of Mexican surrealist painter Frida Kahlo. Kahlo was a fascinating figure in the art world, all the more notable for being a woman in a time where culture was very much dominated by men. The same could be said to be true for Hollywood, which made the film — also produced by Hayek, who picked up an Oscar nom for her acting in the movie — all the more important for both female and Latinx voices.

El secreto de sus ojos

The 2009 crime drama El secreto de sus ojos is a co-production between Argentina and Spain and won the Academy Award for Best Foreign Language Film. The epic nonlinear story tells of two officials investigating a rape and murder case over the span of 25 years. El secreto de sus ojos has been voted one of the top 100 greatest motion pictures since 2000 by a BBC poll of international film critics.

Biutiful

While nearly every one of Alejandro González Iñárritu’s films could be included on this list, Biutiful is especially notable for the lead performance by star Javier Bardem. Bardem received high praise for his acting in the film, and his Oscar nod for Best Actor was the first nomination ever given to a performance that was entirely in Spanish.

Selena

Selena is a 1997 biopic telling the tragic story of the eponymous Tejano music superstar who was murdered in the prime of her career. Eventually becoming the 13th highest-grossing musical biopic of all time, Selena might be most notable for launching the career of Jennifer Lopez, whose acting and musical fame skyrocketed and hasn’t abated since.

Y Tu Mamá También

Y Tu Mamá También is a 2001 Mexican coming-of-age drama about two teenagers who take a road trip with a 20-something woman. Critically hailed at the time of its release, the film is also notable for helping launch the careers of its stars Gael García Bernal and Diego Luna, as well as writer-director Alfonso Cuarón. Cuarón instantly became one of Mexico’s most prominent directors, following the film up with series-highlight Harry Potter and the Prisoner of Azkaban and later directing Children of Men and sci-fi epic Gravity.

City of God

City of God is a 2002 Brazilian crime drama directed by Fernando Meirelles and Kátia Lund and adapted from the 1997 novel written by Paulo Lins. The film depicts the growth of suburban crime in a Rio de Janeiro suburb over the course of several decades, and was an instant critical hit, eventually earning four Academy Award nominations. It was later followed by the spiritual sequel City of Men.

El laberinto del Fauno

El laberinto del Fauno may be the purest expression of Mexican writer-director Guillermo del Toro’s dark, whimsical aesthetic. The film, which found huge mainstream success in the United States as Pan’s Labyrinth, combines historical drama with fantasy in telling the story of a young girl living in Spain five years after its Civil War. The film was nominated for and won countless awards after its release, including winning three Oscars, and certified del Toro as one of Hollywood’s strongest, most successful voices.

Interested in making a film of your own one day? Find more information on the programs offered by the New York Film Academy here.

17 Great Silent Movie GIFs from @SilentMovieGIFs

You might be following Puppy Twitter, Weird Twitter, or Cupcake Twitter, but are you following Silent Movie Twitter?

If not, you might be missing one of its best accounts, @silentmoviegifs. Created in January 2016 by Don McHoull (@dmchoull), @silentmoviegifs is literally what it says it is: GIFs (Graphics Interchange Format) of visually compelling or hilarious moments from the earliest days of film. These GIFs include everything from stop-motion animation, to the earliest camera tricks of Hollywood’s first cinematographers, to epic stunts by Buster Keaton and sleights-of-hand by Charlie Chaplin.

McHoull first got the idea of making these GIFs available to the wider internet after seeing a trending GIF on Reddit from The Bellboy, featuring Buster Keaton cleaning a nonexistent window. McHoull, a film buff, was excited to see a century-old comedy still attracting millions of views, but was dismayed at the poor image quality of the GIF.

Since he possessed a Blu-ray set of high-quality Buster Keaton short films, and Photoshop, McHoull took it upon himself to provide the internet with better-looking GIFs from the Silent Era. After all, the two types of media are a match made in heaven: “Silent movies translate really easily into GIFs,” McHoull told NYFA, “because the jokes and the ideas being expressed are all being done a purely visual way.” He made sure to add, “Not to discount the role of music in the silent cinema experience.”

McHoull quickly found an online audience eager to see highlights from the Silent Era they may have otherwise never thought to seek out. As of June 2018, @silentmoviegifs has nearly 60,000 followers, including Guillermo del Toro, Rian Johnson, Natasha Lyonne, Taika Waititi, Edgar Wright, Patton Oswalt, Seth Rogen, and Neil Patrick Harris.

He continues to source his GIFs from Blu-rays and DVDs, proving that the preservation and restoration of older film is essential to remembering the art form in its very beginnings. He uses YouTube and other lower-res sources if he must, but adds that Toronto’s video stores are a “secret weapon” of his.

“In particular one, Bay Street Video, has a very good selection of silent films for rent,” McHoull revealed. “Video stores and silent films are both things that a lot of people would regard as obsolete, but for me at least they still offer something that their supposed replacements don’t.”

Not all of his GIFs are straight clips from silent films. McHoull will also take the time to painstakingly create supercuts of particular actors or genres. One of his latest projects includes a supercut of elaborate train stunts from the Silent Era, before CGI and other special effects could really be used to simulate such sequences. When asked if he had a favorite GIF, McHoull told us it was difficult to say, but named one of his most time-consuming supercuts — an evolution of Charlie Chaplin’s Tramp character.

Starting with McHoull’s Evolution of the Tramp then, here is just a small sample of some of our favorite GIFs from @silentmoviegifs:

Charlie Chaplin

Buster Keaton

Clara Bow

Louise Brooks

Willis O’Brien

Charlie Chase

Laurel & Hardy

Gloria Swanson

Mary Pickford

Charley Bowers

Fritz Lang

Dorothy & Lillian Gish

Auguste Lumière

 

Lois Weber

Sessue Hayakawa

Greta Garbo

Harold Lloyd

These are just a few gems from @silentmoviegifs. NYFA encourages everyone to check out the account for the rest. McHoull is the first to tell you he isn’t in this for fame and fortune, and recommends other Twitter accounts to silent movie buffs as well, including @MoviesSilently and @silentlondon.

He’d also tell you not to limit yourself to Twitter, recommending YouTube as a great source for silent movies, as well as Imgur and Reddit (including his own subreddit), telling NYFA that when it comes to GIFs, they have several technical advantages over Twitter.

Watching the earliest movies put to film is a great way to study and learn the art of cinema, and any serious film student should consume as many silent films as they can, however they can. And the next time you’re in Toronto, maybe rent a few from Bay Street Video.

 

5 Films That Feature the Staten Island Ferry

Most tourists visiting New York City typically ignore the southernmost borough, Staten Island. In fact, many New Yorkers who’ve lived in the city their whole lives have never been, either. However, the boat that takes 24 million people per year from Manhattan to Staten Island and back again — the Staten Island Ferry — is one of the city’s most famous, most visited landmarks.

Traveling between the Big Apple’s two island counties by boat is a tradition that goes all the way back to the 1700s, when Cornelius Vanderbilt made his first profit sailing fellow Staten Islanders to downtown Manhattan. The iconic orange fleet of ships have been in service nearly as long, and are as much a fixture of New York Harbor as the Statue of Liberty. Look out the windows from New York Film Academy’s Battery Park campus in downtown New York City, and chances are you’ll see a ferry or two making their way to port, just yards away from the school.

It’s no surprise then that the Staten Island Ferry has appeared in many New York-based films. Sometimes, the ferries provide the setting for a key scene, sometimes they make brief cameos as part of the city’s backdrop, sometimes they’re the focus of the movie.

In the fourth film of Blumhouse’s Purge franchise coming out this summer, Staten Island takes center stage as the testing grounds for The First Purge. Don’t be surprised if the borough’s namesake ferry makes an appearance or two before Purge Night reaches dawn. In the meantime, here are five other films that predominantly feature the Staten Island Ferry:

(Warning: may contain spoilers!)

Spider-Man: Homecoming

The second act centerpiece of Peter Parker’s very own entry in the MCU was so epic and action-packed that it became the focus of much of the film’s marketing and film trailers. Far from his friendly neighborhood in Queens, and far from the skyscrapers he could web-sling to for escape, Spider-Man found himself in the middle of New York Harbor battling Michael Keaton’s villain, the Vulture.

After the ferry is completely split in two, Spider-Man must work quickly to hold the entire, massive ship together with his own webs and Spidey-strength. At the end of the day, the ship is saved and its passengers kept dry, but only after some help from Marvel’s other iconic New Yorker, Tony Stark.

Working Girl

Working Girl was a box-office smash in the 1980s, back when Hollywood wasn’t completely dominated by superhero and sci-fi franchises. The romantic comedy, directed by legendary Mike Nichols, starred Melanie Griffith, Sigourney Weaver, and Harrison Ford.

Griffith’s sympathetic lead, Tess McGill, is a secretary from Staten Island who, like a lot of Staten Islanders, commutes every morning to Wall Street for work. The film’s iconic opening sequence featured Griffith, who was nominated for an Academy Award for Best Actress, taking the Ferry along with an army of morning commuters. The scene featured Carly Simon’s Let the River Run, which ultimately went on to win the Oscar for Best Song and solidified the Staten Island Ferry’s place in Hollywood history.

Who’s That Knocking At My Door?

The title may not ring any bells, but 1967’s Who’s That Knocking At My Door?, originally titled I Call First, is legendary for being the first feature film by director Martin Scorsese. Starring a very young, fresh-faced Harvey Keitel, the film deals with Catholic guilt as well as love and heartbreak for Italian Americans in downtown Manhattan, themes that would be even more fleshed out six years later in Mean Streets.

The film centers around the relationship between Keitel’s character, J.R., and his unnamed love interest, played by Zina Bethune. The audience’s engagement with these two characters relies on a key opening scene in the film — a lengthy, sometimes awkward conversation where the two leads meet while commuting on the Staten Island Ferry. In its own twisted way, it may even be one of Hollywood’s first meet cutes.

Notably, Scorsese’s first feature was filmed over several years, originally as part of his student film. Prolific Hollywood director Martin Brest also shot his student film, Hot Dogs for Gauguin, on the Staten Island Ferry, starring then-unknown actors Danny DeVito and Rhea Perlman — solidifying the Ferry as a go-to location for New York film students.

Ferry Tales

While the Staten Island Ferry is a huge attraction for tourists visiting New York City, its greatest use is transporting commuters back and forth across the harbor. Many Staten Islanders work in Manhattan, whether as Wall Street brokers, with the NYPD, or in any number of white- and blue-collar jobs. These commuters often take the ferry every morning at the same time, and start to recognize one another and even form friendships.

In 2003 the documentary short Ferry Tales was released, featuring the stories of some of the women who got to know each other in the powder room of the ferry while getting ready for work in the city. These women came from all sorts of diverse backgrounds but, for twenty-five minutes each morning, bonded over their shared commute and shared stories both with one other and with the documentary crew, including subjects as heavy as divorce, domestic violence, and the struggles of single motherhood.

Early in the 2001 filming of the documentary, the terrorist attacks on 9/11 occurred, giving everyone on the ferry — and the film crew — an unobstructed front row view of one of the most horrific attacks to ever occur on American soil. Along with appearing in and winning several film festivals, Ferry Tales went on to be nominated for the Academy Award for Documentary Short Subject in 2003.

The Dark Knight

Technically, the Staten Island Ferry doesn’t appear in Christopher Nolan’s second Batman film. Instead, the third act climax revolves around the Gotham Island Ferry — two, in fact. However, you wouldn’t need an eagle eye or be from Staten Island to recognize the iconic orange ships — with the exception of the first word painted on the side, these boats are Staten Island Ferries both inside and out.

Whereas most of Gotham City in The Dark Knight was filmed in and based on Chicago, the island boroughs and harbor were more clearly modeled on New York — a trend that was even more fleshed out in the third film, The Dark Knight Rises. The final, master plan of Heath Ledger’s Joker involved strapping bombs to two escaping ferries — one loaded with innocent evacuees, the other with convicted felons. The Joker gave each group the opportunity to save themselves by blowing up the other boat. Christian Bale’s Batman held faith that neither side would give in so easily, and was ultimately proven right, much to the Joker’s disappointment. It’s a safe bet to assume the real life commuters of the Staten Island Ferry would make the same choice.

Interested in studying film or acting just yards away from the Staten Island Ferry? Check out the programs New York Film Academy has to offer HERE.

The Academy Awards: Our Favorite Cinematography Wins of Last 10 Years

Life of Pi

Life of Pi

While the acting and Best Picture awards typically dominate the buzz and conversation leading up to the Academy Awards, the cinematography category often has — quite literally — the showiest nominees. While typically the director has a say in how a film will look, as well as how specific shots will be laid out, their director of photography is usually the one tasked with creating this look.

Lighting, camera angles, camera movement, focus, and depth of field are just some of the choices a film’s cinematographer will make, with or without the director’s input. They will also have a say in the types of film stock and camera equipment used on set. All of these decisions culminate in a film’s final look, which is why it’s the director of photographer who will take home the Oscar when a film wins the Academy Award for Best Cinematography.

While all of the nominees made the short list because of their unique, harrowing, complex, or gorgeous looks, here are just some of our favorite wins from the past decade:

Life of Pi – Claudio Miranda

Ang Lee adapted the novel Life of Pi and perfectly captured its otherworldly tale of a young man trapped in the middle of an ocean with a tiger. The movie is bright, colorful, and larger than life. In addition to taking place mostly on water, it incorporates magical islands and neon-infused skies, making it one of those films that should be illegal to watch on your phone. This deserves the 4K widescreen TV treatment at the least. No wonder it managed to beat out cinematography legend Roger Deakins’s outstanding work on the James Bond smash hit, Skyfall, as well as the other nominees in 2013.

Check out Life of Pi co-star and New York Film Academy alum Vibish Sivakumar here

Life of Pi

Life of Pi

La La Land – Linus Sandgren

Another colorful entry in this list is 2016’s La La Land, though the backdrop was less ocean fantasy and more theatrically artificial Los Angeles. But by combining traditional filmmaking techniques with modern sensibilities, Sandgren managed to put the audience in the world of writer/director Damien Chazelle’s making. La La Land earned multiple nominations and was a certified hit that left smiles on lots of faces.

La La Land

La La Land

Gravity – Emmanuel Lubezki

With nearly the entire action thriller taking place in space, you’d think there wouldn’t be much to shoot outside of star Sandra Bullock in an astronaut suit — but that’s partly why Lubezki’s work on Alfonso Cuarón’s Gravity is so impressive. By using outer space as negative space, Lubezki was able to capture a loneliness and isolation on levels rarely seen in cinema. Conversely, by using the bright blue Earth as a massive, larger-than-life backdrop in certain shots, the film never lost its sense of place, even as Bullock drifted aimlessly into a black nothingness.

Gravity

Gravity


Birdman – Emmanuel Lubezki 

Lubezki won a second consecutive Oscar for his work on Alejandro González Iñárritu’s Birdman, a film comprised of several long, complicated takes edited together to look like a single, continuous shot. This technique was used to some extent in Lubezki’s previous film Gravity, as well as Children of Men, but it was here where he really mastered the technique, transforming it from a mere gimmick into a statement about acting, theatre, and filmmaking in itself.

Birdman

Birdman

The Revenant – Emmanuel Lubezki

Emmanuel Lubezki appears frequently on this list because he became the first person to ever win three Academy Awards for Best Cinematography in a row, a distinction that shows just how brilliant he is behind the camera. His third win came for The Revenant, again directed by Alejandro González Iñárritu, and again filled with seemingly endless one-shots. Even more impressive was that The Revenant used only natural lighting and was shot nearly entirely outside in the wilderness on very cold days. Despite this, or perhaps because of it, The Revenant manages to be one of the most gorgeous looking films of the last decade.

The Revenant

The Revenant

Who will win this year’s award? Could it be Roger Deakins for his expansive work in Blade Runner 2049? Or Dan Laustsen’s grimy fairy tale noir look for The Shape of Water? Or maybe Rachel Morrison, the Black Panther cinematographer and first ever woman nominated in the category for her work on Mudbound? Let us know your thoughts in the comments!

Interested in studying cinematography and taking home an Oscar or three yourself in the future? Check out New York Film Academy’s cinematography programs here.

 

Our 2018 BAFTA Predictions

While the Oscars are still a few weeks away, the 71st British Academy Film Awards are finally upon us. The ceremony will be hosted by Absolutely Fabulous star Joanna Lumley on February 18, at London’s famed Royal Albert Hall.

The BAFTAs are one of the major award shows of the season. Because so many actresses, actors, and filmmakers come from the United Kingdom, the nominations and winners often overlap with many of the Golden Globe and Oscar categories. However, because the Academy is made up of different voters, sometimes the results can be wildly different.

Here then are the nominees for some of the major categories, along with our best guesses at who will be taking home the BAFTA award bronze mask statue this weekend — though like always, anything can happen.

The BAFTA Award
Leading Actress
Annett Bening – Film Stars Don’t Die in Liverpool
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya
Sally Hawkins – The Shape of Water
Our Predicted WINNER: Saoirse Ronan – Lady Bird

While Margot Robbie is considered the favorite for the Oscar in this category due to her stellar performance in the wildly enjoyable I, Tonya — the story of Tonya Harding and Nancy Kerrigan isn’t as much of a cultural milestone outside of the United States. This may give the edge to Irish actress Saoirse Ronan, star of Lady Bird, a film with near perfect critical acclaim.

Leading Actor
Daniel Day-Lewis – Phantom Thread
Daniel Kayluuya – Get Out
Jamie Bell – Film Stars Don’t Die in Liverpool
Timothee Chalamet – Call Me by Your Name
Our Predicted WINNER: Gary Oldman – Darkest Hour

It’s hard to bet against Daniel Day-Lewis, especially in a thoroughly British role that may also be his last. But Winston Churchill is about as legendary as you can get in Great Britain, and Oldman’s performance as the Prime Minister in his finest moments has already won several awards.


Supporting Actress

Allison Janney – I, Tonya
Kristin Scott Thomas – Darkest Hour
Laurie Metcalfe – Lady Bird
Octavia Spencer – The Shape of Water
Our Predicted WINNER: Lesley Manville – Phantom Thread

While Day-Lewis may not win, his co-star Lesley Manville certainly has a good shot just for being able to go head-to-head with him in several scenes, matching his intensity and emotional subtlety every time.

Phantom Thread

Lesley Manville in Phantom Thread

Supporting Actor
Christopher Plummer – All the Money in the World
Hugh Grant – Paddington 2
Willem Dafoe – The Florida Project
Woody Harrelson – Three Billboards Outside Ebbing, Missouri
Our Predicted WINNER: Sam Rockwell – Three Billboards Outside Ebbing, Missouri

There’s a lot of momentum behind Sam Rockwell this season for his complex performance as a bigoted cop in Three Billboards Outside Ebbing, Missouri. That momentum might be too much for any of the other very talented actors in this category, including co-star Woody Harrelson.


EE Rising Star Award

Daniel Kaluuya
Florence Pugh
Josh O’Connor
Timothee Chalamet
Our Predicted WINNER: Tessa Thompson

Daniel Kaluuya made a huge splash with his haunting starring role in Get Out, but we’ve got to give the edge to Tessa Thompson, the talented American actress who is quickly becoming an A-list movie star thanks to her scene-stealing performance in Thor: Ragnarok.

Tessa Thompson

Tessa Thompson

Editing
Baby Driver – Jonathan Amos, Paul Machliss
Blade Runner 2049 – Joe Walker
The Shape Of Water – Sidney Wolinsky
Three Billboards Outside Ebbing, Missouri – Jon Gregory
Our Predicted WINNER: Dunkirk – Lee Smith

The editing in all of this year’s nominees was impressive, but Dunkirk’s style was a crucial part of the narrative — telling the evacuation of Dunkirk in three distinct timelines cut back-and-forth. The epic World War II film will probably come away with at least one award this weekend, and odds are it’ll be this one.


Special Visual Effects

Blade Runner 2049
Dunkirk
Star Wars: The Last Jedi
War For The Planet Of The Apes
Our Predicted WINNER: The Shape Of Water

The Shape of Water is essentially a classic romance tale, except one of the romantic leads is a computer generated seven-foot fish creature. By making the character not only believable but emotionally relatable, the special effects team for The Shape of Water more than proved they’re worthy of this year’s award.


Cinematography

Blade Runner 2049 – Roger Deakins
Darkest Hour – Bruno Delbonnel
Dunkirk – Hoyte van Hoytema
Three Billboards Outside Ebbing, Missouri – Ben Davis
Our Predicted WINNER: The Shape Of Water – Dan Laustsen

Blade Runner 2049 is a dark horse in both the Special Effects and Cinematography categories for its fully realized portrayal of a near-future America, but The Shape of Water will probably come ahead in both. The film is a visual marvel in multiple ways, and slides between multiple styles and genres with ease.


Adapted Screenplay

Armando Iannucci, Ian Martin & David Schneider – The Death Of Stalin
Matt Greenhalgh – Film Stars Don’t Die In Liverpool
Aaron Sorkin – Molly’s Game
Simon Farnaby & Paul King – Paddington 2
Our Predicted WINNER: James Ivory – Call Me By Your Name

Paddington 2 is a smash success and both Aaron Sorkin and Armando Iannucci are screenwriting legends, but Call Me By Your Name manages to adapt the 2007 novel of the same name in a way that preserves all its raw emotion that audiences can’t help but be affected by.


Original Screenplay

Jordan Peele – Get Out
Steven Rogers – I, Tonya
Guillermo del Toro – The Shape Of Water
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Our Predicted WINNER: Greta Gerwig – Lady Bird

Gerwig is making history as only the fifth woman nominated for a Best Director Oscar, and her film Lady Bird is easily considered one of the best of the year. It’s had a tougher time at the BAFTAs, so if the overall film gets recognized it’ll have to be here for its remarkable screenplay.

Lady Bird

Lady Bird

Animated Film
Loving Vincent
My Life As A Courgette
Our Predicted WINNER: Coco

All three films are visual works of art, but it’s hard to bet against Pixar and their soulful, supernatural masterpiece about a 12-year-old boy trapped in the land of the dead.


Documentary

City Of Ghosts
I Am Not Your Negro
Icarus
An Inconvenient Sequel
Our Predicted WINNER: Jane

Primatologist and anthropologist Jane Goodall is a hero and legend to naturists and to her fellow Britons alike. Jane, the 2017 documentary about Goodall, has already picked up several festival and critics awards and will probably get the BAFTA as well.


Outstanding British Film

Darkest Hour
Death Of Stalin
God’s Own Country
Lady Macbeth
Three Billboards Outside Ebbing, Missouri
Our Predicted WINNER: Paddington 2

There might not be anything more loved and more British than Paddington 2, a film with a rare 100% fresh score on Rotten Tomatoes. While all of the other nominees could win as well, especially Irish playwright Martin McDonagh’s Three Billboards or the Winston Churchill drama Darkest Hour, the world really needed an adorable teddy bear in a raincoat —again— and Paddington 2 delivered.

Paddington 2

Paddington 2

Director
Denis Villeneuve – Blade Runner 2049
Luca Guadagnino – Call Me By Your Name
Christopher Nolan – Dunkirk
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Our Predicted WINNER: Guillermo del Toro – The Shape Of Water

The Shape of Water leads the BAFTA nominations with twelve total — and it takes a masterful director to bring all of these nominated elements together into a fantastical tour-de-force. Guillermo del Toro already picked up a Golden Globe for his efforts, and while his competition is stiff, he’ll most likely pick up a BAFTA as well — even if the film falls short in other categories.


Best Film

Call Me By Your Name
Darkest Hour
Dunkirk
Three Billboards Outside Ebbing, Missouri
Our Predicted WINNER: The Shape of Water



It cannot be overstated just how important the Second World War is to modern Britain, and both films in this category dealing with the subject —Dunkirk and Darkest Hour — do so in masterful ways. For different reasons, Call Me By Your Name and Three Billboards have connected with and sparked conversation for their audiences. But The Shape of Water has a slight advantage over its competition with its overwhelming amount of nominations this year, as well as its perfectly executed fairy tale with just enough of a twist to make it unique. It doesn’t hurt that avid movie buff Guillermo del Toro also managed to make the film a love letter to cinema. Look for this film to take home the biggest BAFTA of them all.

The Shape of Water

The Shape of Water